/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Duy Nhat, Le Ba Loc /
Here’s Sep’on Heartfulness Center, a small-capacity boutique hotel built on an elongated rectangle in Nha Trang, a coastal town in the South of Vietnam. Even with a narrow frontage to the street, it offers 600 sq. m. of accommodation spaces with views of the city landscape. The design-driven wholesome destination conveys a great deal about truth-to-materials architecture, which holds that everything is used in its natural form — unadorned, unpainted, neither polished nor hidden.
Named “Sep’on Heartfulness Center,“ the boutique hotel project is the brainchild of 324PRAXIS, an architectural practice based in Ho Chi Minh City. Their main mission: overcome every challenge on the project site and come up with a small stylish hotel, one that’s full of character and suitable for an urban environment.
The result is a five-story building that’s graceful and chic in appearance. Its front façade is made attractive by small balconies accessible from guest rooms on the upper floors. Enclosed by twisted wrought iron balustrades, they give good views of the cityscape, admit fresh air and add natural light to the interior.
Such is the elegance of design that’s also found in several places throughout the five-story concrete building. The ground floor contains a semi-outdoor sitting room and coffee bar decorated with greenery that has become a popular meeting place among locals and tourists.
Hotel rooms on the upper floors are accessible via metal staircases attached to the rear of the building. They are built outdoors to give the appearance of a more open engineering structure, thereby showcasing the true nature of building materials.
The same open-concept design applies to the roofed platforms and passages along the outside of the building. They are suited to serve several purposes, from outdoor sitting rooms and cityscape viewing spots to yoga workout class and room to practice meditation. It’s a calm and peaceful place to take a breath of fresh air and enjoy views of the city.
Even with its small capacity, the hotel is able to provide a variety of accommodations ranging from suites to deluxe rooms and duplexes consisting of two apartments. They share one thing in common — a design that faithfully represents the principle of truth-to-materials architecture.
This holds that any building material is used in a way that’s the most appropriate, while the method of construction is unhidden. Besides taking in views of the cityscape, it’s about bringing the outdoors into the room, thereby creating a comfortable ambience filled with fresh air and natural light.
Plus, furniture is kept to a minimum to ensure the room is uncluttered, safe and right for simple living.
Taking everything into account, Sep’on Heartfulness Center is a boutique hotel beautifully made to fit the circumstances that form the setting of the coastal city neighborhood. Despite the challenges and limitations, the design team at 324PRAXIS is able to create a place for board and lodging that’s stylishly chic. It’s a charming place to be next time you sojourn in this part of Vietnam.
/ Story & Images: Press Release / English version: Bob Pitakwong /
/ Photographs: Baan Lae Suan Press Room /
Sustainability Expo 2023, aka the largest sustainability exhibition in the ASEAN Region, will take place at the Queen Sirikit National Convention Center (QSNCC) from 28 September to 8 October. Occupying a massive 70,000 square meters of display spaces, the annual event is dedicated to helping create an ecological balance, conserving natural resources and ensuring the well-being of present and future generations.
Codenamed SX2023, it’s the fourth edition of the show and a collaboration among five leading enterprises famous for supporting sustainable development efforts. They are the Frasers Property Co, Ltd; the PTT Global Chemical Public Co, Ltd(GC); the SCG Public Co, Ltd; the Thai Beverage Public Co, Ltd; and the Thai Union Group Public Co, Ltd.
This year’s Sustainability Exposition is on the theme of Sufficiency for Sustainability. Its front-and-center concern is the actual application of an idea of being adequate and sufficient for the benefit of the public as initiated by His Majesty King Vajiralongkorn. The concept is in turn rooted in Sufficiency Economy Philosophy (SEP), a strategy-driven plan for self-sufficient living conceived by his predecessor, the late His Majesty King Bhumibol Adulyadej.
Such is the concept that inspires us with the vision of a sustainable future for all. Likewise, this sustainability exhibition is created with Thailand’s national policy objectives and the UN Sustainable Development Goals (UNSDGs) in mind.
For this reason, Sustainability Expo 2023 is dedicated to helping convert a great idea into a reality through a platform for cooperation, an effort guided by the “Good Balance, Better World” concept.
To increase enthusiasm and support among the public, SX2023 has assembled teams of experts with authoritative knowledge of sustainable development from various projects, plus some of the most interesting technology trends and innovations. It is hoped that active public participation in this matter will contribute to reducing human impacts on the environment in the long term.
And by popular demand, there will be plenty of workshops to attract green thinkers, environmental change-makers and do-it-yourselfers, not to mention activities aimed at developing better understanding of the needs and benefits of sustainable development.
Hence, an army of 300 experts from across the globe are participating, plus exhibitions by more than 500 sustainable development-related corporations both at home and abroad.
To make things easier for our audiences, Sustainability Expo 2023 is divided into the following zones.
The Sufficiency Economy Philosophy (SEP) Inspiration Zone
Discover the true meaning of Sufficiency Economy Philosophy (SEP) through a series of immersive multimedia presentations. It’s a nice little collab among the artists from the Bangkok Art Biennale who understand how nature sustains life on Earth.
Plus, there’s a show by the so-called Duck Unit group who is specialized in contemporary light and sound performances. And don’t miss out on an amazing exhibition of Earth images by NAT GEO.
There are plenty of facts and events waiting to be discovered for those interested in creating an ecological balance, sustainable development, and a better world for current and future generations.
Better Me Zone
It’s a show about perspective shifts, whereby people of different ages can live happily together. Discover tips for healthy living at the Good Health and Well Being Indoor Park.
It’s presented on the theme of “Together we can restore the world,” an update on growing trends that positively affects physical and mental health.
