In a new challenge for the celebrated “hero of street food,” today Singapore’s Liao Fan Hong Kong Soya Sauce Chicken Rice & Noodle, the cheapest restaurant in the world to achieve a starred Michelin rating, is opening a Thailand branch in the Asoke area of Bangkok.
Liao Fan Hon Kong Soya Sauce Chicken Rice & Noodle in Chinatown Food Complex
From the outside, Singapore’s Chinatown Food Complex doesn’t look like anything special; but in 2016 its own “Hawker Chan,” a food stall specializing in Singapore-style chicken rice, brought a lot of buzz to the gourmet world by receiving a Michelin star, immediately becoming the cheapest Michelin-starred restaurant in the world. Already popular, the shop experienced such an increase in customer volume that chef/owner Chan Hon Meng decided to expand into a second branch. This is now tucked away on Smith Street, an alley across from the food center, under the name “Liao Fan Hon Kong Soya Sauce Chicken Rice & Noodle.” Branch number three quickly followed in the form of an air-conditioned restaurant on Teng Street, just outside the Chinatown Food Complex. Meals there are a bit more expensive: instead of 2 Singapore dollars per plate, chicken rice is priced at 3.8 dollars.
Liao Fan Hon Kong Soya Sauce Chicken Rice & Noodle on Smith streetLiao Fan Hon Kong Soya Sauce Chicken Rice & Noodle on Smith street
After a lifetime of hard and conscientious work, chef/owner Chan Hong Meng himself is now known as “the hero of street food” in Singapore. His shop’s popularity has grown so much that customers have to wait in a long line that snakes all around the food center.
Hawker Chan in Bangkok / Photo: Samutcha VirapornHawker Chan in Bangkok / Photo: Samutcha Viraporn
The added branches helped to accommodate customer volume, but it wasn’t long at all before the Hawker Chan name went international. Now the Terminal 21 trade center in Thailand hosts the latest branch, an eatery with the slogan “World’s First Michelin-starred Street Food Stall” still featuring the same basic menu as the Singapore shops: chicken with rice or egg noodles, chicken with char siu, crispy pork, and pork ribs.
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/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Tanakitt Khum-on /
This newly built snug steel home comes with “tai thun,” the lower open space, that allows cool air to pass through. Woodwork and a contemporary steel frame add remarkable touches to what now includes a coffee shop, clothing store, and family homestay.
The steel house is built between the two aged wooden homes.
Originally there were two old homes on the property before the new steel structure was built in the in-between space: one belonged to the grandmother, the other to her son, Kriangkrai Phithayapreechakul. It was a small house built on a raised foundation in 1986.
The plan was to connect the old homes to the new steel structure that contains a coffee shop, a clothing store, and a homestay.
The homestay lobby.
“We had already moved out, and were living in the central business district of Phrae,” said Kriangkrai.
“At that time,” added his wife Sasithon Chai-uphatham, “we were planning to live and do business there. But Mom (the grandmother) got sick, so we decided to come back.
“Our daughter, Kik or Kansiri Phithayapreechakul, was about to graduate, so we figured we could do our batik work right here at home. And we would be happier living together.”
[Left] The existing home on one side is the grandmother’s house with “tai thun” space. It has since become the guesthouse’s living room. / [Right] The lobby-cum-dining room of the homestay.
A shade tree in the yard keeps the front porch cool during the daytime hours.
Sasithon’s batik brand, “Thai Thaw”, is akin to “Roketsuzome”, a traditional Japanese wax-resist textile dyeing technique. Coming back to set up the family business is one reason her daughter Kik decided to go study fabric design. That’s the reason for building this intimate steel home in the middle.
“We started the building five years ago,” said Kik. “It took a year to finish it, and then we added a coffee shop and clothing store fronting the street, connecting into the old houses.”
[Left] A loft-style kitchen shows original flooring surfaces. / [Right] The kitchen steel-framed siding is glazed using clear glass designed to save space.
With a clothing store on one side, they created a homestay on the other. The homeowners also adapted downstairs space for use as family room.
“At first we didn’t plan on opening a homestay. But we had some friends coming over to visit a lot, and they liked being around this area,” added Kik.
“Later, when we decided to give lessons in batik making, the house became a guesthouse to accommodate workshop participants.”
The living room of the homestay is on the ground floor.
