/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Like a dream turning into a vibrant reality, a trio of small houses sits beautifully ensconced in a cul-de-sac away from the noise and traffic on the main thoroughfare in central Phnom Penh. Together they occupy the full extent of a tiny piece of property, with leafy vines growing luxuriantly covering much of the front façade in subdued earthy reds.
The lush covering conveys a great deal about the architect’s firm determination to overcome space constraints and create enjoyable homes against all odds. The result is a trio of thoughtfully devised living spaces made cozy and comfortable by allowing fresh, outdoor air and natural light into the home.
Plus, dense green trailing plants add privacy to the inside, a clever hack to let nature permeate and protect the home from the glare of the midday sun.
Albeit small, the three houses have four levels of usable space and functions, including a sky garden on the rooftop deck. The building façades crafted of concrete breeze blocks in dark shades of reds blend with the vertical garden growing luxuriantly on the balconies, creating a pleasing combination clearly visible from a distance.
Together they form a double-layer thermal envelope that’s the first line of defense against the harsh sun and rain. For neat appearances, the three entrance doors at street level blend into the shimmering perforate façades adorned with climbing plants.
Flashback: Old photographs show the physical appearance of the subsidiary street neighborhood prior to construction. / Courtesy of Bloom ArchitectureA diagrammatic representation of the subsidiary street neighborhood where the trio of small houses islocated. / Courtesy of Bloom ArchitectureFirst-floor house plan / Courtesy of Bloom ArchitectureSecond-floor house plan / Courtesy of Bloom ArchitectureThird-floor house plan / Courtesy of Bloom ArchitectureA simplified drawing shows space utilization on the rooftop decks of the three houses. / Courtesy of Bloom ArchitectureConcrete breeze blocks with a concave outline designed and manufactured for outer shell construction. / Courtesy of Bloom ArchitectureConcrete breeze blocks in subdued earthy reds blend perfectly with the dense green foliage on the building façade.
Being of the right size and shape, the three homes fit perfectly into a square-shaped piece of land. The first two houses are relatively small, with similar square-shaped plans built side by side facing the same way. The third house is rectangular shaped and slightly larger. It’s situated at the rear of the property facing a different direction.
Double height ceiling design makes the small living space fell larger and more comfortable.
With regard to interior design, the first floor holds a spacious, uncluttered living room with a kitchenette for entertaining houseguests, while the more secluded second and third levels contain bedrooms.
The fourth floor is a rooftop deck with semi-outdoor sitting rooms for relaxation and leafy plants thriving in containers placed along the edges. The same interior layout applies to all three, except for the rooftop decks of the two front units that are connected to create a bigger shared space.
Quite the contrary to what might be expected, it’s a trio of small homes with larger house functionality, plus roomy, uncluttered design made for cozy, comfortable living.
What is lacking in terms of space is nicely compensated for by well-thought-out design, plus plenty of refreshing greenery all around. Like a pleasant surprise, they make perfect escapes, a trio of quiet and secluded family homes despite their proximity to the hustle and bustle of downtown Phnom Penh.
Here, the secrets to a happy home lies in the perforate shells adorned with leafy vines keeping the snug interior nice and warm all year round.
Green leafy plants growing luxuriantly on the balcony provide refreshing coolness and privacy protection for the bedroom.Semi-outdoor room on the rooftop deck is decorated with plants thriving in containers along the side of the building.
The perforate shell covered in lush greenery provides a focal point and sense of space in the neighborhood.
By design, the perforate facades made of concrete breeze blocks serve as engine that drive natural ventilation keeping the home cool in summer. They also allow just the right amounts of daylight streaming into the interior turning it into an oasis of calm during the daytime.
On the outside, they add an extra layer of protection from sun and rain, creating a double-layer outer shell that allows air to pass through the intermediate gap in between.
More so than anything else, they provide a visual combination showcasing the beauty of simplicity, the power of nature and human ingenuity in providing solutions to problems and overcoming challenges. It’s as simple as that!
A slab of concrete at the bottom of the window frame affords a good view of the neighborhood below.
/ Story: Wuthikorn Sut, Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Courtesy of Rumbá Bor /
“There is no escape from plastic as long as we can’t decide, once and for all, to stop using it. If a product works great made of plastic, at least we should make it strong and long-lasting. That’s basically where design comes in handy to achieve desired results – good quality products that can be used over and over again.”
So said Rumpa Paweenpongpat, designer and founder of the Rumbá Borbrand. Rumpa likes to be referred to as a curator rather than designer. Only recently she stumbled across an injection mold used to make plastic stools at a factory manufacturing household goods.
The factory owner who originally created the intricate design had since stopped making the product. But for Rumpa, it was a real treasure, a work of tasteful aesthetic design deserving serious attention.
Her success was no fluke. Rumpa soon made a refreshing change from what we’ve seen before. By switching to a new material, repacking and rebranding strategies, she turned an ordinary stool into an exciting new experience, a good quality product under brand name “Choei”.
