/ Story: Kanamon Najaroen / English version: Bob Pitakwong
/ Photographs: Ernest Theofilu /
Here’s a narrow lot airy Indonesian home beautifully nestled in the south of Jakarta. Named “ACH House”, it’s simple yet strikingly contemporary in appearance. A brick façade in rustic reds adds visual interest and texture to the exterior. To create a calm and peaceful living space, the house plan is divided into two parts with a lush courtyard in between that increases natural ventilation and daylight streaming into the interior.
A façade of bricks laid at a 45-degree angle adds a classic, timeless look to the home exterior, a perfect complement to nearby concrete walls in cool-toned white.
The south-facing property gets the most natural light during the day, plus heavy rainfall that varies with the seasons. To deal with the problem, the architects rose to the challenge by creating a perforated façade of red bricks laid at a 45-degree angle to keep the heat out and let fresh outdoor air into the home.
In the meantime, tiny vents in the wall let trapped moisture escape into the air and evaporate. This enables the building envelope to withstand wear and damage over a long period of time, while the classic color and texture blends with nearby concrete walls in cool-toned whites.
A flight of stairs on the left side of the house plan leads to the main living area on the second floor.
Walk in the door, and you find the home made up of two buildings separated by a lush center courtyard with a swimming pool. It’s a layout that strikes the right balance between the south-facing front building that holds service areas and a carport, and the building at the rear that provides quiet, more secluded living spaces.
The center courtyard offers many benefits. Among other things, it lets natural light and breezes into the home, thereby reducing heat trapped inside, a phenomenon known as the urban heat island effect.
ACH House is a well thought out two-story home. The first floor has all the service spaces located in the front building; they include a carport, storage, washing and laundry, plus a domestic employee’s lodging. At the same time, the building at the rear contains children’s rooms, study room and bedroom for houseguests.
Floor Plans. / Courtesy of Wiyoga Nurdiansyah ArchitectsA side elevation drawing shows spatial relationships on the left side, top, and the right side of the house, bottom. / Courtesy of Wiyoga Nurdiansyah Architects
The second floor holds the main living areas easily accessed via a flight of stairs on the left side of the house plan. The front building has a prayer room and the primary bedroom with a bathroom en suite.
On the other side of the pool, the building at the rear holds a roomy sitting space with a kitchen and dining room. For added convenience, all the upstairs living areas can also be reached via an outdoor ramp on the right side of the house plan.
The primary bedroom is upstairs in the front building overlooking a swimming pool and wood deck connecting to the living room at the rear of the house plan.
Taking everything into account, it’s an airy Indonesian home that embraces the beauty of simplicity. The house is built using materials readily available in the locality.
There is one exception. Its gable roof is adapted for use in a new environment. It’s made asymmetrical for good reason. The steep pitch roof facing outward provides excellent water drainage, sending rainwater straight to the front yard and backyard gardens below.
In the meantime, the reasonable pitch roof facing inward allows rainwater to flow away gently onto the center courtyard garden, an easy hack to protect against flooding.
Seen from the primary bedroom, the kitchen and pantry, left, and main living area, right, are easily accessible via a wood deck by the swimming pool. At extreme right, an outdoor ramp connects to the front yard below.
Asymmetrical gable roof design. A high pitch roof makes the interior feel more spacious, increases ventilation and is more effective in shedding rainwater.
The design team wraps it up nicely. Despite its narrow frontage to the street, ACH House is made for calm and peaceful living. It’s very well composed to form a beautiful whole with all the spaces and functionality needed to fill the heart with happiness.
Plus, there’s a sense of open-air space that comes from having a lively green center courtyard and balance in interior design. Together they work in tandem to provide the peace of mind for whatever the future may hold.
There is beauty in simplicity. This airy Indonesian home is built of materials readily available in the locality, including deep red bricks and cement.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.A nook with a small desk provides a flex workspace that’s airy, open and welcoming.
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Poto Architects and Blind Space /
There’s more to this than meets the eye. Here’s a small house that chronicles a series of events and experiences of a multigenerational family in Chiang Mai. The humble abode that’s anything but ordinary is nestled in a residential compound shared by relatives living in ten separate households. The new home on a budget is the brainchild of Studio Sifah, a homegrown architectural practice admired for their knowledge of the social and cultural environment in the Northern Region and ability to apply that information in a meaningful way.
