Chatpong Chuenrudeemol, of CHAT Architects, Thailand, is an architect and researcher renowned for what he called “Bangkok Bastards”, a project that investigated unsightly urban areas, such as construction site camps, inner-city slums and retail stalls abandoned and reclaimed by nature. Rethinking them from a new perspective, he was able to restore them to life in an interesting way.
Outstanding products of “Bangkok Bastards” included the Samsen Street Hotel, a downtown lodging inspired by scaffolding wooden planks and metal poles on the outside of a building. Together they gave rise to exciting new design bearing some resemblance to the raised platforms attached to a building during construction.
Samsen Street Hotel / Courtesy of CHAT ArchitectsSamsen Street Hotel / Courtesy of CHAT Architects
In a way, the Samsen Street Hotel is a revelation of previously unseen aspects of building design, a conceptualization that culminates in a thorough change in the form, character and experience in a very open and visible way. Taken as a whole, it’s a piece of architecture designed to promote social interactions, a community hub for hosting events and spaces for people to meet in the Samsen Street neighborhood. That’s not all. He also has other projects in the making, basically focusing on reuse and rethink as ways to create places of higher quality than he found it.
Angsila Oyster Scaffolding Pavilion / Courtesy of CHAT ArchitectsAngsila Oyster Scaffolding Pavilion / Courtesy of CHAT Architects
A little bit about Chatpong Chuenrudeemol
Chatpong is founder of CHAT Architects and winner of the 2020 Silapathorn Award in Architecture.
After completing his master’s degree at Harvard University’s School of Architecture, Chatpong returned to Thailand where he set up a business called CHAT Architects. He was very interested in architectural styles that reflected the true values, experience and the way of life of ordinary people. His research in urban planning and development was inspired by a feeling of wanting to know more about happenings in the street. They included events in the community, construction site camps and deserted retail stalls, to name but a few. Their untidy outward appearances belied the quality of being honest and truthful to others.
Like everything else, the buildings built by non-architects based on local needs and available materials deserved a second chance. So, it’s up to the architect to rethink them from a different point of view and put them to good use once more. After all, there is value in everything.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
Ng Sek San is a landscape architect famous for his untiring energy and passion that give areas lacking proper care the power of fresh starts. He’s the go-to guy when it comes to creating clean outdoor environments that produce positive effects on society and urban area. His masterpieces consist of a broad range of not-for-profit public space projects. Together they speak volumes for his role as an architect and productive member of the community, especially his native Kuala Lumpur, Malaysia.
He’s currently playing an important role in the restoration of Kebun-Kebun Bangsar, a midtown garden oasis occupying eight acres of land (about 20 Rai) with scenic views of the Kuala Lumpur skyline. Formerly home to thriving community orchards and farms, much of it was left in less than desirable condition when he found it. And that’s precisely what gave rise to a concerted effort to restore it to a good state of repair, thereby creating a public green space for recreational use that’s accessible to everyone.
Kebun-Kebun Bangsar at present provides space and facilities for essential public services ranging from seminars, to workshops for discussing agriculture and ecosystem health, to venues for social gatherings and cultural activities. The story of Kebu-Kebun Bangsar isn’t one without obstacles. Like everything else, there were many challenges that had to be dealt with at various stages of development. In the end, it’s hard work, learning and the ability to create an understanding with the community that led to success. Outside, life goes on as usual. The park now serves as a desirable model of sustainable urban planning.
A little bit about Ng Sek San
A bachelor of civil engineering product of the University of Canterbury, New Zealand, Ng Sek San went on to complete his master’s degree in landscape architecture at Lincoln University, also in New Zealand. He founded his own architectural practice, named Seksan Design Landscape Architecture and Planning, in Kuala Lumpur in 1994. Needless to say, his works represent an amalgamation of 30 years of experience in landscape architecture and design for both residential and commercial projects large and small. Over the past three decades, he has done the work in both design and non-design capacities, a distinguished career in which being earth friendly is among the top priorities. Precisely, it’s about protecting ecosystem health and doing what is right in the best interests of the community as a whole.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
“Reinterpreting Narrowness” is an excerpt from research on the subject of an architectural style ubiquitous in Vietnam by Officine Gặp. Founded in 2021 by Yuri Frassi and Afra Rebuscini, Officine Gặp is a research studio committed to the study of urban planning and development involving people with specialist knowledge in Ho Chi Minh City. It investigates the experience and opinions of local residents in a bid to arrive at conclusive findings about the appearance of design and lifestyles in a given area.
Among other things, it looks into the narrow front row house, aka the “Tube House”, a style of residential architecture prevailing in cities across Vietnam. The research project titled “Reinterpreting Narrowness” examines the facts about how urban populations live, work and play. In essence, it’s about understanding the dynamism of the people’s way of life, culture and relationships with small and narrow living spaces. That is to say, it decodes socioeconomic conditions and architectural language in a way that’s easy to understand, giving rise to exciting new ideas for urban planning and development in future.
