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Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence
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Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

/// Myanmar ///
Story: Nawapat D. /// Photography:  Spaceshift Studio, Courtesy of Vin Varavarn Architects 

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

 

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Souvenirs of a Myanmar Visit
Souvenirs of a Myanmar Visit
livingasean

Souvenirs of a Myanmar Visit

Nothing impresses visitors to Myanmar more than tea, nuts, and Balachaung. And there is more to the Land of Pagodas than “Thanaka,” the popular anti-UV facial powder. Living ASEAN introduces the three favorites that foreign tourists like to take home as souvenirs of a Myanmar visit.

/// MYANMAR ///
Story: Samutcha Viraporn /// Photography: Sitthisak Namkham, Samutcha Viraporn

Photo: https://commons.wikimedia.org/wiki/File:Street_food_goodness_in_Yangon_(5089715337).jpg

– Tea –

Tea drinking has long been a popular culture in Myanmar. Small tea shops with plastic furniture in vivid shades are ubiquitous across the city. Like old school cafes, they are favorite hang-outs for people to socialize or just chill out sipping tea. The modest shops in peaceful settings offer the country’s all time favorite, black tea with sweetened condensed milk. Legend has it that tea growing was initiated by King Alaung Sithu (1113-1167 AD), in the northern part of what is now Shan State. Later when the country came under British rule, Myanmar grew tea on commercial scales for exports to Britain in much the same way as India did throughout the Colonial period.

Nowadays the aromatic beverage made the traditional Myanmar way has become increasingly popular among foreign visitors. Many tourists take it home as a souvenir of their visits. For instant tea lovers, Myanmar tea comes in 3-in-1 pouches ready to be reconstituted into a cup of tea. For a premium tea experience, try tea leaves that come in sealed bags. There are many varieties to choose, from English Breakfast to Earl Grey to Jasmine to Green Tea. Two popular brands are Royal and Nagar Pyan.

 

Photo: https://commons.wikimedia.org/wiki/User:Hintha

– Nuts –

Laphet is Burmese for fermented or pickled tea leaves. Popular among the citizens of Myanmar, it’s a cold dish made of various mixtures of nuts and tea leaves. It started out as a condiment to a cup of tea, but eventually grew to become a salad recipe on its own. Various nuts are cooked in oil, mixed with fermented tea leaves, and seasoned with chilies and garlic. The export version of Laphet comes in boxes for tourists to take home as souvenirs. Whilst there, don’t forget to try peanut energy bars, and the Myanmar Peanut Crisp Candy. The latter is similar to Toobtub peanut snacks of Thailand. The name refers to the sound of ingredients being pummeled in the making of the tasty snack.

 

– Balachaung –

An accompaniment to hot steamy rice, the Myanmar Balachaung is made with fried shallots, garlic, ginger, shrimp and red chilies. Its tantalizing aroma comes from the fact that all the ingredients are fried crisp. It is set aside to cool down completely before being stored in airtight containers. Properly stored Balachaung keeps well for a fairly long period. It is easily transported and goes together well with Thai-style omelet that is cooked in a frying pan until firm. Versions of the crispy mouthwatering condiment are also made by many households around Mae Sot town on the Thailand-Myanmar border.

The above have been three favorites that we have discovered on this Myanmar trip. We trust that our friends across the ASEAN find the information useful, and that your next itinerary will include Laphet, tea products, and the delicious Myanmar Balachaung.

 

Jatujak Isn’t Just for Weekends
livingasean

Jatujak Isn’t Just for Weekends

If two days is not enough time for the weekend, you still have plenty of hours to shop on weekdays.

/// Thailand ///
Story: Samutcha Viraporn /// Photography: Soopakorn Srisakul 

Make Mistake
Koch
Brezza Dee

Situated near the MRT Kampaengpet Station, Jatujak Plaza is open on weekdays, too, except either Monday or Tuesday depending. It’s a popular marketplace for not only furniture, home furnishings and decorating items, and souvenirs, but also plenty of pet animals from dogs to cats to fishes. And the list goes on.