The house entry area is glazed using clear glass that provides a welcome contrast to nearby solid walls for privacy protection.
It all starts with a young man wanting to put in a home close to his aging parents on a large property where a group of close-knit families also live. It looks the epitome of experiences in communal living, a system whereby family relatives help and support one another come what may.
Point taken. The architects respond with a contemporary home built of concrete and steel framing. There’s a pleasant surprise. Its modern exterior belies the unblemished charm of rustic life hidden inside.
More so than anything else, the house plan is thoughtfully devised to preserve a culture unique to the Northern Region, the way of life by which people sit on the floor as they gather to enjoy a main dish called “Laab” just like their ancestry did in times past.
Here, though, the zesty meaty meal served with a salad and sweet rice is more than just food. It’s a way of life. It’s the living embodiment of a food culture that unites the people across vast swaths of land on this side of the world. Long story short, it’s only appropriate that the house is named “Laab Is More”.
The patio leading to the front door is taken up a notch with custom-made interlocking concrete blocks that can be dyed to create qualities and features resembling old-fashioned bricks.
Sharing his design thinking, the architect said the homeowner was looking for a house plan that would jealously guard his privacy in the company of family relatives living close by. It was quite a challenge even for experienced architects since it was a little too close for comfort, so to speak.
Eventually, the design team decided in favor of a 165-square-meter home enclosed by solid walls, each strategically positioned to save the interior from being seen or disturbed by outsiders. It’s a well-thought-out plan that maximizes space utilization to protect privacy and promote the close family bond at the same time.
In essence, it’s a design that combines the modern and the traditional. The house’s contemporary appearance goes hand in hand with the homeowner’s love for old-fashioned lifestyles that promote a culture in which people sit on straw mats as they enjoy a good meal together as family.
With respect to construction, the small house plan is enclosed almost entirely by solid walls with tall transom windows at the top for lighting. There’s one exception. The entry area is glazed using clear glass to create a bright and cheerful atmosphere. Serving as a buffer between indoor and outdoor spaces, the hallway at ground level connects to a slightly raised platform holding a spacious living room with functional areas nearby.
In keeping with long-established traditions, there is no wall separating the living room from the bedroom that lies furthest in. The only room dividers that exist are the ones that set the bedroom apart from nearby bathroom and workspace at the farthest end.
The principal floor holding the open bedroom is raised at plinth height, providing sleek, convenient seating space and hence no need for furniture.
Nearby, the lower sitting room offers space for a kitchen pantry design and coffee bar. From here, the concrete floor spreads out to connect seamlessly with a large outdoor patio used for family gatherings and dining al fresco. The patio has room for food preparation with a wash basin and utensils for cooking large meals and entertaining houseguests.
Split-level design shows in the main living space elevated at plinth level 50 centimeters from the hallway floor. Together they provide a convenient place to sit shooting the breeze. Plus, they evoke fond feelings and a sentimental attachment to the culture passed down through generations.
From the look of things, it’s material honesty that gives the house a good first impression. For strength and durability, the foundations and structural framing are built of concrete to carry the weight of posts, beams and the roof truss crafted of steel. Albeit built of modern materials, the entire floor plan makes reference to traditional vernacular design unique to the Northern Region.
Built on a budget, the house makes good use of locally available materials adapted for a new use and contemporary design. They include the walls built of bare concrete blocks and aluminum frames for doors and large transom windows at the top of the wall.
The ceiling is built of ordinary plywood panels, while wooden furniture in the interior gives the home a warm and welcoming atmosphere. For ventilation, there are no soffits beneath the eaves that connect the far edge of the roof to the exterior wall.
A spacious backyard patio provides ample space for gatherings, cooking and dining al fresco.
The multigenerational family property in itself is rich in history and strong spirit. And the newly added small house is designed to embrace the same positive attitudes that have been the family’s core values through time. It’s a layout with the power of storytelling about a sentimental attachment to northern vernacular culture, in which sitting on the floor is the norm.
