The architect and owner of Volume Matrix Studio Co., Ltd., Kasin Sornsri, and his wife Maiko Ishimoto have agreed to live in Thailand. Together, they incorporate Thai and Japanese influences in the design. The result is a calm and peaceful orchard home that embraces the charms of Oriental culture.
Blending two cultures together may seem to be hard, but good communication and understanding guide them through. “If you look closely, you’ll notice a hint of Japanese atmosphere mixing in the house,” Kasin said.
“The stilt floor is open, making it suitable to sit and relax on traditional Japanese furniture with a square latticework in the background. The floor is lower down on the side and covered with pebbles like a Zen garden. A 7-tatami-sized Japanese room is on the second floor.”
Kasin continued, “For comfort and utility, we use concrete flooring in some areas. It is easier to clean than a mat floor. I also designed some spare rooms for my wife’s relatives. Most are empty, equipped only with a bathroom, in case there are many guests at the same time.”
The house is situated in a tiny peaceful street on a property of nearly 16 acres. It once had four small houses surrounded by a mango orchard. The owner kept most of the orchard and didn’t cut any tree down.
This house with Oriental appeal was built right up against the fence to avoid disturbing the orchard. It has three levels that collectively act as a fortress hiding the orchard from the outside and enhancing privacy.
Each component of the house is humble and harmonizes with the natural surroundings. To accomplish a simple and uncomplicated look, the owner used pillars and beams and, at the same time, tried to keep equal thickness for all beams to cut the cost of wood.
Most floors were constructed of prefabricated concrete, except bathrooms, balconies, and decks, which used poured concrete. Polished concrete walls were chosen because the material was easy to work with, suited for environmental conditions, and easy to find.
“I used foamed blocks instead of red bricks. The material is lighter, anti-heat, easier to construct and lowering overall weight for the house.” Kasin explained.
“Normal glass is preferred, not UV-filtered ones. So, natural light can enter. Box-like flaps were added to screen the light. They also act as ventilation pipes to draw fresh outdoor air into the home.
“For a little differentiation, I added a small amount of black color into polished concrete walls. It also blends well with mango trees in the orchard.”
Overall, the appeals of the Orient are in the details. Some parts of concrete walls are marked with patterns made by pressing a faux wood against the wall while the concrete was setting. Exterior walls are alternating between rough and smooth surfaces. With such attention to detail, the house is undoubtedly in a good hand.
Despite the building being long and narrow, a team of architects at Studiomake managed to turn it into a perfect home office integration that would inspire productivity. The Bangkok-based team of designers, architects and educators is known for its specialized skills and experience in various types of architecture.
When it came to designing their own home office, Orapan Sarasalin Schafer and David Schafer opted for an architectural steel design for its lightweight look that’s right for the prevailing climate in Thailand. It’s a layout that emphasizes an open, uncluttered living space with plenty of wall openings, windows and doors for good ventilation and heat dissipation.
By design, the building performs a dual role. The first floor holds a fully equipped office space, while the second floor is used as a residence. Overall, it’s thoughtfully devised planning made easily adjustable for future updates. The crossbeams resting across the tops of columns support weigh over an extra long span, five meters to be exact.
Home office design offers many benefits, among them the freedom to create the ideal work space like the owners intended, plus the peace and quiet that suits their lifestyle needs.
There is attention to detail in all parts, especially the integration of natural elements like plants and light into the built environment, making the interior work space feel light, airy and conducive to creativity. And they don’t come by accident. Rather, every building strategy and material is tested first to see if it’s suitable for a particular application.
This helps to understand whether a specific material is right for the task, plus it narrows down the choices to the best selection. And the same careful consideration applies to both upstairs and downstairs. Examples of this include high ceilings and a wall of bookshelves designed to maximize work space utilization.
Taken as a whole, the lower floor contains a fully functional work space and offices, while the upper floor in and of itself is a complete home, consisting of two bedrooms with a bathroom en suite, a relaxing living room, kitchen and dining room.