Hat Up

The Plaza at Jatujak Park sits right next to a vast built-up area set aside for the weekend market. Furniture, home décor items, and a plethora of lifestyle goods combine to give the Plaza its distinctive character. The marketplace had been the hub of pet lovers before it was transformed into rental spaces for businesses, notably art and craft retailers.

Philos
Philos
MS Natural Design

As time went by, Jatujak Plaza continued to attract more and more business people from makers of furniture and home décor items to architects, interior designers, and fashion stylists. Over the years it has become a popular rendezvous for homeowners as well as hotel and hospitality business entrepreneurs who are in the market for cool furniture and décor supplies. Some furniture makers have retail businesses here, while others import decorating goods from regional sources, notably Indonesia and the Philippines.

Mango
Leather O
Tin Home Toy
ML Living

The plaza’s advantage lies in its proximity to an MRT station and business hours on weekdays. The marketplace is open from 10 AM to 6 PM daily, but you have to pick the right day to shop. Most retail businesses here are closed on Monday, while others choose to stay closed on Tuesday, too. Some shops don’t open exactly on the hour. For your convenience, it is recommended that you be there around 11 AM. There is a pet zone located at the further end.

7 Skylight Design Ideas for Homes
livingasean

7 Skylight Design Ideas for Homes

/ Story: Samutcha Viraporn / Photograph: Living ASEAN Press Room /

The main benefit of having a skylight is all the natural light you get from it. Nobody likes being holed up in a dark or dimly lit home, especially at night. Well thought-out skylight designs provide your home with extra ventilation and minimize heating, cooling, and lighting costs. Here are some great ideas for energy efficient skylight designs that might interest you.

The project’s full article: http://livingasean.com/house/modern-tropical-house/

 

The project’s full article: http://livingasean.com/house/edgy-modern-house-triangular-design/

 

The project’s full article: http://livingasean.com/house/steel-house-2/

The project’s full article: http://livingasean.com/house/brick-house-for-a-tropical-climate/

 

 

 

The project’s full article: http://livingasean.com/house/7743/

 

The project’s full article: http://livingasean.com/house/8618/

 

The project’s full article: http://livingasean.com/house/compact-house-where-the-old-tells-a-new-story/

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Wat Arun Ratchawararam, a Must-See Thai Historical Site
livingasean

Wat Arun Ratchawararam, a Must-See Thai Historical Site

The beauty and remarkable architecture of Wat Arun Ratchawararam has lasted through hundreds of years and the reigns of many Thai kings, as the temple has risen to become one of Thailand’s most prized historical sites and a must-see ASEAN tourist destination.

/// Thailand ///
Photography: Tanakitt Khum-on

Wat Arun Ratchawaram, or “Wat Jaeng,” as Thais sometimes call it, stands on the edge of the Chao Phraya opposite Wat Pho. This priceless historic gem was once the official temple of Thailand’s King Rama II. Built when Ayutthaya was the capital of the Kingdom, its first name, “Wat Makok,” was soon changed to “Wat Makok Nawk,” and since then has been called “Wat Jaeng,” “Wat Arun Ratchatharam,” and “Wat Arun Ratchawararam.”

The most memorable and noticeable feature of Wat Arun is the stupa, a gorgeous example of Khmer-style architecture rising 81.85 meters from its base, tallest of its kind in Bangkok, in fact tallest in the world. It’s now one of Thailand’s prime icons of tourism, radiating beauty day and night.

The Wat Arun stupa was first restored to its present splendor by King Rama V, better known as King Chulalongkorn. At that time the stuccoed brick structure was adorned with seashells, glazed tiles, and Benjarong porcelain of various colors laid in flower, leaf, and other patterns, with kinnarees (flying deities), giants, angels, and garudas added. The stupa has undergone continual preservation and restoration since then, most recently with a five-year facelift sponsored by the Department of Fine Arts begun in 2013 and completed in time for ASEAN tourists to come see the stupa’s fantastic designs and colors returned to their original glory, just as in antiquity.