The new building features a mix of concrete, steel structure and reclaimed timber. Upstairs, the floor is made of recycled tongue-in-groove hardwood boards. It reaches all the way to connect with the grandmother’s house.
The “tai thun” or lower open space inside Grandma’s house now serves a new purpose as the homestay living room. The homeowners kept the space as it was because they wanted to preserve the character of the old house and, at the same time, made certain that it blended with the new steel home.
The homestay’s guestroom ambiance.
Outside, a large mango tree was preserved for shade, relating to the space left between the three structures for good airflow. Décors are mostly from family collections.
“We worked slowly, concentrating on details, for beauty and best use of space,” said Kriangkrai.
“I let the builders work in the ways they were best at, and they brought out the charm of the original materials, blending them into a whole. In some places the steel was allowed to rust, complementing marks on the old wood as well as bare concrete and brick surfaces.”
The imprints of time work indeed with the new design making this steel home something really chic and special.
This very cool-looking cubic house design really stands out in this more than thirty-year-old subdivision. Quiet, simple lines, authentic surfaces. Minimal decoration, just the few furniture pieces necessary.
“Since Mom is in the house more than anyone else, things are designed mainly for her walking around, in and out of the kitchen, dining room, and bedroom – which is on the ground floor for her convenience. Maintenance is easy: no cracks and crevices, simpler for an older person to work with,” Suphot Saengkeut, her youngest son, tells us.
To make the concept a reality, the Saengkeut family demolished and completely did away with the old house to build something entirely new on the 300-square-meter property. They made the kitchen spacious and, Thai-style, open to natural light and air flow, with primarily tile surfaces. In the front are storage cabinets with easy-to-clean surfaces of frosted glass, and vertically set boxes for electrical and water systems, accessible from the outside for maintenance and repair.
“Here, form follows function: whatever use the space lends itself to, that’s how it’s used,” says Somphon, the middle son. The architect adds, “Starting from the car park area out front and lining up the ground floor rooms with the upstairs bedrooms, the necessary simplicity of the form became obvious, with no functional need to change. The rectangular shape opens out towards the entrance, for people to better enjoy the natural world outside.”
The house faces east, with a latticework metal fence and a carport, keeping the sun from reaching into the indoor living space. The kitchen is separated off by an opaque wall. The dining room opens out with a glass wall set in a metal lattice frame, and outside is a fence of synthetic wood that blocks the sun and adds privacy. To the north is an open courtyard in the center of the house with tree jasmine, a place to relax or exercise, and a spiral stair which leads up to the bedroom of Somphop, the oldest son, without going back into the house.
Somphon installed solar slab panels with a gap between them and the concrete roof for good ventilation, also helped by air channels with metal caps releasing hot air from within. The panels shade the roof, which also has foam heat insulation beneath it.
Suphot leaves us with some final thoughts: “The house is really well set up for individual privacy. The living room is used the least, but a lot of mornings, evenings, and holidays we hang out together in the dining room. And if I’m upstairs working, there’s an open wall, and I can keep an eye on Mom downstairs. It’s a good feeling to know she’s safe, and we’re right there for her.”
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul, Nantiya Bussabong, and Spaceshift Studio /
This modern cube house design inspires great admiration. It has a crisp elegance of cool-toned whites. From the outside, the building looks like three boxes stacked one on top of the other. Inside, it has everything this chef couple could want.
Photographs: Spaceshift Studio
On first stepping into this white box house, you don’t see the expected living room complete with a sofa and TV console. Rather, it has a dining table long enough to seat 8-10 people. The owner couple, Nanthaphon Lilainukul and Thirayuth Khongdee, have a Facebook page called “The Dish Whisperer” for cooking aficionados.
Photographs: Spaceshift Studio
They told us that when their daughter was born, at the time condo living didn’t lend itself to cooking, so they started looking around for a new home.
“I’ve lived in this neighborhood since I was three. My mother lives just three doors down, which is why we came back to this area. Outside the village, there’s that confused urban hustle and bustle, but here it’s quiet and peaceful,” said Nanthaphon.
Thirayuth said that the three-story design made good use of vertical space. It has all the necessary features neatly fitted into a small piece of land.
To prevent flooding, the plinth level that makes the first floor is built one meter above the ground. There is a cellar that’s used for storing preserved organic vegetables that Nanthaphon made herself.