Reinterpreting Narrowness
Reinterpreting Narrowness is a long-term project inspired by the appearance of an architectural style commonplace throughout Vietnam. Also known as the “Tube House”, it’s an urban row home plan designed to take up the full extent of an elongated rectangle. The purpose of the project is to encourage conversation among architects about the architectural style and urban landscapes that together have made Vietnam original and unique in its own special way.
The project had its beginnings in Ho Chi Minh City in 2022. Since then it has provided the stimulus for open discussions, workshops and debates attracting more than 20 groups of architects from across the country. The project is currently gradually transforming into a form of print media specialized in design innovations and ideas worth sharing.
Over the course of time, the conversations about the “Tube House” coalesced to form a meeting place where ideas about particular design were exchanged. Together they gave rise to stories about the evolution of contemporary architecture in Vietnam. In a nutshell, it’s about taking measures to deal with the problem of overcrowding and challenge of limited space. The intention is to encourage sustainable development and, at the same time, protect cultural heritage and lifestyles. Circles of architects have a role to play in improving the quality of life and ongoing interactions among people in the city.
Crafting a Sonic City (CASC)
Crafting a Sonic City is a multidisciplinary project designed to research the characteristics of sound in the city for the purpose of urban development and the conservation of features or qualities unique to an area, ultimately safeguarding its intangible cultural heritage. Unbeknownst to us, we have all grown familiar to hearing the usual sound in the neighborhood every day. This research project uses the sonic quality to record the story of a city in a factual and detailed way. In a few words, it’s about creating exciting new ideas for urban planning, using the sound as a means to promote an understanding in society.
The project culminated in a public display of handmade books about the characteristics of sound in Hanoi and Ho Chi Minh City. It happened as part of the Vietnam Festival of Creativity and Design 2022, featuring a multitude of neighborhood sounds recorded by architects and researchers. It provided a forum for an exchange of views with people in the community as well as the Society for the Blind.
The Gặp Series
The Gặp Series is a program dedicated to sharing ideas and stories obtained from visiting design studios and architectural practices across the country. Findings reached as a result of an inquiry are presented in a friendly atmosphere. It’s the intention of Officine Gặp to provide a meeting place where knowledge can be exchanged plus it provides the opportunity of meeting up with the people behind the success of research projects in Vietnam.
Action Research Turtle Lake
Action Research Turtle Lake is a workshop that took place over a period of two months. It was a forum that involved little children. The intention was to explore new possibilities in urban planning and development, especially ideas that we adults would never have thought possible. It invited children at the age 4 and 5 from Little Em’s Preschool to be part of the team.
In joining the research program, the children were encouraged to observe the happenings on the streets around Turtle Lake in Ho Chi Minh City. It’s an urban neighborhood characterized by busy movement and activity, traffic congestions and places where people congregate to eat and drink together.
The children participated in surveying the area; taking photographs, drawing pictures, and talking with locals about things that happened. Officine Gặp designed activities that were easy for the children to do in line with an approach to neighborhood building known as “Tactical Urbanism”.
A little bit about Officine Gặp
Yuri Frassi
Yuri Frassi is pursuing a doctorate at the School of Architecture and Urban Design, Royal Melbourne Institute of Technology (RMIT) University, Australia. His keen understanding of the fabric of urban society is manifested in his research into the socioeconomic conditions affecting people’s way of life in Ho Chi Minh City. His works investigate ongoing relationships and interactions between different narratives about cities and urbanism. Through conversation, complex ideas in architecture and urban design are reinterpreted in a way that’s easy to understand.
Afra Rebuscini
Afra Rebuscini is an architect and independent exhibition curator based in Ho Chi Minh City, Vietnam. Her past experience and research centered around the law of urban planning and the dynamism or complex interplay of relationships between the community and the city. With an aptitude for art making, event organizing, and area knowledge, she has been able to conduct social experiments, ultimately leading to an understanding and civic participation in urban planning and development.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang /
The commercial row house, aka the shophouse that’s also used as the owner’s residence, is an architectural style akin to the way of life in Southeast Asia. It’s a small component of the larger, more complex urban landscape, a home-cum-business space more important than anyone could have ever imagined. Living ASEAN had the opportunity of interviewing Dr. Hyunju Jang, of the Faculty of Architecture at Chulalongkorn University and cofounder of the design studio DRFJ (Design & Research by Fusinpaiboon & Jang). Asst. Prof. Chomchon Fusinpaiboon, Ph.D, also of Chulalonkorn University, is the joint founder. We discussed the shophouse from historical perspectives, in the meantime examining its subsequent evolution, building performance and factors that contribute to improved quality of life in the city.
The design duo is best known for their project codenamed “Shophouse2Go! Prototypes”, a collection of row house improvement ideas that members of the general public can follow as a model. Dr. Hyunju shared her thoughts and suggestions about a possible of course of action in dealing with the problem of limited space and site constraints. Ultimately, it’s about creating quality living spaces and improvements in the well-being of city dwellers. Here’s what she said.
We recently had the opportunity of interviewing Dr. Hyunju in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into her work experience.
Q: What inspired you to set up the design studio? What’s the goal of DRFJ?
