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Supawut Boonmahathanakorn, Jai Baan Studio: Striking a Balance between Human Needs and Nature Conservation through Thoughtful Environmental Design

By livingasean
August 3, 2023
CULTURE,PEOPLE,room x Living Asean Design Talk 2023,SPECIAL SCOOP

/ Chiang Mai, Thailand /

/ Story: Story: Lily J. / English version: Bob Pitakwong /

/ Photographs: Courtesy of Jai Baan Studio /

For Supawut Boonmahathanakorn of Jai Baan Studio, it’s easy to get why humans crave the touch of nature in their lives. It shows in what they’ve been doing all along — from ecotourism that combines travel with conservation, to an escape from the hustle and bustle of the city that happens from time to time. Why not? Out in the country the atmosphere is salubrious and the natural landscape pristine. Priceless!

But from the opposite point of view, what’s generally regarded as good also has the potential to inadvertently do harm to nature.

Not to mention the uncontrolled urban growth that can lead inexorably to unwelcome change in such a way as to impair the values and normal function of a rural community.

That’s where the designer group Jai Baan Studio led by Supawut Boonmahathanakorn, comes into play. Interestingly, they are determined to pursue a goal in creating designs that strike the right balance between satisfying basic human needs and protecting nature from harm, thereby adding to its ability to replenish.

To them, it’s a quality achievable through well-thought-out planning, a conception of design that prioritizes wisdom, prudence and function over form that brings aesthetic pleasure.

room and Living Asean have the honor of presenting Supawut Boonmahathanakorn of Jai Baan Studio. It’s a group of architects, planners and thinkers specialized in design that expresses our common humanity and the need to reconnect with the natural environment.

Mr. Supawut will be one of our guest speakers at the annual room X Living Asean Design Talk 2023. The event will take place on Sunday August 6 at the room Showcase zone inside Baan Lae Suan (Home and Garden) Fair Midyear 2023, BITEC Bangna, Bangkok, Thailand.

Q: What’s the basic principle of Jai Baan Studio? In other words, what’s important in the course of action you’re pursuing?

A: We regard restoring nature as the most important endeavor of our time. In doing so, we make every effort to “rewild” of the environment, be it built or natural.

We look for effective ways to restore balance in nature, thereby bringing the ecosystems back to health. In essence, it’s not about designing just to satisfy basic human needs alone. There are other things worthy of consideration, too.

Supawut Boonmahathanakorn — Adishtan House / Here’s a thoughtful residential design that strikes the right balance with nature. It’s not devised as a response to homeowner needs alone. Rather, it’s a house plan that speaks volumes for everything that Jai Baan Studio stands for, an approach that takes the totality of the circumstances into consideration.

In the past, when people built something, they seemed to have a worldview that’s different from ours in this day and age. Back then, people didn’t separate things into different parts as is the case with works of architecture at the present time.

Their perspectives on life are evident in structures that conveyed a great deal about who they were and their relationship with the context of a place. Likewise, that’s what inspires us with a vision to pursue a wide range of contemporary design.

Among other things, we look at creating commercial spaces that are responsive to customer needs. At the same time, we look for design that strikes a balance between human needs and nature conservation. That’s important to us.

We feel that the world is at a crisis point in history, a period characterized by mass extinction events brought on by the loss of habitats across a wide geographic area. It’s a time of intense difficulty that we are facing.

Yet, we feel that architects, designers and thinkers have a role to play in bringing public attention to the danger in a more perceptible way.

This is because the Earth’s surface, as we know it, has undergone transformation in so many ways. At the same time, human impacts on the environment continue with no end in sight.

Intentionally or not, the spreading of urban developments has had tremendous negative effects on the surroundings, both urban and rural.

That said, it’s important for us to be able to speak on behalf of nature — living organisms, humans, animals, insects, plants, and let their voices be heard.

Mind you, the flora and fauna of the land have needs just like we all do. Hence, it’s good to do our share of the joint effort at restoring the balance of nature.

This brings us to the term “rewilding” the environment, which in essence is about restoring ecological systems to a stable equilibrium. That’s the message that we’re reaching out to communicate with our clients.

Q: How do you respond to the rise of urbanization and the consequences of land change in areas where you work?

A: Urbanization is a process that’s happening every day. We’re constantly making partial or minor changes to the city we live in.

Over time, it expands into outlying areas and small towns in the countryside. Even in the remote corners of the country, changes are taking place there, too.

Our office is located in Chiang Mai, but a sizeable proportion of the population is originally from Bangkok and other provinces across the country. They have come to call Chiang Mai home trying to fulfill their dreams of living in close touch with nature.

It’s an interesting phenomenon in which people feel a powerful desire to live a healthy lifestyle embraced by nature. They come in droves, and that’s what gives us architects new challenges.

The solution to the problems lies in whether we can find a balance between the form and function that people want on the one hand, and sustainability and quality of life on the other.

Suddenly, it dawns on us that our work can no longer be confined to landscaping design alone. Rather, it has to encompass all aspects of residential planning, environment improvement, and interactions with nature.

Therefore, it’s important to reach out and create an awareness among the residents. In doing so, we are able to offer the kind of thoughtful planning that’s clear and easy for building contractors to follow.

It’s a gradual process. Meanwhile, we must allow nature time to take its course and regain the ability to replenish.

Q: In your opinion, how can design or your role as architect help toward community development, and society as a whole?

A: Let me answer in two parts.

First of all, we play an important part in communicating with the public in a respectful and subtle manner.

We don’t just tell people without explanation what good canal design should be and whatnot. Rather, we approach the task from a wider perspective, raising the issue of water pollution and how best to protect and restore the environment to health.

The same applies to other issues that involve public participation to resolve — from problems in the local economy, to impacts on ecosystems, to culture.

