/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
A small white house overlooking river views merges into the countryside vernacular of Dien Khanh, a district of Khanh Hoa Province on the southeast coast of Vietnam. Built on an elongated rectangle, it has a narrow frontage to the street like other houses in the neighborhood. Yet, it’s different from the others for its ultramodern appearance. It all started with the architect trying to create a home that’s up to date and, at the same time, capable of blending into the surroundings. Ideally, it should agree with the historical and cultural setting of the place. And it has to be comfortable to live in.
The result is a two-story home with public spaces in the downstairs layout. The front of the house plan holds the sitting room and dining room. High ceilings make the overall interior space feel light, airy and cool.
Small green spaces on both sides of the front yard pathway add a natural touch to the main entry area.The living room is light, airy and cool thanks to a double-height ceiling that brings an element surprise to the interior. It’s strikingly different from the entry area where the ceiling is lower.A triangular rooftop skylight adds an element of playfulness to design. It illuminates a part of the interior during daylight hours.
Half way into the house plan, a spiral staircase that’s the focal point of design winds up to the second floor. Further inside, a more personal room contains small kitchen space that’s clearly separated from the bedroom for aging Mom and Dad located at the rear.
Climb a flight of stairs, and you come to two more bedrooms with an ancestral hall at the far end.
The spiral staircase acts as a focal point for creativity in interior design.
A drawing shows the house location in the riverside neighborhood. / Courtesy of 6717 StudioA diagram shows spatial relationships between Floors 1 and 2, plus the roof. / Courtesy of 6717 StudioThe side elevation illustrates spatial relationships between functional spaces in the home. / Courtesy of 6717 Studio
Despite it being long and narrow, the architect had no difficulty finding ways to make the interior room well-lit and well ventilated. The problem of confined spaces is resolved simply by growing a small garden in the main entry area, a natural way to create passive cooling effects in the home.
At the rear, a small backyard serves as engine that drives natural air circulation. That’s not all. At the center of the house plan, a small square courtyard adds a little bit of greenery to the interior. Together, these little green spaces go to work bringing fresh outdoor air into the home all day long.
A corridor connects the living room in the middle to a quiet, more private living spaces at the rear.A square courtyard opens to admit light and fresh outdoor air into the interior.The downstairs bedroom opens to the interior courtyard.The kitchen opens to the courtyard to admit light and get rid of cooking smells in the interior.
Taken as a whole, these are the key attributes that give the new home character. Plus, the roof with a high pitch is designed to perform in severe storms. It’s painted a bright shade of orange to add a new feature to the community landscape.
Combine that with simple clean lines and white walls, and it conjures up the image of a small cozy home that blends perfectly with the charm of rustic rural life.
For privacy, the two upstairs bedrooms are separated by the center courtyard.
This house appears in the Special Bilingual Edition (English and Thai) of Baan Lae Suan and Living Asean, titled “Tropical Suburban and Country Homes”. It focuses on designs for cozy living in harmony with nature.
We have handpicked ten houses for this special edition that serve as the perfect example of design innovations in sync with the natural world. Front and center, it’s about the pursuit of ways to live more sustainably and create a better future for all. Looking for inspiration? Perhaps a glimpse into nature-inspired “Tropical Suburban and Country Homes” is a good place to start.
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A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.A nook with a small desk provides a flex workspace that’s airy, open and welcoming.
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.
Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.
Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.
It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.
Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.
House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.
For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.
Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.
This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.
House in Chau Doc’s Location Illustration Courtesy of Nishizawa ArchitectsHouse in Chau Doc’s Conceptual Drawing Courtesy of Nishizawa ArchitectsSection Drawing Courtesy of Nishizawa ArchitectsStructural Diagram Courtesy of Nishizawa ArchitectsFloor Plans Courtesy of Nishizawa Architects
What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.
Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.
Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.
Even better if the beauty of a locality is incorporated in the design.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
“There is something about this place that always brings back old memories,” said the owner of this lovely treehouse by the lake. “Several decades passed, but I still remember it as if it was yesterday. My family camped out here on a hot summer day. Our children gathered under the canopy of an old tree and set up a small tent together.”
“We called it a ‘house’ because it protected us from the sun, and we had a lot of fun. Some children cut down a few trees to make tent poles while others gathered leaves to make the upper covering and decorations.
“It was beautiful and eye-catching. Completely finished, we went looking for things needed to ‘settle down’ in the leaf hut shelter. …”
Obviously, his experience and memories provided the inspiration that culminated in the country home of his dreams. Built into nature, this treehouse by the lake was based on biophilic design conceived and developed by H.2, a homegrown architectural practice based in Ho Chi Minh City.
The house merges into the surrounding forest landscape on the bank of Da Bang Lake, a calm and peaceful body of water in Ba Ria-Vung Tau Province in Vietnam’s Southeast.