Wat Arun has a lot of outstanding features to see besides the stupa. The ubosot (ordination hall) on the north side, for instance, was built in the time of Rama II and is famous for its amazing architecture and interior murals. And there’s the monument to Rama II on the retaining wall in front of the temple, built in 1996 by His Majesty Rama IX in celebration of the 50th anniversary of his reign.

Getting there: Wat Arun stands between the Chao Phraya River and Arun Amarin Road, and can be reached by either car or boat.

 

 

 

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Right Renovation Leads to a Pleasing Hip, Modern Brick House
livingasean

Right Renovation Leads to a Pleasing Hip, Modern Brick House

/ Bangkok, Thailand /

/ Story: Foryeah!/ English version: Bob Pitakwong /

/ Photographs:  Nantiya Busabong /

The houses in this area all looked the same when parents brought the owner of this newly renovated house here when he was a child; now he has renovated their home into a hip, modern brick house with 200 square meters of usable space on a property of 400 square meters.

modern brick house
The lower floor retains the old “tai thun” space below, a brick wall with angled patterns perforated for ventilation on the floor above.

“After studying abroad I lived in a condo for years, but modern urban life is too full of needless accessories, so I finally came back to this house for its serenity and privacy,” said Roj Kanjanabanyakhom, the owner and architect of his own home.

“I like peace and quiet, listening to music, watching movies, and that’s enough.”

A staircase up to the hobby room, apparently playfully designed for legs of different lengths.
The old house wall was removed in favor of tall “picture windows”
modern brick house
Leaving open space between the old house and the addition makes for good ventilation and cooling.

An architect himself, he was the designer and construction supervisor. Since the house was in an old condition, there were a lot of problems: leaks and seepage, rusty pipes, etc., even asbestos tile, now recognized as carcinogenic.

The structure of the house had to be almost completely torn down to its basic frame: pillars, beams, and a couple of walls.

Striking improvements were made to suit Roj’s lifestyle in both the new building at the front and the old house at the back. The newly built structure at the front consists of bright orange brick walls with ventilation spaces below.

A former open “tai thun” (the space beneath the stilt) area, half the ground floor, became his own bicycle maintenance shop, with the other half a carport.

On the second floor is a hobby workshop, and above that a roof deck where support pillars are capped with metal plates in anticipation of future additions.

modern brick house

At the back, the 2.4-meter outside wall of the old house was demolished and replaced with tall glass windows all around for a spacious feeling.

Bedrooms on the second floor were removed to create a “double space” area, and a projector was set up behind one wall for full-size movie viewing.

modern brick house

A skylight was put in to let sunlight in all day, relieving the stuffy, damp, dark atmosphere, and polycarbonate tile was laid on floor and walls.

“There were some difficult structural and material design limitations in the old house,” said Roj.

“Parts of the old roof weren’t able to support much weight, so besides replacing the asbestos with double Roman tile we used metal purlin trusses instead of wood.

“To avoid joint problems where the new roof meets the old gabled one, we used steel-reinforced flat slab concrete, which will be able to hold the weight of future additions.

“Sometimes it’s easier and cheaper just to tear everything out,” he continued. “But I renovated because I wanted to preserve the memories here,” said Roj with a smile.

And so here’s a home filled with remembrance, ready to bring present and future memories into the mix.

modern brick house
The roof deck, designed to hold weight for future additions and a path connecting the two buildings.

Owner/Architect: Roj Kanjanabanyakhom of Atom Design (www.facebook.com/atom.design.bkk)

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A Breathtaking Trio of Modern Loft-Style Homes in Bangkok
livingasean

A Breathtaking Trio of Modern Loft-Style Homes in Bangkok

/ Bangkok, Thailand /

/ Story: Wuthikorn Sut / English version: Bob Pitakwong /

/ Photographs: Tanakitt Khum-on /

In former times as families outgrew their homes, by tradition Thais would put in more houses on the same property. They shared basic facilities and landscaping fitting together to form a cohesive whole. But this tradition has been disappearing. Nowadays, grown children move away into single-family homes of their own. In this case, though, Manit and Yanrak Manithikhun decided to build a trio of modern loft-style houses as future homes for their children on their piece of land.

