Every name tells a story. Here’s a modern home on Pattanakarn Road that impresses with beautiful architecture and a love of open spaces. Named “1+1=1 House”, it’s the pride and joy of a multigenerational family. Three generations, including grandma and grandpa, mom and dad, and their children under the age of adulthood, live together in one household. The house has 650 square meters of usable space with enough personal room for everyone to live comfortably, not to mention common areas and amenities that are integral components of modern living.
Designed by Poonsook Architects Co, Ltd, a Bangkok-based architectural firm, the house comprises three main functional spaces, namely, the living area for mom and dad and their children, the living area for grandma and grandpa, and shared spaces arranged in the shape of the letter C.
The exterior walls are positioned to face the north, south and west directions so as to protect a central courtyard filled with greenery and a paved outdoor area for relaxation. Together they go to work shielding the interior from the summer sun, balancing temperature and enhancing home comfort.
There are two sets of stairs located on either side of the living room. They give access to the upstairs bedrooms belonging to grandma and grandpa, mom and dad, and the children, plus a workroom close by. The downstairs common area is clearly defined. There’s a carport conveniently connected to the house entrance.
Walk in the door, and you see a courtyard landscape with a level paved area that makes the home feel warm and welcoming. There’s a shade tree that provides a focal point in the yard and doubles as a privacy screen for the sitting room upstairs.
The downstairs dining room lies under a higher-than-normal ceiling, 5 meters tall to be exact. As would be expected, it makes the interior living space feel spacious, bright and airy. There are large, east-facing folding doors that open to connect with the veranda and a courtyard garden nearby. It’s everybody’s favorite hangout, a place for the family to get together and shoot the breeze.
Taking everything into account, the ground floor boasts a beautiful open floor plan. There’s a sitting room with a pantry and dining area close by. Large sliding doors glazed using clear glass open onto the central courtyard, creating a visible impression that makes the room feel longer, wider and well-ventilated.
Grandma and grandpa’s private sitting room is connected to the kitchen area. The nearness in space to the central courtyard provides physical ease and relaxation in their sitting room. From here, a flight of stairs gives access to green spaces on the second floor that also contains their bedroom and a multipurpose area nearby.
By design, it’s a modern home that fulfills the needs of an extended family, one that provides enough private space plus a communal area shared by everyone. Among other things, the dining room is dedicated to foster social interaction and strengthen a bond of understanding in the family. It’s rare to find a multigenerational home these days when the nuclear family gradually becomes the norm.
This secluded country retreat in Chiang Rai belongs to a graphic designer who loves spending time in nature as a way to find inspiration and spark creativity. Nestled in a valley among the mountains, it’s a place in which to rest, relax and have a break of the hustle and bustle of the big city. At the risk of stating the obvious, building on a slope can be challenging and hence a lot of effort was put into planning and design. The house facade is set in open land with scattered groups of trees abutting a highway, while the building itself is built on the sun-facing hillside overlooking lush rice fields that turn gold when it’s time to harvest in winter, a sight to behold to say the least.
From this vantage point, the view is breathtaking. And that’s precisely where a design team from IS Architects comes into play. Their job: overcome construction site obstacles and create a place that’s beautiful, safe and comfortable to live. The result is a modern country house that blends with the local way of life so as to become indistinguishable from it. Where appropriate, parts of the steeply inclined hillside are adjusted to create an ideal setting for the house and landscape design. Overall, the house plan is simple yet functional with indoor and outdoor spaces arranged according to levels of importance.
Open the main gate, and you come to a small yard lined with trees that provide a buffer between the house facade and the main thoroughfare up front. Together they protect the house from outside noise, dust and dirt. By design, the front yard is as long as the house is tall. For indoor thermal comfort, the building is positioned in relation to the sun, wind and climatic factors. Plus, open concept floor plans help get rid of cooking smells fast, resulting in a healthy home environment.
From the driveway, a flight of garden steps beside a perimeter wall provides access to the backyard below. So there’s no need to go through the interior of the house. The overall foot traffic route is neatly planned, obvious and easy to follow. From the backyard, another flight of stairs set in a north-to-south direction leads to quiet and secluded living spaces on the second floor, something vaguely reminiscent of a corridor connecting different parts of an art gallery. To put it briefly, it’s a place to get away from it all.