A perspective drawing illustrates the dimensions and texture of materials used in the project, plus spatial relationships between indoor and outdoor rooms.An open perspective drawing gives the illusion of spatial depth in the split-level house plan. The main living area floor is elevated at plinth height above the entrance hall floor.
The property is home to an old rice granary that has stood the test of time as an inextricable part of the family’s history and culture. The building used for storing threshed grain in times of old now serves as the symbol of farm community living and the close family bond.
As things change, it finds a new purpose as venue for socialization. It’s a place to sit together, talk together and eat together as family. And the lime and herb meaty meal called “Laab” comes in handy to cement the family ties, creating a healthy and strong society going forward.
The house façade, left, as seen from the old rice granary now used as work area.The old rice granary has since been adapted for a new use as food preparation area shared by relatives living in the same compound. Just like old times, it serves as the heart of family life where people assemble, eat a meal together and enjoy a casual conversation.
The old granary provides a focal point on the property. It gives the architects the inspiration they need to pursue their design goal.
And the result of all this? A house plan that celebrates communal living and a food culture where “Laab” is more than just food. It’s a way of life that connects everyone in the family just like the old rice granary did in times past. Now it’s easy to get why they name this house “Laab Is More”.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
This eye-catching home with a glimmering tile façade is situated in Bao Loc, a town in Lam Dong Province on Vietnam’s Central Highlands. It stands surrounded by buildings made of concrete and metal scattered across the cityscape, calling to the mind the image of a hot and dry summer. The house is roofed over with ceramic tiles in subdued orange that fill the upper half of the external envelope. On the whole, it’s design that expresses the homeowner’s playful personality, curiosity and desire to do something new and different.
But the outer appearance seemingly lacking in vitality belies the fact that the interior is bright, airy and comfortable. Walk in the door, and surprise! There’s a lively courtyard at the center of the house plan illuminated by a rooftop skylight. The rooms are disposed around the plant-filled area enclosed by the walls, while rock garden ideas add visual interest to the interior landscape.
Far from being hot and stuffy, it serves as communal space that’s the heart of family life. It provides play room and a conducive learning environment for kids. For aging grandma and grandpa, it brings a special kind of pleasure — the joy of grand-parenting.
The house façade is covered in terracotta tiles in subdued orange, the same materials used for roofing.Serving for camouflage, louver windows with angled slats blend perfectly into the façades of glimmering tiles. They are part of passive design strategies for lighting, cooling and ventilation in the home.
To maximize space utilization and for the privacy of this house and its next door neighbors, the architect decided in favor of a home plan that occupies the full extent of the land. The result is a curious amalgam of regular and irregular geometric shapes that make up a series of seemingly windowless facades.
From the outside, it portrays an image of a complex house plan, kind of a single-story home with a mezzanine. But inside, the interior space is neatly planned every step of the way from the courtyard floor to the circular skylight on the rooftop.
The overall effect is impressive, thanks to open-concept design that creatively divides rooms without using building walls. At the rear of the house, sliding patio doors open to a small private garden that’s calm and peaceful, a perfect sight to create deep relaxation.
The center courtyard illuminated by a rooftop skylight connects all the rooms in the house.
There is more. To maintain the lush Tropical feel of the courtyard in a hot climate, most people simply water their plants using tap water that comes out of the faucets. That’s not the case here. To save water, the architect chose a different course of action.
They brought the outdoors into the home and put it work watering the plants when it rains. In doing so, they made the corrugated tile roof incline inward toward the center of the house plan, whereby harvested rainwater is directed to the courtyard and out via an underground conduit.
This eliminates the need for installing the gutters and downspouts on the outside of the building, a clever hack to protect neighboring houses from a splash back during rain.
Master Plan / Courtesy of The BloomFirst Floor Plan / Courtesy of The BloomEntresol Plan / Courtesy of The BloomSection / Courtesy of The Bloom
For the most part, the living spaces are on the ground floor, except for a small mezzanine that’s the children’s bedroom.
For a relaxed indoor ambience, the ceiling is painted a cool-toned white. The tall side wall that reaches all the way to the roof truss has a large semi-circle window that admits natural daylight and fresh outdoor air into the room. Overall, the house is roomy and well-ventilated, thanks to double height living spaces.