The first floor contains a studio featuring that long table which – besides dining – is used for receiving guests and holding cooking workshops: Nanthaphon is a certified chef with a specialty in French pastries, while Thirayuth is a master of Thai food. Between the kitchen and the studio is a stairway to the second floor and a storage room for Nanthaphon’s ceramic dinnerware.
Sharing her piece of paradise, Nanthapon said: “Actually I graduated in engineering, but cooking has always been my thing.
“Each time I went to Japan, I got more hooked on its food culture. Eventually I decided to follow my passion and do what I loved — cooking and collecting beautiful dinnerware sets. I’ve found some really beautiful ceramic stuff in second-hand stores, but some I bought from abroad,”
The second floor holds a multipurpose family room made comfortable by a cool breeze that enters and circulates all day. Meanwhile, rough wood texture on the doors and windows adds rustic charm to the warm and intimate interior.
From the minimalist façade, outswing windows open to reach towards Nanthaphon’s mother’s house, conjuring up the image of social and family life in former times.
For more privacy, the bedroom is tucked away behind the multifunctional area. Their little girl still sleeps in the same room as Mom and Dad at least for now, but a separate room has been set aside for her future use on the third floor.
By design, this white box house is more than a place of residence: Nanthaphon’s cooking workshops are held here, too. Her focus here is less on preparation of dishes than on understanding how raw ingredients can be used in various culinary purposes.
Her food creations are straightforward and easy to follow, and they inspire visitors to try them at home.
No one wants to pay more than necessary when it comes to building a home. Living ASEAN presents five affordable small houses that can be built on a budget. They provide insight into effective planning and cost saving strategies. In a few words, a lovely home doesn’t have to come with a massive price tag. Check these out.
/// Thailand ///
Living ASEAN presents five affordable small houses that can be built on a budget.
/ Story: Panalee / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Here are beautiful country lodges nestled in a verdant oasis perfect for a weekend getaway. M.L. Apichit Vudhijaya sojourned in this part of the country a decade ago. Prior to that he had been searching for a modest, relaxed home with a seaside atmosphere. But as luck would have it, he came across this piece of land on the bank of the Bangpakong River in Prachin Buri Province. Needless to say, the location was peaceful and pristine. And the rest was history.
Soon he started building his dream country lodges largely out of reclaimed timber because it wasn’t too difficult to find. The weathered look of old wood paired with the imprints of time adds gorgeous curb appeal to the home.
The house is built of old wood recycled from old homes in the vicinity. The first floor holds a common room that doubles as lobby seating area and reading nooks. The homeowner’s residential units are on the second floor.
“I wanted to try living the local way and experience life the way locals see it. No air conditioning, no glass windows. The first building on the property was made of materials recycled from what used to be a schoolhouse.
“Window frames and shutters came from recycling warehouses on Canals 2, 4 and 16. A local master builder named “Oy” undertook to build it from scratch,” said the homeowner.
He moved in after the first building was completed, and loved every minute of it. Impressed by the peaceful environment and unhurried, bucolic lifestyle, he decided to put in a second building two years later.
M.L. Apichit said: “I’ve got an antique-style Jacuzzi tub that was bought new from Italy. There was no room for it after our family home in Bangkok had been remodeled, so I had it shipped out here and set it up in the center of the yard.
“I put in a canopy to protect it from dead and dried leaves. After a while, it became a familiar sight, and the weather was nice. So I had a second house put in where the tub was originally.”
“The children came and stayed there, they love it, and the rest is history. Friends dropping in on us said it turned out to be a very romantic place,” he recalled.
House number 4 named Jakha offers seven rooms for guest lodging on the first floor overlooking a swimming pool. Upstairs holds a spacious suite.
It wasn’t long before the two houses became ill-prepared to meet increasing demands. M.L. Apichit soon decided it was time he put in a third building. The plan was to build a two-story home with a rooftop deck to take in views of the Khao Yai National Park clearly visible from miles around.
One day he came across an old home on the riverbank that was up for sale. He bought it, had it taken apart and shipped out here. The 70-year-old wooden home was given a new lease on life at a new address, this time with new roofing. Old-fashioned corrugated sheet metal made way for new terracotta roof tiles. Where appropriate, the walls were built of solid wood.
The unblemished charm of rustic life represented a turning point in M.L. Apichit’s perspective towards property development. He sought advice from a close friend, Apasiri Devahastin Na Ayudhya. The two friends shared a background in the hospitality industry.