It’s about reaching out and talking to people, a role comparable to that of a diplomat, except we speak on behalf of nature. We wear two hats: humans who see things as humans do; and ambassadors of the environment that’s negatively impacted by change brought on by urbanization.

Done right, we can make our community a better place to live, together.

Secondly, in helping toward community development, we collaborate with people from different walks of life.

Unlike old times, today’s architects often find themselves working jointly with people from different fields. Together, we look for an excellent, well-thought-out plan with help from a variety of knowledgeable sources.

It’s a conducive work environment, in which everyone is treated as equal regardless of economic backgrounds or points of view. Good design comes from a nexus of ideas that all parties bring to the table.

Above and beyond anything else, it’s about bringing people together and making success happen.

Supawut Boonmahathanakorn is one of our guest speakers at the annual room X Living Asean Design Talk 2023. He will touch upon the topic of a balance between human needs and nature conservation. Plus, it’s an opportunity to keep abreast of the latest developments in design, architecture and landscaping. The event will take place on Sunday August 6 at the room Showcase zone inside BaanLaeSuan Fair Midyear 2023 at BITEC Bang Na, Bangkok.

This year’s Design Talk is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” Admission is free. Just a friendly reminder, seats are limited. Advance registration is recommended.

For more details: https://livingasean.com/special-scoop/room-x-living-asean-design-talk-2023-urban-fusion-rural-flourish-interweaving-urban-and-rural-designs/

Register to attend at: https://amarinfair.com/booking/room-x-living-asean-design-talk/

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Kaew Khum Oey Garden: Rewilding Strategies Turn Unused Land into an Oasis of Calm

Antonius Richard Rusli, RAD+ar: Integrating Nature with Design from the Perspective of Tropical Architecture

Kaew Khum Oey Garden: Rewilding Strategies Turn Unused Land into an Oasis of Calm

By livingasean
July 31, 2023
CULTURE,DESIGN,room x Living Asean Design Talk 2023,SPECIAL SCOOP

/ Chiang Mai, Thailand /

/ Story: Lily J. / English version: Bob Pitakwong /

/ Photographs: Courtesy of Jai Baan Studio /

Imagine what to expect as urban areas relentlessly expand into the outskirts of a city. More basic physical infrastructures are needed. As to be expected, they have a significant impact on rivers, canals and natural water bodies. Not to mention new roads that traverse a vast area covered with forest and agricultural land. Some see it as a welcome change. For others, it’s a rude awakening for its potential to have an effect on the ecosystems. Precisely, there’s a good chance it could afflict harm to existing “Ecological Corridors.”

What are “Ecological Corridors,” anyway? The term refers to both natural features of Earth’s surface and landscape planning strategies designed to prevent or reduce the effects of habitat loss.

Be it natural or man-made, they provide habitats crucial to the survival of indigenous florae and faunas great and small. Simply put in plain language, they are natural homes to plants, animals, birds, insects and other living organisms.

It’s for this reason that a property owner in Chiang Mai decided to create an open public space that’s central to the physical and mental health of both humans and animals. She started out with 12 Rai of land (slightly shy of 5 acres) of her own that’s part of a housing development on the outskirts of the city.

Named “Kaew Khum Oey Garden,” the green space project connecting Chiang Mai people with nature is undertaken by the homegrown design atelier Jaibaan Studio.

Supawut Boonmahathanakorn, architect and founder of Jaibaan Studio, said that for a long time the 12-Rai plot was left largely undeveloped after much of the upper layer of earth had been excavated to fill a strip of land designated for road building.

It lies environed by more than 30 housing developments without a single open public space. That’s reason enough for the owner to put in good quality parklands complete with bike trails, jogging trails and workout spaces for the community to enjoy.

Change is a good thing. The green is open to people of all ages, plus it’s thoughtfully devised to connect with existing ecosystems in the surroundings.

To create an oasis of calm that allows public access, the designer has been meticulous about its appearance and made spaces available for commercial activities, including room for the restaurant business.

It’s a thoughtful consideration since it’s the business that will generate the incomes needed to fund the upkeep of the park, thereby freeing the property owner from burdensome responsibilities in the long term. Plus, it helps to operate within budget.

With respect to landscaping, the designer further improves the visible features of the land by putting in trees and small plants indigenous to Thailand’s North.

Ironically, some of the species are less commonly known even among locals. As the growth of urban sprawl continues, neighborhood greenery matters. That’s the way he sees it.

Hence, the restoration of the area to all its former glory becomes his front-and-center concerns. Besides giving local residents the opportunity to reconnect with nature, he treats it as a design laboratory in which the flora and fauna and other living elements native to the area are incorporated in the design.

As the designer of Jai Baan Studio puts it, the park doubles as nature conservation, a restoration of the natural environment in which native plant species take precedence over any other consideration.

Trouble is that nowadays the garden market is awash with excessive amounts of decorative plants, including species imported from abroad.

Because of that, most landscape developers across the country have elected to integrate foreign imports in the design despite the kingdom’s rich and diverse native florae. As the imported tree species become more popular, nurseries and garden markets comply.

Subsequently, the landscape designer is compelled to act according to demands. And before you know it, there aren’t many native plant gardens around anymore, let alone the nursery business that produces them.

To solve supply chain problems, the landscape designer builds his own nursery, one that’s specialized in native species production to fulfill the park’s specific needs.

He crosses the hill and sifts through the water collecting specimens of native florae and faunas needed to repopulate the area, literally starting from scratch. A job very well done, he’s succeeded in breathing new life into what was once a neglected piece of ground.

Some of the more commonly known species he reintroduces to the park includes herbal species, such as

(1) Ngu-khiew (พันงูเขียว) or Brazilian tea (Stachytarpheta jamaicensis);

(2) Tri-chawa (ตรีชวา) or squirrel’s tail (Justicia betonica);

(3) Kraprao-daeng (กระเพราแดง) or Red holy basil (Ocimum tenufiorum);

(4) Ho-rapha (โหรพา) or Thai basil (Ocimum basillicum var. thyrsiflora); and

(5) Fai-duenha (ไฟเดือนห้า) or Butterfly weed (Asclepias curassavica). The list goes on.

