/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
A small white house overlooking river views merges into the countryside vernacular of Dien Khanh, a district of Khanh Hoa Province on the southeast coast of Vietnam. Built on an elongated rectangle, it has a narrow frontage to the street like other houses in the neighborhood. Yet, it’s different from the others for its ultramodern appearance. It all started with the architect trying to create a home that’s up to date and, at the same time, capable of blending into the surroundings. Ideally, it should agree with the historical and cultural setting of the place. And it has to be comfortable to live in.
The result is a two-story home with public spaces in the downstairs layout. The front of the house plan holds the sitting room and dining room. High ceilings make the overall interior space feel light, airy and cool.
Half way into the house plan, a spiral staircase that’s the focal point of design winds up to the second floor. Further inside, a more personal room contains small kitchen space that’s clearly separated from the bedroom for aging Mom and Dad located at the rear.
Climb a flight of stairs, and you come to two more bedrooms with an ancestral hall at the far end.
Despite it being long and narrow, the architect had no difficulty finding ways to make the interior room well-lit and well ventilated. The problem of confined spaces is resolved simply by growing a small garden in the main entry area, a natural way to create passive cooling effects in the home.
At the rear, a small backyard serves as engine that drives natural air circulation. That’s not all. At the center of the house plan, a small square courtyard adds a little bit of greenery to the interior. Together, these little green spaces go to work bringing fresh outdoor air into the home all day long.
Taken as a whole, these are the key attributes that give the new home character. Plus, the roof with a high pitch is designed to perform in severe storms. It’s painted a bright shade of orange to add a new feature to the community landscape.
Combine that with simple clean lines and white walls, and it conjures up the image of a small cozy home that blends perfectly with the charm of rustic rural life.
This house appears in the Special Bilingual Edition (English and Thai) of Baan Lae Suan and Living Asean, titled “Tropical Suburban and Country Homes”. It focuses on designs for cozy living in harmony with nature.
We have handpicked ten houses for this special edition that serve as the perfect example of design innovations in sync with the natural world. Front and center, it’s about the pursuit of ways to live more sustainably and create a better future for all. Looking for inspiration? Perhaps a glimpse into nature-inspired “Tropical Suburban and Country Homes” is a good place to start.
Delve into the new book today. It’s hitting Thailand shelves now. For more details, visit https://www.naiin.com/product/detail/592504
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/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Indra Wiras /
A contemporary home stands amid the rice fields that merge into the breathtaking landscape of Ubud, a town on the Indonesian island of Bali. It consists of two identical houses situated, side by side, parallel to the paddy fields growing luxuriantly in front and back.
Incorporating stunning earth tones into the exterior, each building covers about 200 square meters in extent, which translates into roughly 150 square meters of usable spaces. In essence, it’s a design that celebrates the richness of culture and rustic charm typical of the Balinese countryside.
Skillfully planned, it culminates in a living space made more private without a fence, a home in the rice fields set against the backdrop of rainforest ecosystems.
From the perspective of the architects who designed it, the first thing that came to mind was how to create the external envelope that would sync with the natural environment. They decided on a single-level home plan that fitted perfectly in the circumstances that formed the setting of the place. Hence, simple clean lines parallel to the horizon are a focal point in the design as we see it.
The same applies to low-pitched roofs that are chosen for their ability to fit in this environment. In this particular case, dual garble roof lines create a distinct architectural feature. Plus, they perform as effectively as high-pitched roofs without appearing too large or too heavy for the surrounding paddy fields.
Interior space planning is tailored to meet simple lifestyle needs. The overall effect is impressive. Step inside, and you come to a small hallway where you can feel the atmosphere change.
There’s a comfortable living room-dining room combo with a small kitchen, and two bedrooms at the farthest end. The sitting room looks out over the rice fields, while an in-ground swimming pool and nearby wooden decks provide a visual connection between indoor and outdoor spaces.
All the rooms open to the green expanse of rice fields at the back of the house while, on the opposite site, the solid front façade goes to work protecting family privacy.
By design, the nontransparent front façade creates a unique architectural feature. It uses color and texture creatively combining the brownish red of brick masonry walls with the gray of Paras Tulung Agung, a type of sand stone obtained from sources in the locality, plus the carved wood doors that convey a great deal about the island’s cultural heritage.