It all began with the homeowner’s desire to let his granddaughter connect with nature just like he and his kids did when they were young — an experience that, in his words, provided lasting psychological benefits. He could still recall having fun growing up in the countryside where life was simple.
Sharing a piece of his paradise, he said, “The leaf hut shelter that we built back in the day was a place to play games, do kid-friendly things and listen to music.”
“Memories were made here and the story is crystal clear like it all happened yesterday. The simple games we played nourished our souls and, especially for me, nurtured my love for life in the poor countryside. Those were the days.”
The 120-square-meter home sits in the shade under the canopy of tall trees near the lakeshore. It’s made attractive by ordinary materials sourced from within the neighborhood, a quality that gives it the unblemished charm of rustic rural life.
The stilt house supported by concrete structural framing offers plenty of under-floor spaces that allow natural daylight and gentle winds blowing in from the nearby lake.
It’s called a treehouse for good reason. Instead of cutting down the existing trees, the new house is built around them, literally letting them grow through the roof.
At the center, a spiral staircase winds around a tree trunk connecting the first floor to the second that serves as family living quarters.
What makes it unique is the use of reclaimed steel with surface rust in a variety of colors and textures, an appearance that gives the house its vintage industrial appeal. Some of the pieces came from an old factory that had been torn down, while others were purchased from a local scrap yard.
In a way, it’s contributing towards a healthier planet by reducing waste, recycling and reusing discarded materials to suit a new purpose.
House Layout Courtesy of H.2Conceptual Diagram Courtesy of H.2
Simple yet attractive, it’s an eco-conscious home made possible by the honest use of natural materials. Here, the emphasis is on creating a light-filled, airy and comfortable interior, one that seeks reconnections with nature and, at the same time, brings the warmth of family joy.
The homeowner said that he could still recall the day his granddaughter arrived at the new home. She was obviously happy and excited.
The forest treehouse by the lake afforded a conducive learning environment with plenty of room to play, run, jump, and climb trees.
With respect to construction, it’s a very interesting project. The nature-loving house by the lake makes practical and effective use of discarded materials in a way that creates a home of higher quality and value.
Take for example the use of scrap metal and leftover materials including corrugated roof paneling that people tend to overlook. And by giving recyclable items a new purpose, it translates into big savings and, at the same time, reduces impacts on the environment.
Long story short, the outer appearance is immediately appealing. The interior living spaces are comfortable, peaceful and secluded to say the least.
Flexible floor plan design lets nature permeate making the home bright and airy. At the same time, it’s ingeniously devised to integrate the existing trees in the overall scheme of things.
That’s just one of several fascinating adaptations that make it original and unique – a forest home where all things eventually merge into one pleasing and consistent whole.
/ Story: Nantagan / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
All he ever wanted was a place out in the country. Dechophon “Teng” Rattanasatchatham, the architect at Yangnar Studio, built his humble abode amid the rice fields in bucolic Chiang Mai’s Sankamphaeng District. Carefully thought out from work experience, it has come to redefine the meaning of rural home life from the perspectives of both the architect who designed it, and his family living in it. Like so, a calm and beautiful piece of vernacular architecture was created, one that came complete with all the requirements for good living. Plus, it’s aptly named “Tita House,” which is Thai for a bright and friendly rural appeal.
Sharing his piece of paradise, Teng said: “To start with, because I was going to live here, I wanted to draw on all my experience in vernacular architecture, design, ideas, and results of the experiments I had done in the past and put them to good use.
“I envisaged building a home that would be best suited to me and my family, one that kept within the budget and was built out of reclaimed timber that I had at the time.”
Viewed in its essential qualities, the house plan was adapted from vernacular architecture, which has been the signature of the atelier Yangnar Studio from the start.
It was built the old-fashioned way of Northen Thailand vernacular architecture by carpenters from within the locality. Clever building hacks utilizing a mix of modern tools and time-honored traditional techniques resulted in the superb vernacular carpentry of a true-to-nature wooden home.
From the look of things, the inconspicuous earth-oriented ebony building appeared unpretentious and capable of merging with the surrounding landscape.
Architecture on stilts features a mix of low and high elevation floors.
Tita House represents a marriage of the modern and the traditional. It’s rich in architectural features indigenous to the Northern Region.
They include, among other things, stilt house design that integrates lower and higher elevation floors to form a coherent whole. Essentially it’s about making appropriate adaptations of tranditional vernacular architecture that are convenient for and acceptable to family lifestyle needs.
As the architect put it, “The idea of integrating a lower elevation floor (the smaller building) in the design was adopted because there was a need for easily accessible under-floor space.