Walk in the door, and you discover an integrated house plan that brings together functional spaces for working, living and leisure. There’s a living room that’s conveniently connected to the kitchen, dining room and the art room. It opens to a large timber balcony set in the southeast direction to take in the view of lush paddy fields and forested hills. In the late afternoon, the setting sun casts a warm glow over the architecture and surrounding mountain landscapes, creating light and shadows that inspire artists with its many wonders.
Noteworthy features of the house include the adaptation of elements of vernacular architecture to meet modern-day lifestyle needs. By design, the interior living spaces are well-lit and well-ventilated, thanks to generous wall openings that let plenty of natural light and fresh outdoor air into the home. In a way, it’s the marriage of modern and folk architecture that gives the house its character. Among other things, roof trusses, rafters and wooden parts of the home are built of reclaimed timber. It’s roofed over with fired clay tiles in warm shades of brownish-gray color. The floors are finished in terrazzo alternating with washed sand beautifully handcrafted by local artisans.
All things considered, the project is a challenge that brings out the best in local builders, designers and engineers who put their heads together and produce a beautiful work of architecture. The way it looks attracts people’s attention. It sends a message that contemporary architecture has pride of place in society, and in this case a home that blends with the context that forms the setting of rural Chiang Rai.
In short, nature has always inspired artists and thinkers. In this particular instance, it has given the homeowners and architects the tools they need to deal with many challenges that occur on site. The result is a home that looks and feels good, plus it combines a contemporary style with elements of folk architecture in a neat and organized way.
/ Story: Phattaraphon / English version: Bob Pitawkong /
/ Photographs: Minq Bui /
Can’t wait to escape all the noise and pollution? Here’s Phu Yen House a one-story home amid lush landscapes way out in the country. It’s made comfortable by light and breezy inner courtyards with a plunge pool. Plus, ultraclean white walls give peace of mind knowing family privacy is protected.
The house is in Phu Yen, a south-central province at the midpoint between Ho Chi Minh City and the Da Nang/Hue Region on the South China Sea. It’s the holiday getaway of a family who has lived and worked a long time in the city. Inspired by simple living, they discover the countryside has never lost its allure. And Phu Yen comes in as a handy location to reconnect with the great outdoors.
Named “Phu Yen House”, it’s a secluded family retreat during summer and public holidays in Vietnam. For the little children, the single-story home is a pleasant and fun place in which to grow, learn and play, away from the hustle and bustle of city life.
The white house among the trees is the brainchild of Story Architecture, a design atelier based in Ho Chi Minh City. Its immaculate white walls are built high for a good reason – provide safety and protection from prying eyes. From a distance, accents of green on the front door prove an interesting complement to the perfectly neat and clean walls.
Step inside. It’s a wow! The inner courtyard enclosed by the walls is spacious. There are no glass partition doors or solid structures dividing the interiors into smaller rooms.
Lush houseplants develop vigorously on one side, while exotics thrive in containers on the other. In the in-between space, a sheltered communal area with distinctive green accents lies, separating the courtyard from a nearby plunge pool made for kids.
For peace and quiet, the bedrooms, living room, kitchen and dining room are situated at the farthest ends. Everywhere, curved symmetrical structures span openings in the walls. They form readily distinguishable areas characterized by a plain and uncluttered appearance, making the home safe for children.
More than anything else, it’s a home built on a budget, which is evidenced by the use of simple building supplies sourced directly from within the community. Plus, the house plan is uncomplicated, easy to keep clean and tidy. It’s without doubt a dream home safe and snug in the warmth of Vietnam’s countryside.
/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Hoang Le /
Small space? No problem! Here’s a tall and slender concrete home built and furnished in a modern style. Plus, it transforms into a verdant oasis that’s beautiful and warm in a class of its own. Albeit small in size, the house boasts the relaxed interior ambience bedecked with houseplants thriving in containers scattered throughout. Nearby, the walls painted a cool-toned cream are lined with troughs where leafy exotics grow, creating an atmosphere for calm.