Find innovative health care products, apps and AI’s that can meaningfully improve people’s lives regardless of age. There’s plenty of useful tips for eating right, retirement planning, and life-long learning – the ongoing self-motivated pursuit of knowledge.
Better Living Zone
This part of SX2023 presents past achievements and current work undertaken by various sustainable development projects. They include environmental improvement models and sustainable ideas for businesses known collectively as the Circular Economy.
It’s an environmentally friendly way to reuse, recycle and regenerate materials in a bid to reduce waste. The effort is being implemented via four core activities namely, water stewardship, decarbonization, biodiversity, and waste management.
Better Community Zone
Here’s an exhibition about a unified society, one that flourishes on the principle of fair and equal treatment for all. It’s presented through a series of conversations among people working toward common goals in establishing normality in a diverse society.
The show is rich in exhibits about ideas for behavioral changes that benefit society as a whole. They include topics such as the importance of responsible actions, the preservation of cultural heritage and the ability to adapt to change that fits present circumstances and climates.
Food Festival
As the name suggests it’s a show for people who love to eat, featuring famous chefs and their claims to fame. This year’s Food Festival is on the theme of the “Thai Street Food Museum,” a collection of replicas of landmark eateries from across Bangkok, Phuket and other destinations, all in one place.
Enjoy good food and drink that’s good for you, for Thailand and for the world. It’s made possible by Zero-Waste Cooking, a sustainable approach to cooking more and wasting less.
The SX Marketplace
Last but not least, the SX Marketplace presents an impressive range of products by sustainable designer brands and environment-friendly goods. They include beautiful plants from “Garden and Farm,” a home decorating and lifestyle arm of Baan Lae Suan (Home and Garden) Magazine, plus community products from more than 200 retailers.
It’s also a place to shop around for craft goods that benefit communities and society. And while there, take the time to join a group conversation discussing business opportunities. Or just sit back and relax sipping coffee at Harvkind, a unique café setting located inside a sustainable furniture show.
That’s just a small part of the whole number of things happening at Sustainability Expo 2023. This year’s exhibition is on the theme of “Good Balance, Better World”.
Come join us at “Talk Stage,” a conversation event featuring distinguished guest speakers who gained experience through hands-on practice in the field of sustainable development. It’s the ideal place to stay up to date on growing trends.
Because sustainability is everyone’s responsibility, we look forward to seeing you all at Sustainability Expo (SX2023), which is happening from 29 September to 8 October at the Queen Sirsikit National Convention Center(QSNCC).
Together we can restore an ecological balance, conserve natural resources, and create a sustainable future for all. Mark your calendars for late September to early October!
Thailand has always seen the importance of international trade for sustainability. Our products and services are meticulously made in every step from the production process and selection of raw materials to how it is being delivered to consumers.
We have done everything with care for people, society, and the environment. One great example of the matter is a journey towards sustainability of “shrimp” which is one of Thailand’s most significant export products.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya Busabong /
It all began with a thoughtful son’s wish to build a new home and be close to his aging father. And Jun Sekino of the atelier JUNSEKINO Architect and Design was on hand to do precisely that.
Jun Sekino, the architect who designed it, said that originally the plan was to put in an add-on to the existing family home. Later there was a change of plan.
The owner preferred to build a new home on the opposite side of the street from his dad instead, so the design was revised in order to fit an entirely different context.
The result was a white geometric home of outstanding beauty – one that’s simple yet attractive and fully functional. It’s the product of a 360-degree turn.
And after making all necessary adjustments, the architect aptly named it “RUPU HOUSE,” a made-up term coined from the Japanese word for the action of rotating around an axis.
Built on 200 square wah of land (roughly 0.20 acre), the new two-story home offers 680 square meters in total.
It stands surrounded by greenery that’s kept further away at appropriate distances to create a well-lit, well-ventilated living space. The first floor contains functional areas including an open contemporary kitchen with dining space at the center.
There’s a sitting room tucked away in a quiet corner for relaxation. Nearby a semi-outdoor space is reserved for entertaining guests. It lies enclosed by the glass walls of the dining room and sitting room. Glass walls enhance visual continuity and the aesthetic appeal of the home.
By design, the semi-outdoor space on the ground floor is the heart of family life, said the architect. It’s easy to get why this cool and airy area has become the homeowner’s favorite niche.
The second-floor deck keeps it in shade for much of the day. It offers ample space perfect for entertaining.
Despite the house’s modern appearance, the semi-outdoor room evokes pleasant memories of comfort provided by the wooden house on stilts of former times. It’s an ideal place for receiving visitors without disturbing the peace in other parts of the house.
Climb a flight of stairs, and you come to the quiet and secluded second floor that contains three bedrooms. The master bedroom belongs to the homeowner, while two slightly smaller ones are reserved for kids. That’s what the future looks like.
To create a light and airy feel, the spacious master bedroom boasts high standards of comfort with a big bed at the center, a walk-in closet and en-suite bath. But what makes it exceptionally good is the double height ceiling, which gives enough room for a private office on the mezzanine floor.
It’s a layout option inspired by duplex design, a peaceful place in which to work undisrupted. According to Jun Sekino, it’s like having a beautiful office apartment hidden inside the home.
The overall effect is impressive. White geometric design adds interest and a sense of excitement to the house’s external appearance. As Jun Sekino puts it, there is an unadorned beauty plus clean simple lines that fit an easy lifestyle, and that’s exactly the way the homeowner likes it.
Technically, it’s meant to be a simple one-mass unit of construction with a high-pitch shed-style roof, a geometric shape without terra cotta tiles and minimal detailing. And the same treatment applies evenly from top to bottom.
To create a soothing ambience, the concrete exterior home is painted white, a single-color trend toward simplicity in design.