Now it can be found practically everywhere, albeit different in appearance thanks to the new improved material being used. Plus, there’s an artistic flair in the product that allows it to blend perfectly into the circumstances and ideas at the present time.
The first collection of the Choei brand comes in two different colors depending on the materials used in the making. One model is named “Sakoo” for its off-white color resembling the creamy chewy tapioca balls in Thai-style rice pudding. It’s made of a mix containing 50 percent recycled polyethylene plastic, aka PP for short.
The “Sakoo” model comes in off-whites with a yellowish tinge resembling the creamy tapioca balls in Thai-style rice pudding. – from Choei.
The other model, named “Kathi” for its coconut milk color with a gray tinge, is made of 100 percent recycled polyethylene. It’s the material of choice for obvious reasons. Polyethylene is tough, abrasion-resistant, and capable of withstanding wear and tear over a long period of time.
The “Kathi” model boasts the calm of coconut milk color, a beautiful white with a gray tinge. – from Choei.
Sharing her inspiration, Rumpa said: “It makes perfect sense to switch to PP for it’s the most common type of recycled plastic. In comparison with other types of plastic, polyethylene requires less energy to recycle and it gives stronger, better quality products.
“The Choei stool is a piece of decoration you can sit on. It might seem self-contradictory to say that from the start it wasn’t meant to be used for sitting. Rather, it represents a revival, an improvement in the condition and strength, which gives it a value that’s original and unique in its own special way.
“You can test it, or give it a twist. But front and center it’s about aesthetic pleasure. From the design point of view, it’s challenging and rewarding to be able to turn a mass-produced good into a product that has found a niche in the market, a specialized segment of the market, so to speak.”
Choei is the first product line from Rumbá Bor. On one hand, it seems quite a departure from the norm. On the other hand, it’s so ordinary that’s out of the ordinary, a quality that people tend to overlook. It’s exactly the message that the brand is trying to get across, to make people understand.
As Rumpa puts it: “We are interested in ordinary everyday things. Even mundane objects have the power or quality of giving delight. The point is that there is beauty in simplicity and mundaneness, too. There is always kitsch, or sentimentality, about a simple product that most people don’t see.
“It’s run-of-the-mill things we see every day that intrigue us. Examples include breeze blocks, even those balusters on staircase railings in people’s homes, to name but a few. The Choei stool belongs in that same category oftentimes regarded as old-fashioned and out of style.
“But, we can take it out of its humdrum existence simply by applying a new coat of paint and making the intricate design details stand out again. In this way, the improved product will emerge a refreshing change worthy of serious attention.
“Ordinary things can be adapted for a new purpose and made more attractive in ways that people can relate to. The Choei stool has that intricate detail and potential that people seem to have overlooked.”
In essence, the Choei brand is about appreciating of the good qualities and value of the resources that we have and being able to use them wisely. Original design can be adapted to suit new circumstances. A product can be made tough and long-lasting by using a better quality material.
The Choei brand isn’t about trying to change the world overnight. Rather, it’s taking one baby step at a time. Already, this little round-top stool with flowy design legs has sparked up a conversation about it, apparently a step in the right direction going forward.
Hush-hush! There’s a currently circulating story that Choei is coming up with a new set of colors soon. So stay tuned.
This house on the hill is a refreshing change to be taken seriously. Designed for four people to fit in comfortably, it looks out over the Mae Sa River in Chiang Mai’s Mae Rim District. It all began with a family wanting to get away from Bangkok and live somewhere out there in the countryside. As luck would have it, they had an old vacation home that needed repairs, and the rest is history.
It wasn’t long before they decided to put in a new house set amid the landscape of undulating hillsides filled with fond memories of the good old days. From a distance, the new place named Mae Rim House is built into nature, the perfect place to get fresh air and sunshine. Can’t beat that!
The open concept first floor offers plenty of ample space under double height ceilings. It holds a living room, dining room and kitchen. Upstairs, a footbridge provides access to the bedroom at the rear of the house plan.
Upon completion, the family had most of their furniture and furnishings shipped up here when they left Bangkok. They included collectibles that had been in family possession for some time and personal effects shipped home after an extended stay overseas. Take a quick look, and it’s easy to get how they felt a sentimental attachment to their possessions.
The dinning room affords a peaceful vista of the family’s old vacation home at the rear of the property.
Overall, home decoration is inspired by fond memories for the past. Amenities and features of the house are mostly in taupe or light gray with a tinge of brown. And that’s especially true for the ceilings, interior walls, sofas and other furniture items.
It’s a mix of old and new that blends perfectly with the dense green color of the surrounding landscape. The same applies to the comparative coolness of the house exterior that’s in shade for much of the day, a rustic ambience that’s in perfect harmony with nature.
The two-story, 500-square-meter home boasts the beauty of a large living room in the middle of the first floor. Elsewhere, smaller sitting areas are placed at intervals across the house plan.