Kaew Khum Oey Garden is by no means a one-off project. It’s the designer’s finest work to date. So the information about the native florae used here will be stored in a repository of data for future landscape developments similar to this one.

The data will also be made available for public access in time to come with a view to stimulate demands, thereby encouraging the nursery business to fulfill the emerging needs for indigenous plants in the future.

For a carefree, laid-back vibe, it’s the designer’s intention for the project to be nothing out of the ordinary, a public green space that operates without too much control or intervention.

As he puts it, “There may still be parts of it that aren’t arranged neatly or in good order here and there, but hey, that’s perfectly normal if we wish to restore an area of land to its original uncultivated state.

“After all, we have different notions about beauty in the 21st Century. Wouldn’t you agree that there’s a sense of beauty in imperfections, too?”

It’s the different conception of beauty that brings our attention to “Rewilding the Environment,” the term used to describe the return to a state of being unorganized or leaving it alone again, naturally.

By design, it’s a far cry from the impeccably manicured garden. Rather, it’s one rich in the flora and fauna of the Northern Region, including insects. It’s a design that views human users as inextricable parts of nature.

So if you’re looking for a place to relax, lean back and chill, Kaew Khum Oey Garden is the place to be. It’s made with the user in mind. And that’s precisely the message that the design atelier Jai Baan Studio tries to communicate.

Designer: Jai Baan Studio (www.facebook.com/Jaibaan)

Find out more about nature-inspired landscape architecture and ideas for a possible course of action toward environment-friendly design similar to the above-mentioned project at the upcoming room X Living Asean Design Talk 2023.

It’s an opportunity to meet up Supawut Boonmahathanakorn, architect and founder of Jai Baan Studio as well as a panel of experts from three ASEAN countries.

This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Design Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023.

Admission is free. Just a friendly reminder, seats are limited. Registration is recommended.

For more details: https://livingasean.com/special-scoop/room-x-living-asean-design-talk-2023-urban-fusion-rural-flourish-interweaving-urban-and-rural-designs/

Register to attend at: https://amarinfair.com/booking/room-x-living-asean-design-talk

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Tita House: Redefining Vernacular Architecture in a Tropical Paradise

By livingasean
June 29, 2023
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Nantagan / English version: Bob Pitakwong /

/ Photographs: Rungkit Charoenwat /

All he ever wanted was a place out in the country. Dechophon “Teng” Rattanasatchatham, the architect at Yangnar Studio, built his humble abode amid the rice fields in bucolic Chiang Mai’s Sankamphaeng District. Carefully thought out from work experience, it has come to redefine the meaning of rural home life from the perspectives of both the architect who designed it, and his family living in it. Like so, a calm and beautiful piece of vernacular architecture was created, one that came complete with all the requirements for good living. Plus, it’s aptly named “Tita House,” which is Thai for a bright and friendly rural appeal.

Sharing his piece of paradise, Teng said: “To start with, because I was going to live here, I wanted to draw on all my experience in vernacular architecture, design, ideas, and results of the experiments I had done in the past and put them to good use.

“I envisaged building a home that would be best suited to me and my family, one that kept within the budget and was built out of reclaimed timber that I had at the time.”

Viewed in its essential qualities, the house plan was adapted from vernacular architecture, which has been the signature of the atelier Yangnar Studio from the start.

It was built the old-fashioned way of Northen Thailand vernacular architecture by carpenters from within the locality. Clever building hacks utilizing a mix of modern tools and time-honored traditional techniques resulted in the superb vernacular carpentry of a true-to-nature wooden home.

From the look of things, the inconspicuous earth-oriented ebony building appeared unpretentious and capable of merging with the surrounding landscape.

Architecture on stilts features a mix of low and high elevation floors.

Tita House represents a marriage of the modern and the traditional. It’s rich in architectural features indigenous to the Northern Region.

They include, among other things, stilt house design that integrates lower and higher elevation floors to form a coherent whole. Essentially it’s about making appropriate adaptations of tranditional vernacular architecture that are convenient for and acceptable to family lifestyle needs.

As the architect put it, “The idea of integrating a lower elevation floor (the smaller building) in the design was adopted because there was a need for easily accessible under-floor space.

“Plus, it provided storage room for agricultural tools, food raw materials and articles for household use. Nearby, a higher elevation floor (the main building) offered plenty of ample under-floor space for woodworking, a casual relaxed sitting room and areas for the children to run and play.”

Under-floor space offers many benefits. Aside from creating multifunctional room, it doubles as a passive cooling system that drives natural air circulation.

This helps prevent high humidity levels in the home and keeps the interior cool in summer. It’s a more effective way to cool a home than building a wooden floor on the ground, which is prone to moisture damage, Teng explained.

vernacular architecture — The veranda that’s part of the smaller building is used for open flame cooking. Next to it lies a space for welcoming house guests and dining.

Right Building Orientation Improves Comfort

Tita House comprises two buildings that blend like cuts from the same cloth and are connected by a wooden deck that’s roofed over to protect from the elements. The smaller of the two buildings is used for open-flame cooking and eating, while the bigger building houses main living quarters.

As is often the case with vernacular architecture, it’s built on a split-level home plan. Cooking and eating spaces lie at the lower end, while the front deck and main living quarters are positioned slightly higher.

The area for eating and entertaining house guests lies to the north of the main building. It’s pleasantly cool and bright under the shade of trees that are the vital part of a wild yard landscape.

Winds blowing into it from underneath the nearby smaller building keep the area nice and comfortable all day. The main building that houses family living quarters affords a fine mountain view easily seen from the front deck connecting to two bedrooms at the far end.