Located in Bac Ninh, a city just an hour’s drive to the northeast of Hanoi, it’s a small family residence ingeniously devised to deal with space constraints and limitations. To make the most of the situation, the four-story concrete home occupies the full extent of an 80-square-meter plot. The elongated rectangle measures 4 meters wide and a whopping 20 meters long.
What makes the home stand out from the rest is its front façade adorned with shade trees and lush vines thriving luxuriantly, keeping the interior cool and comfortable. Walk in the door and you come to a living room with minimalist flair and a dining room in dark brown lying further inside.
One thing for sure, nature permeates through the entire home. Overall, the effect is impressive thanks to space design solutions created by a team of architects at the design studio Kien Truc NDT based right here in Bac Ninh.
The house’s external envelope boasts the simplicity of clean lines and geometric shapes with muted and earthy colors typical of modern style homes. Directly overhead, concrete beams spanning an opening at the top have an obvious rawness feel to them, creating a seamless blend with nearby shade trees in the front yard.
The principal face of the house itself is bedecked with climbing vines that provide added privacy plus freedom from noise and disturbance from the outside.
According to the design team, by aligning the building with the sun’s path and prevailing wind direction, the house sits facing in the north direction that gets moderate amounts of sun, resulting in indoor thermal comfort even during summer months. This makes it possible to set up outdoor furniture anywhere under shade trees in the front yard.
On top of that, open-concept design admits natural daylight and fresh outdoor air into the home all day. This is achieved by positioning the building slightly toward the rear of the property, resulting in a win-win situation. The house becomes quieter and more secluded, while the front yard gains bigger space for rest and relaxation under shade trees.
From a design perspective, the house plan has two parts to it, separated only by a well-lighted stair chamber occupying the in-between space.
To avoid the interior feeling stuffy typically occurring in row houses, the architects installed a skylight system in the rooftop to regulate the amounts of sun and fresh outdoor air streaming inside, turning the ordinary narrow lot home into a salubrious living space.
To create rough textured walls, the home is built of structural concrete with exterior walls made of exposed brickwork that allows climbing vies to thrive. This contrasts with the indoor living space that’s covered with plaster and painted a cool-toned cream, an entirely different story.
In the big picture, it’s a beautiful concrete home made possible by dealing with space limitations in the most practical way. For the design team, because the land is long and very narrow, the only way to go is up and hence the tall and slender home bedecked with lush vegetation as you see it.
More importantly, it’s made for a green lifestyle that’s simple, power efficient and architecturally pleasing.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Quang Dam /
Here’s a Tropical-style home located in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The hybrid timber and concrete home is appropriately named “The Hiên House” for its lively green façades, Hiên being Vietnamese for semi-outdoor room along the outside of the building. Overall, it’s a design that comes from thinking outside the box to create a relaxing space in the open air.
The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.
The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.
Wood and Concrete House
Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.
There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.
During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.
To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.
Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.
Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience.
Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.
Balconies and Terraces for Free Air Circulation
What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.
Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.
As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.
Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.
Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.
Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard.
The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.
Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.
In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!
/ Story: Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Courtesy of Jai Baan Studio /
For Supawut Boonmahathanakorn of Jai Baan Studio, it’s easy to get why humans crave the touch of nature in their lives. It shows in what they’ve been doing all along — from ecotourism that combines travel with conservation, to an escape from the hustle and bustle of the city that happens from time to time. Why not? Out in the country the atmosphere is salubrious and the natural landscape pristine. Priceless!
But from the opposite point of view, what’s generally regarded as good also has the potential to inadvertently do harm to nature.
Not to mention the uncontrolled urban growth that can lead inexorably to unwelcome change in such a way as to impair the values and normal function of a rural community.
That’s where the designer group Jai Baan Studio led by Supawut Boonmahathanakorn, comes into play. Interestingly, they are determined to pursue a goal in creating designs that strike the right balance between satisfying basic human needs and protecting nature from harm, thereby adding to its ability to replenish.