“Now I wanted four houses on the property and they would be given appropriate Buddhist names. Already a team of creative designers have come up with titles from “Kharawasa Dharma 4”, a set of four disciplines for leading a happier life. They are Sajja (truth), Thamma (freedom from greed), Khanti (patience) and Jakha (generosity).
“House number 4 has a swimming pool. I designed it with the knowledge that I had. It was a terraced house design with 8 residential units,” he added. Upon completion, the latest addition named Jakha, became the first building to be visible from the country road in front of it.
The lure of a laid-back home in the countryside can be irresistible. Nature-inspired design is so charming, it’s hard not to fall in love with it. No wonder many come away impressed by the hospitality they have experienced for during their visit. The property contributes to the local economy, as workforce is hired from within the community and local products are used.
But it’s the warmth and homey feelings of these country lodges that have kept many coming back.
/ Story: Patsiri Chotpongsun / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Turning left into a side street opposite Chiang Mai’s Mae Rim district bureau, rice fields on both sides of the road have matured and only just begun to bear fruit. In the middle of it, all emerged a two-storey wooden house with vintage Thai-style appeal. It stood hemmed in by tall trees and lush green lawns. This two-storey wooden house showcases a mix of concrete and timber, its wide façade looking out on a fabulous panorama of mountains and paddy fields.
Open-back bookshelves contribute to an airy interior made for lounging, reading, and viewing pictures in the gallery.
Anchan, the housedog, gave a welcome bark, followed by greetings from the mustached host, “Tom” Apichai Wangtragul. He introduced us to his better half, “Saa” Narawan Rajchasee Wangtragul, AKA the heart of the house. The Retro look of her Thai-style sarong matched the atmosphere of the home named “Good Old Days.”
“Back in Lampang we had a small coffee shop offering snacks and selling guitars. It was very warm there, so we started looking for a new home in good weather. We found one on Google, not far from where we wanted to build our first home in Chiang Mai. One day that piece of land was up for sale, and we were lucky to have bought it,” Saa said.
Tom was teaching draftsmanship courses in Lampang, when they met, and the rest is history.
In Chiangmai, he designed the new wooden house after first setting up a model to determine effects of different building orientations at various times of day. He kept track of amounts of sun and natural air circulation and used the information to aid in the design.
The result was a home that fit in well with its natural surroundings and weather conditions.
As he puts it, “The home facing west gets a full dose of afternoon sun. The glare can be felt, no doubt, but the trade-off is worth it.
Panoramic sunsets can be seen every day.” To solve the problem, he has put in moveable latticework, which reduces the sun’s harsh glare.
The kitchen counter boasts naked concrete finishes similar to those found in coffee shops.
A draftsman’s desk sits by the window that opens to take in cool breezes and views of the surrounding landscape.
“I grew up in a wooden house on the water’s edge. I told him I wanted one with a shed roof made of corrugated sheets just like old times,” Saa recalled.
“Tom said that could not be done. So we built our new home using metal sheet roofing instead. I wanted doors with plantation shutters and places to showcase collectibles that we have cherished for a long time.”
Tom made sure his loved one got what she wanted. He searched and found reclaimed timber in Sanpatong and paired them with old wood imported from Lampang.
The timber supplies included Burma padauk wood, ironwood, and teak. The couple sought blessings for peace and prosperity before every piece was put to good use.
Apart from carpentry details, Tom is passionate about modern style with an emphasis on naked concrete finishes. Together they make the building feel light.
The interior living spaces are light and naturally ventilated, thanks to plenty of openings on all sides. Each function area is clearly defined with floating furniture for easy updates.
This design concept applies to the sofa in the living room and the dining table by the rear windows. The kitchen comes fully equipped, as their house becomes a home-stay destination.
The couple does everything in-house from selecting natural ingredients to preparing indigenous meals. It is attention to details and good health practice that keep customers coming back.
Tom’s hobby projects have been the source of many décor items.Triple-shutter design : In the Northern region, the window with three shutters in a row is generally preferred for cost effectiveness. The ingenious design needs only one latch to lock all three windows.
Tom keeps a collection of vinyl records for sentimental reasons. He likes listening to relaxing music on the old-fashioned phonograph while Saa cooks. Some of it is rare on this day and age. Here time goes by so slowly that it seems stuck in history.