Its shed style roof and external envelope are characterized by regular lines and shapes. This is summed up in the vertical awnings that overhang the walls of the building on all sides.
Together they go to work keeping the sun and rain off the façade, windows and doorway on the ground floor. They also double as a design strategy to break the fall of vertical lines that run from the rooftop to the ground floor.
To improve visual and spatial continuity, the windows, doorway and most of the walls at ground level are glazed using clear glass panels.
The second floor is treated differently. Where appropriate, windows are installed only in the direction that’s not exposed to strong sunlight. Meanwhile, the external walls that face the sun have no wall openings at all.
These solid walls, in turn, make the white geometric home even more noticeable from a distance. As for the interior living spaces, a mix of wood and stone masonry is preferred for its ability to reduce the stiffness of strong geometric shapes.
Looking back over the years, Jun Sekino could still recall that concrete roof construction was the hardest part of the entire project. Steel-reinforced concrete roof building required special skills to ensure the remarkable smoothness of the outer surface and prevent leakage.
Apart from that, other challenges included window fittings, which also needed specialized skills and craftsmanship to make sure they don’t leak when it rains.
All things considered, it’s a home project that brings deep pleasure derived from Jun Sekino’s abilities to accomplish a mission. The concrete exterior is smooth and with no apparent gaps or cracks of any kind. It’s a home carefully thought out to age gracefully.
Like so, the homeowner will be able to repaint the house when necessary without worrying about too many practical details. The new home offers a calm and cozy atmosphere with plenty of room for entertaining and the opportunity to be close to his aging father.
It’s a heartwarming moral story of unbreakable bonds.
/ Story: room Books and Living Asean Editorial Staff /
/ English version: Bob Pitakwong /
/ Photographs: Baan Lae Suan Fair Press Room /
A collection of inspiring quotes and flashbacks to the room x Living Asean Design Talk 2023, at the Baan Lae Suan Fair Midyear, BITEC Bang Na, Bangkok.
The latest architecture event “room X Living Asean Design Talk 2023” took place last Sunday 6 August. Convening a group of well-known experts from three countries, the annual conversation was on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.”
It’s the star of the show at this year’s Baan Lae Suan (home and garden) Fair Midyear.
The panel included M.L. Varudh Varavarn of Vin Varavarn Architects Ltd., Bangkok; Supawut Boonmahathanakorn of JaiBaan Studio, Chiang Mai; Japanese architect practicing in Vietnam Shunri Nishizawa of Nishizawa Architects, Ho Chi Minh City; and Antonius Richard of the design atelier RAD+ar, Jakarta, Indonesia, with Bangkok’s Deputy Governor Sanon Wangsrangboon as special guest speaker.
The Design Talk centered around the shared interest in design that’s friendly to the environment and conducive to social development in both urban and rural areas.
And the Deputy Governor of Bangkok came in handy to touch upon the subject of official policy tools and collaborations with various efforts at developing public spaces and improving the quality of life for people in Bangkok.
Essentially, the conversation is about building strong networks that will enable us to stay tuned to things happening in the city and communities across the country.
It’s seen as a confluence of ideas between architects and people from different disciplines inspired to create a sustainable future together.
The conversation event started with Bangkok’s Deputy Governor Sanon Wangsrangboon, who spoke on “Urban Development Policy: Thoughts on response from and interactions with residents from different backgrounds.”
He shared a great deal of careful thoughts and his vision of a “livable city,” which he defined as one capable of accommodating people from all walks of life.
It’s the place where residents live together in harmony. In other words, it’s the type of surroundings where people participate in creating sufficient open spaces that lead to improved quality of life.
Sanon plays a part in furthering policy objectives and collaborating with multiple agencies working towards common goals. Front and center are projects aimed at improving the public spaces deemed crucial to the quality life of people in the city.
Apart from providing all the conveniences, a good city must offer the opportunity for people to live together happily. A “Livable City” can be defined as one that’s open for everyone to participate in the development process.
When people feels a sense of involvement and affiliation to a place that’s suitable for them, they have high hopes of making it better both for themselves and for others.
The next speaker, M.L. Varudh Varavarn of Vin Varavarn Architects, Thailand, touched on the subject of “Public Architecture and solutions to the problems brought on by the gap between people in society.”
He emphasized that architects had an important role to play in helping to reduce social inequality. They had the knowledge and skills in the art and technique of designing and building and they could use them in the best interests of the people.
M.L. Varudh and Vin Varavarn Architects have won acclaim serving clients across a wide range of industries. Lately his focus has shifted towards designs that help solve problems in the society.
They ranged from schoolhouse planning thoughtfully devised to deal with earthquake risks, to low-cost housing opportunities for overcrowded city neighborhoods.
All of them speak volumes for the principles governing Vin Varavarn Architects’ ideas and design strategies.
Essentially, it’s about creating the right design that’s capable of bringing about a change for the better for the people and the society as a whole.
And then Shunri Nishizawa, of Nishizawa Architects, Vietnam, talked about “Residential Design in Response to the Prevailing Climate and Limitations in Different Contexts.”
He sent a strong message about the need to create living spaces that harmonize with the circumstances that form the setting of a place. Upon reflection, the relationship between man and nature is impossible to disentangle.
Shunri Nishizawa has practiced in Vietnam for over 15 years. He believes that an architect is duty bound to have a complete understanding of the context surrounding a project being developed.
This can be anything from humans and animals, to plants and the natural environment, plus the cultural context and so forth.
All of them must be treated with equal respect if we are to create a piece of architecture that adds a good complement to the surroundings.
Nishizawa Architects’ finest works to date have made living with nature front and center.
Besides harmony with the natural surroundings, the designer group attaches special importance to choosing only materials that are right for the context of a place. That’s the role of an architect the way he sees it.