But what makes it an interesting place to live is the double height ceiling at the center that promotes cross ventilation, keeping the interior cool and comfortable especially during summer months. At the same time, open concept design encourages smooth flow around the interior, from the kitchen to dining room to living room.
A topographic map shows the house location on the hill in relation to green spaces, roadway and nearby structures.A drawing of the downstairs floor plan.A drawing of the upstairs floor plan.
The result is a bright and breezy atmosphere, thanks in part to an array of sliding glass doors on one side of the house that opens to let nature permeate the interior. There’s also a ceiling fan on standby, too. It’s so cozy that they hardly ever use air conditioning.
The first floor holds two bedrooms with a view of nature. Designed for senior family members, they are positioned at either end of the house plan for increased privacy. The second floor is an entirely different story.
There’s an attic-style bedroom at the south end of the house plan that has been adapted to avoid stuffiness and promote good air flow. For lighting and ventilation, a trio of awnings and skylight windows are built into the gable roof.
The upstairs bedroom at the rear is accessed via a footbridge overlooking the void of space above the first floor that holds a kitchen, dining room and living room.
Inside the house, slanted ceilings that run parallel to top chords create a bigger space overhead making the entire bedroom feel spacious and airy. On the outside, the underside of overhanging eaves is covered with soffit panels for a neat appearance.
Bedroom walls are glazed using clear glass to soak up the views of lush wooded hills.A cozy semi-outdoor gallery adjoining the bedroom is brightened up with foliage plants.
For indoor thermal comfort, the box-shaped home lies protected by an expansive gable roof with long eaves overhanging the exterior walls. It stands hemmed in by tall trees that keep the new family home in shade for much of the day.
The awning and skylight window customized to match the roof reduces the harshness of materials, plus it facilitates cross ventilation in the interior, keeping the house cool in summer.
What makes it fascinating is the far ends of the gable roof that extends quite a distance from the walls of the building. The resulting triangular shape of the second level is designed to avoid making the house look too big or too tall, so as to blend with all that exists in the neighborhood. After all, it’s everlasting harmony that’s the foundation of good design.
/ Story: Kanamon Najaroen / English version: Bob Pitakowng /
/ Photographs: Mario Wibowo /
As its name suggests, Stalk Jakarta, affectionately known as the Tree-Hugger Bar, has environment protection as its front-and-center concerns. It’s a design that integrates the relationships between all things as the primary framework before additional tasks can be taken. The result is an enchanting restaurant and bar amid an oasis of lush greenery in a busy area of the city.
The building is roofed over with a tensile fabric cover supported by membrane structures resembling the coming together of five huge bell marquees. There are openings at the apexes to let tall trees grow through reaching up some 30 meters into the sky.
Stitched together so that they become a whole, the five bell tents work in tandem to protect the place of business underneath from severe weather. At the same time, tree crowns and overhanging branches cast shadows on the fabric cover, creating visual interest with contrast in design.
From a distance, a combination of huge bell marquees rises among the treetops creating a visual blend with the natural surroundings and buildings in the background.
The completely tented restaurant space may seem incompatible with other buildings in the neighborhood. But from the parametric design perspective, it’s a sustainable architectural approach that makes sense in every possible way.
In essence, it’s about trying to minimize any negative impact on the environment. And in this particular case, saving all the existing trees on the premises is of the utmost importance. It’s a noble thing to do to leave the trees where they have always been and let them thrive.
From the look of things, it’s thoughful and unique design that puts Stalk Jakarta, the Tree-Hugger Bar, in a class of its own. It’s the product of step-by-step planning that results in a situation, in which each side benefits in some way.
The restaurateurs get the perfect space they need to do business, while the trees get a new lease on life. On the whole, completely tented design provides a commercial space that’s eye-catching, while shady tree canopy ideas make customers feel calm and peaceful away from noise and distractions outside.
Stitched togethered so that they become a whole, bell-shaped tensile fabric tents have openings at the apex to let trees grow through the roof keeping the restaurant space in shade.
In the big picture, it reflects the design team’s vision of creating a piece of architecture that’s inextricably linked with the environment and the circumstances that form the setting of a place. Especially for Stalk Jakarta, it’s the team’s intention to try out new design possibilities to ensure the viability of the project.
They also plan to share their experience with business property developers with a way to reduce negative effects on the environment and, at the same time, maintain the existing state of affairs and physical features of the land. In this way, property value in the central business area will not be negatively impacted.
A drawing of the first-floor layout shows the welcome area leading to clearly defined VIP rooms and semi-outdoor dining rooms embraced by lush greenery. / Courtesy of RAD+arThe open concept second floor holds a restaurant and bar in nature’s peaceful embrace. / Courtesy of RAD+ar
A side elevation drawing shows spatial relationships between shade trees, tensile membrane structures, and restaurant spaces. / Courtesy of RAD+ar
Stalk Jakarta, the Tree-Hugger Bar, consists of two floors. The first floor holds a number of drinking and dining rooms for private parties, aka VIP rooms. To get conversation going upon arrival, there’s a spacious welcome area decorated with plants with an inverted bell-shaped canvas roof serving as the focal point in the room.