“Plus, it provided storage room for agricultural tools, food raw materials and articles for household use. Nearby, a higher elevation floor (the main building) offered plenty of ample under-floor space for woodworking, a casual relaxed sitting room and areas for the children to run and play.”
Under-floor space offers many benefits. Aside from creating multifunctional room, it doubles as a passive cooling system that drives natural air circulation.
This helps prevent high humidity levels in the home and keeps the interior cool in summer. It’s a more effective way to cool a home than building a wooden floor on the ground, which is prone to moisture damage, Teng explained.
The veranda that’s part of the smaller building is used for open flame cooking. Next to it lies a space for welcoming house guests and dining.
Right Building Orientation Improves Comfort
Tita House comprises two buildings that blend like cuts from the same cloth and are connected by a wooden deck that’s roofed over to protect from the elements. The smaller of the two buildings is used for open-flame cooking and eating, while the bigger building houses main living quarters.
As is often the case with vernacular architecture, it’s built on a split-level home plan. Cooking and eating spaces lie at the lower end, while the front deck and main living quarters are positioned slightly higher.
The area for eating and entertaining house guests lies to the north of the main building. It’s pleasantly cool and bright under the shade of trees that are the vital part of a wild yard landscape.
Winds blowing into it from underneath the nearby smaller building keep the area nice and comfortable all day. The main building that houses family living quarters affords a fine mountain view easily seen from the front deck connecting to two bedrooms at the far end.
Ground Floor Plan Courtesy of Yangnar StudioFirst Floor Plan Courtesy of Yangnar StudioSection Drawing Courtesy of Yangnar StudioSeen from the outside, the two buildings connected by a terrace look onto a wild front yard landscape.
“The reception area is positioned to the north of the main building for it gets beautiful morning sunshine.” Teng explained.
“As time passes and the sun moves across the sky, the nearby smaller building provides protection from afternoon heat. This way it’s nice and cool in the shade for much of the day.”
The veranda reserved for guest reception and dining is covered in concrete block pavers with retaining frames surrounded by landscaping beach pebbles. It’s raised higher than existing ground level for easy access to the main building.The cozy sitting room that’s part of main living quarters opens to the terrace leading to the smaller building.The workspace comes complete with low-profile bookcases on one side and a long desk for the home office on the other.Looking through office windows, on a clear day the iconic Doi Suthep Mountain can be seen in full view.
There’s a living room that forms part of the suite in the private house. It’s designed to conveniently connect to a workspace lying between two bedrooms.
The workspace itself is on the east side of the house plan with bay windows projecting outward from the wall of the building. Elsewhere, transom windows are fitted with weather-resistant insect screens instead of glass, thereby allowing fresh outdoor air to enter and circulate inside.
Meanwhile, long eaves that overhang the walls of the building protect the interior from the elements. The under-floor space beneath it is kept cool by design, thanks to the house floor that extends outward to form the upper covering that keeps it in shade for much of the day.
For the health benefits of early morning sunlight, the two bedrooms are positioned on the east side of the house plan.The shower room enclosed with brick walls lies in the open air. Nice alfresco design improves ventilation and protects against moisture damage.The west side of the main building looks onto a backyard vegetable garden where onion greens, collard greens, cualiflowers, and herbs are grown for household use.
A Product of Intermixing and Experimenting with Ideas
Tita House is the brainchild of the homeowner and architect who created it. To him, it’s a living experiment of current time vernacular architecture. It contains architectural features, building techniques and qualities that he has never tested before elsewhere.
“I had the opportunity of visiting a village in the North of Vietnam and Kengtung (a township in Myanmar’s Shan State) and came away impressed by the method of building houses there,” said Teng.
“It was very interesting. They started out by making flat component pieces in the shop or on-site. Then people in the village joined together to assemble them step-by-step to form a unified whole. In no time, a complete home was erected simply by connecting prefab paneling together.
“It gave me the inspiration to adapt and try it myself.”
Apart from trying out new methods for structural frames making, Teng also put other creative ideas to the test.
This new house of his was the outcome of those experiments. In a nutshell, it was about making appropriate adaptations that best fit the circumstances.
In the case of Tita House, the integration of a low elevation floor in stilt house design was something not seen very often in the North of Thailand’s vernacular architecture. In most cases, different elevation floors, if any, were kept apart in two separate buildings.
Flashbacks, prefab component pieces are seen being erected in the initial stage of construction at Tita House.Structural framing component pieces arrive ready to be assembled on site. They are put together using mortise and tenon joinery with an emphasis on wood color and texture that are true to nature.A perspective view of interactions between different elevations in the house plan.
Besides architecture, there are several internal fitments that are worthy of note. They include wash basin design ideas for preparing vegetables, washing dishes, and watering plants in the yard.
Here, pieces of kitchen equipment are beautifully organized. They are connected to the backyard garden below by a line of bamboo poles that carries water supply to a glove of banana trees.