He laid greater emphasis on biophilic design that called for rewilding the built environment and the restoration of all aspects of the physical world.
At the very center, the health of the natural environment is as important as that of humans, perhaps even more so.
Supawut and Jai Baan Studio are renowned for their nature-inspired design, effort at environmental conservation and ability to connect with a sizeable proportion of the rural population.
Through multiple collaborations with property owners, Supawut is able to promote a good understanding of the connectedness between man and nature.
He gets his message across to the public that “time” is of the essence when it comes to restoring the natural environment to health.
His outstanding works include a project that transforms unused land into a green oasis in the city. It’s achieved by rewilding, a process of reintroducing native trees and plants, thereby creating natural habitats for birds and other organisms native to the Northern Region.
As “ambassador” speaking on behalf of nature, he proves the point that the relationships between humans, animals, and ecosystems are inextricable.
Last but not least, architect Antonius Richard of RAD+ar, Indonesia, spoke on the topic of “Different aspects of design in response to the environment and surrounding circumstances.”
He shared many useful techniques to incorporate natural elements in contemporary design. Plus, it’s a discussion alive with insights into design features unique to Tropical regions.
Mr. Richard spoke on the topic of integrating elements of nature in architectural design with respect to circumstances unique to Indonesia.
For the most part, his works deal with experiments undertaken to test the performance of new design in real life situations.
His experience encompasses a wide range of designs, from small projects such as cafés and restaurants, to homes and offices, to big projects such as commercial spaces and mosques that are designed to accommodate a large number of people.
Regardless of size, they share one common feature – a strict adherence to sustainable living ideas and design that’s compatible with the environment. It’s the quality that has served as the signature of Mr. Richard and his group of architects, designers and thinkers from day one.
More about architecture and design for better living, plus ideas for a sustainable society and conserving the environment, known collectively as the “Betterism” concept, are waiting to be discovered. Follow us and room Books for more!
/ Story: Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Courtesy of Jai Baan Studio /
For Supawut Boonmahathanakorn of Jai Baan Studio, it’s easy to get why humans crave the touch of nature in their lives. It shows in what they’ve been doing all along — from ecotourism that combines travel with conservation, to an escape from the hustle and bustle of the city that happens from time to time. Why not? Out in the country the atmosphere is salubrious and the natural landscape pristine. Priceless!
But from the opposite point of view, what’s generally regarded as good also has the potential to inadvertently do harm to nature.
Not to mention the uncontrolled urban growth that can lead inexorably to unwelcome change in such a way as to impair the values and normal function of a rural community.
That’s where the designer group Jai Baan Studio led by Supawut Boonmahathanakorn, comes into play. Interestingly, they are determined to pursue a goal in creating designs that strike the right balance between satisfying basic human needs and protecting nature from harm, thereby adding to its ability to replenish.
To them, it’s a quality achievable through well-thought-out planning, a conception of design that prioritizes wisdom, prudence and function over form that brings aesthetic pleasure.
room and Living Asean have the honor of presenting Supawut Boonmahathanakorn of Jai Baan Studio. It’s a group of architects, planners and thinkers specialized in design that expresses our common humanity and the need to reconnect with the natural environment.
Mr. Supawut will be one of our guest speakers at the annual room X Living Asean Design Talk 2023. The event will take place on Sunday August 6 at the room Showcase zone inside Baan Lae Suan (Home and Garden) Fair Midyear 2023, BITEC Bangna, Bangkok, Thailand.
Q: What’s the basic principle of Jai Baan Studio? In other words, what’s important in the course of action you’re pursuing?
A: We regard restoring nature as the most important endeavor of our time. In doing so, we make every effort to “rewild” of the environment, be it built or natural.
We look for effective ways to restore balance in nature, thereby bringing the ecosystems back to health. In essence, it’s not about designing just to satisfy basic human needs alone. There are other things worthy of consideration, too.
In the past, when people built something, they seemed to have a worldview that’s different from ours in this day and age. Back then, people didn’t separate things into different parts as is the case with works of architecture at the present time.
Their perspectives on life are evident in structures that conveyed a great deal about who they were and their relationship with the context of a place. Likewise, that’s what inspires us with a vision to pursue a wide range of contemporary design.
Among other things, we look at creating commercial spaces that are responsive to customer needs. At the same time, we look for design that strikes a balance between human needs and nature conservation. That’s important to us.
We feel that the world is at a crisis point in history, a period characterized by mass extinction events brought on by the loss of habitats across a wide geographic area. It’s a time of intense difficulty that we are facing.
Yet, we feel that architects, designers and thinkers have a role to play in bringing public attention to the danger in a more perceptible way.
This is because the Earth’s surface, as we know it, has undergone transformation in so many ways. At the same time, human impacts on the environment continue with no end in sight.
Intentionally or not, the spreading of urban developments has had tremendous negative effects on the surroundings, both urban and rural.
That said, it’s important for us to be able to speak on behalf of nature — living organisms, humans, animals, insects, plants, and let their voices be heard.
Mind you, the flora and fauna of the land have needs just like we all do. Hence, it’s good to do our share of the joint effort at restoring the balance of nature.
This brings us to the term “rewilding” the environment, which in essence is about restoring ecological systems to a stable equilibrium. That’s the message that we’re reaching out to communicate with our clients.
Q: How do you respond to the rise of urbanization and the consequences of land change in areas where you work?
A: Urbanization is a process that’s happening every day. We’re constantly making partial or minor changes to the city we live in.
Over time, it expands into outlying areas and small towns in the countryside. Even in the remote corners of the country, changes are taking place there, too.
Our office is located in Chiang Mai, but a sizeable proportion of the population is originally from Bangkok and other provinces across the country. They have come to call Chiang Mai home trying to fulfill their dreams of living in close touch with nature.