A: Prof. Chomchon and I shared the knowledge that we have gained through work experience in architecture. But our technical expertise differed from each other. Prof. Chomchon was skilled in researching into the historical aspects and evolution of contemporary architecture, while I started out working with a green building consulting firm specialized in big development projects requiring large investments. We got to talking about the importance of architecture in people’s lives, which culminated in research into architectural styles closely related to the pattern of behavior of many city dwellers. We started exchanging information and, to make a long story short, we ended up creating the design studio DRFJ with one specific goal in mind: use our skills and knowledge in conjunction with other sciences to improve the quality of living spaces in ways that the general public can follow as a model. At the same time, we respect the historical values and culture prevailing in a particular area or neighborhood.
Q: How does the project or research conducted by DRFJ contribute to improving living conditions in the city?
A: Our office, from the start, has made the shophouse a focus of our attention. Prof. Chomchon published the findings of his research into the improvement of commercial row houses built during the 1960’s and 1970’s. For your reference, the work is officially called “Strategies for the renovation of old shophouses built during the 1960’s and 1970’s in Bangkok, Thailand, for mass adoption and application.” Since then it has been further developed as a model for home improvements that the general public can follow. Apart from that, we’re also working to provide alternative living space designs, making them right and appropriate for different types of the shophouse.
As part of our research, we put a variety of designs to the test, thereby evaluating the convenience and physical comfort that each one of them could provide for the occupants of a building. The thing is that many green building design requirements that I have dealt with are formulated for large buildings by international organizations lacking deep understanding of Thailand’s climates and cultural context. So we’re searching out the best ways to customize international requirements to better fit the small-scale and everyday kind of architecture in the context of Thailand. Our prototype was the result of this testing. It’s a catalogue of works of design intended for customers to pick based on an individual’s preferences. In a nutshell, it’s about making high quality design available at the price that’s right.
Q: In terms of different climates between Thailand and Korea, is there anything of particular interest to you?
A: What I felt the most difficult when I started working in Thailand was that there were no room heaters. Most offices and commercial buildings focused on ways to keep cool in hot weather and reduce the cost of air conditioning at the same time. In Korea, it’s the opposite. Because it was cold there, all the design decisions were made to keep warm and, at the same time, reduce the cost of operating room heaters. For me personally, a design strategy is considered effective if it’s capable of reducing heat gain in the interior, thereby keeping the room cool and comfortable.
Speaking of which, the crux of the matter lies in creating energy efficient design, one that keeps a balance between power consumption and the amounts of daylight streaming into the room. Daylight conditions are of the utmost importance. As for me, I would seek the advice of a consulting engineer in a bid to turn a challenge into a solution.
Daylight analyses of a shophouse interior at different times of day illustrate the amounts and distribution of natural light entering and spreading over an area of a home in a Sukhumvit area prior to undergoing a renovation. / Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang
Q: For the most part, what are the things that most DRFJ clients want?
A: The Shophouse2Go! Prototypes project had its beginnings in a row house in which we live no So we wore multiple hats as clients, developers, and architects handling varied roles and responsibilites. But it’s a case study because what we want to develop is a platform catalogue that provides various options for customers. Meanwhile, some of our clients who already own a shophouse or a townhouse can expect to have a better environment because there are so many good choices. We think the quality of being different and diverse is very important. In other words, the clients are not interested in just expanding living spaces in their row houses. They are also interested in the things that improve the quality of life, such as green spaces and communal room shared by all family members. As things stand, we know what the clients want for their homes. And that’s what gives us the inspiration going forward.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
Q: In your opinion, what are the often-overlooked aspects of urban living that you consider important?
A: I believe that a balance between the various aspects of urban living is something that most people either don’t realize or fail to take notice of. There is no denying that life in the city as a whole is far more complex than that spent in any single building. What we need to do is strike the right balance the two worlds notwithstanding the problem of limited space or site constraints. It’s about finding ways to achieve the best result. Stay focused on raising the quality of life in the city. There is more to a home than just a place of residence.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
/ Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Courtesy of Sanuki Daisuke (Sda.) /
Introducing Sanuki Daisuke, a Japanese architect at the design studio Sanuki Daisuke Architect (Sda.), Vietnam. One of expert guest speakers at the room X Living ASEAN Design Talk in Bangkok. Mr. Daisuke is renowned for his creative ways to make the best use of limited space, at the same time creating urban living spaces blend that with their natural surroundings and the general climatic conditions of a place.
We recently had the opportunity of interviewing Mr. Daisuke in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into his work experience.
Q: What type of design have you done so far?
A: For the most part, we focus our attention on particular architectural concepts, meanwhile assessing the relationship between designs and people. They include residential projects such as small houses and apartments as well as larger undertakings like hotels and resorts. Looking back over the years, most of the projects I participated in while working in Japan were quite different from those created by other architects. They were projects designed to be built in Vietnam. That was how it all started. Time went by so fast. I have been working in Vietnam for more than 14 years now.
Vom House / Photographs: Hiroyuki Oki
NGA House / Photographs: Hiroyuki Oki
Q: What did you see as the potential or possibility that could be developed or lead to success in Vietnam, or Ho Chi Minh City? At least the environment is different from that in Japan.