For a neat appearance, the wash basin is crafted of teakwood paneling put in place parallel to the edge of a balcony.
Teng said: “From experience, I have done an experiment on teakwood wash basins for customers only to discover that most of the time they were too small for their needs.
“So I came up with a bigger size, put it to the test right here at home. Apparently it worked out very well. The large teakwood basin dried fast and required little to no maintenance.”
A large-sized wash basin crafted of teakwood is put in place parallel to the edge of a balcony. It connects to a line of bamboo poles that carries water supply to the backyard garden below.
An Unpretentious Home Made Attractive by True-to-Nature Materials
The two buildings were made almost entirely of reclaimed timber. Cut into desired lengths and sizes, the pieces were put together using mortise and tenon joinery to create individual component parts.
The next step was to assemble the pieces of the jigsaw to form a unified whole on-site. The materials of choice were wood and brick. To bring out the color and texture that’s true to nature, brickwork was not plastered in a cement mixture to create smooth hard surfaces, which translated into big savings.
To add a touch of nature to the room, teakwood planks that make up a wooden floor are nat stained to a dark shade.
According to Teng, “Most of the wood reused here came from old homes that were torn down at various places. For durability, they were given a coat of protective wood stains on site. For the most part they were weathered almost black and differed greatly in terms of the appearance or texture, a quality that gave the home its vintage vernacular appeal.”
All things considered, it’s an unpretentious abode that speaks volumes for what the architect and homeowner is about. Every little thing has a story to tell, whether it is about the ways of the community, the materials, or the architectural features integrated in the design.
It’s a home that conveys a great deal about a desire to reconnect with nature through sustainable living. And Tita House is doing exactly that.
A bird’s eye view reveals a peaceful front yard covered in the lush foliage of small trees and shrubs, such as basils, polyscias, and crotons that thrive among flowers. The south and west sides of the property are lined with native tree species that keep the house in shade.The house merges into the rice fields, comfortably ensconced in the dusk of a Chiang Mai mountainside.
Owner/Architect: Dechophon Rattanasatchatham of Yangnar Studio
/ Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Trieu Chien /
Speaking of unconventional houses, here’s a truly awesome steel home located in Phan Thiet, the capital of Binh Thuan Province in the Southeast of Vietnam. It’s a small house that makes a big difference in terms of value, form, color and texture. A well-thought-out home plan, it’s where the heart is for a family of four who live here. Built in a way that steel frames and other elements fit in well with modern furniture, it looks the epitome of good design that speaks volumes for the family’s present lifestyle and their preparations for the future.
Meeting Basic Needs Despite Limitations
For the young family, a small shed roof house on 150 square meters of land makes perfect sense.
It fits nicely within their budget. To get things done, they left it in the good hands of the architects at MIA Design Studio to develop a good plan with all the required components and qualities.
The plan included all beautifully organized functional spaces suitable for the needs of everyone in the family. The initial design phase was completed during an outbreak of the COVID-19 pandemic. Despite the limitations in the ensuing days, the architects and the contractors relied on long-distance communication to finish the project on schedule.
Nurtured by Nature
The most important part of the design is natural daylight and ventilation. They are two key factors that contribute to a simple but cozy and comfortable atmosphere.
It’s for this reason that plain openings in the wall and the most common ventilation method are used to admit just enough amounts of light and fresh outdoor air to enter and circulate inside.
Where appropriate, curtains are suspended from the top to complement interior décor, separate living spaces, as well as control light, privacy and indoor temperatures.
Overall, it’s a balanced interior design that’s clean and fit for occupant behavior and lifestyle at present.
Steel Structure Home Takes Less Time to Build
From a distance, the house seems small, supported by steel framing and enveloped in corrugated steel siding that’s relatively inexpensive and ubiquitous in rural areas.
On the whole, it’s built strong thanks to the main load-bearing structural elements that combine with load-bearing walls to convey the weight of the entire house to a solid foundation.
Components that are usually considered separately, such as sliding door frames, furniture, curtain track hanging systems, even wardrobe hanger rails are integrated so that they become a whole — a smart way to cut costs.
To save even more on construction, the house is made of easy-to-find materials sourced from the neighborhood, usually within a one-kilometer radius. This ensures that no money or energy is wasted on long-distance transportation.
That’s one useful hack to promote eco-friendly green building. Plus, modular design makes it easy to add extra units of construction to meet family needs in the future. All these things can be added without a significant impact on the existing modules.
By design, the even distribution of weight enables the building to remain strong and wear-resistant. This is achieved by taking into account every heavy and bulky thing, such as furniture, during the design process.
As the architects intended, it’s a home where the young couple and their little children reconnect with nature and experience greater joy in their lives. It’s a modest house plan conducive to a relaxed atmosphere and promoting socialization processes in the family.