It’s an interesting phenomenon in which people feel a powerful desire to live a healthy lifestyle embraced by nature. They come in droves, and that’s what gives us architects new challenges.
The solution to the problems lies in whether we can find a balance between the form and function that people want on the one hand, and sustainability and quality of life on the other.
Suddenly, it dawns on us that our work can no longer be confined to landscaping design alone. Rather, it has to encompass all aspects of residential planning, environment improvement, and interactions with nature.
Therefore, it’s important to reach out and create an awareness among the residents. In doing so, we are able to offer the kind of thoughtful planning that’s clear and easy for building contractors to follow.
It’s a gradual process. Meanwhile, we must allow nature time to take its course and regain the ability to replenish.
Q: In your opinion, how can design or your role as architect help toward community development, and society as a whole?
A: Let me answer in two parts.
First of all, we play an important part in communicating with the public in a respectful and subtle manner.
We don’t just tell people without explanation what good canal design should be and whatnot. Rather, we approach the task from a wider perspective, raising the issue of water pollution and how best to protect and restore the environment to health.
The same applies to other issues that involve public participation to resolve — from problems in the local economy, to impacts on ecosystems, to culture.
It’s about reaching out and talking to people, a role comparable to that of a diplomat, except we speak on behalf of nature. We wear two hats: humans who see things as humans do; and ambassadors of the environment that’s negatively impacted by change brought on by urbanization.
Done right, we can make our community a better place to live, together.
Secondly, in helping toward community development, we collaborate with people from different walks of life.
Unlike old times, today’s architects often find themselves working jointly with people from different fields. Together, we look for an excellent, well-thought-out plan with help from a variety of knowledgeable sources.
It’s a conducive work environment, in which everyone is treated as equal regardless of economic backgrounds or points of view. Good design comes from a nexus of ideas that all parties bring to the table.
Above and beyond anything else, it’s about bringing people together and making success happen.
Supawut Boonmahathanakorn is one of our guest speakers at the annual room X Living Asean Design Talk 2023. He will touch upon the topic of a balance between human needs and nature conservation. Plus, it’s an opportunity to keep abreast of the latest developments in design, architecture and landscaping. The event will take place on Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023 at BITEC Bang Na, Bangkok.
This year’s Design Talk is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” Admission is free. Just a friendly reminder, seats are limited. Advance registration is recommended.
/ Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Courtesy of Jai Baan Studio /
Imagine what to expect as urban areas relentlessly expand into the outskirts of a city. More basic physical infrastructures are needed. As to be expected, they have a significant impact on rivers, canals and natural water bodies. Not to mention new roads that traverse a vast area covered with forest and agricultural land. Some see it as a welcome change. For others, it’s a rude awakening for its potential to have an effect on the ecosystems. Precisely, there’s a good chance it could afflict harm to existing “Ecological Corridors.”
What are “Ecological Corridors,” anyway? The term refers to both natural features of Earth’s surface and landscape planning strategies designed to prevent or reduce the effects of habitat loss.
Be it natural or man-made, they provide habitats crucial to the survival of indigenous florae and faunas great and small. Simply put in plain language, they are natural homes to plants, animals, birds, insects and other living organisms.
It’s for this reason that a property owner in Chiang Mai decided to create an open public space that’s central to the physical and mental health of both humans and animals. She started out with 12 Rai of land (slightly shy of 5 acres) of her own that’s part of a housing development on the outskirts of the city.
Named “Kaew Khum Oey Garden,” the green space project connecting Chiang Mai people with nature is undertaken by the homegrown design atelier Jaibaan Studio.
Supawut Boonmahathanakorn, architect and founder of Jaibaan Studio, said that for a long time the 12-Rai plot was left largely undeveloped after much of the upper layer of earth had been excavated to fill a strip of land designated for road building.
It lies environed by more than 30 housing developments without a single open public space. That’s reason enough for the owner to put in good quality parklands complete with bike trails, jogging trails and workout spaces for the community to enjoy.
Change is a good thing. The green is open to people of all ages, plus it’s thoughtfully devised to connect with existing ecosystems in the surroundings.
To create an oasis of calm that allows public access, the designer has been meticulous about its appearance and made spaces available for commercial activities, including room for the restaurant business.
It’s a thoughtful consideration since it’s the business that will generate the incomes needed to fund the upkeep of the park, thereby freeing the property owner from burdensome responsibilities in the long term. Plus, it helps to operate within budget.
With respect to landscaping, the designer further improves the visible features of the land by putting in trees and small plants indigenous to Thailand’s North.
Ironically, some of the species are less commonly known even among locals. As the growth of urban sprawl continues, neighborhood greenery matters. That’s the way he sees it.
Hence, the restoration of the area to all its former glory becomes his front-and-center concerns. Besides giving local residents the opportunity to reconnect with nature, he treats it as a design laboratory in which the flora and fauna and other living elements native to the area are incorporated in the design.
As the designer of Jai Baan Studio puts it, the park doubles as nature conservation, a restoration of the natural environment in which native plant species take precedence over any other consideration.
Trouble is that nowadays the garden market is awash with excessive amounts of decorative plants, including species imported from abroad.
Because of that, most landscape developers across the country have elected to integrate foreign imports in the design despite the kingdom’s rich and diverse native florae. As the imported tree species become more popular, nurseries and garden markets comply.
Subsequently, the landscape designer is compelled to act according to demands. And before you know it, there aren’t many native plant gardens around anymore, let alone the nursery business that produces them.
To solve supply chain problems, the landscape designer builds his own nursery, one that’s specialized in native species production to fulfill the park’s specific needs.