From here, the dining hall on the second floor can be accessed via a ramp that winds around the upside-down bell curve at the center.
A ramp winding around the inverted bell-shaped fabric roof cover provides access to the upstairs dining hall.
The second floor contains a restaurant and bar, 750 square meters in extent. It’s roofed over with a combination of huge tensile fabric tents with openings at the apexes to allow shady trees to literally go through the roof reaching up for the sky above.
The thick fabric cover and the canopy of the tall trees protect the restaurant interior from heat during the daytime. In a way that arouses interest, overhanging brances cast shadows of the fabric cover creating a light and shadow play that changes in length and direction over the course of a day.
After sunset, beautiful chandeliers turn the dining hall into a well-lighted place with easy listening music provided by a live band.
An intriguing combination of color and texture makes the VIP room feel warm and welcoming.
Return to the first floor, and you find several VIP rooms clearly defined and separated from one another for privacy. Metal wall panels hammered to look like water surfaces and sandy soil add visual interest to the rooms.
At a glance, it’s a sight that evokes pleasant memories of a journey deep into the forest where the sun shines dimly and slightly, thanks to strategically placed lights in the interior.
An intriguing combination of color and texture makes the VIP room feel warm and welcoming.
All things considered, the high tension membrane roof cover comes in handy for the team of architects at RAD+arto create an outstanding piece of parametric architecture. It looks the epitome of elegant design and an interesting amalgam of the built environment and the lush green surroundings.
What makes it the perfect rendezvous is the open concept layout that provides good natural ventilation, keeping the interior cool and calm with the sound of leaves rustling in the wind.
Without unsightly solid walls, the restaurant and bar space feels bright and breezy, thanks in part to the tensile membrane structure that performs two functions simultaneously, as fabric roof covering and semi-outdoor enclosure.
In the fewest possible words, it’s the best example of design that’s good for people living in the big city, and good for the environment, too.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Tuan-Nghia NGUYEN /
An eco-friendly home office building named Maison K hovers above the ground, looking out over a traffic circle in the center of Quy Nhon, a coastal city in central Vietnam. The overall effect is out of this world, inspiring admiration for its well-thought-out design and build quality. The building’s double-skin façade gives off good vibes, thanks to air flowing through the intermediate cavity. At the same time, hanging and trailing vines add a lush appeal to the building’s principal front shimmering in the sunlight. Right next to it, another home office building with beautiful raw concrete finishes stands back to back on the same location. Albeit different characters, the interior is essentially the same.
Blending aesthetics with sustainable design, the building’s feature wall is covered with ceramic panels in subdued shades of orange that provide a buffer against the glare of the sun. Hinged on one side, they swing open like doors to regulate air and light streaming into the interior.
Together they merge into one coherent architectural feature that creates an indelible impression on people passing by.
Dubbed the home office for the future of work, it’s a design that makes decorating with plants an integral part of interior and exterior design. Every workspace is thoughtfully devised to best serve its designated purpose, while the wellness, peace and quiet of a home office atmosphere remain the front-and-center concerns.
It’s thanks to meticulous design that an oasis of calm is created despite being located in a busy downtown neighborhood.
Maison K is the brainchild of Nghia-Architect, a homegrown atelier admired for their imagination and skills, plus an excellent track record in architecture and knowledge of the geography in Vietnam. Their main forte includes a thorough understanding of climate variability since weather conditions can change significantly on the oceanfront, directly affecting how a building performs.
This is especially true in the case of Quy Nhon, which is subject to strong winds in the coastal area, plus hot and humid weather conditions happening from time to time.
As the architect puts it, Quy Nhon being warmer and more humid than other parts of the country, the knowledge and experience in choosing the right materials for the job is imperative, and hence standards be maintained every step of the way.
Understandably, concrete is the mainstay of the construction industry in this part of Vietnam. It’s preferred over other building materials and techniques for its strength and durability, plus it’s resistant to weather and salt damage.
Especially in the context of Quy Nhon, concrete containing broken gray stone is preferred for its wear and tear resistance, plus its pleasing color and texture are sought after in this region.
Green design keeps the covered parking area cool when the mercury rises. A triangular void of space curved into rounded form creates a double volume air space that allows a tree to grow through it reaching for the sky. For a look that’s easy on the eye, sharp interior angles are trimmed into curved corners to reduce the harshness of raw concrete finishes.
There’s an element of surprise. Maison K sits on land shaped like a piece of pie, a quarter of a circle, so to speak. That being the case, the architect thought it best to put in an L-shaped building with one side open to take in the beautiful view of a nearby lake.
Plus, it’s in compliance with the city ordinance in effect at present. To facilitate business operations, he put the office space downstairs and all the family living areas on the upper floors where it’s quiet and more private.