The trio of modern steel framed homes are connected by the perfect pathway with a private garden in the middle.

“We knew our sons would want their private space, and we had a sizeable piece of land. We thought it would be a good idea to build three new houses right here for them in the same place,” said Manit.

“The three new buildings include one common house where the whole family can get together. It’s for entertaining guests, too. And I wanted an herb garden. Thinking forward to retirement!”

Steel frames and brick walls: the hip, unfinished “loft” look.

The three new homes were added to the existing principle house of parents that was built after the big floods hit Bangkok in 2011. The expansion plan included a private garden and common space where the family could spend time together.

It was made up of two steel framed loft-style houses for the sons and one building as a common room. By and large, it was designed to serve and filled in many parts that were missing in life, a garden and common room where the family can spend time together.

“The kids wanted the style to be simple and unfinished. The houses all have the same design, but they’ll change and take on the personalities of the families living in them,” Manit explained.

“I added the garden and shady spots. I wanted a resort-like feeling, and we have that now: garden, swimming pool, all in our own home.”

The cantilever deck that’s a part of the common building reaches out above the pool creating an impression of a home floating on water.

Besides a great family home with delightful common space, the architects also designed the house to be eco-friendly. The roofs were set at a 15-degree angle, facing south to prevent full sun exposure. All the houses – even the carports – have solar panels, reducing energy costs of the whole residence by 50%.

Solar cell panels installed on the roof at a 15-degree slant offer 50% savings on energy bills.

“We chose the steel house frame not only for speed in building, but also because there’s less noise pollution during construction than using other materials,” said house architect Piriya Techaratpong.

“Plus it gives a wider choice of forms than traditional concrete or column and beam structures, and is many times cheaper than building a concrete weight-bearing wall.

“The common house has spaced steel columns, with lightweight lines that give the impression the building is floating over the pool below. This is the elegant design we were trying for.”

The result of all this? A design that’s an expression of the unconditional love and aspirations these parents feel for their children.

Owner: Manit and Yanrak Manithikhun

Architect: Mee-D Architect Co., Ltd. (www.facebook.com/MeeDArchitect) by Piriya Techaratpong and Pawit Chuankumnerdkarn

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10 Great Plants for Tropical Rainforest Landscaping
livingasean

10 Great Plants for Tropical Rainforest Landscaping

How do you do tropical rainforest landscaping? Use high-tolerant plants that grow well in heat and humidity. Living ASEAN has put together the following list of 10 tropical species that are generally easy to find in all ASEAN countries:

/// ASEAN ///
  Photography: Rithirong Chanthongsuk, Sitthisak Namkham

Bromeliads (Urn Plant): these are ornamental plants with beautiful flowers, slow-growing, easy to care for, and drought-resistant. They do well both where there is a lot and a moderate amount of sunlight. If one gets a lot of sun, the leaves become more and more colorful. Bromeliads give off oxygen during the night and absorb carbon dioxide, making them especially suitable for bedroom placement.

 

Spikemoss fern (Selaginella Involvens): a ground cover, this is also known as “medical spikemoss” or “peacock fern.” It’s fan-like, with rounded, flat, bushy leaves, and often found in dense forest around steep mountain slopes or near rocks that get moderate sun.

 

Left: Begonia: represented by many species, it thrives in humid forests, and is thought of as a forest flower. There are both edible and are inedible varieties., For an an alternate sour taste, edible varieties can be used instead of lime in tom yam soup. The inedible varieties have velvety leaves.

Right: Fan palm (Palas Payung): the standout feature of the fan palm is its wide, spreading leaves, resembling folding fans. It can reach four meters in height. Leaves end in sharp, thorny points.