The interior is light and airy, thanks to openings in the building façade where roof trusses meet the bearing wall.
Viewed from outside, a trio of louver windows with angled slats fixed at intervals blend perfectly into the façade covered in orange tiles. They are the same materials as those used to build the house’s corrugated terracotta roofing. The louver windows are part of passive design strategies that utilize the natural environment to provide lighting, cooling and ventilation to the building.
The children’s bedroom on the mezzanine is spacious and airy, thanks to a large window and double height ceiling.An operable glass wall system separates the bedroom from a small private garden, creating a spectacular space for relaxation.
The external envelope covered in orange tiles is the biggest factor that gives this house curb appeal. Among other things, terracotta tiles are the materials of choice the architect picked for the protection of privacy in the home. In his words, they “communicate” directly with the climate characteristic of the locality.
Plus, they add the charm of rustic life to the home, at least from the perspective of Grandma and Grandpa who live here. All things considered, it’s a bioclimatic home that uses the natural environment in which it stands to create a perfect place for peace and relaxation.
Going in the reverse direction, the roof inclines inward toward the center of the house plan, whereby harvested rainwater is directed to the courtyard and out via an underground conduit.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Quang Dam /
Here’s a Tropical-style home located in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The hybrid timber and concrete home is appropriately named “The Hiên House” for its lively green façades, Hiên being Vietnamese for semi-outdoor room along the outside of the building. Overall, it’s a design that comes from thinking outside the box to create a relaxing space in the open air.
The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.
The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.
Wood and Concrete House
Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.
There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.
During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.
The light and airy front entrance is visible from the driveway covered in stone pavers.
To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.
Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.
Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience.
Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.
Balconies and Terraces for Free Air Circulation
What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.
Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.
First Floor Plan / Courtesy of WINHOUSE ArchitectureSecond Floor Plan / Courtesy of WINHOUSE ArchitectureThird Floor Plan / Courtesy of WINHOUSE ArchitectureIn cross section, a side elevation drawing shows space planning decorated with plants working in tandem with wall openings to admit natural light and fresh outdoor air into the home. / Courtesy of WINHOUSE ArchitectureIsometric visuals show reclaimed building materials being adapted to suit new purposes on all four levels of the new home. The message is clear: save the Earth and cut costs. / Courtesy of WINHOUSE Architecture
As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.
Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.
The kitchen in the farthest room is well-lit and well-ventilated.Going in the reverse direction, the terrace that in most cases lies along the outside of the house is put inside overlooking a lively green inner courtyard.
Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.
Illuminated by a rooftop skylight, the staircase and foot bridge spanning the void over the inner courtyard make traffic flow easy and convenient.
A well-lit foot bridge crafted of reclaimed timber connects the major living spaces in the home.
Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard.
The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.
Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.
Plants growing luxuriantly make the house façade green and lively.
Local builders skilled in traditional carpentry reinforce wood beams and pillars for increased load capacities.
In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Here’s a beautiful good-sized home with exposed brick walls in subdued orange. It sits peacefully nestled among lush greenery in Nha Be, a suburban district of Ho Chi Minh City, Vietnam. By design, it’s the perfect home size for four sisters who recently decided to come home to care for their aging Mom. A nice place for their family reunion, the brick home is filled with real warmth and memories growing up together back in the day.
Connecting Home and Garden
Designed to fit a long piece of property, the rectangular house plan holds five bedrooms plus a roomy communal space that’s the heart of family life. The architect puts the face of the building closer to the road which passes in front of the house leaving just enough room for a small front yard.
Like so, it allows a huge space for the backyard garden devoted to trees and shrubs and an outdoor sitting room.
Inside, the spacious room shared by all family members lies front and center on the house plan. To bring fresh air into the home, all the rooms are connected to the outdoor spaces in front and back of the building.
The front yard holds a small garden that’s an important factor in curb appeal. The interior is comfortable thanks to double-wall construction. The perforated outer shell performs a dual function protecting the house from heat and glare and serving as privacy screens.
Overall, it’s a design that lets the earthy, woody scents of nature permeate the air. Up front, healthy green foliage transforms the communal area into a calm, pleasant place enlivened by plenty of natural light streaming in through generous openings in the walls.