First floor plan. / Courtesy of Nghia ArchitectSecond floor plan. / Courtesy of Nghia ArchitectThird floor plan. / Courtesy of Nghia ArchitectFourth floor plan. / Courtesy of Nghia ArchitectHouse section. / Courtesy of Nghia Architect
For practical reason, the office and residential spaces each have separate entrances. The office itself is conveniently accessed from the covered parking area. Sliding doors glazed using clear glass make the business space warm and welcoming.
The residential entry area is made less visible by design. It’s an ordinary swing door tucked away in a quiet place. Upon entering, you find a flight of stairs leading to the second floor that’s the first step into the home.
The stairwell and upstairs sitting room are well-lit by shafts of sunlight streaming in through the rooftop and generous openings in the walls.
Overall, the home interior is simple and clean with the clearly defined order for space utilization. Where appropriate and legal, the architect put in generous openings in the exterior walls to connect the indoors with outdoor spaces. And the result of all this is a feature wall on the side overlooking the covered carport.
It’s an architectural feature that’s easily noticeable and immediately appealing from a distance. Apart from adding visual interest to the building’s external envelope, it allows plenty of fresh air and natural light, creating a relaxed ambience in the indoor living spaces.
Pursuant to the city ordinances in effect at present, only two sides of the exterior overlooking the traffic circle and the street below are permitted to have openings in the walls. The other two sides adjacent to neighboring buildings do not enjoy the same privilege.
However, what is lacking due to limitations is nicely compensated for by rooftop skylights that illuminate the stairwell and other parts at the rear of the home. It’s a practical solution that helps reduce electricity costs and protect against humidity damage over a long period of time.
The third floor holds the family’s main living area.
Meanwhile, the other two sides have an unobstructed view of the roundabout and the street below. Climb another flight of stairs, and you come to the third floor holding the family’s main living area that’s protected by the feature wall of shimmering ceramic panels in muted shades of orange.
Together they provide a layer of insulation against heat and stress, protecting the gray concrete wall behind it. The ceramic panels that form the first line of defense are hinged on one side and swing open like doors to control light and winds passing through. The panels have grooves in them so as to drain stormwater fast in heavy rain.
The upper branching of a tree rises through the void of space on the second floor, creating an oasis of calm and a focal point in the upstairs courtyard.An impressively geometric facade projects from the building. Its feature wall is covered in multiple ceramic panels in subdued shades of orange. Hinged on one side, they swing open like doors to control air and light streaming into the interior, an architectural feature designed to create an indelible impression on people passing by.
All things considered, it’s a revolutionary idea that integrates greenery as an integral part of architectural design. Green spaces offer multiple health benefits. Among other things, they give the building its character, provide shade and improve air quality.
From a distance, they add visual interest to the urban space around the traffic circle. More so than anything else, it’s the lively green and orange façade that creates a gently calming effect for people passing by.
Viewed from across the street in the nighttime, Maison K is a clean, well-lighted place created for health, comfort and security.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Trieu Chien /
Greetings from Soc Son, a village near Hanoi that’s home to a museum nestled in an old orchard. Known as Đạo Mẫu Museum, it stands on 5,000 square meters (about an acre) of land surrounded by lush woodlands and rolling hills. In recent years, the area has attracted many travelers, thanks to beautiful scenery and unspoiled landscapes.
Dominated by a boundary wall and towering structures covered in reclaimed clay tiles, the welcome area is a garden path leading to the main museum area at the far end.
The Đạo Mẫu is a museum and a home in one. Xuan Hinh, the owner/artist who created it, lives on the project, which conveys a great deal about his unwavering commitment to preserving the architectural heritage and folk traditions unique to this part of the country.
Among them is the traditional veneration of deities of Vietnam’s folk religion that’s gradually disappearing from modern society.
By definition, the term Đạo Mẫu is Vietnamese for mother goddesses, or deities in folk religion treated with reverence and adoration since the dawn of time.
It’s part of the ancient Vietnamese belief system that seeks communications with supernatural beings, especially the goddesses or female deities and a fascinating aura of mystery that locals adhere to and observe in everyday life.
It’s not clearly understood how such belief systems came into being. Only that female deities were worshipped for thousands of years since the earliest times. This is especially true across Southeast Asia, where female divinity is mostly concerned with the life-giving and nurturing aspects of nature.
Understandably, the power of nature is personified as a woman symbolizing a creative and controlling force, and hence the term Mother Nature as we know it.
Long story short, it’s the line of thought mentioned above that inspired Xuan Hinh to join forces with ARB Architects, an architectural practice based in Hanoi, in creating an architectural masterpiece in this regard. It serves as a vehicle to express ideas about the preservation of the folk culture that’s rooted deeply in the belief systems about the force of Mother Nature.
The result of all this is a group of towering structures covered in vintage clay tiles reaching for the sky through the void of space among the fruit trees on the property. The idea is to avoid coming into contact with surrounding lush foliage and let nature permeate.