 

Left: Staghorn Fern (Climbing bird’s nest fern): this fern has climbing roots and thick, green leaves covered with fuzzy hair. The leaf ends fork, resembling a stag’s antlers. For their beautiful and unusual shapes, and their moisturizing quality, they’re often used as ornamental plants.

Right: Coriander-Leaf Fern (Sphenmeris Chusang): this ground fern, found along the face of earthen cliffs or in foothills, does well in shade or indirect sunlight. The petioles about 30cm long, and leaves are delicate and reminiscent of coriander.

 

Left: the Bead Tree (Elaeocarpus Grandiflorus) has a forest habitat. With gray-brown bark and thick, green, oval-shaped leaves, it produces white flowers with a light fragrance. It’s often found growing on the sides of waterfalls.

Right: Australian tree fern (Dicksonia Antarctica): easy to grow, this rapidly growing fern with a chubby trunk grows in places that are humid, but not too wet. Its leaves grow out bushy and beautiful, but it produces neither flower nor fruit.

 

Left: The round-leaved banyan (Ficus Annulata Blume) stands out amid a bed of spikemoss. Leaves are round and small, dark green, with smooth edges. It produces a round berry-like fruit, yellow-orange when ripe. It’s considered a good-luck tree, associated with wealth. It grows best in dim to medium sunlight.

Right: Simpoh ayer (Dillenia Suffruticosa): this medium-sized shrub flowers white and is often used in house decoration. In its native to Malaysia, ayer thought to bring good luck. At full size it’s about 8-10 meters tall.

 

 

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Modern Tropical House
livingasean

Modern Tropical House

Like traditional Thai houses of former times, Baan Phu Patra, as Spacetime Architects’ latest creation is called, rises above the “tai thun” space below so cooling breezes can blow through, also giving a magnificent view of Nakhon Ratchasima’s Khao Yai mountains.

/// Thailand ///
Story: Ektida N. /// Photography: Soopakorn Srisakul, Nantiya Busabong /// Design: Spacetime Architects by Kannika Ratanapridakul and Piriya Thailimthong

Kannika Rattanapreedakul of Spacetime Architects named this house “Baan Phu Patra” after the Khao Yai housing development where it’s located. At the owner’s request, the house is not too big, feels relaxed and comfortable, and has space for a kitchen vegetable garden, as the architects came up with what they call the perfect definition of a “modern tropical house.”

From outside it has a stylish, trendy appearance: clean, straightforward lines, with no wasted design or anything to make it look out of place with its surroundings.

Design began with an analysis of the 1200 square meter property and its surroundings: a sleep slope, with the best view blocked by a neighboring house and the housing project’s utility building. Spacetime’s design called for the house to be raised old-style, up 3.4 meters above a traditional Thai tai thun open space. This not only corrected for the slope, but also provided a much wider view of Khao Yai than another plan might have allowed.

The second design stage involved positioning of elements for the best functionality. The house is aligned east to west. The second floor gets a panoramic view of Khao Yai to the east. The staircase up into the house itself is set at the rear, or west end of the house, leading into a large multipurpose area containing kitchen, living area, and dining area, two bedrooms – to the left and right – and out to a 5-meter-wide balcony designed for a comfortable, relaxing experience.

The ceiling follows the slant of the roof, for a more open feeling.
Granite floor tiling around the kitchen island gives definition to interior spaces.

Once the functional setup was in place, the next design step was to select the right construction materials for Baan Phu Patra to fit its natural context in a unique and interesting way. A steel framework was used, with natural wood flooring except for kitchen and bath, where the cast-in-place concrete slab floor was topped with smooth-colored granite. These very disparate materials work well with each other to add a feeling of authenticity and define the different functionalities of different interior areas without the use of separating walls.

With form, proportion, and function all well thought-out, Baan Phu Patra blends right into its natural surroundings, a home perfectly suited to its context with an elegantly simple design.