Open-concept design and floating furniture ideas make the communal room feel spacious, light and airy.An opening at the center of the house plan connects the first floor with the second, resulting in good visual and spatial continuity. The absence of risers between the treads of the staircase makes the room feel spacious and well-ventilated.
On one side of the floor plan, a flight of stairs connects to the second floor and continues to the room just below the roof that acts as a buffer against the sun and heat. The absence of vertical risers between the treads of the staircase creates visual and spatial continuity, plus good air flow in the interior.
Overhead, a shaft of sunlight streams through the rooftop skylight making the home feel bright and airy all day.
A semi-circle skylight lets sunlight shine through turning the home into a well-lighted place.
Brick the Material of Choice
The two-and-a-half-story brick home, including the room under the roof, is built almost entirely of bricks for the best indoor climate. Needless to say it’s designed for healthy living.
The first floor is a perfect example of communal space with plenty of room for a generous sitting area, dining room and kitchen. It speaks volumes for a culture of caring and sharing that’s the essence of humanity.
A patch of lush greenery in the front yard makes the sitting room feel warm and invitingly comfortable.
For practical reason, Mom’s open-concept bedroom is on the first floor. It’s protected from the sun’s harmful rays by perforated brick walls that form the outer shell. The inside is clear of anything that might be a tripping hazard.
The perforated brick wall forms the outer shell protecting Mom’s open-concept bedroom.
Meanwhile, the four sisters each have their own bedrooms on the second floor. They are equal-sized rooms connected by a balcony overlooking the communal space on the first floor. At the very top, the space under the roof becomes a devotional room for traditional veneration of the family’s ancestors. It has a quiet sitting area with a view of the surrounding landscape.
The bedrooms on the second floor are plain and simple. Windows on the interior walls bring back that peaceful easy feeling.The top floor under the roof contains a devotional room for the veneration of family ancestors
Taken as a whole, the natural environment is pristine thanks to an irrigation canal that runs past the back of the property. Both sides of the waterway are covered in greenery growing luxuriantly in the wild. It’s easy to get why the architect puts in a backyard garden here, a clever hack that blends perfectly into the lush landscape.
The house is built strong using concrete frame and concrete floor slab construction, while the external envelop is made of bricks in assorted orange hues fired the old-fashioned way. Perforated brick facades enable interior spaces to benefit from natural daylight. Gaps between bricks in the house’s exterior walls admit light and fresh outdoor air into the home.
A material of choice, the vintage style bricks can absorb humidity from the nearby water body, which translates into interior thermal comfort all year round. Plus, they effectively filter out dust and pollution in the air.
The siting of the house in relation to others in the community. — Courtesy of Tropical Space
Apart from protecting against heat and glare, brick walls add a touch of timeless elegance to the home. Perforated facades double as privacy screens that prevent people from looking in and keep the home cool without air conditioning.
The light that shines through is more diffuse, while holes in the brick walls act as engine that drives natural ventilation. Plus, brick walls require little to no maintenance, and they look like new after many years later.
First Floor Plan — Courtesy of Tropical SpaceSecond Floor Plan — Courtesy of Tropical SpaceAttic Floor Plan — Courtesy of Tropical SpaceIn cross section, a side elevation drawing shows the feel and functionality of the house plan. — Courtesy of Tropical Space
Backyard Garden Made for Relaxation
One of the house’s outstanding features is the backyard garden with an outdoor circular bench capable of seating several people. Built of bricks in subdued shades of orange, it’s the family’s favorite meeting place in the morning and evening.
Because it’s round, it creates more space for family members to come together face-to-face, talk together, walk together strengthening the bonds of sisterhood and relationships made in heaven.
An outdoor circular bench made of bricks in assorted orange hues adorns the backyard garden designed for face-to-face family gatherings in the morning and evening.