With respect to the office area, the floor plan is simple and straightforward. Electrical wiring is neatly installed and piped to various locations hidden from view. The pillars supporting the tall vertical structure of steel are evenly spaced for proper load bearing, while the building façades are made attractive by crisp clean lines.
For indoor thermal comfort, important aspects such as heat insulation, soundproofing, and ventilation are carefully thought out and incorporated in the design. In the fewest possible words, it’s all about attention to detail that makes this modern home office a perfect place to be. Brilliant!
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Rithirong Chanthongsuk /
Who would have thought a pair of shophouses lacking interest and imagination could turn into a pleasant family co-living home? Only recently the shophouse duo located on Surawong Road in the heart of Bangkok’s downtown was tastefully renovated as a shared residential community model. The result is a co-living space and place of business integration that’s well designed, full of life and energy.
The place of residence aptly named “Siri House” is the brainchild of the Bangkok-based architectural firm IDIN Architects Co., Ltd. Architect Jeravej Hongsakul is the driving force behind the design and renovation project. He attributed the firm’s success to its ability to reinterpret co-living spaces from entirely different perspectives.
“There’s a solution to every challenge,” said Jiravej. When horizontal living is no longer the suitable choice in an urban setting, the idea of vertical living comes in handy so as to combine residential and social areas in one coherent whole. And in this particular case, the only way to build is upwards.
In essence, it’s about creating a happy, healthy and thriving home, and hence the name “Siri House” meaning the place of prosperity.
A new landmark on Surawong, the building with a distinctive facade belongs to Suree Sirivatjanangkun who shares the co-living space with her siblings.
On the emotional bonds between the people and the place, she said, “We figured it should also be an office for our family business. It’s better to live and work together as one extended family, a big family in the business neighborhood.”
“We wanted a living space that is warm and welcoming, the kind that provides a modern living atmosphere in which family members interact and socialize with one another. Everyone needs a place and time to unwind and still wants to see and care for each other. To me, that’s co-living.” Suree continued.
“Precisely, we wanted a design that’s inclusive, in which every one live together sharing a co-living space, not the type that’s divided into different floors, one floor per person. That would be no different than living separately.”
With this in mind, Jeravej came up with a solution. “I designed each residential unit to be able to stand alone and is fully functional. I paid attention to detail in each component, from the living room, bedroom and workspace, to the double volume leisure room, bathroom and kitchen, and made sure they fitted together in an effective and practical way.
“Because it’s a good-sized place with lots of functions, I needed to manage them very carefully. To improve traffic flow in the home, each residential unit is accessible via the main hallway that allows plenty of natural light into the interior. And by design, each unit is unique in its own special way.”
The homeowner wrapped it up nicely. Siri House will always be home to the close-knit siblings who live and work here. To them, it doesn’t matter it’s built for horizontal or vertical living arrangements. More so than anything else, it’s about living a lifestyle centered around family relationship, a good quality of life, and being in a location that’s great for doing business.
Bottom line, the mid-city co-living space is named “Siri House” for obvious reasons. To do business, you need Siri. It’s a word meaning prosperity and the quality conducive to success. You get the idea.
/ Story: Ekkarach Laksanasamrit / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratep /
The hot and humid climate in Thailand is inevitable. But where there’s a will there’s always a way. This energy efficient home clearly illustrates that. The old house belonging to Assoc. Prof. Tonkao Panin Ph.D., of the Faculty of Architecture, Silpakorn University was lovingly restored to its former glory. The result is a place of residence that’s very pleasant, airy and well-lighted.
Located on the bank of a canal, the property faced a long-term problem. Flooding tended to happen often. This eventually necessitated a complete teardown to make room for a new home.
“We had full-grown trees on the land, which we intended to keep. So, the architects designed the building around them. Due to some limitations, parts of the old home remained intact. The space where the trees are standing now has since transformed into an atrium,” Tonkao said.
“I want a home that’s open and airy – a house that breathes, so to speak. The new design calls for a system of wide corridors and ample spaces underneath it. The low land is now filled up to bring it to street level and create semi-outdoor multipurpose room.”