To them, it’s a quality achievable through well-thought-out planning, a conception of design that prioritizes wisdom, prudence and function over form that brings aesthetic pleasure.
room and Living Asean have the honor of presenting Supawut Boonmahathanakorn of Jai Baan Studio. It’s a group of architects, planners and thinkers specialized in design that expresses our common humanity and the need to reconnect with the natural environment.
Mr. Supawut will be one of our guest speakers at the annual room X Living Asean Design Talk 2023. The event will take place on Sunday August 6 at the room Showcase zone inside Baan Lae Suan (Home and Garden) Fair Midyear 2023, BITEC Bangna, Bangkok, Thailand.
Q: What’s the basic principle of Jai Baan Studio? In other words, what’s important in the course of action you’re pursuing?
A: We regard restoring nature as the most important endeavor of our time. In doing so, we make every effort to “rewild” of the environment, be it built or natural.
We look for effective ways to restore balance in nature, thereby bringing the ecosystems back to health. In essence, it’s not about designing just to satisfy basic human needs alone. There are other things worthy of consideration, too.
In the past, when people built something, they seemed to have a worldview that’s different from ours in this day and age. Back then, people didn’t separate things into different parts as is the case with works of architecture at the present time.
Their perspectives on life are evident in structures that conveyed a great deal about who they were and their relationship with the context of a place. Likewise, that’s what inspires us with a vision to pursue a wide range of contemporary design.
Among other things, we look at creating commercial spaces that are responsive to customer needs. At the same time, we look for design that strikes a balance between human needs and nature conservation. That’s important to us.
We feel that the world is at a crisis point in history, a period characterized by mass extinction events brought on by the loss of habitats across a wide geographic area. It’s a time of intense difficulty that we are facing.
Yet, we feel that architects, designers and thinkers have a role to play in bringing public attention to the danger in a more perceptible way.
This is because the Earth’s surface, as we know it, has undergone transformation in so many ways. At the same time, human impacts on the environment continue with no end in sight.
Intentionally or not, the spreading of urban developments has had tremendous negative effects on the surroundings, both urban and rural.
That said, it’s important for us to be able to speak on behalf of nature — living organisms, humans, animals, insects, plants, and let their voices be heard.
Mind you, the flora and fauna of the land have needs just like we all do. Hence, it’s good to do our share of the joint effort at restoring the balance of nature.
This brings us to the term “rewilding” the environment, which in essence is about restoring ecological systems to a stable equilibrium. That’s the message that we’re reaching out to communicate with our clients.
Q: How do you respond to the rise of urbanization and the consequences of land change in areas where you work?
A: Urbanization is a process that’s happening every day. We’re constantly making partial or minor changes to the city we live in.
Over time, it expands into outlying areas and small towns in the countryside. Even in the remote corners of the country, changes are taking place there, too.
Our office is located in Chiang Mai, but a sizeable proportion of the population is originally from Bangkok and other provinces across the country. They have come to call Chiang Mai home trying to fulfill their dreams of living in close touch with nature.
It’s an interesting phenomenon in which people feel a powerful desire to live a healthy lifestyle embraced by nature. They come in droves, and that’s what gives us architects new challenges.
The solution to the problems lies in whether we can find a balance between the form and function that people want on the one hand, and sustainability and quality of life on the other.
Suddenly, it dawns on us that our work can no longer be confined to landscaping design alone. Rather, it has to encompass all aspects of residential planning, environment improvement, and interactions with nature.
Therefore, it’s important to reach out and create an awareness among the residents. In doing so, we are able to offer the kind of thoughtful planning that’s clear and easy for building contractors to follow.
It’s a gradual process. Meanwhile, we must allow nature time to take its course and regain the ability to replenish.
Q: In your opinion, how can design or your role as architect help toward community development, and society as a whole?
A: Let me answer in two parts.
First of all, we play an important part in communicating with the public in a respectful and subtle manner.
We don’t just tell people without explanation what good canal design should be and whatnot. Rather, we approach the task from a wider perspective, raising the issue of water pollution and how best to protect and restore the environment to health.
The same applies to other issues that involve public participation to resolve — from problems in the local economy, to impacts on ecosystems, to culture.
It’s about reaching out and talking to people, a role comparable to that of a diplomat, except we speak on behalf of nature. We wear two hats: humans who see things as humans do; and ambassadors of the environment that’s negatively impacted by change brought on by urbanization.