In essence, it’s about creating a flexible, forward-looking modular design that’s the signature of the architects at MIA Design Studio.
Axonometric Drawing Showing House’s Structure / Courtesy of MIA Design StudioAxonometric Drawing Showing Spatial Orientation / Courtesy of MIA Design StudioFloor Plan / Courtesy of MIA Design StudioSection / Courtesy of MIA Design StudioSection / Courtesy of MIA Design Studio
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hoang Le, Duc Ngo /
A big roof two-story house in Quang Yen is designed for a large family. Located in Quan Yen, a town in Quang Ninh Province in Vietnam’s Northeast, it’s a collaboration between two design studios, ra.atelier (Gia Thang Pham) and ngo + pasierbinski (Piotr Pasierbinski and Duc Ngo). They were tasked with preserving the existing landscape with a water pond and Tropical garden on it and, at the same time, catering to the lifestyle needs of the homeowners in post-retirement age. The result is a 121-square-meter home that observes the beautiful culture and Tropical climate of Vietnam.
Photograph: Hoang Le
Precisely that translated into maintaining the outdoor space in the state that was in existence at the time as much as they possibly could. This included the outdoor room for planting trees and a flower garden plus spaces for vegetable gardening and a flexible piece of ground for entertaining several houseguests and relatives.
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Duc Ngo
The house is situated on 735 square meters of land (roughly 0.2 acres), shaped like an elongated rectangle with a narrow frontage to the street.
The face of the building stands facing south, overlooking a small semicircle body of water. Nearby a miniature mountain garden décor separates the front yard filled with flowers and bonsai from the backyard that’s reserved for vegetable gardening.
According to the architect, the new house was built exactly where the old house once stood. It’s set slightly toward the back so as to create more room for a veranda projecting in front of the building.
Illustration: Courtesy of ra.atelier and ngo + pasierbinskiIllustration: Courtesy of ra.atelier and ngo + pasierbinski
Illustration: Courtesy of ra.atelier and ngo + pasierbinski
Illustration: Courtesy of ra.atelier and ngo + pasierbinski
The layout of the house is primarily related to its intended functions. In the big picture, the building has the approximate shape of a cube, the front part of which is reserved for general purposes such as giving lessons to kids in the neighborhood, a common activity for people in post-retirement age.
The back part of the house is quiet and a little more private, with room for a kitchen and bedrooms. Halfway in between lies an uncluttered center hallway made attractive by double-height ceiling design.
Climb a flight of stairs and you come to a more personal center hallway connecting to two bedrooms and an ancestral worship room. It’s a long-established custom in Vietnam to offer veneration to ancestors from whom the family is descended.
Photograph: Duc Ngo
Photograph: Hoang Le
Photograph: Hoang Le
All of the above parts work together to form a coherent house plan that’s perfectly oriented to maximize all aspects of the surroundings. In terms of the aesthetic appeal, the water pond is the focal point of the front yard landscape.
There’s a sense of physical and spiritual relationship among all things. Arranged in a straight line, the miniature mountain décor and the pond can be seen through the round, compelling window of the worship room at the center of the house plan.
The water pond, as the architect puts it, represents the essential part of the original landscape that had long been there before the old house was torn down and replaced by a new one. In a nutshell, the main idea is to keep everything where it belongs.
Photograph: Duc Ngo
Photograph: Hoang Le
Photograph: Duc Ngo
Apart from a set of traditional beliefs and sociocultural values, other important factors are also taken into account in creating a design that best fits the natural surroundings and climate of the region.
This is manifested in visual continuity that extends from inside the worship room to the miniature mountain garden décor in the front yard. Plus, the open floor plan design allows natural daylight and fresh, clean air to enter and circulate inside the home. In essence, it’s a trinity of complementing factors – the water pond, the building, and the surrounding landscape.
The architect wraps it up nicely. “It’s a design based on the relationship between common spaces, worship room, and the landscape.” There is apparent continuity starting with the entryway that boasts the spaciousness of double height ceiling design all the way to the second floor of the house. This allows all usable spaces and functions to conveniently link up with one another.
Meanwhile, doors and windows are in the right proportion in relation to the size, shape and position resulting in well-ventilated interior living spaces that are not too bright, not too warm, not too dark or not too cold.
Photograph: Hoang Le
Photograph: Hoang Le
On the outside, the house overlooks the front yard with a water pond that lies to the south. It’s perfectly oriented to coincide with seasonal winds that carry atmospheric moisture into the home, thereby keeping it cool all year round.
At the same time, the extremely large roof covered in orange tiles shelters the home from severe weather and blends harmoniously with like-color roofs in the surroundings.