An aerial view shows the brick house in subdued shades of orange nestled among lush greenery with a tree lined irrigation canal in the backdrop, a healthy ecosystem that helps cool the environment.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: MinQBui /
This narrow lot house is located in Can Tho, a modern city in the South of Vietnam. It lies on the south bank of the Hau River, one of several estuaries through which the Mekong River empties into the South China Sea. Like any busy city, it’s no stranger to incessant activity and overcrowded streets. That’s a practical difficulty for the design team at Da Vang Studio, a homegrown architectural practice based in Ho Chi Minh City. And they rise to the challenge by integrating as much green foliage as possible in the house plan. The result is impressive. The gardens house with a narrow frontage to the street transforms into an oasis of calm, one that offers plenty of comfortable living spaces in close touch with nature.
The solid external envelope keeps the house interior safe and secure.
The elongated house plan occupies the full extent of the land that measures 4.5 meters wide and a whopping 23 meters long. As may be expected, the external envelope of the house also doubles as the perimeter of the garden.
The exterior walls are built tall and unable to be seen through for privacy reasons. Yet, the design team has found a way to provide physical ease and relaxation. They called their design approach “Fitting”, meaning everything has to be kept in proportion, nothing more or nothing less than what’s necessary.
Albeit small, it’s a light and airy, well-thought-out house plan.
The Floor Plans of Nhà Voi 7 Gardens House courtesy of DA VÀNG Studio.In cross section, the elongated house plan illustrates linear arrangements of rooms, functionality, and greenery spaces. Correct building orientation paired with solid exterior walls protects the home from the sun’s harmful rays. Picture by Courtesy of DA VÀNG Studio.Healthy green foliage lining the walls and the face of the building keeps the front yard light and breezy.
The kitchen and dining room combo lies at the front of the house plan illuminated by a full array of rooftop skylights.
The two-story house on a narrow lot offers plenty of usable spaces arranged in order of priority. Go in the front door, and you come into the hallway that connects to a dining room and kitchen.
The living room is halfway down the passage with a flight of stairs set against the wall leading to the second floor that holds two bedrooms.
The light and airy living room lies halfway down the passage decorated with small patches of greenery.Adding visual interest to design, arched structures separate the living room from the stairway connecting to the second floor.
The quiet, more secluded master bedroom lies at the very end of the first floor that opens to a small sun-kissed courtyard. It’s protected by a lattice patio cover that lets the sun shine through and drives natural air circulation.
The light and airy master bedroom on the first floor opens to a small backyard garden.The master bedroom has a view of the bright and breezy backyard that lies protected by a lattice patio cover.
Calming color and texture add a relaxing effect to one of the bedrooms on the second-floor.The glass-brick wall admits natural daylight into the second-floor bathroom decorated with plants.
What makes this tiny house unique is the fact that all the indoor and outdoor rooms are enclosed behind solid walls. The feeling of being boxed in is nicely compensated by small interior courtyards and patches of greenery designed for comfort and relaxation.
Of the seven green spaces incorporated in the house plan, the front yard and the backyard are the biggest and the greenest. Adding a touch of nature to the interior, low-light and easy houseplants are positioned at intervals along the walls. Even the bathrooms have small patches of greenery that’s easy on the eyes.
Although small in size, this gardens house comes complete with comfortable living spaces and modern conveniences for healthy living.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya Busabong /
It all began with a thoughtful son’s wish to build a new home and be close to his aging father. And Jun Sekino of the atelier JUNSEKINO Architect and Design was on hand to do precisely that.
Jun Sekino, the architect who designed it, said that originally the plan was to put in an add-on to the existing family home. Later there was a change of plan.
The owner preferred to build a new home on the opposite side of the street from his dad instead, so the design was revised in order to fit an entirely different context.
The result was a white geometric home of outstanding beauty – one that’s simple yet attractive and fully functional. It’s the product of a 360-degree turn.
And after making all necessary adjustments, the architect aptly named it “RUPU HOUSE,” a made-up term coined from the Japanese word for the action of rotating around an axis.
Built on 200 square wah of land (roughly 0.20 acre), the new two-story home offers 680 square meters in total.
It stands surrounded by greenery that’s kept further away at appropriate distances to create a well-lit, well-ventilated living space. The first floor contains functional areas including an open contemporary kitchen with dining space at the center.
There’s a sitting room tucked away in a quiet corner for relaxation. Nearby a semi-outdoor space is reserved for entertaining guests. It lies enclosed by the glass walls of the dining room and sitting room. Glass walls enhance visual continuity and the aesthetic appeal of the home.