Done right, we can make our community a better place to live, together.
Secondly, in helping toward community development, we collaborate with people from different walks of life.
Unlike old times, today’s architects often find themselves working jointly with people from different fields. Together, we look for an excellent, well-thought-out plan with help from a variety of knowledgeable sources.
It’s a conducive work environment, in which everyone is treated as equal regardless of economic backgrounds or points of view. Good design comes from a nexus of ideas that all parties bring to the table.
Above and beyond anything else, it’s about bringing people together and making success happen.
Supawut Boonmahathanakorn is one of our guest speakers at the annual room X Living Asean Design Talk 2023. He will touch upon the topic of a balance between human needs and nature conservation. Plus, it’s an opportunity to keep abreast of the latest developments in design, architecture and landscaping. The event will take place on Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023 at BITEC Bang Na, Bangkok.
This year’s Design Talk is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” Admission is free. Just a friendly reminder, seats are limited. Advance registration is recommended.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hoang Le, Duc Ngo /
A big roof two-story house in Quang Yen is designed for a large family. Located in Quan Yen, a town in Quang Ninh Province in Vietnam’s Northeast, it’s a collaboration between two design studios, ra.atelier (Gia Thang Pham) and ngo + pasierbinski (Piotr Pasierbinski and Duc Ngo). They were tasked with preserving the existing landscape with a water pond and Tropical garden on it and, at the same time, catering to the lifestyle needs of the homeowners in post-retirement age. The result is a 121-square-meter home that observes the beautiful culture and Tropical climate of Vietnam.
Precisely that translated into maintaining the outdoor space in the state that was in existence at the time as much as they possibly could. This included the outdoor room for planting trees and a flower garden plus spaces for vegetable gardening and a flexible piece of ground for entertaining several houseguests and relatives.
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Duc Ngo
The house is situated on 735 square meters of land (roughly 0.2 acres), shaped like an elongated rectangle with a narrow frontage to the street.
The face of the building stands facing south, overlooking a small semicircle body of water. Nearby a miniature mountain garden décor separates the front yard filled with flowers and bonsai from the backyard that’s reserved for vegetable gardening.
According to the architect, the new house was built exactly where the old house once stood. It’s set slightly toward the back so as to create more room for a veranda projecting in front of the building.
Illustration: Courtesy of ra.atelier and ngo + pasierbinskiIllustration: Courtesy of ra.atelier and ngo + pasierbinski
Illustration: Courtesy of ra.atelier and ngo + pasierbinski
Illustration: Courtesy of ra.atelier and ngo + pasierbinski
The layout of the house is primarily related to its intended functions. In the big picture, the building has the approximate shape of a cube, the front part of which is reserved for general purposes such as giving lessons to kids in the neighborhood, a common activity for people in post-retirement age.
The back part of the house is quiet and a little more private, with room for a kitchen and bedrooms. Halfway in between lies an uncluttered center hallway made attractive by double-height ceiling design.
Climb a flight of stairs and you come to a more personal center hallway connecting to two bedrooms and an ancestral worship room. It’s a long-established custom in Vietnam to offer veneration to ancestors from whom the family is descended.
Photograph: Duc Ngo
Photograph: Hoang Le
Photograph: Hoang Le
All of the above parts work together to form a coherent house plan that’s perfectly oriented to maximize all aspects of the surroundings. In terms of the aesthetic appeal, the water pond is the focal point of the front yard landscape.
There’s a sense of physical and spiritual relationship among all things. Arranged in a straight line, the miniature mountain décor and the pond can be seen through the round, compelling window of the worship room at the center of the house plan.
The water pond, as the architect puts it, represents the essential part of the original landscape that had long been there before the old house was torn down and replaced by a new one. In a nutshell, the main idea is to keep everything where it belongs.
Photograph: Duc Ngo
Photograph: Hoang Le
Photograph: Duc Ngo
Apart from a set of traditional beliefs and sociocultural values, other important factors are also taken into account in creating a design that best fits the natural surroundings and climate of the region.