A skylight above the window adds to a connection with nature outside.
The balcony reaches all around the house for a 360-degree view.

 

Link : https://th-th.facebook.com/spacetime.kalatesa/

 

 

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10 Products with Cool Designs From SACICT Craft Trend 2018
livingasean

10 Products with Cool Designs From SACICT Craft Trend 2018

From the book SACICT Craft Trend 2018, published by Support Arts and Crafts International Center of Thailand, we take 10 pieces that combine some very hip design with contemporary materials and production and startlingly traditional folk elements. Let’s see what’s there . . .

/// Thailand ///

1. Ceramic plate inscribed with traditional local fabric patterns, by Wit’s Collection adapts the intricate details of a cloth-based pattern to create a chic ceramic work with an eclectic tribal style.

2. The “Raindrop Hanging Lamp” by PATAPiAN: an imaginative blend of old materials, traditionally woven bamboo and moulded brass, formed into raindrop shapes. Great to mix and match with any style.

 

3. “Takra” multipurpose tray by Thinkk Studio and a wicker-weaving group at Baan Chang in Ang Thong Province: material is woven into small frames. This adds a new dimension to wicker work, since the technique was previously used only for large pieces of furniture. The innovation comes from a new generation of designers working with old-time artisans in SACICT’s Thai Navatasilp Project, which has received wide acclaim.

4. Jackets of woven fabric by Trimode Studio and an U-Thong quilting group in Suphanburi Province use plain woven fabric patterned with new designs simplifying an elaborate tribal style. Here excessive detail is smoothed out to give a contemporary look while using a traditional hand-stitching technique, another bit of folk knowledge preserved by SACICT’s Thai Navatasilp Project.

 

5. The Landscape Pot Box by TRIMODE DESIGN and a mango woodworking group in Hang Dong, Chiang Mai Province: a multipurpose storage box inspired by natural landscapes. The lids of these mango wood boxes are made from colored resin with a texture resembling natural stone. Here the touch of nature is combined with a smooth, very minimalist design.

6. “Tribida,” by Trimode Studio and a twine-weaving group of Ban Laem Yang, Nakhon Sawan Province is a movable set of storage drawers with interesting shape, color, and materials. The lightweight drawers come in a number of patterns and are woven from baling twine, for yet another attractive product from Thai Navatasilp.

 

7. The “Needle Chair” by British designer Veega Tankun adapts and extends a traditional silk weaving technique to create a new type of easy chair cushion. This cushion softens the chair frame for a gentler, more modern look while adding a new, truly charming dimension to chair design.

8. “Khrae Tray,” by Thinkk Studio and a wicker-weaving group in Baan Chang, Ang Thong Province, is a multi-purpose tray that got its inspiration from dwarf bamboo, its small bamboo slats charmingly set in a black steel frame. It can be put to all sorts of uses, including as a support for food dishes, or as a tea set tray.

 

9. The Line Tote Bag by Thinkk Studio and a natural-cloth-dyeing community enterprise group at Nong Bua Dang in Chaiyaphum Province is a shoulder bag with an intriguing shape, made of stylishly dyed woven fabric and adorned with simple, attractive monochromatic graphics and patterns that add to its contemporary look. This, too, is a Thai Navatasilp product.

10. “Mon Mai,” by Thinkk Studio and a natural-dyeing community enterprise group in Nong Bua Daeng, Chaiyaphum Province: these beautiful woven mudmee silk patterns are warm and modern, with reduced pattern detail suggestive of fashionable graphic art. The natural dyes give a gentle feeling reminiscent of pastels. Another proud example of SACICT’s Thai Navatasilp Project.

These ten craft art pieces use traditional Thai handicraft techniques adapted by leading designers to create stylish products, many of which are either still on display or in the inventory at SACICT Concept in Bang Sai, Ayutthaya Province. For further information, visit www.sacict.or.th or keep current with the news at www.facebook.com/sacict.

 

 

 

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