He crosses the hill and sifts through the water collecting specimens of native florae and faunas needed to repopulate the area, literally starting from scratch. A job very well done, he’s succeeded in breathing new life into what was once a neglected piece of ground.
Some of the more commonly known species he reintroduces to the park includes herbal species, such as
(1) Ngu-khiew (พันงูเขียว) or Brazilian tea (Stachytarpheta jamaicensis);
(2) Tri-chawa (ตรีชวา) or squirrel’s tail (Justicia betonica);
(3) Kraprao-daeng (กระเพราแดง) or Red holy basil (Ocimum tenufiorum);
(4) Ho-rapha (โหรพา) or Thai basil (Ocimum basillicum var. thyrsiflora); and
(5) Fai-duenha (ไฟเดือนห้า) or Butterfly weed (Asclepias curassavica). The list goes on.
Kaew Khum Oey Garden is by no means a one-off project. It’s the designer’s finest work to date. So the information about the native florae used here will be stored in a repository of data for future landscape developments similar to this one.
The data will also be made available for public access in time to come with a view to stimulate demands, thereby encouraging the nursery business to fulfill the emerging needs for indigenous plants in the future.
For a carefree, laid-back vibe, it’s the designer’s intention for the project to be nothing out of the ordinary, a public green space that operates without too much control or intervention.
As he puts it, “There may still be parts of it that aren’t arranged neatly or in good order here and there, but hey, that’s perfectly normal if we wish to restore an area of land to its original uncultivated state.
“After all, we have different notions about beauty in the 21st Century. Wouldn’t you agree that there’s a sense of beauty in imperfections, too?”
It’s the different conception of beauty that brings our attention to “Rewilding the Environment,” the term used to describe the return to a state of being unorganized or leaving it alone again, naturally.
By design, it’s a far cry from the impeccably manicured garden. Rather, it’s one rich in the flora and fauna of the Northern Region, including insects. It’s a design that views human users as inextricable parts of nature.
So if you’re looking for a place to relax, lean back and chill, Kaew Khum Oey Garden is the place to be. It’s made with the user in mind. And that’s precisely the message that the design atelier Jai Baan Studio tries to communicate.
Find out more about nature-inspired landscape architecture and ideas for a possible course of action toward environment-friendly design similar to the above-mentioned project at the upcoming room X Living Asean Design Talk 2023.
It’s an opportunity to meet up Supawut Boonmahathanakorn, architect and founder of Jai Baan Studio as well as a panel of experts from three ASEAN countries.
This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Design Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023.
Admission is free. Just a friendly reminder, seats are limited. Registration is recommended.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Courtesy of RAD+ar /
For Antonius Richard Rusli, founder of the Jakarta-based designer group RAD+ar (Research Artistic Design + architecture), the totality of the circumstances and the Tropical climate characteristic of the Indonesian archipelago present both opportunities and challenges that test the abilities of architects, designers and thinkers. The group’s outstanding achievements, both completed and experimental, encompass a wide range of property developments design, from residential real estate, to offices, to café and restaurants, even mosques to name but a few. Interestingly, they share a set of common attributes that speak volumes for a determination to reconnect with the surroundings and harness the healing power of nature.
Hence, it’s no surprise that nature permeates through their design, forming in a distinctive element in everything they have accomplished. Yet, it’s incorporated precisely and delicately.
In a rich and subtle way, it reflects a belief that well-thought-out design is a must-have strategy needed to overcome the challenges. Plus, it comes from a vision that looks deep into nature for a possible course of action that bodes well for a sustainable future.
Here’s a glimpse into his biophilic design reconnecting people with the environment and nature through architecture. Antonius Richard Rusli is one of the distinguished guest speakers at the annual room x Living Asean Design Talk 2023.
This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” It’s taking place at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023 on Sunday August 6 at BITEC Bang Na, Bangkok, Thailand.
Q: First of all, how would you describe your work style compared to others in your professional circle?
A: Strictly speaking, I call our approach the Decentralization of Sustainable Architecture.
In this particular case, it’s about creating property planning well suited to the Tropical Developing Economy of Indonesia. It involves identifying potential in outlying areas that can be developed and blend harmoniously with the natural surroundings.
By devising a plan that’s fit for the context of a place and the ways of life of people in a community, we stand a good chance of making it a success.
Take for example small business enterprises, such as café and restaurants. To assess whether a design will perform as intended in real life, we start out with a prototype of the small business, much like those sustainable housing designs that can be built over and over by the private sector. That’s the way I see it.
Q: What’s your perspective on Tropical Architecture? Any thoughts on that?
A: To answer, let me call your attention to two premises set out to describe our approach to Tropical Architecture.
First, to some extent, it’s easy or perhaps the easiest to bring about sustainable living in the Tropical Belt environment.
For the most part, the Region only consists of a rainy season and a dry season. The differences in temperature extremes in the Tropics are not great, although water scarcity issues can happen from time to time.
We receive plenty of sunlight to illuminate the home during the daytime plus heat that comes with solar radiation. You put plants in the ground and they grow very well, thanks to the consistency in natural light and thermal energy that’s a gift from nature.
That being said, sustainable living in the Tropics can be achieved simply by creating well-thought-out design that’s fit for the context or the setting of a place.
Secondly, the Tropics and Subtropics are home to more than one-third of the world’s population. As to be expected, increases in the population have become a factor that impacts our ecosystems, not to mention the extraction of resources from the environment at a fast pace to the extent that it undermines the Earth’s ability to replenish.
Besides promoting sustainable living among the population, everyone can contribute his share of a joint effort at preventing environmental degradation.
Ironically, it’s easy to make sustainable living by being more sensitive to the environment. It’s also easy to choose not to do it. For us architects, it’s an opportunity to focus on carefully thought-out design that’s suitable for the circumstances.