A: In terms of the environment, it’s very different from Japan. From my point of view, Vietnam has the potential to develop much further thanks to its cultural diversity and new things coming in the future.
Q: What is it that inspires you or acts as a guiding principle for your work?
A: That’s hard to explain because the nature of work, its intrinsic qualities and characteristics differ greatly from one project to another. Even projects in a rural area are done differently depending on the circumstances that form the setting of a place. First things first, we have to create a theme or the main idea about what we’re trying to accomplish. For example, we may want a design that incorporates the natural environment, or one that has a distinct identity specific to a region. In Vietnam, the uniqueness of a project isn’t limited to just a location. There are plenty of other qualities that can make a project the only one of its kind.
Floating House in Thu Duc / Photographs: Hiroyuki Oki
Floating House in Thu Duc / Photographs: Hiroyuki Oki
Planning that’s right for the climate and the environment is likely to have a profound effect on people’s well-being. Plus, it helps to avoid design repetition. Failure to integrate this quality in the beginning of the thinking process may result in design errors, causing additional work and delays. There is more to architecture than meets the eye. The design process is important too, especially when it comes to creating urban living spaces. Besides good build quality, a home must offer usable areas that are flexible. At the same time, the integration of outdoor spaces in the house plan can make the home feel exceptionally good.
Q: You mentioned the physical environment. And what are your thoughts on culture and the people’s way of life in Vietnam?
A: It’s a different culture, one that’s perhaps influenced by the Tropical climate prevailing in Vietnam. This is evidenced by the fact that a lot of activities happen outdoors. I think street food scenes and wedding celebrations takin place in an outdoor setting can be adapted or made suitable for a new use in Japan or Europe, too. We may want to incorporate different aspects of Vietnamese culture in our design. In my opinion, Thailand has a lot in common with Vietnam in terms of climates. Taking in green spaces as part of a whole can add visual and mental benefits.
Q: Give me a few examples of projects that were inspired by the rationale you just described.
A: In Vietnam, several projects were accomplished by integrating more empty spaces in the house plan. But with land prices constantly on the rise, it makes us think again in order to make changes to spatial arrangements. “Vom House” is a good example of the house plan designed to promote natural air circulation in the interior keeping the home cool and comfortable. Technically speaking, it’s about finding creative ways to bring the outdoors in. Another example is “Vung Tau House” which is a home built on a limited space. Even then, green spaces and semi-outdoor rooms are incorporated in the plan, ultimately resulting in a bright and airy living space.
Q: As an architect, do you have a plan for your studio in the future? Any thoughts on personal ambitions that you may have?
A: I think architectural design offers many interesting perspectives. In other words, there are many ways to solve a problem. I think that if we have a clear idea about what we want to achieve, it makes a job exciting. Personally, I look forward to the opportunity of trying something new, something meaningful and inspiring for up-and-coming young architects. This includes adding new methods to the various stages of design development. It’s a part of our work going forward.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
/ Story: room Books and Living Asean Editorial Staff /
/ English version: Bob Pitakwong /
/ Photographs: Baan Lae Suan Fair Press Room /
A collection of inspiring quotes and flashbacks to the room x Living Asean Design Talk 2023, at the Baan Lae Suan Fair Midyear, BITEC Bang Na, Bangkok.
The latest architecture event “room X Living Asean Design Talk 2023” took place last Sunday 6 August. Convening a group of well-known experts from three countries, the annual conversation was on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.”
It’s the star of the show at this year’s Baan Lae Suan (home and garden) Fair Midyear.
The panel included M.L. Varudh Varavarn of Vin Varavarn Architects Ltd., Bangkok; Supawut Boonmahathanakorn of JaiBaan Studio, Chiang Mai; Japanese architect practicing in Vietnam Shunri Nishizawa of Nishizawa Architects, Ho Chi Minh City; and Antonius Richard of the design atelier RAD+ar, Jakarta, Indonesia, with Bangkok’s Deputy Governor Sanon Wangsrangboon as special guest speaker.
Chana Sampalang, President of ASA (The Association of Siamese Architects under Royal Patronage), officiated at the opening of the room x Living Asean Design Talk 2023 on Sunday 6 August at BITEC Bang Na, Bangkok.
The Design Talk centered around the shared interest in design that’s friendly to the environment and conducive to social development in both urban and rural areas.
And the Deputy Governor of Bangkok came in handy to touch upon the subject of official policy tools and collaborations with various efforts at developing public spaces and improving the quality of life for people in Bangkok.
Essentially, the conversation is about building strong networks that will enable us to stay tuned to things happening in the city and communities across the country.
It’s seen as a confluence of ideas between architects and people from different disciplines inspired to create a sustainable future together.
The conversation event started with Bangkok’s Deputy Governor Sanon Wangsrangboon, who spoke on “Urban Development Policy: Thoughts on response from and interactions with residents from different backgrounds.”
He shared a great deal of careful thoughts and his vision of a “livable city,” which he defined as one capable of accommodating people from all walks of life.
It’s the place where residents live together in harmony. In other words, it’s the type of surroundings where people participate in creating sufficient open spaces that lead to improved quality of life.