Together, they protect privacy and make for a strong and durable home. Elsewhere, the living room overlooking the swimming pool and nearby sun decks open to admit natural light and fresh outdoor air into the home. All things considered, it’s a delightful place with gorgeous scenery to calm the mind and create deep relaxation.
Design Team: Tjokorda Gede Dalem Suparsa, Putu Rahayu Sitha Dewi
Contractor: NATS.Project
Owner: Hendra Rusli
This house appears in the Special Bilingual Edition (English and Thai) of Baan Lae Suan and Living Asean, titled “Tropical Suburban and Country Homes”. It focuses on designs for cozy living in harmony with nature.
We have handpicked ten houses for this special edition that serve as the perfect example of design innovations in sync with the natural world. Front and center, it’s about the pursuit of ways to live more sustainably and create a better future for all. Looking for inspiration? Perhaps a glimpse into nature-inspired “Tropical Suburban and Country Homes” is a good place to start.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
Here’s a gorgeous modern home nestled in the wooded hills of Nakhon Nayok Province, roughly an hour’s drive from the capital. It’s a good-sized home built on 12 Rai of valleylands (just shy of 5 acres). The surroundings are naturally beautiful no doubt, and the design team at Stu/D/O, a Bangkok-based architectural practice, is determined to leave everything in its pristine condition. It involves detailed environmental assessment to reduce human impacts on ecosystems and, at the same time, create a wholesome atmosphere for relaxation.
The vast expanse of the forests is vital headwaters to many tributaries and rich in ecological corridors that are key to the survival of the region’s native fauna. And that takes priority over any other matter concerning the siting of the home.
Like so, the building is made less visible to avoid disrupting the ways of nature. It’s a house without fences by design that accepts things as they are. So wildlife can wander leisurely by, plus existing trees on the property remain where they have always been to minimize the impact on the environment.
That explains why the elements of the landscape are integrated into the home plan. It’s a design that considers human needs in connection with other things in the environment. And the house’s appearance reflects this line of thought.
Like poetry in motion, graceful curves wind around a stand of trees, six of them in all, creating good design flow that’s in sync with the rhythm of the wild. Curved concrete barriers prevent an encounter with wandering wildlife and provide safe outdoor room for the home with a center courtyard.
Within the confines of the place, a beautiful two-story house plan is created. Freeform curves fill the ground floor where a sitting room and kitchen space flow together as one. There’s a workshop cum hobby room nearby. Together they take up one side of the floor.
At the center court, a swimming pool connects to the semi-outdoor sitting room along the outside of the home. There are housekeeper living quarters and service areas at the opposite end.
The freeform concrete structure on the ground floor differs strikingly from the rectangular-shaped second floor that sits on top of it. It’s the perfect stark contrast where geometric rigidity meets graceful fluidity.
There is the beauty of humble materials such as timber cladding that adorns the exterior walls on all sides. The second floor contains bedrooms with personality that varies from room to room.
Taken as a whole, it’s a salubrious place made for relaxation, a country villa thoughtfully devised to incorporate environmental considerations into the design process. And it’s done with respect for nature.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Here’s a midsize three-story house in Thu Duc, a neighborhood on the northeast side of Ho Chi Minh City. It’s nestled in a riverside community that’s no stranger to seasonal flooding. Houses on stilts can be found almost everywhere. This new concrete home is no exception. It’s raised on pilings about a meter above uneven ground to keep it safe from rising floodwaters. More importantly, it’s open-concept design that adds character to the home. Precisely, over 70 percent of the house plan is open to fresh air and natural daylight, a well-design outdoor living space that brings joy to the home.
On the whole, the concrete-framed house plan appears light and airy. It shows how component parts are pieced together using straightforward building techniques.
Functional areas are scattered over three concrete slab floors that vary from one to the other depending on needs. The ground floor at plinth height holds a quiet, secluded space consisting of the master bedroom and lovely veranda overlooking the backyard garden. It’s positioned to be invisible from the carport and main entrance areas.
Bypassing the first-floor private space, a flight of stairs at the rear of the building leads to the upstairs living room. With traffic flow arranged in this way, the master bedroom lies hidden from view — out of sight, out of mind.
The second-floor living space contains a sitting room, dining room and kitchen. It’s made attractive by good-sized balconies that wrap around all four sides of the house plan.
The entire building envelop that encloses the sitting room is glazed using clear glass that stands tall from floor to ceiling. It’s a natural way to create a visual connection between the interior and exterior spaces on the balcony and beyond.