Ground Floor Plan Courtesy of Yangnar Studio

First Floor Plan Courtesy of Yangnar Studio

Section Drawing Courtesy of Yangnar Studio

“The reception area is positioned to the north of the main building for it gets beautiful morning sunshine.” Teng explained.

“As time passes and the sun moves across the sky, the nearby smaller building provides protection from afternoon heat. This way it’s nice and cool in the shade for much of the day.”

The workspace comes complete with low-profile bookcases on one side and a long desk for the home office on the other.

Looking through office windows, on a clear day the iconic Doi Suthep Mountain can be seen in full view.

There’s a living room that forms part of the suite in the private house. It’s designed to conveniently connect to a workspace lying between two bedrooms.

The workspace itself is on the east side of the house plan with bay windows projecting outward from the wall of the building. Elsewhere, transom windows are fitted with weather-resistant insect screens instead of glass, thereby allowing fresh outdoor air to enter and circulate inside.

Meanwhile, long eaves that overhang the walls of the building protect the interior from the elements. The under-floor space beneath it is kept cool by design, thanks to the house floor that extends outward to form the upper covering that keeps it in shade for much of the day.

For the health benefits of early morning sunlight, the two bedrooms are positioned on the east side of the house plan.

The shower room enclosed with brick walls lies in the open air. Nice alfresco design improves ventilation and protects against moisture damage.

A Product of Intermixing and Experimenting with Ideas

Tita House is the brainchild of the homeowner and architect who created it. To him, it’s a living experiment of current time vernacular architecture. It contains architectural features, building techniques and qualities that he has never tested before elsewhere.

“I had the opportunity of visiting a village in the North of Vietnam and Kengtung (a township in Myanmar’s Shan State) and came away impressed by the method of building houses there,” said Teng.

“It was very interesting. They started out by making flat component pieces in the shop or on-site. Then people in the village joined together to assemble them step-by-step to form a unified whole. In no time, a complete home was erected simply by connecting prefab paneling together.

“It gave me the inspiration to adapt and try it myself.”

Apart from trying out new methods for structural frames making, Teng also put other creative ideas to the test.

This new house of his was the outcome of those experiments. In a nutshell, it was about making appropriate adaptations that best fit the circumstances.

In the case of Tita House, the integration of a low elevation floor in stilt house design was something not seen very often in the North of Thailand’s vernacular architecture. In most cases, different elevation floors, if any, were kept apart in two separate buildings.

Besides architecture, there are several internal fitments that are worthy of note. They include wash basin design ideas for preparing vegetables, washing dishes, and watering plants in the yard.

Here, pieces of kitchen equipment are beautifully organized. They are connected to the backyard garden below by a line of bamboo poles that carries water supply to a glove of banana trees.

For a neat appearance, the wash basin is crafted of teakwood paneling put in place parallel to the edge of a balcony.

Teng said: “From experience, I have done an experiment on teakwood wash basins for customers only to discover that most of the time they were too small for their needs.

“So I came up with a bigger size, put it to the test right here at home. Apparently it worked out very well. The large teakwood basin dried fast and required little to no maintenance.”

An Unpretentious Home Made Attractive by True-to-Nature Materials

The two buildings were made almost entirely of reclaimed timber. Cut into desired lengths and sizes, the pieces were put together using mortise and tenon joinery to create individual component parts.

The next step was to assemble the pieces of the jigsaw to form a unified whole on-site. The materials of choice were wood and brick. To bring out the color and texture that’s true to nature, brickwork was not plastered in a cement mixture to create smooth hard surfaces, which translated into big savings.

According to Teng, “Most of the wood reused here came from old homes that were torn down at various places. For durability, they were given a coat of protective wood stains on site. For the most part they were weathered almost black and differed greatly in terms of the appearance or texture, a quality that gave the home its vintage vernacular appeal.”

All things considered, it’s an unpretentious abode that speaks volumes for what the architect and homeowner is about. Every little thing has a story to tell, whether it is about the ways of the community, the materials, or the architectural features integrated in the design.

It’s a home that conveys a great deal about a desire to reconnect with nature through sustainable living. And Tita House is doing exactly that.

The house merges into the rice fields, comfortably ensconced in the dusk of a Chiang Mai mountainside.

Owner/Architect: Dechophon Rattanasatchatham of Yangnar Studio

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Nong Ho Holiday Home: Tranquility in the Midst of Nature

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Nong Ho Holiday Home: Tranquility in the Midst of Nature

By livingasean
November 5, 2021
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Sarayut Sreetip-ard / English version: Bob Pitakwong /

/ Photographs: DOF Sky/Ground, architectural film and photography service /

Nong Ho Holiday Home is a gorgeous tropical home out in the country. An escape from the fast-paced city life, the tranquil abode is intended as a family holiday home during the winter months.

The house stands environed by the pleasant mountain base grounds at Nong Ho, only a short drive from downtown Chiang Mai. Strictly speaking, green is the prime color of the surroundings, and the panorama of the mountain landscape is one of breathtaking beauty. Priceless!

Commenting on the design concept, Skarn Chaiyawat, architect and founder of his architectural firm and namesake, said:

“The 300-square-wah, rectangular site on which the house is built is exceptionally good. In the evening, lights blaze in the sky as the sun disappears over Doi Suthep that’s easily seen from a distance. It’s really a beautiful sight to see.”

It’s a piece of land with great potential, so the main idea driving the design isn’t confined to the house alone. Rather it’s a layout that has the beauty of the natural environment at its core.

On the ground floor, open plan ideas come in handy, covering a large area from the sitting room to the dining room and pantry, plus a Thai-style kitchen at the further end of the interior.

“After careful consideration, I chose the I-shaped house plan. The longer side of the rectangle overlooking the backyard lies facing west, thereby opening every room to the scenic beauty of a mountain landscape,” the architect explained.