By design, the semi-outdoor space on the ground floor is the heart of family life, said the architect. It’s easy to get why this cool and airy area has become the homeowner’s favorite niche.
The second-floor deck keeps it in shade for much of the day. It offers ample space perfect for entertaining.
Despite the house’s modern appearance, the semi-outdoor room evokes pleasant memories of comfort provided by the wooden house on stilts of former times. It’s an ideal place for receiving visitors without disturbing the peace in other parts of the house.
Climb a flight of stairs, and you come to the quiet and secluded second floor that contains three bedrooms. The master bedroom belongs to the homeowner, while two slightly smaller ones are reserved for kids. That’s what the future looks like.
To create a light and airy feel, the spacious master bedroom boasts high standards of comfort with a big bed at the center, a walk-in closet and en-suite bath. But what makes it exceptionally good is the double height ceiling, which gives enough room for a private office on the mezzanine floor.
It’s a layout option inspired by duplex design, a peaceful place in which to work undisrupted. According to Jun Sekino, it’s like having a beautiful office apartment hidden inside the home.
The overall effect is impressive. White geometric design adds interest and a sense of excitement to the house’s external appearance. As Jun Sekino puts it, there is an unadorned beauty plus clean simple lines that fit an easy lifestyle, and that’s exactly the way the homeowner likes it.
Technically, it’s meant to be a simple one-mass unit of construction with a high-pitch shed-style roof, a geometric shape without terra cotta tiles and minimal detailing. And the same treatment applies evenly from top to bottom.
To create a soothing ambience, the concrete exterior home is painted white, a single-color trend toward simplicity in design.
Its shed style roof and external envelope are characterized by regular lines and shapes. This is summed up in the vertical awnings that overhang the walls of the building on all sides.
Together they go to work keeping the sun and rain off the façade, windows and doorway on the ground floor. They also double as a design strategy to break the fall of vertical lines that run from the rooftop to the ground floor.
To improve visual and spatial continuity, the windows, doorway and most of the walls at ground level are glazed using clear glass panels.
The second floor is treated differently. Where appropriate, windows are installed only in the direction that’s not exposed to strong sunlight. Meanwhile, the external walls that face the sun have no wall openings at all.
These solid walls, in turn, make the white geometric home even more noticeable from a distance. As for the interior living spaces, a mix of wood and stone masonry is preferred for its ability to reduce the stiffness of strong geometric shapes.
Looking back over the years, Jun Sekino could still recall that concrete roof construction was the hardest part of the entire project. Steel-reinforced concrete roof building required special skills to ensure the remarkable smoothness of the outer surface and prevent leakage.
Apart from that, other challenges included window fittings, which also needed specialized skills and craftsmanship to make sure they don’t leak when it rains.
All things considered, it’s a home project that brings deep pleasure derived from Jun Sekino’s abilities to accomplish a mission. The concrete exterior is smooth and with no apparent gaps or cracks of any kind. It’s a home carefully thought out to age gracefully.
Like so, the homeowner will be able to repaint the house when necessary without worrying about too many practical details. The new home offers a calm and cozy atmosphere with plenty of room for entertaining and the opportunity to be close to his aging father.
It’s a heartwarming moral story of unbreakable bonds.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Andhy Prayitno, of Mario Wibowo Photography (www.mariowibowo.com) /
Nestled on the outskirts of Indonesia’s capital Jakarta, an urban modern home aptly named “Distracted House” looks completely different from everything else. The densely populated neighborhood shares a common characteristic. It’s chock-full of one- and two-story homes closely packed in a way that it feels uncomfortable. To deflect attention away from the humdrum existence of a crowded space, a team of talented engineers at Ismail Solehudin Architecture came up with a clever idea for a craftsman-style home unlike anything else.
The result is a work of outstanding artistry made clearly noticeable by irregular polygons with unequal sides and unequal angles. But what makes Distracted House even more interesting lies in its irresistible power of storytelling.
Beautifully done, it looks the epitome of Javanese culture designed to showcase the ways of life, religious beliefs and traditional vernacular style unique to the Indonesian archipelago.
That’s what gives this home its timeless appeal that blends perfectly with the surrounding landscape.