Philosophically, it’s a reflection on the importance of the need to live a conscious lifestyle and make the world a better place for all living things.
An opening in the boundary wall covered in old clay tiles provides a pleasing view of the old orchard.
The Đạo Mẫu Museum has two parts. First, the welcome area is a long garden path that runs along the boundary wall marked with towering structures at intervals. There are five of them in all that serve as the focal points to get people’s attention.
A drawing of the floor plan shows the old orchard up front and the museum/residential area with a water pond at the rear. / Courtesy of ARB Architects
The rustic garden path leads to the main area consisting of a place of residence and a museum at the rear of the property. There are service areas and smaller buildings nearby. The old house where the owner/artist lived previously now provides space for collectibles connected with the veneration of Đạo Mẫu, the female goddess.
Elsewhere, new buildings merge into the darkness of the fruit orchard. Or it can be said that the trees blend beautifully with the built environment. Either way, it looks the epitome of a perfect picture, in which all things in the universe are inextricably linked.
More so than anything else, every square inch of the towering structures and boundary walls is covered in vintage clay tiles in varying shades of earth tones. They are reclaimed construction materials that the owner/artist had kept in his collections over many years.
The tiles were recycled from much older homes across the Northern Region of Vietnam, more than one hundred of them in all. He collected them over time when the old homes were either renovated or dismantled as a result of the increasing globalization of the economy.
For Xuan Hinh and the design team of ARB Architects, the discarded objects are priceless works of art. They are man-made artifacts whose value cannot be determined, plus they provide a reflection on the ways of life of the people of Vietnam in times past.
It’s the opportunity to adapt them for a new use, thereby upcycling them into something of higher quality and value. And from the cultural perspective, it’s about showing respect for the past, celebrating the present and inspiring the future.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong
/ Photographs: Ernest Theofilu /
Here’s a narrow lot airy Indonesian home beautifully nestled in the south of Jakarta. Named “ACH House”, it’s simple yet strikingly contemporary in appearance. A brick façade in rustic reds adds visual interest and texture to the exterior. To create a calm and peaceful living space, the house plan is divided into two parts with a lush courtyard in between that increases natural ventilation and daylight streaming into the interior.
A façade of bricks laid at a 45-degree angle adds a classic, timeless look to the home exterior, a perfect complement to nearby concrete walls in cool-toned white.
The south-facing property gets the most natural light during the day, plus heavy rainfall that varies with the seasons. To deal with the problem, the architects rose to the challenge by creating a perforated façade of red bricks laid at a 45-degree angle to keep the heat out and let fresh outdoor air into the home.
In the meantime, tiny vents in the wall let trapped moisture escape into the air and evaporate. This enables the building envelope to withstand wear and damage over a long period of time, while the classic color and texture blends with nearby concrete walls in cool-toned whites.
A flight of stairs on the left side of the house plan leads to the main living area on the second floor.
Walk in the door, and you find the home made up of two buildings separated by a lush center courtyard with a swimming pool. It’s a layout that strikes the right balance between the south-facing front building that holds service areas and a carport, and the building at the rear that provides quiet, more secluded living spaces.
The center courtyard offers many benefits. Among other things, it lets natural light and breezes into the home, thereby reducing heat trapped inside, a phenomenon known as the urban heat island effect.
ACH House is a well thought out two-story home. The first floor has all the service spaces located in the front building; they include a carport, storage, washing and laundry, plus a domestic employee’s lodging. At the same time, the building at the rear contains children’s rooms, study room and bedroom for houseguests.
Floor Plans. / Courtesy of Wiyoga Nurdiansyah ArchitectsA side elevation drawing shows spatial relationships on the left side, top, and the right side of the house, bottom. / Courtesy of Wiyoga Nurdiansyah Architects
The second floor holds the main living areas easily accessed via a flight of stairs on the left side of the house plan. The front building has a prayer room and the primary bedroom with a bathroom en suite.
On the other side of the pool, the building at the rear holds a roomy sitting space with a kitchen and dining room. For added convenience, all the upstairs living areas can also be reached via an outdoor ramp on the right side of the house plan.
The primary bedroom is upstairs in the front building overlooking a swimming pool and wood deck connecting to the living room at the rear of the house plan.
Taking everything into account, it’s an airy Indonesian home that embraces the beauty of simplicity. The house is built using materials readily available in the locality.
There is one exception. Its gable roof is adapted for use in a new environment. It’s made asymmetrical for good reason. The steep pitch roof facing outward provides excellent water drainage, sending rainwater straight to the front yard and backyard gardens below.
In the meantime, the reasonable pitch roof facing inward allows rainwater to flow away gently onto the center courtyard garden, an easy hack to protect against flooding.
Seen from the primary bedroom, the kitchen and pantry, left, and main living area, right, are easily accessible via a wood deck by the swimming pool. At extreme right, an outdoor ramp connects to the front yard below.