Sanon plays a part in furthering policy objectives and collaborating with multiple agencies working towards common goals. Front and center are projects aimed at improving the public spaces deemed crucial to the quality life of people in the city.
Apart from providing all the conveniences, a good city must offer the opportunity for people to live together happily. A “Livable City” can be defined as one that’s open for everyone to participate in the development process.
When people feels a sense of involvement and affiliation to a place that’s suitable for them, they have high hopes of making it better both for themselves and for others.
The next speaker, M.L. Varudh Varavarn of Vin Varavarn Architects, Thailand, touched on the subject of “Public Architecture and solutions to the problems brought on by the gap between people in society.”
He emphasized that architects had an important role to play in helping to reduce social inequality. They had the knowledge and skills in the art and technique of designing and building and they could use them in the best interests of the people.
M.L. Varudh and Vin Varavarn Architects have won acclaim serving clients across a wide range of industries. Lately his focus has shifted towards designs that help solve problems in the society.
They ranged from schoolhouse planning thoughtfully devised to deal with earthquake risks, to low-cost housing opportunities for overcrowded city neighborhoods.
All of them speak volumes for the principles governing Vin Varavarn Architects’ ideas and design strategies.
Essentially, it’s about creating the right design that’s capable of bringing about a change for the better for the people and the society as a whole.
And then Shunri Nishizawa, of Nishizawa Architects, Vietnam, talked about “Residential Design in Response to the Prevailing Climate and Limitations in Different Contexts.”
He sent a strong message about the need to create living spaces that harmonize with the circumstances that form the setting of a place. Upon reflection, the relationship between man and nature is impossible to disentangle.
Shunri Nishizawa has practiced in Vietnam for over 15 years. He believes that an architect is duty bound to have a complete understanding of the context surrounding a project being developed.
This can be anything from humans and animals, to plants and the natural environment, plus the cultural context and so forth.
All of them must be treated with equal respect if we are to create a piece of architecture that adds a good complement to the surroundings.
Nishizawa Architects’ finest works to date have made living with nature front and center.
Besides harmony with the natural surroundings, the designer group attaches special importance to choosing only materials that are right for the context of a place. That’s the role of an architect the way he sees it.
He laid greater emphasis on biophilic design that called for rewilding the built environment and the restoration of all aspects of the physical world.
At the very center, the health of the natural environment is as important as that of humans, perhaps even more so.
Supawut and Jai Baan Studio are renowned for their nature-inspired design, effort at environmental conservation and ability to connect with a sizeable proportion of the rural population.
Through multiple collaborations with property owners, Supawut is able to promote a good understanding of the connectedness between man and nature.
He gets his message across to the public that “time” is of the essence when it comes to restoring the natural environment to health.
His outstanding works include a project that transforms unused land into a green oasis in the city. It’s achieved by rewilding, a process of reintroducing native trees and plants, thereby creating natural habitats for birds and other organisms native to the Northern Region.
As “ambassador” speaking on behalf of nature, he proves the point that the relationships between humans, animals, and ecosystems are inextricable.
Last but not least, architect Antonius Richard of RAD+ar, Indonesia, spoke on the topic of “Different aspects of design in response to the environment and surrounding circumstances.”
He shared many useful techniques to incorporate natural elements in contemporary design. Plus, it’s a discussion alive with insights into design features unique to Tropical regions.
Mr. Richard spoke on the topic of integrating elements of nature in architectural design with respect to circumstances unique to Indonesia.
For the most part, his works deal with experiments undertaken to test the performance of new design in real life situations.
His experience encompasses a wide range of designs, from small projects such as cafés and restaurants, to homes and offices, to big projects such as commercial spaces and mosques that are designed to accommodate a large number of people.
Regardless of size, they share one common feature – a strict adherence to sustainable living ideas and design that’s compatible with the environment. It’s the quality that has served as the signature of Mr. Richard and his group of architects, designers and thinkers from day one.
More about architecture and design for better living, plus ideas for a sustainable society and conserving the environment, known collectively as the “Betterism” concept, are waiting to be discovered. Follow us and room Books for more!
/ Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Courtesy of Jai Baan Studio /
Imagine what to expect as urban areas relentlessly expand into the outskirts of a city. More basic physical infrastructures are needed. As to be expected, they have a significant impact on rivers, canals and natural water bodies. Not to mention new roads that traverse a vast area covered with forest and agricultural land. Some see it as a welcome change. For others, it’s a rude awakening for its potential to have an effect on the ecosystems. Precisely, there’s a good chance it could afflict harm to existing “Ecological Corridors.”
What are “Ecological Corridors,” anyway? The term refers to both natural features of Earth’s surface and landscape planning strategies designed to prevent or reduce the effects of habitat loss.
Be it natural or man-made, they provide habitats crucial to the survival of indigenous florae and faunas great and small. Simply put in plain language, they are natural homes to plants, animals, birds, insects and other living organisms.
It’s for this reason that a property owner in Chiang Mai decided to create an open public space that’s central to the physical and mental health of both humans and animals. She started out with 12 Rai of land (slightly shy of 5 acres) of her own that’s part of a housing development on the outskirts of the city.