Overall, it’s a design well suited to the warm and humid climate of Vietnam. Although the roof is enormous by any standard, the interior is well-lit by natural daylight thanks to large perimeter windows and doors. The result is a breezy, visually stimulating environment for house occupants.
Photograph: Hoang Le
Photograph: Hoang Le
Photograph: Hoang Le
Finally, the interior living spaces are plain and uncluttered by design. In all parts of the house, white walls prove a perfect complement to the floors covered in gray color tiles. What makes the interior pleasing to the senses is the furniture, as well as windows and doorframes made of wood.
More importantly, it’s the ordinary interior that speaks volumes for the simple lifestyle characteristic of this area. That’s precisely the quality that gives this house a feeling of warmth, comfort and relaxation. Nothing describes the relationship and the atmosphere here better than the architect’s saying, “The house is an extension of the garden, and the garden is an extension of the house.”
/ Story: Sarayut Sreetip-ard / English version: Bob Pitakwong /
/ Photographs: DOF Sky/Ground, architectural film and photography service /
Nong Ho Holiday Home is a gorgeous tropical home out in the country. An escape from the fast-paced city life, the tranquil abode is intended as a family holiday home during the winter months.
The house stands environed by the pleasant mountain base grounds at Nong Ho, only a short drive from downtown Chiang Mai. Strictly speaking, green is the prime color of the surroundings, and the panorama of the mountain landscape is one of breathtaking beauty. Priceless!
Commenting on the design concept, Skarn Chaiyawat, architect and founder of his architectural firm and namesake, said:
“The 300-square-wah, rectangular site on which the house is built is exceptionally good. In the evening, lights blaze in the sky as the sun disappears over Doi Suthep that’s easily seen from a distance. It’s really a beautiful sight to see.”
It’s a piece of land with great potential, so the main idea driving the design isn’t confined to the house alone. Rather it’s a layout that has the beauty of the natural environment at its core.
On the ground floor, open plan ideas come in handy, covering a large area from the sitting room to the dining room and pantry, plus a Thai-style kitchen at the further end of the interior.
“After careful consideration, I chose the I-shaped house plan. The longer side of the rectangle overlooking the backyard lies facing west, thereby opening every room to the scenic beauty of a mountain landscape,” the architect explained.
The architect and the homeowners agreed that, to avoid looking harsh or too modern in appearance, it makes perfect sense to blend modern building materials with heritage products in the locality.
The result is a modern vernacular home that boasts the richness of natural textures.
It’s built of reclaimed teakwood from old houses in the area and roofed over with clay tiles made the old-fashioned way by local artisans. House floors and parts of the walls are covered in glazed clay tiles made by Mae Rim Ceramics in Chiang Mai.
All told, it’s a beautifully semi-handcrafted home that’s original and unique in its own special way. Plus, it helps reduce impacts on the environment.
The more open the house plan, the more exposure it gets to sunlight and moisture.
Here, the problem is corrected by constructing elegantly extended eaves around the house. Where appropriate, several arrays of retro-inspired bamboo louvres protect the house from the elements, meanwhile providing a delicate aperture to the delightful view.
Together they reduce the heat, allow in gentle breezes along the east and west facades, and offer the benefit of adding decorative privacy screens to the home.
Here’s what we found. A good home isn’t made for comfortable living alone. It must also be capable of promoting good physical and mental health.
Although it has a street frontage, the family’s right to privacy is jealously guarded. There’s a backyard swimming pool for exercise. Looking out the window, a spectacular mountain view can be seen from a distance.
There’s plenty of room left to grow a vegetable garden, too. In essence, it’s a way of creating an ecology of nature-human interactions.
The architect wrapped it up nicely: “Even while indoors we can hear birds sing and gentle breezes rustle in the trees, plus the sweet smell of plants and rain in the yard.
“No need to turn on air conditioning all the time. It’s a beautiful natural setting that brings peace of mind. For us, it’s a great definition of a holiday home.”
/ Story: Samutcha Viraporn / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
Here’s an intimate country villa peacefully nestled in the wooded hills of Nakhon Ratchasima. The big mountains of Khao Yai National Park that’s a UNESCO World Heritage site can be seen from miles around. The house that merges into countryside vernacular offers an unbroken view of sugarcane fields and, beyond, the scenic beauty of islands in the sky.
The breezy and bright house in the fields belongs to Thanachai Ujjin, aka Pod, lead singer/song writer for the Moderndogband. To him this means everything. It’s a place to live al fresco and enjoy the benefits of fresh air and sunshine away from the hustle and bustle of city life.
His favorite hangout is a gallery along the side of the house, where he likes to sit under moonlight at 2 in the morning. Precisely, nature is on his doorstep.