Tonkao chose steel for the main structure because it reduced construction time and enables a flexible construction schedule.
The two-story, L-shaped home splits into two wings located on either side of the warm and pleasant center courtyard. The canopy of tall trees keeps the entire living spaces cool and comfortable all day long.
For indoor thermal comfort, the exterior walls are made of hollow bricks to block the sun while allowing the wind to pass through. Plus, long eaves overhanging the outside walls protect the home from heat waves, while house-on-stilts design improves ventilation.
“We sleep soundly in a compact bedroom. A wide corridor helps when we walk pass each other. Semi-outdoor walkways enable us to keep abreast of current weather conditions and we don’t need air-conditioning,” said Tonkao apparently content with the design.
All things considered, it’s an energy efficient home, one that embraces natural light, increases airflow and makes daily living not only comfortable, but also enriching.
Architect: Assoc.Prof.Tonkao Panin, Ph.D., and Tanakarn Mokkhasmita of Research Studio Panin (www.researchstudiopanin.com)
/ Story: Supachart Boontang / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
The design of this modern steel house fosters a harmonious relationship between man and mother nature. What presents itself as a chic, cubic steel structure draws its inspiration from traditional homes in the neighborhood and the lifestyles characteristic of the people in a locality.
For the most part, the house is made of recycled building materials adapted to suit a new use. Among them is the steel structural framing that reduces building time and noise pollution on the job site, making it suitable for dry construction.
The homeowner, Thitiwoot Chaisawataree, who is an architect and professor of architecture at Kasetsart University, shared the following with us:
“My parents wanted to transform the storage building at the back of their house into a relaxation room for hosting friends and relatives. The renovation plan involved dismantling and repurposing parts of the old structures that were no longer needed.
“The plan also emphasized adapting materials from past projects for use in a different purpose. They included hollow cement blocks, glazed tiles, electrical switches and outlets, paint, cast iron decorations, spiral staircases and steel rod fencing. And as the result of all this, a bright and airy modern steel home was created.”
To lower humidity and enhance air circulation in the home, the floor was elevated to a plinth height above the natural ground level. Hardwood flooring materials were scarce. It was fortunate that the homeowner had purchased these materials and stored them for eight years prior.
They included wood planks 20 inches wide, 2 inches thick and 5 meters long that were used to build hardwood flooring. The design stipulated that none should be cut. One advantage of reclaimed timber is its low humidity content and reduced vulnerability to insect infestations.
The newly renovated home, spanning approximately 100 sq. m., is spread over two floors. The ground floor encompasses the primary open-plan living area. The second floor, which can be reached through a staircase outside the first-floor corridor, houses a bedroom, sitting room, workspace, and bathroom.
The architect, reflecting on his project, said: “Despite the ceilings being lower than usual at around 2.30 meters, the sitting area feels spacious. It draws inspiration from traditional Thai-style homes which prioritize creating living spaces in harmony with the environment, rather than emphasizing decorative elements.
“With this in mind, even a box-shaped house can be adapted to incorporate such design principles.”
Speaking of the current trend in urban design, the homeowner wrapped up his perspective about this modern steel house very nicely.
“I’ve observed that today, we often face challenges in integrating the environment seamlessly into our home design. We’ve distanced ourselves so much from nature and, consequently, become more reliant on energy for various necessities, such as air conditioning and insulation.
“It seems we’re prioritizing the aesthetics of our home’s exterior over a design that naturally shields us from environmental factors. Over time, when we realize that the house doesn’t meet our needs, we consider expanding our living spaces. Ill-conceived designs can sometimes result in aesthetically displeasing outcomes.”
“Specifically for the Thai lifestyle, a comfortable home is one that’s tailored to the needs of its residents. Even better if the functional spaces are adaptable, allowing for potential future expansions.
“Simultaneously, the Tropical hot and humid climate of Thailand should be a primary consideration in home design. Comfortable interiors stem from design that harmoniously coexist with nature. Well-conceived floor plans ensure optimal air circulation and offer protection from the elements. It’s advisable to steer clear of materials that retain excessive heat.”