The floor plan features a flight of stairs made of concrete and wooden steps. Located in the center, it keeps the two bedrooms on the first floor a good distance apart for added privacy. There are cabinets where old books and other collectibles are neatly kept. Nearby stands a gallery made for lounging, reading, and viewing pictures on the wall.
The second floor offers two good-sized bedrooms : one for guest accommodations, and the other for the couple’s exclusive use. There are antique beds in all of the bedrooms. Saa said she felt good about them knowing they came from good homes. She bought them direct from their previous owners. Between the two rooms stands an office space, where Tom spends time working at his draftsman desk. The workspace is bedecked with collectibles including old cameras and vinyl records.
As Saa puts it, “This is the wooden house that strikes the right balance for the two of us. It effectively chronicles our love story and journey through time. I am just happy being here.
“Chiangmai is such a delightful place, with canals, plenty of water, trees, and beautiful culture. During the period from November to February, our house becomes a home-stay destination.
Known as “Good Old Days,” the house has become a wholesome getaway for like-minded people. The service is not available during summer months, because we don’t use air conditioning. Time is well spent in the great outdoors.
/ Story: Ajchara Jeenkram / English version: Peter Montalbano /
/ Photographs: Soopakorn Srisakul /
Comfort, safety, and privacy were the primary considerations in designing this house. Spacious, cool and airy, it fits right into its Nakhon Pathom city neighborhood.
“Coming back exhausted from work, the owner feels he’s escaped to the other side of a wall where he can finally relax with family in an inner sanctum hardly at all visible from outside.”Meechai Jaroenphon, architect from the Backyard Architect Co., Ltd., says the family wanted a lot of privacy for their home, which accounts for the dense concrete fence, broken only by a few narrow slots.
The house entry area next to the carport.
The property holds three houses with a connecting court in between. There’s the main house where the owner lives, a second house for his siblings, and at the very rear is the parents’ house.
The idea was to live together as a big family while still having privacy. At the architect’s suggestion the homes are compact, leaving a large common space for a garden they work together, which adds a warmer, more intimate atmosphere.
Meechai goes on to say, “The owner wanted the different homes to be set at different levels, with stairs of different heights. I took this a step further and designed stairways as connecting elements, primarily using wood for its simplicity and warmth.”
The owner’s outside staircase.
Stairways connect the three buildings, and going up or down each time brings us into the private space of a different family unit. Sometimes there’s more functionality involved: the stairway in front of the first house, for instance, has a frame of steel and wood railing which screens the view from outside.
Although privacy is important, there are also openings to facilitate sun and wind coming in. “I had in mind the concept of a “safe house,” says Meechai.
“So I designed the carport to block a house view, but the buildings are open to the breezes. When the owner comes home exhausted from work he enters a cool, comfortable atmosphere, escaping into his very own world.”
The altar room is a common area where the parents come to pray and make merit every day. Set at the highest point, it’s larger than other rooms, and divides into two sections: a meditation room and a sitting room. The walls here are open on three sides for an open, airy ambience.
As you can imagine, it’s quite a challenge to create a home for people of different ages to live close to each other. Good design has to anticipate actual usage and find solutions for each person. This house in Nakhon Pathom is a real success story in that way: the big family really enjoys living together.
The house fence and carport wall have 10 cm. slits allowing a view outside.
Materials used in the house: teak, Makha wood, brick, marble, mosaic tiles.
Architect: Meechai Jaroenphon of Backyard Architect Co., Ltd.
/ Story: Wuthikorn Sut / English version: Peter Montalbano /
/ Photographs: Rithirong Chanthongsuk /
Looking back on former times for inspiration? Here’s a laid-back wooden home reminiscent of what life was like in Lanna, an ancient kingdom that’s present-day northern Thailand and vast swaths of countryside now part of Myanmar and Laos. As an expression of love for simple rural life, the homeowners named it “Tathata” in the vernacular of the region meaning “just the way it is”.
The house was built based on local traditions of the distant past. It has a pleasant, relaxed and chic open-concept space with a nice cool breeze blowing all day long through its exquisite form. Plus, harmonious lines and distinct finishes boast the charm of eco-friendly Lanna craftsmanship.
“We’re Bangkok people, but love the atmosphere and way of life here in Nan. After coming to work at Nan Hospital, we decided to live here and looked around for where to build until we finally found this property,” says Natthathon Kharaphongsathaphon, who owns the house with Jittraphon Khwamkhnueng.