The house plan is symbolic of modern Tropical architecture. It’s spacious, calm and uncluttered. Here, the atmosphere is so peaceful that Thanachai himself likens it to that of a far away temple. It’s the brainchild of Nattapak Phatanapromchai, of Erix Design Concepts Co., Ltd, an architectural practice based in Bangkok.
The minimalist place of abode is aptly named “Villa Sati”, or the House of Consciousness, so as to communicate the state of being fully awake and aware of oneself and one’s surroundings. Shining under the moonlight and starry skies, it has a spacious gallery along the outside of the house that’s perfect for walking meditation, which the artist and his Mom often do together.
Sharing his little piece of paradise, Thanachai said: “After moving out here, I feel as if there were more hours in the day. I rise early to go jogging, read, listen to music, and write songs.”
As one would expect, their country retreat is made for peaceful, simple living. Here, the artist and his Mom have plenty of time for their favorite pastimes – make art. And the house plan is thoughtfully devised to do exactly that.
Seen from a distance, gable roof design proves a perfect complement to the loggia along the outside of the building overlooking the garden. Elsewhere, gorgeous open-concept floor plans increase natural light and bring the outdoors into the home.
Walk in the door, and you find the stand-alone Butterfly Stool, a 1954 icon of Japanese industrial design by Sori Yanagi. A short distance away, a minimalist bedroom looks out over the sugarcane fields stretching as far as the eye can see. Straight ahead is a kitchenette that connects to a living area large enough for several purposes.
For lighting and good ventilation, a set of stairs next to dark clapboard siding has no risers between the treads. It provides access to the attic that the artist has turned into a bedroom. The farthest end of the house is open to let southeasterly winds enter, a great way to ventilate the entire home. From here, the rolling sugarcane fields and mountains beyond can be seen in full view.
To create a flexible interior space, movable furniture comes in handy to establish zones and enhance traffic flow in the home. Modular storage cabinets from USM have the most prominent position alongside wall-mounted abstract art by Tae Pavit and a few painted pictures by Pod’s Mom.
Commenting on design details, architect Nattapak said the gallery along the outside of the house affords a beautiful panorama of the lush mountain landscape.
At the same time, large openings in the walls allow fresh air to enter, creating air flow and bringing down ambient temperatures to the point there’s no need for air conditioning. Plus, the gable roof with extended overhangs effectively protects the gallery along the outside from sun and rain.
To add rustic charm to the home, the architect did away with the fascia, or the wooden boards covering the far ends of roof rafters. It’s a technique to highlight the framework supporting the roof as is often the case with the Thai style of residential architecture.
At the same time, wood shingles covering the roof are made beautiful by special paint for a real custom effect, while cement board sheathing is installed underneath to protect against leaks.
The building’s structural framing for the most part consists of wood, while framed glass wall systems stand tall from the threshold to the tie beam supporting the roof truss. For a neat appearance, the side posts of every doorway and glass wall frame perfectly align with gable-end studs. The result is a beautiful country villa with clean design in the midst of scenic surroundings.
For strength and durability, the house superstructure is built of Ta-khian timber (scientific name: Hopea odorata), a species of large trees native to Southeast Asia. Elevated 1.80 meters above ground level, the floorboard rests on steel reinforced concrete framing that serves as load-bearing foundations.
Technically speaking, the house-on-stilts design is ubiquitous across countries in the Tropical climate. It provides good ventilation under the floor, a brilliant way to keep the home cool all year round. By and large, it looks the epitome of traditional Thai house design, one that’s easy to look at and comfortable to live in.
The homeowner wrapped it up nicely. “I like the relative smallness of the house and surrounding open spaces. They’ve had a significant impact on human minds. For me, it gives vitality and enthusiasm.
“It’s a kind of design that fills my life with laughter and inspires exciting new ideas. It just so happens. Once I have an idea that I think has real potential, the rest is easy. Lyrics for a number of songs were written right here in this humble abode of mine. The wide open spaces of the countryside are hugely rewarding for me as an artist.”
From time to time, it’s good to leave a hectic lifestyle behind. Escape to the countryside and enjoy life in the slow lane. Priceless! There’s nothing like staying close to nature and being surrounded by mountains and lush paddy fields. Do something you’ve never done before. You can be a part of a local community by getting involved in farm activities.
Collect freshly laid eggs from the chicken coop, pick mushrooms from the nursery, and get vegetables straight from the garden. Even cook your own meals using seasonal ingredients from the community. Or treat yourself to a chicken coop sauna amidst rice fields, a spa idea you never imagine.
There are plenty of reasons a farmstay is the perfect experience as you learn to live in a natural environment. Ahsa Farmstay is offering tourists a chance to stay overnight on a working farm. It’s a place to be happy and have fun as you interact with people in the community and learn about their heritage and culture of farming.