The architect and the homeowners agreed that, to avoid looking harsh or too modern in appearance, it makes perfect sense to blend modern building materials with heritage products in the locality.

The result is a modern vernacular home that boasts the richness of natural textures.

It’s built of reclaimed teakwood from old houses in the area and roofed over with clay tiles made the old-fashioned way by local artisans. House floors and parts of the walls are covered in glazed clay tiles made by Mae Rim Ceramics in Chiang Mai.

All told, it’s a beautifully semi-handcrafted home that’s original and unique in its own special way. Plus, it helps reduce impacts on the environment.

The more open the house plan, the more exposure it gets to sunlight and moisture.

Here, the problem is corrected by constructing elegantly extended eaves around the house. Where appropriate, several arrays of retro-inspired bamboo louvres protect the house from the elements, meanwhile providing a delicate aperture to the delightful view.

Together they reduce the heat, allow in gentle breezes along the east and west facades, and offer the benefit of adding decorative privacy screens to the home.

Here’s what we found. A good home isn’t made for comfortable living alone. It must also be capable of promoting good physical and mental health.

Although it has a street frontage, the family’s right to privacy is jealously guarded. There’s a backyard swimming pool for exercise. Looking out the window, a spectacular mountain view can be seen from a distance.

There’s plenty of room left to grow a vegetable garden, too. In essence, it’s a way of creating an ecology of nature-human interactions.

The architect wrapped it up nicely: “Even while indoors we can hear birds sing and gentle breezes rustle in the trees, plus the sweet smell of plants and rain in the yard.

“No need to turn on air conditioning all the time. It’s a beautiful natural setting that brings peace of mind. For us, it’s a great definition of a holiday home.”

Architect: Skarn Chaiyawat Architects (www.skarnchaiyawat.com)

Skarn Chaiyawat, Krit Chatikavanij, Phuwadol Khummali, Punika Chaiyawat

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A Glimpse into the World of Rare Foliage Plants, Beautiful Garden by Bensley Design Studios

By livingasean
August 19, 2021
CULTURE,GARDEN,LIVING,PEOPLE

Bensley Design Studios is a design firm with many world-class hotels to its credit. Notable among these are the Four Seasons Tented Camp, the Four Seasons Koh Samui, the Kempinski Udaipur, the Siam, and the Indigo Pearl to name a few. Founded by Bill Bensley, who collabed with business partner Jirachai Rengthong, the firm has won acclaim for outstanding works in architecture, interior decoration, garden design and landscape development.

“Botanica Garden” is a nursery in Chiang Mai that’s home to hundreds of leaf plant species that Jirachai, an avid horticulturist, has cultivated over many years. It’s an oasis of beautifully maintained greenery that proves a perfect complement to the works of Bensley Design Studios. Some of the young plants grown here are offered for purchase at Kham Thiang Market, Chiang Mai’s largest botanical marketplace.

Bensley Design Studios, Botanica Garden, Beautiful Garden, Chiang Mai, Thailand — Sunlight gives bromeliad plants their bright color and beautiful form. Bromeliad requires direct sun for only half a day. In a nursery, mesh fabric capable of 50 to 60 percent protection will suffice.

For several decades Jirachai has nurtured and grown foliage plants and tropical species from across the globe at this nursery. He started out with varieties of bromeliad, cordyline or good luck plants, philodendron, aglaonema, anthurium, calathea, and agave before moving on to a detailed study in plant behavior and the breeding of plant specimens by natural processes.

As Jirachai put it, “Normally, after we buy unfamiliar species native to the equatorial climate zone, we try propagating them from the parent stock and observe how they respond to new environments. Every detail counts. Some species perform better in Chiang Mai producing brighter color leaves than they do in Bangkok. Interestingly, others fare badly when planted in the ground. Some species thrive in full sun, while others can tolerate partial shade. We also discover that cordyline or good luck plants perform better in soil than in organic coconut husk pieces. They don’t shed leaves when planted in soi, but they do when put in coconut husk.”

Offering an open view of the surrounding area, the nursery is canopied by black mesh fabric that gives protection from the sun. Plants that thrive in partial sun are grown here. They are safe in the hands of experienced gardeners.

“Propagation by air layering is a method that should be used in a bid to prevent plants from shedding leaves. Once roots have sufficiently developed, the stem can be cut from the parent plant and potted up. This allows the new plant to grow into naturally beautiful form. As for philodendron, coconut husk pieces are preferred over soil,” Jirachai explained. Apart from the propagation of plant species for decoration and sale, the nursery also specializes in cross breeding to produce desirable features in one offspring. Some young plants are so original and unique that they can fetch as much as a million baht.

“Caring for plants the right way, only Osmocoat fertilizer is added to soil once every three months, while 16-16-16 fertilizer is used once a month. As for bromeliad, ferns, and philodendron, Osmocoat alone will suffice. This fertilizer is effective in stimulating growth in potted plants. The same applies to ferns, but it should be diluted with water and given using sprayers.”

“Pests that attack these plants aren’t many. They include varieties of coccidae, or scale insects, and fungal infections that happen in the rainy season. Sprayed insecticides will likely stay long enough to have effect. Philodendron and anthurium can be raised as indoor houseplants. Give them just enough water and avoid being waterlogged. Place containers where it’s well ventilated. To protect against fungal infections, avoid moist or wet locations.”

That concludes our handy hints and a guide to leaf plant care. For more information, drop by Botanica Garden, or give them a visit at Kham Thiang Market next time you’re in Chiang Mai.

Story: Panchach
Photographs: Sitthisak

Furniture Ideas for Spa and Health Resorts

By livingasean
November 2, 2019
CULTURE,MOVEMENT,SPECIAL SCOOP,SPOTLIGHT

Inspiring design creates meaningful first impressions. It adds value to a brand, and make the product and service memorable. That’s reason enough for a team of Thai designers and business owners to put their heads together and create furniture that gives a further boost to the spa, wellness, and health resort industry.