Asymmetrical gable roof design. A high pitch roof makes the interior feel more spacious, increases ventilation and is more effective in shedding rainwater.
The design team wraps it up nicely. Despite its narrow frontage to the street, ACH House is made for calm and peaceful living. It’s very well composed to form a beautiful whole with all the spaces and functionality needed to fill the heart with happiness.
Plus, there’s a sense of open-air space that comes from having a lively green center courtyard and balance in interior design. Together they work in tandem to provide the peace of mind for whatever the future may hold.
There is beauty in simplicity. This airy Indonesian home is built of materials readily available in the locality, including deep red bricks and cement.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.A nook with a small desk provides a flex workspace that’s airy, open and welcoming.
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Poto Architects and Blind Space /
There’s more to this than meets the eye. Here’s a small house that chronicles a series of events and experiences of a multigenerational family in Chiang Mai. The humble abode that’s anything but ordinary is nestled in a residential compound shared by relatives living in ten separate households. The new home on a budget is the brainchild of Studio Sifah, a homegrown architectural practice admired for their knowledge of the social and cultural environment in the Northern Region and ability to apply that information in a meaningful way.
The house entry area is glazed using clear glass that provides a welcome contrast to nearby solid walls for privacy protection.
It all starts with a young man wanting to put in a home close to his aging parents on a large property where a group of close-knit families also live. It looks the epitome of experiences in communal living, a system whereby family relatives help and support one another come what may.
Point taken. The architects respond with a contemporary home built of concrete and steel framing. There’s a pleasant surprise. Its modern exterior belies the unblemished charm of rustic life hidden inside.
More so than anything else, the house plan is thoughtfully devised to preserve a culture unique to the Northern Region, the way of life by which people sit on the floor as they gather to enjoy a main dish called “Laab” just like their ancestry did in times past.
Here, though, the zesty meaty meal served with a salad and sweet rice is more than just food. It’s a way of life. It’s the living embodiment of a food culture that unites the people across vast swaths of land on this side of the world. Long story short, it’s only appropriate that the house is named “Laab Is More”.
The patio leading to the front door is taken up a notch with custom-made interlocking concrete blocks that can be dyed to create qualities and features resembling old-fashioned bricks.
Sharing his design thinking, the architect said the homeowner was looking for a house plan that would jealously guard his privacy in the company of family relatives living close by. It was quite a challenge even for experienced architects since it was a little too close for comfort, so to speak.
Eventually, the design team decided in favor of a 165-square-meter home enclosed by solid walls, each strategically positioned to save the interior from being seen or disturbed by outsiders. It’s a well-thought-out plan that maximizes space utilization to protect privacy and promote the close family bond at the same time.
In essence, it’s a design that combines the modern and the traditional. The house’s contemporary appearance goes hand in hand with the homeowner’s love for old-fashioned lifestyles that promote a culture in which people sit on straw mats as they enjoy a good meal together as family.
With respect to construction, the small house plan is enclosed almost entirely by solid walls with tall transom windows at the top for lighting. There’s one exception. The entry area is glazed using clear glass to create a bright and cheerful atmosphere. Serving as a buffer between indoor and outdoor spaces, the hallway at ground level connects to a slightly raised platform holding a spacious living room with functional areas nearby.
In keeping with long-established traditions, there is no wall separating the living room from the bedroom that lies furthest in. The only room dividers that exist are the ones that set the bedroom apart from nearby bathroom and workspace at the farthest end.
The principal floor holding the open bedroom is raised at plinth height, providing sleek, convenient seating space and hence no need for furniture.
Nearby, the lower sitting room offers space for a kitchen pantry design and coffee bar. From here, the concrete floor spreads out to connect seamlessly with a large outdoor patio used for family gatherings and dining al fresco. The patio has room for food preparation with a wash basin and utensils for cooking large meals and entertaining houseguests.
Split-level design shows in the main living space elevated at plinth level 50 centimeters from the hallway floor. Together they provide a convenient place to sit shooting the breeze. Plus, they evoke fond feelings and a sentimental attachment to the culture passed down through generations.
From the look of things, it’s material honesty that gives the house a good first impression. For strength and durability, the foundations and structural framing are built of concrete to carry the weight of posts, beams and the roof truss crafted of steel. Albeit built of modern materials, the entire floor plan makes reference to traditional vernacular design unique to the Northern Region.
Built on a budget, the house makes good use of locally available materials adapted for a new use and contemporary design. They include the walls built of bare concrete blocks and aluminum frames for doors and large transom windows at the top of the wall.
The ceiling is built of ordinary plywood panels, while wooden furniture in the interior gives the home a warm and welcoming atmosphere. For ventilation, there are no soffits beneath the eaves that connect the far edge of the roof to the exterior wall.
A spacious backyard patio provides ample space for gatherings, cooking and dining al fresco.
The multigenerational family property in itself is rich in history and strong spirit. And the newly added small house is designed to embrace the same positive attitudes that have been the family’s core values through time. It’s a layout with the power of storytelling about a sentimental attachment to northern vernacular culture, in which sitting on the floor is the norm.