The key to success lies in research to identify architectural design strategies that work in the context of a location. At RAD+ar, we do our part by building a prototype of the project and putting it to the test in real-life situations. In the end, a design that’s right for a place will give us the inspiration we need going forward.
Q: As an architect, what are the things you want to do to bring about positive change in urban and rural developments.
A: In the short term, we will focus on furthering the progress of the Decentralization of Sustainable Architecture to ensure it fits in with the context of both urban and rural developments at least for the next five years. Our priorities include:
1. The integration of passive cooling technologies as key elements in Tropical vernacular design. This is particularly true with respect to commercial spaces.
2. A strict adherence to our Nature First policy, under which the preservation of the world’s natural resources takes precedence before others.
3. Creating prototypes of sustainable housing design that’s easy to follow for both new and renovated home projects.
4. Staying focused on mosque architecture with a view to incorporate sustainable features in the design. This is particularly important because it’s the style of building design and construction that speaks to the hearts and minds of the followers of Islam across Indonesian society.
Q: Give me a few examples that speak volumes for RAD+ar thoughts, identity and experience.
A:Tanatap Ring Garden Coffee Shop. It’s a carefully planned design experiment aimed at evaluating the performance of a commercial space in real-life situations.
In this particular design, a small restaurant serving coffee and light meals in the garden is enclosed inside a building envelope made of glass blocks for maximum daylighting. The small café per se hides in plain sight, beautifully ensconced by a grassy knoll that’s the centerpiece of the interior landscape.
The atmosphere is made attractive by split-level outdoor rooms that connect to every sequential space and function in the design. The result is a playful yet relaxed rendezvous for socializing with friends and loved ones.
We want it to be a refreshing, dynamic civic space, one that’s positive in attitude and full of energy. Designed with nature in mind, it’s a sustainable commercial space that fulfills people’s needs in Jakarta, where occasionally government-built public spaces may not be consistently good.
An exciting new alternative, Tanatap Ring Garden Coffee Shop is just one of many design experiments being undertaken by RAD+ar.
Discover new ideas in design, architecture and useful pieces of advice similar to the above-mentioned projects at the upcoming room X Living Asean Design Talk 2023. It’s an opportunity to meet up with Antonius Richard, architect and founder of the design atelier RAD+ar of Indonesia, along with a panel of experts from three ASEAN countries.
This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Talk is scheduled for Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023. Admission is free. Just a friendly reminder, seats are limited. Hope to see you there!
/ Story: Baralee / English version: Bob Pitakwong /
/ Photographs: KIE, Mario Wibowo /
Introducing a prototype of the small café well thought out as place for a rendezvous. Aptly named Tanatap Ring Garden Coffee Shop, it’s a work of outstanding artistry integrating restaurant space planning with nature to form a cohesive oasis of calm. The key elements of design include a sloping garden beautifully ensconced in a stadium-like enclosure. There’s a circular path at the top of the stairs for a leisurely stroll. At intervals, the paved path is marked with outdoor tarp canopies for protection from the sun. It sends out one important message — time well spent is time spent in the great outdoors.
The theme of an enchanted garden cafe is derived from a simple question. “What is it like if a piece of architecture behaves like it’s non-existent?” In this particular case, the centerpiece of the project is a lush tropical garden enclosed by a circular glass-block building envelope.
It’s home to a café space that lies hidden in plain sight, concealed by a grassy knoll that blends perfectly into the surrounding landscape. It’s a meeting place where people mix socially and interact with one another bringing youthful exuberance to this part of the city of Jakarta.
With respect to construction, Tanatap Ring Garden Coffee Shop is the result of three design strategies combined.
First of all, it’s well planned to blend with the healthy foliage of a tropical forest setting. This is evident in the preservation of all the existing trees on the property.
Secondly, the circular building envelope is designed to encompass all positive aspects of ornamental grounds where plants grow luxuriantly. Located at the center of the floor plan, the café covered by a grassy knoll affords a large room where people meet plus plenty of ample spaces for relaxation. A few steps away, remarkable garden design offers sensory pleasure and the opportunity of reconnecting with nature.
Lastly, it’s about enhancing customer experience by merging indoor and outdoor spaces bringing them together into a cohesive whole.
The overall effect is impressive. It’s a layout that strikes the right balance between the relative size of the project, the building materials used, and the impact of color, texture and natural light in the design process.
To reduce the harshness of the built environment, the building envelope is made of glass blocks that allow maximum daylight between spaces. They add aesthetic appeal to the place and blend well with the existing trees.
As regards functional design, walk into the café and you come to a counter bar occupying a central position. Carefully thought out design promotes ease of movement in every part allowing people to traverse through and around unhindered.
The circular glass-block wall that separates the interior from the garden is decorated with lush leafy plants. It’s marked at intervals with plain-looking sets of tables and chairs for customers. Nearby, a corridor creates smooth transition between spaces giving access to the yard on the outside.
The nature-loving café project is built amphitheater style. Like so, the commercial space is positioned at the center of landscape design. It’s a beautiful greenery-covered building adorned with tiers of outdoor seating set at intervals.
Meanwhile, the boundary along the outer circumference is filled with café seating situated directly below the concrete rooftop corridor made for a leisurely stroll. From here, a vista of high-rise buildings in Jakarta’s CBD can be seen in full view from afar. All things considered, it’s a piece of architecture devised from experience in tropical garden landscaping.
By design, Tanatap Ring Garden Coffee Shop is an experimental project involving new and innovative ideas for commercial space planning. In this particular case, it provides the opportunity of observing how users react to a less familiar environment. It’s implemented with a view to identify the furniture choice, seating arrangement and features in hardscape architecture that are right for business.