Named “Kaew Khum Oey Garden,” the green space project connecting Chiang Mai people with nature is undertaken by the homegrown design atelier Jaibaan Studio.
Supawut Boonmahathanakorn, architect and founder of Jaibaan Studio, said that for a long time the 12-Rai plot was left largely undeveloped after much of the upper layer of earth had been excavated to fill a strip of land designated for road building.
It lies environed by more than 30 housing developments without a single open public space. That’s reason enough for the owner to put in good quality parklands complete with bike trails, jogging trails and workout spaces for the community to enjoy.
Change is a good thing. The green is open to people of all ages, plus it’s thoughtfully devised to connect with existing ecosystems in the surroundings.
To create an oasis of calm that allows public access, the designer has been meticulous about its appearance and made spaces available for commercial activities, including room for the restaurant business.
It’s a thoughtful consideration since it’s the business that will generate the incomes needed to fund the upkeep of the park, thereby freeing the property owner from burdensome responsibilities in the long term. Plus, it helps to operate within budget.
With respect to landscaping, the designer further improves the visible features of the land by putting in trees and small plants indigenous to Thailand’s North.
Ironically, some of the species are less commonly known even among locals. As the growth of urban sprawl continues, neighborhood greenery matters. That’s the way he sees it.
Hence, the restoration of the area to all its former glory becomes his front-and-center concerns. Besides giving local residents the opportunity to reconnect with nature, he treats it as a design laboratory in which the flora and fauna and other living elements native to the area are incorporated in the design.
As the designer of Jai Baan Studio puts it, the park doubles as nature conservation, a restoration of the natural environment in which native plant species take precedence over any other consideration.
Trouble is that nowadays the garden market is awash with excessive amounts of decorative plants, including species imported from abroad.
Because of that, most landscape developers across the country have elected to integrate foreign imports in the design despite the kingdom’s rich and diverse native florae. As the imported tree species become more popular, nurseries and garden markets comply.
Subsequently, the landscape designer is compelled to act according to demands. And before you know it, there aren’t many native plant gardens around anymore, let alone the nursery business that produces them.
To solve supply chain problems, the landscape designer builds his own nursery, one that’s specialized in native species production to fulfill the park’s specific needs.
He crosses the hill and sifts through the water collecting specimens of native florae and faunas needed to repopulate the area, literally starting from scratch. A job very well done, he’s succeeded in breathing new life into what was once a neglected piece of ground.
Some of the more commonly known species he reintroduces to the park includes herbal species, such as
(1) Ngu-khiew (พันงูเขียว) or Brazilian tea (Stachytarpheta jamaicensis);
(2) Tri-chawa (ตรีชวา) or squirrel’s tail (Justicia betonica);
(3) Kraprao-daeng (กระเพราแดง) or Red holy basil (Ocimum tenufiorum);
(4) Ho-rapha (โหรพา) or Thai basil (Ocimum basillicum var. thyrsiflora); and
(5) Fai-duenha (ไฟเดือนห้า) or Butterfly weed (Asclepias curassavica). The list goes on.
Kaew Khum Oey Garden is by no means a one-off project. It’s the designer’s finest work to date. So the information about the native florae used here will be stored in a repository of data for future landscape developments similar to this one.
The data will also be made available for public access in time to come with a view to stimulate demands, thereby encouraging the nursery business to fulfill the emerging needs for indigenous plants in the future.
For a carefree, laid-back vibe, it’s the designer’s intention for the project to be nothing out of the ordinary, a public green space that operates without too much control or intervention.
As he puts it, “There may still be parts of it that aren’t arranged neatly or in good order here and there, but hey, that’s perfectly normal if we wish to restore an area of land to its original uncultivated state.
“After all, we have different notions about beauty in the 21st Century. Wouldn’t you agree that there’s a sense of beauty in imperfections, too?”
It’s the different conception of beauty that brings our attention to “Rewilding the Environment,” the term used to describe the return to a state of being unorganized or leaving it alone again, naturally.
By design, it’s a far cry from the impeccably manicured garden. Rather, it’s one rich in the flora and fauna of the Northern Region, including insects. It’s a design that views human users as inextricable parts of nature.
So if you’re looking for a place to relax, lean back and chill, Kaew Khum Oey Garden is the place to be. It’s made with the user in mind. And that’s precisely the message that the design atelier Jai Baan Studio tries to communicate.
Find out more about nature-inspired landscape architecture and ideas for a possible course of action toward environment-friendly design similar to the above-mentioned project at the upcoming room X Living Asean Design Talk 2023.
It’s an opportunity to meet up Supawut Boonmahathanakorn, architect and founder of Jai Baan Studio as well as a panel of experts from three ASEAN countries.
This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Design Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023.
Admission is free. Just a friendly reminder, seats are limited. Registration is recommended.
Mention the Tropical climate, and it calls to the mind the image of wind, sunshine after the rain and a comfortable atmosphere. But hey, what do we know? As architecture continues to advance into a fascinating modern age we live in, oftentimes these key attributes that constitute a gift from nature are sadly disregarded. Shunri Nishizawa of Nishizawa Architects looks at things from a different perspective, one that appreciates the qualities and features inherent in the natural conditions of a place. And he is able to incorporate them in the design in such a manner as to achieve a desired result. It’s a new design possibility that gives rise to the Modern Tropical style as we know it.