The third-floor deck offers a panorama of surrounding communities. It’s accessible from the second floor via an outdoor staircase that’s built into the front façade. There’s a bar counter with outdoor grill table for the perfect barbecue. A cool place to be, it lies under the canopy of overhanging trees with luxuriant foliage reaching into the sky.
It is, in brief, a design where nature is front and center, a home that’s comfortable without being strikingly noticeable. It reflects the line of thought that a simple, beautiful home can be built using ordinary materials and techniques; such as concrete masonry, timber, terra cotta tiles and white walls.
In this particular case, the concrete-framed house is built on a budget using the usual commonplace materials. There’s practically no limit, and it’s up to the person to pick and choose to beautify his home. Take for example the outdoor staircase built into the front façade. In terms of the general impression, it’s an interesting architectural feature that performs its intended function.
Lead Architect: Sanuki Daisuke, Nguyen Huynh Bao Ngoc
Structure Engineer: Thanh Cong Construction Design Co., Ltd
ME Engineer: Hung Viet Tst Corp
Contractor: Coppha Builders Construction Co., Ltd
This house appears in the Special Bilingual Edition (English and Thai) of Baan Lae Suan and Living Asean, titled “Tropical Suburban and Country Homes”. It focuses on designs for cozy living in harmony with nature.
We have handpicked ten houses for this special edition that serve as the perfect example of design innovations in sync with the natural world. Front and center, it’s about the pursuit of ways to live more sustainably and create a better future for all. Looking for inspiration? Perhaps a glimpse into nature-inspired “Tropical Suburban and Country Homes” is a good place to start.
/ Story: Nattawat Klysuban / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
It’s amazing how a small space can make a big difference. Here’s a little house on the hill located at Tambon Doi Hang in Chiang Rai’s Muang District. It’s only 35 square meters, which is no bigger than an average condominium unit in the city. But it’s location, location and location that makes it a stunning place to live. The homeowner couple wanted to get away from the hustle and bustle of Bangkok and live somewhere out there in the countryside. Like a stroke of serendipity, their wish came true.
Theirs is a tiny home built into nature. It sits beautifully ensconced in the misty morning air and, beyond, forested mountains can be seen from miles around. It’s a calm living space designed for a remote work-from-home job and hence no time is wasted in daily rush-hour commutes.
Plus, they get to choose a way of life tailored to their needs. It’s a lifestyle pared down to the essentials thanks in part to a simple house plan, in which every square inch serves a purpose for which it’s intended.
The homeowner couple are natives of Bangkok. They had lived in other places before moving out to this northernmost corner of the country. So they pretty much had a clear picture of what they wanted in a new home plus the functionality and the size that would be right for them. They tossed the ideas around with a team of architects. And the overall result was impressive.
It’s a small house designed for two people to fit in comfortably, with a bedroom, workspace, bathroom and a kitchenette with coffee bar. It even has a closet and outdoor rooms for relaxation and al fresco cooking and dining.
Basically, it’s a small living space with many advantages. To begin with, it’s a way to avoid expensive cost overruns. It’s easy to keep clean and maintain in good condition, which translates into more time being devoted to something else more important.
The house on a hill is positioned along the east west axis with the view of a lush landscape. The north and south sides have long eaves overhanging the walls that shield the bedroom from exposure to intense afternoon sun.
For health benefits, the architect puts in a front porch under the gable to create room to sit sipping coffee in the morning and to cook stakes in the late afternoon. The house plan is made in this way for good reason; the outdoors can impact human wellbeing. So it’s a good idea to step outside and connect with nature to reduce stress or just lean back and chill.
Like a good neighbor who cares about the community, the house was built using locally sourced materials by local builders and artisans highly skilled in woodworking and masonry.
The ingredients obtained from the locality included roofing materials, reclaimed hardwood, and cement for textured plaster walls. The builders were tasked with work according to their specialized skills so as to add countryside flair to the home.
Like everything else, the Northern Region is not without its challenges. It’s no stranger to air pollution caused by seasonal agricultural burning. To be prepared for all eventualities, the architect makes sure the doors and windows are impervious to dust and dirt when that happens.
Well-made swing door systems and awning windows are chosen for their effectiveness in keeping dust out. At the same time, attention to detail ensures there are no gaps between the window pane and the frame when shut.