///Thailand///

The team also get the help they need from the Institute for Small and Medium Enterprise Development (ISMED), a division of the Ministry of Industry; and the Creative Economy Agency (CEA), a public organization.

To introduce new design into their business, they work jointly with a select team of craftsmen from the Handicraft Retailers Group of Baan Tawai in Chiang Mai, the Furniture Carpenters Group of Sukhothai, and the Office of Small and Medium Enterprise Promotion (OSMEP).

Good design matters to the spa and health resort industry. This “Crafted Journey” furniture set is a product of collaboration with the Handicraft Retailers Group of Baan Tawai in Chiang Mai and the Furniture Carpenters Group of Sukhothai.

Beautifully crafted of rain-tree wood, these duo planters are inspired by flower garland pendants. – From Rungnirand. Designed by Sarisa Viraporn.

“Dwelling of Satisfaction”, a lighted curio cabinet set with antique finish and handy hints about the Thai way. — From Nantiya Décor. Designed by Rush Pleansuk.

The collaborative project aptly named “Crafted Journey” has Siriwan Tempati as team leader. Distinguished members include Rush Pleansuk of the design studio “Sumphat Gallery”, Sarinya Limthongtip of the “Srinlim” brand, and Sarisa Viraporn of the furniture store “Brezza Dee”.

The project debuted its products recently during the “Style Bangkok” event, and will go on show at the Chiang Mai Design Week 2019, which will take place on 7-15 December. Plenty of inspiring designs. See for yourself if you are in town during this time.

Designed to blend in with a round lounge chair, this rope weave partition can be set up vertically or horizontally. — From Chakriya. Designed by Rush Pleansuk.

A two-piece celadon tea set portraying mountain scenery and geometric shape art. — From Chiang Mai Celadon. Designed by Sarinya Limthongtip.

A handcrafted mirror frame inspired by lotuses in full bloom. Lotuses are symbols of purity. — From Bamboosay Craft. Designed by Sarisa Viraporn.

A set of table and curio cabinet gets its inspiration from stupas and other Buddhist shrines around the ancient capital Sukhothai. – From the Wood Handicrafts Cooperative of Baan Ram Yai. Designed by Sarisa Viraporn.

“Pigoon Sri”, antique inspired lanterns with a bullet-wood floral pattern on stained glass casing — From Mai Goft. Designed by Sarisa Viraporn.

“Chabaprai”, a set of stackable accessory containers handcrafted the old-fashioned way, available in both wood stain and color paint. – From Chabaprai. Designed by Sarinya Limthongtip.

“Trayble” is a set of table and tray crafted of teak. The wood tray can detach from the tabletop when needed. — From Baurieo. Designed by Sarisa Viraporn.

Round tables with complementing lounge chair and antique armoire present a relaxing provincial ensemble in the parlor designed for receiving guests.

A Quaint Country Home amid the Rice Fields of Chiang Mai

By livingasean
May 16, 2019
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Patsiri Chot / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

This attractive, old-fashioned country home stands in the middle of huge swaths of paddies in Chiang Mai’s Mae Rim District. The upper floor, all bedrooms, is built of wood. Downstairs the many open walls convey a great deal about the traditional Thai house with a “tai thun” (the open underfloor space) that’s spacious, bright and airy. It holds a living room, dining room, and coffee nook with a natural breeze providing cool comfort all day long.

The rural house built of reclaimed timber looks the epitome of a local tradition. Its design is the brainchild of Prakij Kanha of the Bangkok-based atelier Studio Miti Co., Ltd.

Overall, the building is impressive in its austere simplicity. But at the same time, the external envelope made of weather-beaten wood adds rustic charm to the home. The recycled building materials used in the project were taken from five old houses at various locations around Chiang Mai.

The house has a small courtyard along its length, a channel for natural breezes to blow that adds to an overall sense of relaxed informality.

There is a small courtyard enclosed by the walls of the house, creating a channel for natural breezes that go to work making the simple interior cozy and comfortable. Limitations on the amount of wood meant that a few downstairs walls had to be mortared in place. Where cladding boards were too short, sheet metal was used to cover the unfilled spaces.

The house was roofed over with Onduline, a kind of eco-friendly corrugated roofing sheets made of strong natural fibers. They are lightweight and suitable as insulation materials, and hence no need to install a ceiling.

For roof decking installations, oriented strand boards, or OSB, are used. OSB is a type of engineered wood similar to plywood. To keep the sun baked rooms cool during the day, gypsum boards are used to add a layer of built-in insulation.

There is a mix of tall windows and glass walls, and a central corridor connecting to every room in the house. It also doubles as air circulation channel.

Even the bathroom looks out on nature. The master bedroom has views of both Doi Saket, a mountain in the eastern part of Chiang Mai, and morning mists over the Ping River. On the opposite side, night after night you can watch the moon wax and wane.

The country house’s easy and chic interior décor is a mix of furniture and antiques almost entirely taken from the homeowner’s old place of abode.

The small mezzanine, where we see a post-World War II vintage bicycle, is traversed by a steel walkway. Photos on the wall give the air of a private gallery. — A small mezzanine made of steel mesh flooring is home to objects of interest to collectors, including a post-World War II vintage bicycle, while photos on the wall give the air of a private gallery.

On one side of the hall is a staircase. Note the mix of unfinished wood, brick, cement, steel, and glass. — On one side of the hall is a staircase made attractive by a mix of unfinished surfaces of wood, brick, cement, steel and glass.

Wood House Amid the Rice Fields — This is a homestay for nature lovers: the four guest rooms all have wooden furniture, stressing simplicity and panoramic views of the landscape.