The two-story, 420-square-meter building is home to an extended family with seven resident members on a normal day. On special occasions and holidays the number can increase to more than 10. That’s precisely a challenge that the architects had to overcome by creating enough usable spaces and functions to satisfy demands.
To fit in with the existing built environment, the only way to go was up. The architects relied on two building methods to solve the problem.
First, the roof was raised slightly higher than normal to create enough room for a mezzanine on the second floor, thereby giving the house extra living spaces, plus well thought out details make the interior feel warm and welcoming. This was achieved in a way that’s compatible with the mostly two-story homes neighborhood.
The second method involved putting in a courtyard with swimming pool at the rear, plus adding plants and greenery inside the home.
The pool that’s the focal point of the courtyard can be seen in full view from inside the dining room and sitting room. To bring the outdoors into the home, small rock gardens with lovely low-maintenance plants are integrated in the design, while skylights set into the roofline keep the interior well-lit during daytime hours.
Overall, the interior living spaces are invitingly comfortable thanks to a well-designed stairwell that opens to admit fresh outdoor air into the room.
Despite the limitations, attention to detail makes the home a special place to be and prevents it from becoming a stuffy, overcrowded space.
Apart from a bright and airy atmosphere, it’s the house’s outer appearance that’s getting the most attention. Plus, family traditions, lifestyle and religious beliefs play a part in determining the location of, and interaction between functional spaces in the home.
This is manifested in building orientation, by which the new home design axis is aligned with Qibla, or the direction towards the Kaaba (the stone building at the center of Islam’s holiest site in Mecca). Hence the Musalla, or room set aside for prayer in Islam, is located at the farthest end in this direction.
A place to quietly reflect inward and connect with Allah, it’s also used for religious ceremonies in the family.
Conceptual Diagram Courtesy of Ismail Solehudin ArchitectureHouse Orientation Concept Courtesy of Ismail Solehudin ArchitectureFirst Floor Plan House Courtesy of Ismail Solehudin ArchitectureSecond Floor Plan House Courtesy of Ismail Solehudin ArchitectureRooftop Plan House Courtesy of Ismail Solehudin Architecture
Like so, the main communal space of Distracted House is set oblique in relation to the rectangular yard landscape, an unusual layout that sets it apart from the rest. To synchronize modern living with traditional Javanese style and taste, the team of architects added Joglo house architecture to the design.
The term Joglo refers to a steep pitch roof at the center that was associated with Javanese aristocrats in olden times. The center of the floor plan is filled with smaller rooms and functional spaces, creating a conducive environment for a harmonious family life.
Meantime, areas on the periphery are roofed over to keep them in shade.
Overall, the building envelope is made of wood and concrete masonry construction painted white. Where appropriate, air bricks are used as part of the house’s ventilation system.
Except for its unusual shape, the entire roof is covered in terra cotta tiles in a dark shade of orange that’s consistent with other houses in the neighborhood.
In summary, it’s a well-thought-out design that speaks volumes for lifestyle, a strict adherence to religion, and cultural heritage passed down through generations of a family.
A new home made with skill, creativity and imagination, it’s a look that conveys a great deal about the residents through interior and exterior design.
Who would have thought that a home with absolutely unique physical features would ease into beautiful suburban vibes? Interesting, to say the least.
Architects: Ismail Solehudin Architecture (ismailsolehudin.com)
Lead Architect: Ismail Solehudin
Design team: Radhian Dwiadhyasa
Building contractor: Wani Build
Structural Engineer: Pt. Desain putra persada (new building) Andi Dzikril (building structure)
Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.
Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.
It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.
Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.
House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.
For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.
Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.
This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.
House in Chau Doc’s Location Illustration Courtesy of Nishizawa ArchitectsHouse in Chau Doc’s Conceptual Drawing Courtesy of Nishizawa ArchitectsSection Drawing Courtesy of Nishizawa ArchitectsStructural Diagram Courtesy of Nishizawa ArchitectsFloor Plans Courtesy of Nishizawa Architects
What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.
Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.
Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.
Even better if the beauty of a locality is incorporated in the design.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
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Turning a Cold 20-Year-Old House into a Bright and Airy Tropical Home 