Here’s a glimpse into his ideas before listening to him speak at the upcoming room x Living Asean Design Talk 2023. This year’s theme is on the topic of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” It will take place at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023 at BITEC Bang Na, Bangkok on Sunday August 6.
Q: Tell me, Shunri. From your point of view, how would you define Tropical architectural design?
A: Up until now, I’ve felt the role of an architect is to understand and give dignity to all the entities around.
I’m referring to things with distinct and independent existence. Any entity, including humans, animals, plants, space, buildings, you name it. They should feel welcomed and appreciated for being there.
Thong House / Living in a semi-outdoor room is a way to establish a good rapport with the surroundings and realize the importance of connections between nature and
For me, the definition isn’t confined to just Tropical architecture per se. Such is also true for Asian architecture.
I’m referring to time-honored architectural design that has existed or been a part of Asian history in general for a very long time. In essence, it’s about creating design well suited to living with nature, and with water as to be expected.
Architecture that embraces Western values may not have been done in the same way as that of Asia. So the focus of attention isn’t just humans or urban developments alone.
In a nutshell, Tropical architectural design is the kind that’s done within the context of the surroundings. Everything about a culture and natural features also play a role in the design process.
Binh Thanh House / Oftentimes, works done by Nishizawa Architects intentionally blurs the boundaries between indoor and outdoor spaces. Over time, the integration of Tropical climate features in a design became their signature.
Q: What identifies you in architectural design? What’s your signature?
A: It’s Asian architecture. Not Tropical architecture. Throughout its long history, Asian architecture has developed in close association with nature, especially with water.
No doubt about that. On the other hand, I feel that modern architecture has developed in a manner consistent with Western values. It’s design that focuses too much on humans and urban developments.
To me as an architect, it’s my duty to understand the results of all actions that take place. I take them into consideration during the design process, treat them with respect and equally. They include humans, animals, the natural environment and the context or circumstances that form the setting of a location.
In this manner, a well-planned piece of architecture is created in a warm and welcoming environment. It’s a situation where good design proves a perfect complement to the surroundings. That’s my signature.
Restaurant of Shade / Sunshine, which is the key attribute of Tropical climates, pairs with timber native to Tropical countries to bring out the irresistible charms of rustic life in a design by Nishizawa Architects.
Q: Can you give me an example or work that speaks volumes for the definition you just mentioned?
A: The “House in Chau Doc” project, our most recent product. It’s one that conveys a great deal about our commitment to designs that sync with the context of a location.
The house is built on a budget. Planned by careful thought, it merges into the surrounding countryside and performs in agreement with natural events regarded as normal in the locality.
It fits the definition. Open design facilitates comfortable living with nature. The house is built with vernacular materials readily available in the area.
Basically it’s about promoting a lifestyle by which humans and the environment are all connected. Plus, it’s beautifully devised to blend the conveniences of urban living with the rural ways of life.
House in Chau Doc / Building materials indigenous to a locality can be adapted to suit a new purpose in both urban and rural environments. A work of art never goes out of style.
Q: Last question. About the pressure to adapt to change that comes with expanding urban developments. What is your take on that?
A: From an ethical point of view, the architect and society both have to understand the importance of living in close touch with nature.
Its positive effects on our mental and physical wellbeing are of great value. Like so, an architect does his part in helping people reconnect with the natural environment through well-thought-out design.
However, in reality, some of us may be more interested other things; insects, fishes, animals, plants, and whatnot. No one should be busy making a living to the point he forgets to make a life.
That’s why I want to broaden people’s perception of architecture and encourage fellow architects to love nature more by devoting time and effort toward the conservation of our precious natural resources. Nature-inspired design is one way of helping to achieve a common goal.
BEN THANH Restaurant / Architectural design that takes into account the context of history can help us understand the connectedness of all things. In some subtle way, it values the importance of history and the situation prevailing at a particular time about a piece of architecture.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of Nishizawa Architects, Vietnam, at the upcoming the “room X Living Asean Design Talk 2023.”
It’s an opportunity to meet up with a panel of experts comprising four distinguished architects from three ASEAN countries. This year’s event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Talk is scheduled for Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023, BITEC Bang Na, Bangkok. Mark your calendar!
/ Story: Kor Lordkam / English version: Bob Pitakwong /
room Books and Living Asean, media arms of the Amarin Corporations Public Company Limited specialized in home decorating, design and living a happy life, invite you to a conversation event titled, “room x Living Asean Design Talk 2023: Urban Fusion / Rural Flourish: Interweaving Urban and Rural Designs.”
The focus of attention is on urban development, the betterment of society and the safeguarding of the environment through well-thought-out design and the interaction of ideas between urban and rural communities. I
t’s aimed primarily at creating public awareness of the importance of design and its contributions toward housing developments ideally suited to the Southeast Asian Region.
room x Living Asean Design Talk 2023 is scheduled for Sunday August 6 at BITEC Bang Na, Bangkok, Thailand. It’s one of the main events at the 2023 edition of Baan Lae Suan (Home and Garden) Fair midyear. Admission is free!