Public electricity doesn’t reach out this far, so solar cells are used, and per-day energy use has to be carefully figured. There is no air conditioning, but the natural breezes here are deeply cooling.

On the whole, it’s a beautiful wood house set amid rice fields, a perfect place to get the peace and quiet. The sky can’t be clearer. The night is totally dark and tranquil. What could be better than that?

Owner: Anisaa and Apichai Wangtragul

Architect: Studio Miti (www.facebook.com/studiomitidesign)

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4 SMALL HOUSE UNITS IN TRANQUIL TROPICAL LIVING

PSA: A Lush Compact Tropical House in Chiang Mai

By livingasean
November 10, 2017
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Wuttikorn Suthiapa / English version: Peter Montalbano /

/ Photographs: Soopakorn Srisakul /

In house design, the phrase “limited space” raises worrisome questions for some. Here, though, homeowner Sarin Nilsonthi used modern Tropical design techniques and inner space connectivity to build large-house functionality and comfort into a compact house plan.

“I designed this house on one A4 sheet of paper,” said Sarin with a smile.

“Since it’s small, I tried to write down all the functionality we’d need on a single sheet of paper, and named the house ‘PSA,’ from ‘Paper Series A.’ I can still recall entertaining the idea of living in a small Tropical home with all necessary features and conveniences neatly fit into it.”

Overall, it’s a small house plan that takes account of the size and comparative relation to a whole. Like so, post and beam construction is done in somewhat unusual ways to create the right kind of space in each part.

“We didn’t set the beams and posts this way because we wanted to, but in order to set things up in the right way. Still, anyone living in this house will have to be the same height as my wife and I,” Sarin said smiling.

Upon our arrival, the first thing we saw was a massive steel panel which the homeowner left rusted on purpose to show a stylish authenticity of construction materials. The principal front that looks onto the street shields the second floor from heat while showing off the shipping-container design of the office area. Below is a carport paved with fine gravel reaching up to the house entrance.

Compact Tropical House — The carport and relaxation area beneath the home office section.

Sarin intentionally kept the front yard fence low to create a clearly defined “inside the fence” area. There’s a gravel yard with benches and trees which actually becomes a part of the house itself. The house walls are rough concrete all around, and H-beams sunk into the yard support the office section, which is raised above a lower area where Sarin and his wife Pairin Boonpinid plan to open a café in the future.

Inside, on the lower floor, the living room, dining area and kitchen are all connected, each ceiling at a different level. For good ventilation and a sense of spaciousness, the living room has a double height ceiling. Nearby, the ceilings in the dining area and kitchen are set slightly lower, with electric lighting giving them each a unique identity.

The staircase has no railing, so is accessed from any direction; you can just walk down to sit and relax in the dining area, which is also used to store kitchen necessities: spices, condiments, even a refrigerator.

The living room with a double height ceiling and tall glass windows.

Openings in the exterior walls are perfectly arranged to let air and light in for a spacious feeling.

Going up the stairs and turning left brings us into the container-shaped office, the rusted outer wall reaching up to the third floor as protection against heat. The container surface is rainproof, with a layer of insulation between it and a plywood surface that gives an orderly look to the interior. There is also a houseguest bedroom on this floor that’s currently being used as a reading room, but planned as Air B&B tourist accommodation once the café opens.

The workroom opens to greenery on both sides. It includes storage space and a large table for work and meetings.

The entrance to the master bedroom is in the back, accessible via a corridor next to the kitchen; Sarin designed it as a separate building so as to remain private when the café/hostel section opens. It’s accessed without going through other sections of the house. Here the floor is raised up above the ground as protection against moisture damage, and there is a skylight above for indirect lighting.

This bedroom has an overhead storage space reachable by ladder. The closet for clothes is below with a bed directly on the floor to give more space, and a bare cement ceiling positioned to reflect light indirectly.

All the above features combine to give this compact house a comfortable, airy feeling, enhanced by imaginative placement of openings for breezes and natural light.

Sarin refers to the greenery and openness as creating “breathing space,” as rooms are all interconnected, airy, sunny, and in touch with the natural world. He likens this house to a well-tailored suit: the tailor has to measure, ask about the wearer’s taste, and plan everything to be comfortable and pleasing. A truly beautiful design!

Architect: D KWA Architectural Design Studio

Good Old Days: A Lovely Wooden House with Panoramic Views

By livingasean
May 16, 2017
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Patsiri Chotpongsun / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

Turning left into a side street opposite Chiang Mai’s Mae Rim district bureau, rice fields on both sides of the road have matured and only just begun to bear fruit. In the middle of it, all emerged a two-storey wooden house with vintage Thai-style appeal. It stood hemmed in by tall trees and lush green lawns. This two-storey wooden house showcases a mix of concrete and timber, its wide façade looking out on a fabulous panorama of mountains and paddy fields.

wooden house — Open-back bookshelves contribute to an airy interior made for lounging, reading, and viewing pictures in the gallery.

Anchan, the housedog, gave a welcome bark, followed by greetings from the mustached host, “Tom” Apichai Wangtragul. He introduced us to his better half, “Saa” Narawan Rajchasee Wangtragul, AKA the heart of the house. The Retro look of her Thai-style sarong matched the atmosphere of the home named “Good Old Days.”

“Back in Lampang we had a small coffee shop offering snacks and selling guitars. It was very warm there, so we started looking for a new home in good weather. We found one on Google, not far from where we wanted to build our first home in Chiang Mai. One day that piece of land was up for sale, and we were lucky to have bought it,” Saa said.

Tom was teaching draftsmanship courses in Lampang, when they met, and the rest is history.

In Chiangmai, he designed the new wooden house after first setting up a model to determine effects of different building orientations at various times of day. He kept track of amounts of sun and natural air circulation and used the information to aid in the design.

The result was a home that fit in well with its natural surroundings and weather conditions.