On the whole, the little house on the hill is designed to blend perfectly with the circumstances that form the setting of the area. It’s a product of thoughtful planning by the project architect and the homeowners. And the result is a humble abode that syncs with the rhythm of life in the highlands region of Chiang Rai. Priceless!
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Like a dream turning into a vibrant reality, a trio of small houses sits beautifully ensconced in a cul-de-sac away from the noise and traffic on the main thoroughfare in central Phnom Penh. Together they occupy the full extent of a tiny piece of property, with leafy vines growing luxuriantly covering much of the front façade in subdued earthy reds.
The lush covering conveys a great deal about the architect’s firm determination to overcome space constraints and create enjoyable homes against all odds. The result is a trio of thoughtfully devised living spaces made cozy and comfortable by allowing fresh, outdoor air and natural light into the home.
Plus, dense green trailing plants add privacy to the inside, a clever hack to let nature permeate and protect the home from the glare of the midday sun.
Albeit small, the three houses have four levels of usable space and functions, including a sky garden on the rooftop deck. The building façades crafted of concrete breeze blocks in dark shades of reds blend with the vertical garden growing luxuriantly on the balconies, creating a pleasing combination clearly visible from a distance.
Together they form a double-layer thermal envelope that’s the first line of defense against the harsh sun and rain. For neat appearances, the three entrance doors at street level blend into the shimmering perforate façades adorned with climbing plants.
Being of the right size and shape, the three homes fit perfectly into a square-shaped piece of land. The first two houses are relatively small, with similar square-shaped plans built side by side facing the same way. The third house is rectangular shaped and slightly larger. It’s situated at the rear of the property facing a different direction.
With regard to interior design, the first floor holds a spacious, uncluttered living room with a kitchenette for entertaining houseguests, while the more secluded second and third levels contain bedrooms.
The fourth floor is a rooftop deck with semi-outdoor sitting rooms for relaxation and leafy plants thriving in containers placed along the edges. The same interior layout applies to all three, except for the rooftop decks of the two front units that are connected to create a bigger shared space.
Quite the contrary to what might be expected, it’s a trio of small homes with larger house functionality, plus roomy, uncluttered design made for cozy, comfortable living.
What is lacking in terms of space is nicely compensated for by well-thought-out design, plus plenty of refreshing greenery all around. Like a pleasant surprise, they make perfect escapes, a trio of quiet and secluded family homes despite their proximity to the hustle and bustle of downtown Phnom Penh.
Here, the secrets to a happy home lies in the perforate shells adorned with leafy vines keeping the snug interior nice and warm all year round.
By design, the perforate facades made of concrete breeze blocks serve as engine that drive natural ventilation keeping the home cool in summer. They also allow just the right amounts of daylight streaming into the interior turning it into an oasis of calm during the daytime.
On the outside, they add an extra layer of protection from sun and rain, creating a double-layer outer shell that allows air to pass through the intermediate gap in between.
More so than anything else, they provide a visual combination showcasing the beauty of simplicity, the power of nature and human ingenuity in providing solutions to problems and overcoming challenges. It’s as simple as that!
This house on the hill is a refreshing change to be taken seriously. Designed for four people to fit in comfortably, it looks out over the Mae Sa River in Chiang Mai’s Mae Rim District. It all began with a family wanting to get away from Bangkok and live somewhere out there in the countryside. As luck would have it, they had an old vacation home that needed repairs, and the rest is history.
It wasn’t long before they decided to put in a new house set amid the landscape of undulating hillsides filled with fond memories of the good old days. From a distance, the new place named Mae Rim House is built into nature, the perfect place to get fresh air and sunshine. Can’t beat that!
Upon completion, the family had most of their furniture and furnishings shipped up here when they left Bangkok. They included collectibles that had been in family possession for some time and personal effects shipped home after an extended stay overseas. Take a quick look, and it’s easy to get how they felt a sentimental attachment to their possessions.
Overall, home decoration is inspired by fond memories for the past. Amenities and features of the house are mostly in taupe or light gray with a tinge of brown. And that’s especially true for the ceilings, interior walls, sofas and other furniture items.
It’s a mix of old and new that blends perfectly with the dense green color of the surrounding landscape. The same applies to the comparative coolness of the house exterior that’s in shade for much of the day, a rustic ambience that’s in perfect harmony with nature.
The two-story, 500-square-meter home boasts the beauty of a large living room in the middle of the first floor. Elsewhere, smaller sitting areas are placed at intervals across the house plan.