It’s a design that blurs the boundaries between indoor and outdoor spaces. The color green that fills the landscape has strong associations with nature, hence comfortable furniture and a conducive semi-outdoor environment make perfect sense.
Plus, it’s interesting to discover how well-planned open design can facilitate social interactions in everyday life.
Aside from that, the recent outbreak of Covid-19 was also a factor that compelled the architect to undertake this experiment to determine how a commercial space with plenty of outdoor landscaping ideas performs in the ensuing days.
It’s exciting to see how new ideas in outdoor environment design play a role in enticing people to spend more time outdoors and live a lifestyle more closely connected with nature, one of many actions people can take to support sustainable living.
More about nature-inspired designs similar to the above-mentioned are waiting to be discovered. It’s a chance to meet up with Antonius Richard, architect and founder of the architectural practice RAD+ar of Indonesia during the upcoming conversation event titled, “URABN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”.
It’s a part of the annual “room Books X Living ASEAN Design Talk.” This year’s panel of experts is made up of four distinguished architects from three countries. The Design Talk is scheduled for Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
/ Story: Urawan Rukachaisirikul / English version: Bob Pitakwong /
/ Photographs: Courtesy of Vin Varavarn Architects /
The following are excerpts from an interview with M.L. Varudh Varavarn, founder and CEO of the Bangkok-based architectural practice Vin Varavarn Architects. We had a chance to get his thoughts on design and development models. Precisely, we asked him if architectural design can bring about solutions to our social problems. Here’s some useful information he shared with us.
By means of introduction, M.L. Varudh Varavarn has received wide acclaim for his commitment to innovative design and developments well suited to the place or type of the surroundings.
He has had many outstanding achievements to his credit. They range from family homes, to large residential apartment projects, to schoolhouses, hotels, vacation resorts and other establishments in the hospitality industry.
Asked what was the most difficult task in his career as architect, he said that developing a project that would play a part in resolving social problems was the biggest challenge. To a great extent there were many hurdles to overcome.
Paradoxically, it’s the challenges that make a project interesting and capable of performing as intended. Even better if it could achieve successful change for a better society.
To put it in a nutshell, it’s up to the architect to turn challenges into positive possibilities.
Let’s catch a glimpse of his ideas before listening to him speak at the upcoming room x Living Asean Design Talk 2023 on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The conversation event will take place on Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023 at BITECT Bang Na, Bangkok.
Q: To begin with, how would you define your work in design and architecture?
A: All the time, I have tried to avoid defining the nature of my design. As far as I am concerned, it’s entirely up to the viewer to reflect and form an idea about what they see.
Speaking of my approach to the job, it’s not about drawing attention to the feature or quality that identifies us at Vin Varavarn Architects. Rather, the design of everything should be perceived or interpreted for the story it tells, the meaning it conveys and what purpose it serves. That’s the way I see it.
Above all else, we will do our design based on the totality of the circumstances and with a view to solve problems that come with it.
The challenges that we face oftentimes will inspire innovative ideas to create a well-thought-out form that works. This is the feature clearly evident in the designs that we have done up until now.
There is more to it than trying to achieve the pleasing aesthetic alone. Rather, it’s about presenting a quality that’s original and unique in every project that we do.
I’m referring to the distinctive attribute that’s consistent with the context of a place, the environment, and the project’s ability to fulfill user needs.
Q: What is your perspective about Tropical Architectural Design?
A: I see it as the concept of central importance that every architect should follow. It’s a crucial stage in deciding upon the look and functioning of a development project.
In this day and age, Tropical design isn’t an option anymore. Rather, it’s a must-have. And this is particularly true not only in Thailand but also across Asia, even in other parts of the world that share similar prevailing weather conditions. It’s a responsive design that solves problems in the environment, using materials sourced directly from a locality and well suited to local lifestyle needs.
Q: Give me a few examples that speak volumes for your design studio, be it completed or experimental.
A: Certainly. Every project we’ve done is unique in its own special way. Some are created because we want to build them, in a way contributing to society. Others are experiments aimed at assessing certain features of design.
First, the BanHuay San Yaw Withaya School. In this development project, we faced countless obstacles to begin with.
After a site analysis, looking into the geographical and infrastructural context of the place, we were able to successfully turn crisis into opportunity, at least from the point of view of architecture.
Then, there’s PANNAR Sufficiency Economy and Agriculture Learning Center, an experiment undertaken to spread information about a modest but sufficient scale of living. It was a cross-sector collaboration involving members of the community, project owners, architects and building contractors.
The result was a building in which scientific knowledge combines with local experience in Tropical design. In other words, it’s a hybrid of technological innovations and good judgement in the locality.
Q: In your view as an architect, what do you think will bring a positive change in society as well as urban and rural development?
A: From my point of view, I want to make progress, not change. But if we’re happy doing our work and be a part of the solution, then we can make a positive change in our community, given the still wide social gap.
An architect has a role to play toward reducing social gaps by creating well-thought-out design that brings benefits to people in every sector of the economy and society as a whole.
Nonetheless, getting started is the hardest part in helping society. But once you get your foot in the door, get involved in your community and do your shares of a joint activity, then it’s more fun.
It brings meaning and purpose in life, and whatever you do soon become less difficult. There may still be minor issues along the way, but hey, that’s perfectly normal. Just fix it and move on.
Find out more about public space design architecture and ideas for a possible course of action toward narrowing social gaps similar to the above-mentioned projects at the upcoming room X Living Asean Design Talk 2023.
It’s an opportunity to meet up with M.L. Varudh Varavarn, founder and CEO of the architectural firm Vin Varavarn Architects of Thailand, and a panel of experts from three ASEAN countries.
This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Talk is scheduled for Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023. Admission is free. Hope to see you there!
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