As he puts it, “The home facing west gets a full dose of afternoon sun. The glare can be felt, no doubt, but the trade-off is worth it.

Panoramic sunsets can be seen every day.” To solve the problem, he has put in moveable latticework, which reduces the sun’s harsh glare.

“I grew up in a wooden house on the water’s edge. I told him I wanted one with a shed roof made of corrugated sheets just like old times,” Saa recalled.

“Tom said that could not be done. So we built our new home using metal sheet roofing instead. I wanted doors with plantation shutters and places to showcase collectibles that we have cherished for a long time.”

Tom made sure his loved one got what she wanted. He searched and found reclaimed timber in Sanpatong and paired them with old wood imported from Lampang.

The timber supplies included Burma padauk wood, ironwood, and teak. The couple sought blessings for peace and prosperity before every piece was put to good use.

Apart from carpentry details, Tom is passionate about modern style with an emphasis on naked concrete finishes. Together they make the building feel light.

The interior living spaces are light and naturally ventilated, thanks to plenty of openings on all sides. Each function area is clearly defined with floating furniture for easy updates.

This design concept applies to the sofa in the living room and the dining table by the rear windows. The kitchen comes fully equipped, as their house becomes a home-stay destination.

The couple does everything in-house from selecting natural ingredients to preparing indigenous meals. It is attention to details and good health practice that keep customers coming back.

Tom’s hobby projects have been the source of many décor items.

Triple-shutter design : In the Northern region, the window with three shutters in a row is generally preferred for cost effectiveness. The ingenious design needs only one latch to lock all three windows.

Tom keeps a collection of vinyl records for sentimental reasons. He likes listening to relaxing music on the old-fashioned phonograph while Saa cooks. Some of it is rare on this day and age. Here time goes by so slowly that it seems stuck in history.

The floor plan features a flight of stairs made of concrete and wooden steps. Located in the center, it keeps the two bedrooms on the first floor a good distance apart for added privacy. There are cabinets where old books and other collectibles are neatly kept. Nearby stands a gallery made for lounging, reading, and viewing pictures on the wall.

The second floor offers two good-sized bedrooms : one for guest accommodations, and the other for the couple’s exclusive use. There are antique beds in all of the bedrooms. Saa said she felt good about them knowing they came from good homes. She bought them direct from their previous owners. Between the two rooms stands an office space, where Tom spends time working at his draftsman desk. The workspace is bedecked with collectibles including old cameras and vinyl records.

As Saa puts it, “This is the wooden house that strikes the right balance for the two of us. It effectively chronicles our love story and journey through time. I am just happy being here.

“Chiangmai is such a delightful place, with canals, plenty of water, trees, and beautiful culture. During the period from November to February, our house becomes a home-stay destination.

Known as “Good Old Days,” the house has become a wholesome getaway for like-minded people. The service is not available during summer months, because we don’t use air conditioning. Time is well spent in the great outdoors.

Owner/Designer: Apichai Wangtragul

A Boutique Farm Stay in Chiang Mai

By livingasean
May 5, 2017
CULTURE,DESIGN

A boutique farm-stay destination in norther Thailand has provided a good example of how a business could involve the community every step of the way. It thrives on showing respect and fitting in with local ways of living. It’s secret: City and local people stand to gain from each other’s presence and coexist in peaceful harmony with nature.

/// Thailand ///
Story: Punchat /// Photography: Supakorn Srisakul, Sitthisak Namkham /// Owner & Designer: Jak Ladpli

The farm stay offers four rooms with garden views at the rear of the building, one on each floor.

An architect from Bangkok recently started the boutique farm-stay in Mae Rim District, a 15-minute drive from central Chiang Mai. In a unique way he adapted to be in sync with the new environment and still remained very much in vogue. How did they do it? The answer can be found at the wholesome destination called “Chic 39.”

Farm stay owner Jak “Joke” Ladpli said his was an interesting piece of architecture in the middle of a lush landscape. Chic 39 is offering guest accommodation and operating in conjunction with the surrounding community. It thrives on a simple concept — Make the space modern and keep decor local.

“Call it modern local if you will,” said Joke. “As newcomers, we respect the community, its people, and their ways of life. In our hearts we are modern, kind of like a man donning business attire. But such a formal outfit would be out of place here. The contrast would be too obvious. So we chose a modern cube-shaped design, and paired it with materials that represented local values and wisdom.”

“That’s the metaphor defining our design concept. Like a business outfit made of folk fabric known as “Mo Hom,” the hotel building offers textures and finishing touches crafted of materials that are readily available locally. They include bamboo, palm tree trunks, and old-fashioned corrugated sheets.”

The farm stay involves the community in its day-to-day operations. Joke said: “In this area 4-5 villages are actively engaged in flower farming. Having done it for several generations, the growers produce cut flowers for a wide variety of decorations, from shops to hotels to even food. Especially yellow chrysanthemums, they prefer to grow them during winter months.”

Flower growers leave electric lights on at least three hours after sunset. Increased exposure to light helps flower stems grow a bit longer in time for harvesting.

At night the weather is cold, and the flower farm is aglow with colorful neon lights. “If you don’t feel like going to bed early, just hang out and enjoy the views,” Joke said, adding, “In fact, the lights are left on for a good reason. Increased exposure to light helps flower stems grow longer before they are harvested the morning after. “If you are an early riser, put on a pair of boots and go help the planters harvest some flowers.”

Blog : chiang mai

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4 SMALL HOUSE UNITS IN TRANQUIL TROPICAL LIVING

PSA: A Lush Compact Tropical House in Chiang Mai

In house design, the phrase “limited space” raises worrisome questions for some. Here, though, homeowner Sarin Nilsonthi used modern Tropical design techniques and inner space connectivity to build large-house functionality and comfort into a compact house plan.

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Good Old Days: A Lovely Wooden House with Panoramic Views

A Boutique Farm Stay in Chiang Mai

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