This Modern Thai stilt house incorporates traditional wisdom into its modern design. All aspects of the environment are taken into account, including air circulation, calmness and comfort.
The couple incorporated traditional Thai wisdom with the best in modern design to create this modern Thai delightful home. The Thai stilt house of Panupong and Busakorn Hiranrak inspired by changing the design.
Obviously, some of the imported concepts didn’t seem to go together well with the kind of climate we have in Southeast Asia.
Located in Bangkok’s Bangplad District, the house sits on a plot that was once part of a lush agricultural landscape. Architect Bundhit Kanitakhon explains:
“The land for many years used to be a thriving fruit orchard served by a well-planned irrigation system. House design was honest and straightforward, taking into account directions of the winds, the sun, and seasonal flooding. The result was a simple home with a modern edge and comfy atmosphere.”
On the outside, this Modern Thai stilt house was made of concrete masonry, for the most part unornamented. Closer examinations revealed elements of a true Thai style personality – ideal house orientation, suspended ground floor, and the so-called breathing wall design.
Ideal building orientation
There is a sense of auspicious energetic flow and comfort. The main log axis of the building runs East-West, allowing it to capitalize on natural air movement and effectively reduce heat.
Suspended ground floor
Its stilt house design provides for effective under-floor air circulation, which is a form of the passive cooling characteristic of homes in Southeast Asia.
The stilts raise the house one meter above the surface of the soil to protect from seasonal flooding, ventilate air underneath the suspended ground floor, and effectively reduce humidity.
Breathing wall design
This Thai stilt house is all about creating one seamless transition from the inside to the outside. Indoors living spaces are light and airy thanks to an array of 26 windows that stand 3.6 meters tall. They open up to bring in the outdoors. The teak wood shutters are the work of master builders from the old capital Ayuthaya.
Meanwhile, walls are composed of air blocks. The so-called breathing walls not only promote good air ventilation but also add to the overall curb appeal.
The house’s other distinctive features include a large central terrace, steep roofs arching upwards, and lush green surroundings.
Central terrace
The central court is the largest open space that connects with and supplies fresh air to other parts of the house. A form of cooling strategies, it ensures the occupants are thermally comfortable all year round.
Steep roofs design
The house boasts steeply sloping tile roofs that arch upwards about 40 degrees to allow for rapid rainwater run-off.
On the edges, the eaves from an overhang that not only protects the building from scorching midday sun but also throw storm water clear of the walls. The steep roof design also serves as a natural cooling strategy.
Natural surroundings
Thanks to the creative design, the house blends well with the green surroundings. Nearby, mango, banana, and jackfruit trees thrive alongside other vegetation that provides a crisp, cool canopy keeping the occupants comfortable all year round.
On the inside, ample living spaces boast Asian inspired décor. Airy rooms are decked out with classic Thai and Chinese furniture from years gone by. Old cabinets, tables, and a Chinese style daybed are carefully placed to ensure they don’t clash with new sofas and trendy modern shelves. There is a seamless transition from one area to another.
Modest design concepts also pull in the natural earth tones seen throughout the house, from wood to kiln fired ceramic tiles and the air blocks.
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
Here are twin houses designed for twins. They stand separated, physically at least, by a lively green courtyard garden. In a subtle way, the small outdoor room serves to strengthen the unbreakable bond between the two sisters. It stands for cordial relationships and passion in the form of a shared space that gets used every day. Taken as a whole, it’s about finding the right balance in life, creating harmony between preserving family traditions and bringing joy to the home.
The homeowner twins, Chutima Bunnumkitsawat and Chutimon Siriwithayarat, are now married. They live in separate households that share the same compound. As may be expected, the twin residences look amazingly alike. But they are two distinct entities. So we asked, and they answered.
“Originally, we had planned on renovating the property to suit the lifestyle needs of an extended family. By chance, my husband came across one of the designs by the architect and contacted him right away. We got down to the business of planning in earnest while the city was hit by a big flood in 2011.” Chutima said.