This is manifested in visual continuity that extends from inside the worship room to the miniature mountain garden décor in the front yard. Plus, the open floor plan design allows natural daylight and fresh, clean air to enter and circulate inside the home. In essence, it’s a trinity of complementing factors – the water pond, the building, and the surrounding landscape.
The architect wraps it up nicely. “It’s a design based on the relationship between common spaces, worship room, and the landscape.” There is apparent continuity starting with the entryway that boasts the spaciousness of double height ceiling design all the way to the second floor of the house. This allows all usable spaces and functions to conveniently link up with one another.
Meanwhile, doors and windows are in the right proportion in relation to the size, shape and position resulting in well-ventilated interior living spaces that are not too bright, not too warm, not too dark or not too cold.
Photograph: Hoang Le
Photograph: Hoang Le
On the outside, the house overlooks the front yard with a water pond that lies to the south. It’s perfectly oriented to coincide with seasonal winds that carry atmospheric moisture into the home, thereby keeping it cool all year round.
At the same time, the extremely large roof covered in orange tiles shelters the home from severe weather and blends harmoniously with like-color roofs in the surroundings.
Overall, it’s a design well suited to the warm and humid climate of Vietnam. Although the roof is enormous by any standard, the interior is well-lit by natural daylight thanks to large perimeter windows and doors. The result is a breezy, visually stimulating environment for house occupants.
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Hoang Le
Finally, the interior living spaces are plain and uncluttered by design. In all parts of the house, white walls prove a perfect complement to the floors covered in gray color tiles. What makes the interior pleasing to the senses is the furniture, as well as windows and doorframes made of wood.
More importantly, it’s the ordinary interior that speaks volumes for the simple lifestyle characteristic of this area. That’s precisely the quality that gives this house a feeling of warmth, comfort and relaxation. Nothing describes the relationship and the atmosphere here better than the architect’s saying, “The house is an extension of the garden, and the garden is an extension of the house.”
Here’s a warm wood house that’s an embodiment of superb craftsmanship in the indoors and cool refreshing greenery outdoors. Precisely, it is the simple design with the deliberate use of texture and clean lines that gives it a sense of youthful exuberance — a minimalist home that blends perfectly with nature.
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Khagee Ketjumpol, the homeowner, said he bought this house about ten years ago having been attracted to an orange jasmine tree (Murraya paniculata) gracing the front yard. After that, he decided to restore it to a good state of repair that was more up to date in style.
It was a home makeover project designed for better living conditions of everyone in the family. A professional builder with more than 30 years of experience, Khagee knew exactly what he wanted to do and how.
The result was a complete renovation that struck the right balance between comfort and a distinctive appearance with the great greenery outdoors.
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The remodeled house plan offers three stories of living spaces with an abundance of natural light canopied by overhanging trees.
The homeowner couple live on the top floor that’s decorated penthouse style, while their daughter occupies the second. The ground floor consists of common areas designed to encourage social interaction and spaces for a range of activities, including home to three pet dogs.
Outside, a Siamese rosewood tree (Dalbergia cochinchinensis) standing three stories tall among the greenery outdoors adds a peaceful detail to the front yard.
To establish the ideal room temperature for comfortable living, tall-growing trees are preserved and integrated into the house plan and landscape design.
Where appropriate, parts of the ground floor are left unfilled and overhead windows are created to allow the upper branching of trees to thrive.
The result is a spacious, well-lit, and well-ventilated home built around shade trees that provide sun protection all year long.
As Khagee puts it:
“I like plants for they offer shelter from direct sunlight, increase oxygen, and filter dust that poses a serious threat to environmental quality, plus they help keep the house cool. In line with the minimalist style, open floor plans create a living space that’s pleasant to look at and easy to keep clean.”
The family’s love of nature and everything about wood is clearly seen in home interior design. Much of it is made of reclaimed timber that once served a different function.
Here, Khagee was able to recycle used items from his collection to fit new needs as floor panels, wall coverings, even ceiling planks.
Where possible, steel framing and glass panels are also used.
“I like the touch of wood. Throughout my career as builder, I have collected many used building materials and reclaimed wood.