At this time, room Books and Living Asean has assembled a panel of experts comprising four distinguished architects from three countries. They will touch upon several aspects of the fusion of ideas and the interaction of different designs between urban and rural areas.
Precisely, the topics of discussion include the following:
Design that creates a healing environment for people in developing urban areas.
Design that connects people to people and links urban with rural developments.
Design of the environment considering the dynamism of urban experiences in the aftermath of the Covid-19 pandemic, the rise of problems in the surroundings and the ensuing conflict.
This year’s Design Talk panel is made up of four distinguished architects from three countries.
M.L. Varudh Varavarn, of Vin Varavarn Architects, Thailand, will touch upon the topic of “Public architecture and solutions to the problems brought on by the gap between people in society.”
The panelist has an excellent track record of creating architectural designs aimed at solving problems facing a sizeable proportion of the population – challenges brought on by the gap between urban and rural communities in the provinces. Nonetheless, they affect not only people in the remote corners of the country, but also their counterparts in the Metropolis.
His works of outstanding creativity included the “Low-cost Micro Dwelling for Klong-Toey Community” in Bangkok, Thailand, under which nine prototype homes were conceived and developed visualizing housing that’s sustainable.
They were further improved from the existing design at the time using materials that met quality standards. The focus of attention was on safety, durability, and strategies for accelerating project construction.
Shunri Nishizawa, of Nishizawa Architects, Vietnam, will discuss the topic of “Residential design in response to the prevailing climate and limitations in urban development.”
Mr. Nishizawa has won acclaim for his commitment to residential design that’s right for the existing weather conditions, taking into account the limitations and development site suitability.
His masterpieces included a project named the “House in Chau Doc,” a city in the Mekong River Delta region of Vietnam. In this particular case, the house was ingeniously devised to protect it from being inundated in a region prone to constant flooding.
The result is a timber-frame house with a building envelope made entirely of galvanized iron sheeting. It’s well-lit and well-ventilated thanks to open floor plan design that’s well-suited to the natural features of the land.
Supawut Boonmahathanakorn, of Jai Baan Studio, Thailand, will speak on the topic of “Rewilding the built environment: Interweaving urban and rural designs through non-human life.”
The panelist is an architect who works in and with the community. He is widely known for his role in connecting with people in rural areas and helping them gain access to design innovations and new ideas in vernacular architecture.
His outstanding works of creative skill included “Suan Kaew Khum Oey” (สวนแก้วคำเอ้ย), a project that sought reconnections between people and nature.
Located in Chiang Mai, Thailand, it’s a public park developed according to the “park in 15 minutes” concept which, as the name implies, is aimed at making relaxing green spaces accessible in a flash and it’s open to anyone in the neighborhood.
Antonius Richard, of RAD+ar, Indonesia, will speak on the topic of “Different aspects of design in response to the environment and surrounding circumstances.”
Mr. Richard is an accomplished architect with multiple environmental designs to his credit. They included residential, office, commercial and public space designs skillfully developed to suit different environments – a strong track record of achievements using the right design tools and strategies needed to achieve results.
His outstanding works included “Tanatap Ring Garden Coffee Shop,” an experimental café project designed to perfectly merge into the natural landscape.
It’s carefully thought out to bring into focus a sense of youthful exuberance and arouse interest in reconnections between nature and the people of Jakarta.
Schedule of Events
13.00 – 13.30 Guest Registration
13.30 – 13.40 Moderator delivers a welcome speech and opening remarks.
Topic: “Residential design in response to the prevailing climate and limitations in urban development”
14.20 – 14.40 Break
14.40 – 15.00 Panelist 3: Supawut Boonmahathanakorn, of Jai Baan Studio, Thailand
Topic: “Rewilding the built environment: Interweaving urban and rural designs through non-human life”
15.00 – 15.20 Panelist 4: Antonius Richard, of RAD+ar, Indonesia
Topic: “Different aspects of design in response to the environment and surrounding circumstances”
15.20 – 15.40 Q/A session. Moderator wrap-up remarks. End of event.
The conversation will be in English. Seats are limited. Admission is free!
Those interested in attending should register online here. https://amarinfair.com/booking/room-x-living-asean-design-talk
A part of Baan Lae Suan Fair Midyear 2023, the Design Talk by room X Living Asean is scheduled for August 6, 2023 from 1300 to 1600 hours at BITEC Bang Na, Bangkok. Mark your calendar!
Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.
Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.
It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.
Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.
House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.
For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.
Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.
This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.
House in Chau Doc’s Location Illustration Courtesy of Nishizawa Architects
House in Chau Doc’s Conceptual Drawing Courtesy of Nishizawa Architects
Section Drawing Courtesy of Nishizawa Architects
Structural Diagram Courtesy of Nishizawa Architects
Floor Plans Courtesy of Nishizawa Architects
What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.
Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.
Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.
Even better if the beauty of a locality is incorporated in the design.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
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