She said that her family has lived on this property for three generations now, meaning those of Mom and Dad, the twin sisters themselves, and now the little ones.
Asked about design inspirations, Chutima said: “We both have kids roughly the same age. So family living spaces have got to be clearly defined. Simply put, we are two separate households now.
“The new twin houses are set on the same compound. Mom and Dad can be with the kids here or there. Bottom line, our children will get to grow up together.”
Chutimon said that despite being two separate entities, the twin houses are subtly tied to each other in so many ways.
Behind the perceived sameness, there exist a fair amount of differences. With their permission, we took a look around and found some different details “in the fine print”.
First, their lifestyles subtly differ. Chutima’s home features a design with an emphasis on vertical treatments that embrace the value of the family’s intimate living spaces. Patches of greenery in the vertical garden protect the privacy of the living room and nearby patio. Lush foliage makes for comfortable interior living spaces.
Then, on the other side of the courtyard, Chutimon’s home boasts open and light interior design featuring ample horizontal spaces. Reminiscent of traditional Thai houses in former times, the family interior living spaces look out over the center courtyard. The bedroom has a spacious balcony that has become the family’s favorite relaxing spot.
The semi-outdoor space by Chutimon’s bedroom has an array tall windows that afford a cityscape panorama when opened. When closed, the swing shutters serve as privacy curtains protecting the intimate living space. People inside can see out through vertical wood strips in the window treatmens, while outsiders cannot see in.
The awesome twin-house complex is the brainchild of designers Natasas Jeenphund and Yupayong Chaikachornt, of Poetic Space Studio.
As they put it: “The two homes highlight simple, clean line design. I want them to appear as two distinct entities. It is kind of like two well-pruned trees thriving side by side.
“In the meantime, it’s not about being totally separated. Basically, the plan is based on a design principle that aims to keep the two families very much together.”
In a nutshell, it’s a design that strikes the perfect balance between smart land use planning and architectural styles. More importantly for the twin sisters, it’s testimony to passion and the longing to be together and cherish the relationships made in heaven.
/ Story: Supachart Boontang / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
This house on stilts in a riparian neighborhood just off of Rama 2 Road represents a confluence of ideas between traditional craftsmanship and modern technology. There is timeless elegance and beauty in traditional design that provides an ample relaxation space on the open lower floor. The second floor features a wood balcony large enough to be used for several purposes, while the third holds a quiet, more secluded living space.
On the outside, long eaves overhanging the walls of the building protect the interior from the elements, while solid walls shield the home from intense glare of the sun. The result of all this is a comfortable indoor environment.
Nanthapong Lertmaneethaweesap, of the Arsom Silp Institute of the Arts, designed this home as part of an affordable housing program for the institute’s most valuable assets — their teachers. The program has aided the teaching staff in owning a home of their dream, hence the name “Baan Bang-Gru”, meaning houses for the teachers.
He said that for the most part a house plan based on simple design is the most comfortable to live in. That has a lot to do with finding the right balance between functionality and the house’s overall dimensions – or how big it is. Easy living can be achieved without spending a fortune on sophisticated decorative details.
Our documentary crew visited this house in the waterside area just off of Rama 2 Road that was famous for its simple lifestyle. We witnessed people go about their business in ways that were distinctive to a riparian community. We also noticed that change was just around the corner.
Overall, the design and build quality of the house represented the combination of ideas between traditional knowledge and technology of the modern era. Interestingly, it was like is a journey through time.
Charatsri Sribumrungkiat, the homeowner, said: “I acquired this piece of land thanks to assistance from the Arsom Silp Institute of the Arts. It was part of an effort to provide affordable housing for the institute’s instructors. The program has aided the teaching staff in buying a piece of real estate at cost price, hence the name “Baan Bang-Gru”, which means the teacher’s home.”
Nanthapong added: “In my opinion, this piece of land has great potential. It affords good views both of the lake and the waterway that runs past the rear of the property.
“The house’s front façade rises facing south, and the building is oriented along the east-west axis. This enables it to reap the health benefits that come with southerly winds.