A perspective drawing illustrates the dimensions and texture of materials used in the project, plus spatial relationships between indoor and outdoor rooms.An open perspective drawing gives the illusion of spatial depth in the split-level house plan. The main living area floor is elevated at plinth height above the entrance hall floor.
The property is home to an old rice granary that has stood the test of time as an inextricable part of the family’s history and culture. The building used for storing threshed grain in times of old now serves as the symbol of farm community living and the close family bond.
As things change, it finds a new purpose as venue for socialization. It’s a place to sit together, talk together and eat together as family. And the lime and herb meaty meal called “Laab” comes in handy to cement the family ties, creating a healthy and strong society going forward.
The house façade, left, as seen from the old rice granary now used as work area.The old rice granary has since been adapted for a new use as food preparation area shared by relatives living in the same compound. Just like old times, it serves as the heart of family life where people assemble, eat a meal together and enjoy a casual conversation.
The old granary provides a focal point on the property. It gives the architects the inspiration they need to pursue their design goal.
And the result of all this? A house plan that celebrates communal living and a food culture where “Laab” is more than just food. It’s a way of life that connects everyone in the family just like the old rice granary did in times past. Now it’s easy to get why they name this house “Laab Is More”.
/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Anupong Chaisukkasem /
It was a journey back in time as we visited U-Thong, home of the Pusayapuri Hotel that has become a new landmark in the western part of Suphan Buri Province. The town in itself is rich in history, having been the origin of the Ayutthaya Kingdom dating back more than 2,000 years. It became a district of Suphan Buri during the reign of King Rama V in 2448 B.E. (1905), formerly known as Chorekhe Sam Phan and later renamed U-Thong in 1939.
The Pusayapuri is the brainchild of EKAR Architects, a Bangkok-based architectural practice led by Ekaphap Duangkaew. The design thinking process took Ekaphap and his team to U-Thong countless times, during which useful data were collected culminating in a piece of contemporary architecture that’s worth remembering and unique in its own special way.
Sharing his work experience with us, Ekaphap said: “The thinking process that went into designing this hotel came as the result of systematic investigations into the town’s history.
“U-Thong was an ancient state that flourished in this part of peninsular Southeast Asia a very long time ago. Most people seem to have overlooked important facts about it. So, we reached out to connect with the locals and got to know a lot about its history through seeing, hearing and visiting places.”
“There are museums containing relics that provide an insight into the history of U-Thong, among them a stone Buddha image carved into cliff face that has become a tourist attraction. It’s the work of local artisans,” Ekaphap continued.
“Other places of interest include ruins of dome-shaped brickwork structures erected as Buddhist shrines in the past. Not many of them remain to be seen today. It’s these historic sites built of bricks that inspired us to try and revive old brick masonry to all its former glory. One of the results of all this is evident in the façade of the Pusayapuri Hotel in U-Thong.”
In essence, it’s about building a hotel façade with the power of telling a story about life in U-Thong in former times. Thanks to their understanding of architectural heritage, the architects were able to create a new hotel that stood out from the rest in terms of color, texture and design, and yet no old-fashioned bricks were used.
The Pusayapuri is built using innovative materials including glass reinforced concrete, or GRC, that’s lightweight but tough making it an ideal material to use on a variety of structures. It can be dyed to resemble brickwork or concrete surfaces.
Sections can be prefabricated from the factory to enable quick and easy assembly on site. Plus, GRC helps reduce weight on building foundations, saves construction time, and is unaffected by environmental conditions.
In the case of the Pusayapuri, the GRC façade sections arrived ready to be installed on site as soon as concrete frame construction was completed. It’s a dry construction system that’s suitable for all buildings or portions of buildings such as balconies with a variety of window bench seating designs. On the outside, they perform a dual function as façades and awnings used to protect against sun and rain.
The Pusayapuri’s 56 spacious guest rooms provide a comfortable retreat in a historic town style setting. All of them are designed to create a light and airy atmosphere. Where appropriate, guest rooms are taken out to create a void of space for lighting and ventilation.
The void of space starts from the first floor all the way to the roof top resembling a well-lit staircase when seen from a distance in the nighttime. Together, they ventilate the building by drawing fresh outdoor air inside and force warm air to exit through rooftop vents. The hotel loses some rooms, but it gains comfort from good ventilation. Plus, it’s a feature that adds rustic appeal to the overall design.
The Pusayapuri presented both challenges and opportunities even for the experienced designers at EKAR Architects. The team was tasked with creating a hotel with the power of storytelling about the history and architectural heritage of U-Thong, plus turning it into an important landmark in the lives of all concerned.
What makes it original and unique is the hotel façade that bears the imprints of time and a civilization of years gone by — a masterpiece that creates a sense of calm in architecture and indoor thermal comfort. Swing by the Pusayapuri next time you sojourn in this part of Thailand.
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