From Chiang Rai, head north towards Doi Mae Salong. About halfway there, you come into Mae Chan District. Ahsa Farmstay is located on 85 Rai (33.6 acres) of land, surrounded by views of the rolling terrain, fertile grounds and lush plains.
The luxuriant vegetation encompassing the farmhouse makes the atmosphere calm and relaxing. The property owners have spared no effort in making sure visitors are happy physically and mentally as they gain an understanding of local culture and the beauty of traditional Lanna architecture.
Ahsa Farmstay is the work of Creative Crews, an architectural design firm passionate about traditional Lanna architecture.
By looking at the northern heritage from a different perspective, they are able to create a home that’s modern in style and functions. This is achieved by reducing design detail and embracing the traditional principles of form and layout. The result is a home that combines privacy, comfort and convenience.
Ahsa Farmstay consists of four buildings. The property owners’ home sits at the center of the rectangular floor plan flanked by two-story buildings that provide guest accommodations on the left and right wings. There are four guest rooms in all. A pavilion that’s up front by the entrance provides a place to unwind and relax, and room for activities.
Typical of house-on-stilts design, the underfloor space serves as open dining room with a kitchen hidden from view in the background. It’s equipped with stoves and facilities for food preparation. For visitors keen to experience truly country style meals, there’s a barbecue grill for cooking food out of doors.
The lodging house offers two guest rooms, one on each floor. To prevent humidity damage, the room on the ground floor is built of brick with cement plaster. The exterior is painted earth tones to blend in with its natural surroundings.
Im, who oversees Ahsa Farmstay, says the design concept is inspired by a desire to be a part of the local community.
“This is the first phase of an ongoing experiment. The farm owners are a family that resides in this community. By living on the property, they are on hand to take care of their guests at all times. Determined to preserve their way of life, they prefer not to travel some distance to work in the city. And that’s what gives rise to the farmstay project.
“We have good relationships with the community and hire local carpenters to build. They are rare these days, but we find some in the neighborhood.
“For quality assurance, they work under our supervision. The project is built almost entirely of wood recycled from old houses. Our architects take the time to do it right. They go through each and every piece and handpick only the ones that meet specified construction standards.”
An architect on the team added, “Reclaimed wood is the main building material because it can be sourced directly from the community.
“It comes in handy since some villagers are willing to sell it as reusable material. In the end, it’s about finding a new use for old wood and adapting it to serve new purposes. Once the villagers see that we can do it well, they adopt the idea and technique to better suit their construction needs.
“In the end, it adds up to the continuation of cultural heritage and preservation of traditional Lanna architecture by passing on the skill and knowledge to young people in the community.”
Besides old wood, the team is able to put other recyclable materials to good use. They include concrete roof shingles that are rare nowadays. They are made the old-fashioned way using the pedal-powered pottery wheel. Also known as the kick wheel, it’s an ancient manufacturing technique that has been passed on in the local community.
To prevent leaks, the roof is covered by two layers of shingles. The weathered concrete look is beautiful. That’s not all. Ahsa Farmstay is also decorated with items of handicrafts and furniture sourced directly from the community.
All things considered, the atmosphere is warm and inviting. It gives other families in the neighborhood some idea of how they can offer a form of hospitality and lodging where guests can stay overnight at the home of locals and learn about their culture.
It’s an opportunity to play host, cook food and share their lifestyle and culture. Like so, Ahsa Farmstay is planning on providing more guest rooms as demand for cultural tourism increases.
And it works both ways. New lodgings will be built by local carpenters, which in turn generates supplemental incomes for the local community. In the big picture, it amounts to promoting a kind of tourism intended to support the conservation of cultural heritage, skill and knowledge in the community.
The designer wraps it up nicely:
“It’s important that visitors refrain from causing changes in the community’s way of life. More than anything else, the farmstay provides the opportunity of learning something new about rural culture.
“Visitors are welcome to join in the daily activities of locals. Architecture has a role to play in the betterment of society. The homes built by locals not only promote cultural tourism but also contribute to efforts at sustainable development in the area.”
By looking at old Lanna architecture from a new perspective, a design team is able to create a home that’s up-to-date in style and functions. This is achieved by reducing design detail and embracing the traditional principles of form and layout.
The result is a home that combines privacy, comfort and convenience.
The second-floor unit has a bed at the center. The room is enclosed by wood paneling that slides open to get a view of the natural landscape and slides shut for privacy.
This story is from Modern Vernacular Homes Special Issue: Happiness Matters. (Available here in Thai and English)
Ahsa Farmstay is one of the 13 Special Homes from the Modern Vernacular Homes: Happiness Matters Issue, Thai and English version by the Baan Lae Suan Team. The issue is available now! If you are interested, please contact us. >> www.facebook.com/messages/t/Baanlaesuanbooks
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