But what makes it an interesting place to live is the double height ceiling at the center that promotes cross ventilation, keeping the interior cool and comfortable especially during summer months. At the same time, open concept design encourages smooth flow around the interior, from the kitchen to dining room to living room.
The result is a bright and breezy atmosphere, thanks in part to an array of sliding glass doors on one side of the house that opens to let nature permeate the interior. There’s also a ceiling fan on standby, too. It’s so cozy that they hardly ever use air conditioning.
The first floor holds two bedrooms with a view of nature. Designed for senior family members, they are positioned at either end of the house plan for increased privacy. The second floor is an entirely different story.
There’s an attic-style bedroom at the south end of the house plan that has been adapted to avoid stuffiness and promote good air flow. For lighting and ventilation, a trio of awnings and skylight windows are built into the gable roof.
Inside the house, slanted ceilings that run parallel to top chords create a bigger space overhead making the entire bedroom feel spacious and airy. On the outside, the underside of overhanging eaves is covered with soffit panels for a neat appearance.
For indoor thermal comfort, the box-shaped home lies protected by an expansive gable roof with long eaves overhanging the exterior walls. It stands hemmed in by tall trees that keep the new family home in shade for much of the day.
What makes it fascinating is the far ends of the gable roof that extends quite a distance from the walls of the building. The resulting triangular shape of the second level is designed to avoid making the house look too big or too tall, so as to blend with all that exists in the neighborhood. After all, it’s everlasting harmony that’s the foundation of good design.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Tuan-Nghia NGUYEN /
An eco-friendly home office building named Maison K hovers above the ground, looking out over a traffic circle in the center of Quy Nhon, a coastal city in central Vietnam. The overall effect is out of this world, inspiring admiration for its well-thought-out design and build quality. The building’s double-skin façade gives off good vibes, thanks to air flowing through the intermediate cavity. At the same time, hanging and trailing vines add a lush appeal to the building’s principal front shimmering in the sunlight. Right next to it, another home office building with beautiful raw concrete finishes stands back to back on the same location. Albeit different characters, the interior is essentially the same.
Blending aesthetics with sustainable design, the building’s feature wall is covered with ceramic panels in subdued shades of orange that provide a buffer against the glare of the sun. Hinged on one side, they swing open like doors to regulate air and light streaming into the interior.
Together they merge into one coherent architectural feature that creates an indelible impression on people passing by.
Dubbed the home office for the future of work, it’s a design that makes decorating with plants an integral part of interior and exterior design. Every workspace is thoughtfully devised to best serve its designated purpose, while the wellness, peace and quiet of a home office atmosphere remain the front-and-center concerns.
It’s thanks to meticulous design that an oasis of calm is created despite being located in a busy downtown neighborhood.
Maison K is the brainchild of Nghia-Architect, a homegrown atelier admired for their imagination and skills, plus an excellent track record in architecture and knowledge of the geography in Vietnam. Their main forte includes a thorough understanding of climate variability since weather conditions can change significantly on the oceanfront, directly affecting how a building performs.
This is especially true in the case of Quy Nhon, which is subject to strong winds in the coastal area, plus hot and humid weather conditions happening from time to time.
As the architect puts it, Quy Nhon being warmer and more humid than other parts of the country, the knowledge and experience in choosing the right materials for the job is imperative, and hence standards be maintained every step of the way.
Understandably, concrete is the mainstay of the construction industry in this part of Vietnam. It’s preferred over other building materials and techniques for its strength and durability, plus it’s resistant to weather and salt damage.
Especially in the context of Quy Nhon, concrete containing broken gray stone is preferred for its wear and tear resistance, plus its pleasing color and texture are sought after in this region.
There’s an element of surprise. Maison K sits on land shaped like a piece of pie, a quarter of a circle, so to speak. That being the case, the architect thought it best to put in an L-shaped building with one side open to take in the beautiful view of a nearby lake.
Plus, it’s in compliance with the city ordinance in effect at present. To facilitate business operations, he put the office space downstairs and all the family living areas on the upper floors where it’s quiet and more private.
For practical reason, the office and residential spaces each have separate entrances. The office itself is conveniently accessed from the covered parking area. Sliding doors glazed using clear glass make the business space warm and welcoming.
The residential entry area is made less visible by design. It’s an ordinary swing door tucked away in a quiet place. Upon entering, you find a flight of stairs leading to the second floor that’s the first step into the home.