“Much of it that went into renovating this home was more than 30 years old and imported from Laos. To me, house building is an investment, much like buying land or gold.
“This way, we’ve come to appreciate the value of wood. It’s the natural vibes of wood that bring positive energy into our home,” said Khagee.
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A few pieces of house furniture are used on an as-needed basis true to the idea of minimalism.
For a spacious interior, even large pieces like the bed and the sofa are made of steel framing that gives them a lightweight look. Because of this, they appear to hover just above the floor.
The light and airy atmosphere is further enhanced by recessed lighting, a nice little collab between the homeowner and a team of architects from the Unknown Surface Studio.
After many years of building houses for other people, the time is ripe for Khagee to make one for himself and his family.
Not only is it a dream come true, but it’s also a beautiful wooden home ensconced by greenery outdoors.
It’s no surprise that he aptly calls it “Little Paradise”, a home made for the happiness of his loved ones.
/ Text: Samutcha Viraporn / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Who would have thought, even in the vibrant cosmopolitan neighborhood of Thonglor, that a shipping container house would have pride of place beautifully ensconced in the lush greenery of a midtown forest garden? The area bustled with activity and dominated by highrise condominiums is home to a health-giving tropical oasis. Here, large metal boxes once used for the transportation of goods transform into a charming ensemble and family life center capable of fulfilling several functions.
The rustic building in the garden originated as an add-on to the family’s existing home located a stone’s throw away. It was meant to be used for a limited period of time and hence a shady spot with trees thriving in the microclimate of the landscape.
Later on, it was transformed into a new home for the family’s daughter engaged to be married at the time. That was when shipping containers were put in as a garden pavilion in the front yard, an art studio, and other components of the main building at the rear. The front pavilion has become the hub of family life when Mom and Dad drop in for a visit.
The container that serves as the front yard pavilion is elevated at a distance above the ground. It’s connected to other functional spaces via a system of passages along the side of the house.
The shipping container house itself is a steel frame building. The exterior wall on the second floor is made of corrugated sheet metal that blends with the exoskeletal shipping container framework.
Crafted of teakwood, the house floor offers a pleasing visual combination that harmonizes with the lush foliage of the landscape. For durability, the balcony and outdoor passages are raised on a framework of steel.
They are topped with reinforced concrete, while epoxy coatings enhance the beauty of the entire surface.
Open-plan interior design comes in handy for a rectangular house plan. The sitting room at the front easily connects to a dining area and a kitchen that’s situated at the farthest end.
The shaft in which a staircase is built allows plenty of natural daylight to illuminate the center of the home while serving as an engine driving air circulation.
Into the open air, trees that had been planted some time ago were developing well. With years of landscaping experience, the architectural firm Walllasiawas able to create a home and art studio that merged seamlessly with the surroundings.
It’s now an ecosystem where everything is interconnected, from the sitting room up front to the balcony on the second floor, and beyond.
The result is a gorgeous residence embraced by nature, one that evokes pleasant images of a home immersed among rosewood trees.
To prepare the building site, low land was filled to bring it to road level while things that had aesthetic value remained intact. They included climbing plants that grew up arbors and trellises along the fence.
Now they offer protection from the mid-afternoon sun and keep the backyard cool. Some of them even thrive on the roof and in the overhanging trees.
Where necessary, steel building frames are made strong to provide nearby trees with a firm foundation. For a lightweight look, some outdoor rooms are canopied by high-tension canvas that blends with healthy green foliage.
What’s worth mentioning is that the homeowners are avid pet lovers. Hence, the dwelling place made in a plain and simple fashion is aptly called “Mac and Ham House”, which refers to the two dogs who also live here.
Unmistakably, the atmosphere is warm and welcoming. It’s happiness that comes from a bond of love and understanding. Currently, plans are afoot to open an in-house art gallery devoted to painted pictures of the beloved man’s best friends.
From left: Alaksh, Suriporn and their daughter Jirapa Phornprapha.
Owner: Jirapa Phornprapha
Architectural and Interior Designer: Suriya Umpansiriratana / Walllasia Ltd.
Landscape Designer: Suriya Umpansiriratana, Prawit Poolkumlung / Walllasia Ltd.
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