Double walls with alternating slats sliding open and closed to control airflow.
The house sits on a road convenient to Nan Hospital, in a quiet natural setting by the water’s edge. For design, the owners hired Nanthaphong Lertmaneethawisap, of Arsomsilp Community and Environmental Architect Co., Ltd. as the project’s architect.
The “tai thun” (open underfloor space at ground level) acts as the guest reception area connected to the kitchen.A wooden porch connecting the father’s bedroom to the carport is designed to be wheelchair accessible when needed in the future.
The architect said, “The owners liked the cultural and artistic dimensions of life in Nan, as well as its traditional wooden architecture. This house is only a few kilometers from the city, but in a perfect natural setting, easy breezes blowing around the clock.
“From the beginning, the words “Little House in the Big Woods” popped into my head. The doctors and I agreed we should take special care of the plants on the property, and we managed to preserve all the trees.”
The homeowners wanted the new design to use carefully selected old wood in ways that would preserve traditional Lanna craftsmanship. So all materials were taken from five traditional houses around Nan Province. They had the imprints of time and a lot of colorful history among them.
The traditional open space beneath the house, or “tai thun,” was designed for receiving guests with a deck connecting it to the kitchen and other sections of the house. The area around the stairwell is open, so light comes in from above. Walking up, you first come to the altar room, then a living area, and furthest in, the bedrooms.
The stairwell connects all sections of the house.Compact bedroom ideas for father and mother.
“We tried to make the house airy and open while providing for privacy, safety, and a clear division of space according to use,” said Natthathon.
“Towards the end while supervising the work, I started to learn the craft techniques. I sawed wood, used a chisel, and sharpened bars myself. I even did some of the kind of self-reliant agriculture everyone used to do, raising ducks, geese, and chickens, even growing a vegetable garden.
“Doing this was a revelation: it was entertaining! And it all takes physical effort, so there’s no need to go to the gym.”
All told, it’s a home that successfully applies traditional Lanna themes to present-day life. It’s a dream home that has become a reality in the natural environment of Nan, somehow seeming ordinary while being as beautiful a home as we’ve seen.
Natthathon Kharaphongsathaphon and Jittraphon Khwamkhnueng with their dream Lanna wooden home.
Choui Fong Plantation in Chiang Rai is a popular landmark for travelers. In 2016 its Tea Café was awarded a citation of excellence in the commercial and office building category by The Association of Siamese Architects under Royal Patronage (ASA).
The building’s left wing holds a shop filled with tea-related products.Buildings split off radially for a panoramic view of mountains and fields.
Sit and sip tea with a 360-degree view.
If you have the good fortune to visit Doi Mae Salong, Chiang Rai Province, source of Thailand’s high-quality tea, you’ll pass through Mae Chan District. This is home to the Choui Fong Plantation, an enormously popular local tourist landmark. Besides the beautiful tea field landscape spreading as far as the eye can see, you’ll also find the truly chic Choui Fong Tea Café, in 2016 recipient of an architectural award from the Association of Siamese Architects.
The Choui Fong Plantation had been in tea leaf production long before its second-generation heir, Ping (Chanya Wanatsapithaksakul) made the improvements that put it on the agricultural tourism map, with a shop and stalls distributing many of his products and the café, which offers pastries and high-quality tea-based drinks. The delicious tastes and smells are enhanced by the setting: the ingenious architectural design of IDIN Architects which seems to spring right out of its gorgeous natural surroundings. The rectangular concrete structures, split into three interconnecting wings. are built into the hill at the highest point in the fields. Elegant by themselves, they are even more so in the context of nature. Visitors can walk around the hilltop roof and enjoy a 360-degree vista of tea fields, or look out from the lower deck while relaxing with tea and pastries, which can also be bought at the store.
Visitors walk down from the hilltop to enter the café complex.With only a single post supporting each wing, the buildings seem light, as if floating midair.Tea can be enjoyed on both the roof deck and the lower level.
Tea aficionados love the simple décor: pine wood gives a serene look which goes well with the scents and tastes, and all the building materials – steel, concrete, wood – retain their natural textures, bringing to bear the tea-drinking cultural values of honesty and simplicity, attracting both experts and amateurs into the tea world in all its depth.
Sipping tea here is much more than just experiencing delicious tastes, it’s experiencing the joys of life itself.
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