Overall, the home interior is simple and clean with the clearly defined order for space utilization. Where appropriate and legal, the architect put in generous openings in the exterior walls to connect the indoors with outdoor spaces. And the result of all this is a feature wall on the side overlooking the covered carport.
It’s an architectural feature that’s easily noticeable and immediately appealing from a distance. Apart from adding visual interest to the building’s external envelope, it allows plenty of fresh air and natural light, creating a relaxed ambience in the indoor living spaces.
Pursuant to the city ordinances in effect at present, only two sides of the exterior overlooking the traffic circle and the street below are permitted to have openings in the walls. The other two sides adjacent to neighboring buildings do not enjoy the same privilege.
However, what is lacking due to limitations is nicely compensated for by rooftop skylights that illuminate the stairwell and other parts at the rear of the home. It’s a practical solution that helps reduce electricity costs and protect against humidity damage over a long period of time.
Meanwhile, the other two sides have an unobstructed view of the roundabout and the street below. Climb another flight of stairs, and you come to the third floor holding the family’s main living area that’s protected by the feature wall of shimmering ceramic panels in muted shades of orange.
Together they provide a layer of insulation against heat and stress, protecting the gray concrete wall behind it. The ceramic panels that form the first line of defense are hinged on one side and swing open like doors to control light and winds passing through. The panels have grooves in them so as to drain stormwater fast in heavy rain.
All things considered, it’s a revolutionary idea that integrates greenery as an integral part of architectural design. Green spaces offer multiple health benefits. Among other things, they give the building its character, provide shade and improve air quality.
From a distance, they add visual interest to the urban space around the traffic circle. More so than anything else, it’s the lively green and orange façade that creates a gently calming effect for people passing by.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong
/ Photographs: Ernest Theofilu /
Here’s a narrow lot airy Indonesian home beautifully nestled in the south of Jakarta. Named “ACH House”, it’s simple yet strikingly contemporary in appearance. A brick façade in rustic reds adds visual interest and texture to the exterior. To create a calm and peaceful living space, the house plan is divided into two parts with a lush courtyard in between that increases natural ventilation and daylight streaming into the interior.
The south-facing property gets the most natural light during the day, plus heavy rainfall that varies with the seasons. To deal with the problem, the architects rose to the challenge by creating a perforated façade of red bricks laid at a 45-degree angle to keep the heat out and let fresh outdoor air into the home.
In the meantime, tiny vents in the wall let trapped moisture escape into the air and evaporate. This enables the building envelope to withstand wear and damage over a long period of time, while the classic color and texture blends with nearby concrete walls in cool-toned whites.
Walk in the door, and you find the home made up of two buildings separated by a lush center courtyard with a swimming pool. It’s a layout that strikes the right balance between the south-facing front building that holds service areas and a carport, and the building at the rear that provides quiet, more secluded living spaces.
The center courtyard offers many benefits. Among other things, it lets natural light and breezes into the home, thereby reducing heat trapped inside, a phenomenon known as the urban heat island effect.
ACH House is a well thought out two-story home. The first floor has all the service spaces located in the front building; they include a carport, storage, washing and laundry, plus a domestic employee’s lodging. At the same time, the building at the rear contains children’s rooms, study room and bedroom for houseguests.
The second floor holds the main living areas easily accessed via a flight of stairs on the left side of the house plan. The front building has a prayer room and the primary bedroom with a bathroom en suite.
On the other side of the pool, the building at the rear holds a roomy sitting space with a kitchen and dining room. For added convenience, all the upstairs living areas can also be reached via an outdoor ramp on the right side of the house plan.
Taking everything into account, it’s an airy Indonesian home that embraces the beauty of simplicity. The house is built using materials readily available in the locality.
There is one exception. Its gable roof is adapted for use in a new environment. It’s made asymmetrical for good reason. The steep pitch roof facing outward provides excellent water drainage, sending rainwater straight to the front yard and backyard gardens below.
In the meantime, the reasonable pitch roof facing inward allows rainwater to flow away gently onto the center courtyard garden, an easy hack to protect against flooding.
The design team wraps it up nicely. Despite its narrow frontage to the street, ACH House is made for calm and peaceful living. It’s very well composed to form a beautiful whole with all the spaces and functionality needed to fill the heart with happiness.
Plus, there’s a sense of open-air space that comes from having a lively green center courtyard and balance in interior design. Together they work in tandem to provide the peace of mind for whatever the future may hold.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
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