“The house plan in itself fits in very well with the waterside setting. Its house-on-stilts design provides an ample relaxation space on the open lower floor. The second floor features a wood balcony large enough for multiple functions, while the third holds a quiet, more secluded living space.”
Occupying 120 tarang wah (480 sq. m.) of land, this house on stilts boasts high quality craftsmanship, albeit built on a small budget. This is possible because as much as 90 percent of lumber supplies came from reclaimed wood and other recyclables. New lumber used in the project accounted for only about 10 percent.
The homeowner attributed the success to his sister, who was good at finding recyclable ideas and putting them to good use around the house. This not only saved a lot of money, but it also filled the home with cool pieces of furniture.
By design, the open lower floor is a feature that makes life less stressful. It provides easy access to practically everything, from the little lake in front of the property, to the peaceful waterway behind it.
It is the area that is used all day every day for relaxation, dining, tending plants and pruning trees in the garden. Plus, correct building orientation ensures the home receives the full benefits of natural ventilation especially during summer months.
Originally the homeowners had intended to build a normal two-story house, but later decided to raise it on concrete piles instead. The change of plan resulted in the first floor becoming second, and the old second becoming third.
The main kitchen is on the ground floor. There is a good-sized sitting space with a small kitchen and dining room on the second floor that’s reserved for use in the event the ground floor is flooded. The third floor holds three bedrooms and a Buddha room.
The exterior walls are inspired by the rice granary in former times, in which vertical studs are installed on the outside and horizontal wood palettes on the inside. The edge joint technique that has existed for a long time ensures the wall is water impermeable during rains.
On the whole, it’s a beautifully crafted house on stilts, one that fits in perfectly with the peaceful riparian landscape on the outskirts of Bangkok. The interior living spaces are uncluttered in keeping with the minimalist style, while the exterior showcases the architecture, waterfront lifestyles and experiences unique to this part of Central Thailand.
/ Story: Supachart Boontang / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul and Arsom Arch Community and Environment Co., Ltd. A division of the Arsom Silp Institute of the Arts /
This urban home named “Baan Gongsi” is beautifully crafted in keeping with Chinese heritage in architecture mixed with defining features that are characteristic of the traditional Thai-style home. The perfect visual blend is the brainchild of Pongsakorn Tumprueksa and Nattanan Pokinpitak of the Arsom Silp Institute of the Arts.
Architecturally, it’s a well-thought-out design that seeks reconnections with nature at home and, at the same time, keeps family heritage alive. Homeowners Thianchai and Noree Niyom, both of them of Chinese descent, want to live simply and traditionally, embracing a lifestyle that values a culture of sharing and caring.
Thianchai’s sister also lives nearby in the same compound, which explains the concept of Baan Gongsi, a colloquialism for extended family living arrangements.
At the same time, it’s a design that embraces elegance in architectural aesthetics. There’s a courtyard with swimming pool at the center of the house topped by tiled roofs with curved sides. A striking feature of Chinese style, the unroofed area enclosed by the buildings doubles as engine that drives natural air circulation keeping the home cool and comfortable round the clock.
The well-conceived design also ensures the building fits in well with the hot and humid climate prevailing in this region. Speaking of a fusion between two cultures, there’s a large open-air platform that provides easy access to all the rooms, a layout quintessential of Thai-style cluster homes in the past. The Thais call it a “chaan” meaning a gallery or semi-outdoor room overlooking the garden.
The main villa and nearby annexes are disposed around the center courtyard. The sprawling design allows a healthy dose of morning sun to pour into the interior living spaces. In the nighttime the courtyard is aglow under the moonlight.
The center courtyard has been the heart of family life and one of the most important elements of cluster home design since time immemorial. It brings joy to the family and supplies every part of the home with fresh air.
Here, everything exists for a good reason. Among others, a stone paver patio adjacent to the family’s ancestral home serves as a venue for morning tea. Nearby, the swimming pool brings the health benefits of good exercise. They’re there for the taking. Overall, it is a piece of architecture designed for the salubrious lifestyle of an extended family.
Baan Gongsi is a well-crafted home, one made with attention to detail and quality to provide safety and protection against external disturbances. The floor plan offers smooth transition from one area to another. There’s a welcome room with patches of greenery connected to a stone paver patio leading to the Moon Door that’s the house’s main entrance.
From there, a stone paver garden pathway provides access to the main villa and nearby annexes. The center courtyard itself lies protected by a lacy canopy of mature trees making every day an enchanting experience. Because it’s situated amid the bustle of the city center, the home relies on plenty of lush vegetation to protect against noises and air pollution.
As for build quality, real wood is the material of choice and one of the most outstanding features of the house. What makes it aesthetically pleasing is the slightly curved eaves characteristic of Chinese architecture. Needless to say, it’s a wholesome place where nature and culture coexist in peaceful harmony, a home beaming with pride.
“It’s a co-housing arrangement.Mine is more of a dynamic, full-of-life home. The house next door is my brother’s. It appears to be more private in the midst of a tranquil setting.“
The homeowner, Suthiphong Pongpawasuit said I was kind of speechless for a bit when I heard him express his feelings about the co-housing house. It could be that I was expecting the most beautiful replies like always. No offense intended. It was the most honest and unpretentious of feelings.
“I could feel a warm and friendly atmosphere, and appreciate the meaning of “home” as he defined it. I have come to one that reflected the true personality of its owners.” The two houses are surrounded by pleasant grounds made the two brothers happy in their own way.
The two buildings brought out differences in their lifestyles and their preferences.
The first building
The first building belongs to Suthiphong. It is concrete chic based on a straightforward design. The walls are fabricated of unornamented concrete finishes and an interesting mix of textures and materials. Floating systems of electrical conduits conjure up images of an urban industrial loft apartment.
The interior features gorgeous living spaces. During the day, natural light shines through large overhead windows with wrought iron detailing, creating an amazing shadow play. There is a sense of visual continuity that connects seamlessly with the exterior as soon as the large door slides open.
On the outside, peaceful lush landscaping under a tree canopy can be seen in full view. On the inside, different furniture styles add a hint of interest in a subtle way.
Obviously, the co-housing house is designed for the local climate. Oftentimes we complain of too much sun, winds, and rain. But since we call this country home, why not make the most of the extreme weather conditions?
They are the natural appeal of this Region. That is why we see all natural elements being incorporated into the design scheme. Here, the sun, the winds, and rain are all taken into account in framing the house within a beautiful botanical border. That makes living in a co-housing house a life fulfilling experience.
The second building
The second building belongs to Suthiphong’s brother, Kittiwat Pongpawasuit. Unlike the first house, it comes in a mix of white, cream, and gray tones, which together give it to a strikingly handsome appearance.
The design is light and airy and emphasizes a warm and peaceful atmosphere. Brick walls are painted white to minimize any alteration of natural light and color reflecting on the surfaces. The home, especially its living spaces, is all about enhancing a seamless indoor-outdoor relationship.
Crisp, clean landscaping can be seen all the way to the swimming pool, thanks to large single-paned glass doors that slide open and neatly disappear into the walls. The living room gets nice cool breezes from the swimming pool and is set facing north to avoid the harshest of the afternoon sun.
Design relationship
The two designs may contrast in personality, but architect Kraipol Jayanetra of Alkhemist Architects found a relationship between them by opting for like materials, textures, and mutual décor ideas.
By this was meant the use of naked, unornamented concrete finishes, industrial-style electrical conduits, wood furniture, and a plenty of accent pieces.
“I started out with something small but interesting, and worked my way up until I arrived at a complete unit,” said Kraipol.
That being said, every part of the co-housing buildings, be it vertical or horizontal spaces performs the functions it is intended. Overall, a great mix of patterns and textures makes the two houses appear in perfect harmony with each other. The difference is in the details.
This has been a story of two youthful homes in a co-housing house that coexist to complement each other. One is overflowing with life. The other is tranquil and handsome in its own way. They enhance and improve each other’s curb appeal, and set the stage for a simple fulfilling lifestyle.
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