No place personifies the timeless beauty of Bangkok’s old town like dusitD2 Samyan, a destination hotel where stylishly fashionable design seamlessly mixes with urban lifestyles.
As the name suggests, dusitD2 Samyan is a member of the D2 hotel chain. It nestles comfortably on Si Phraya Road, a longtime economic hub renowned for busy movement and modern architecture. Taken as a whole, there’s a feeling of excitement and pleasure that comes with urban conveniences. dusitD2 Samyan no doubt is a beautiful work of contemporary hotel design, one that helps to rejuvenate a city neighborhood without sacrificing the value of Thailand’s arts and culture.
First things first, let us show you around high-rise hotel rooms offering a vibrant panorama of Bangkok. The overall effect is impressive, thanks to a perfect blend of convenience and comfort plus the furnishing and decoration that tells the story of the Si Phraya neighborhood now and then.
The area’s reputation as one of Thailand’s jewelry trade centers is manifested in the interior design inspired by beautifully crafted personal ornaments, such as jewels and precious metals. Among other things, decorative throw pillows and headboards are covered in textile fabrics showcasing precious stone patterns in a variety of shapes and colors.
dusitD2 Samyan has two areas for common use that non-guests can access. The 16th floor contains the Bedidas – Pool Bar, where the tasty, distinctive Mexican cuisine is served. Be spoilt for choice when it comes to drinks and refreshments. And if you swing by in the late afternoon, go to Mimi’s Bar on the 25th floor. It’s a good place to watch the sun set behind cloudy skies or simply take in the panoramic view. While up there, take your time to explore amazing interior design, relax and unwind in the comforting glow of sunlight as the night falls.
It comes as no surprise that dusitD2 Samyan has become a popular destination on Si Phraya Road for both locals and foreign visitors. Living among the hustle and bustle of the city has its advantages. Located in the city center, DusitD2 Samyan is very pleasant and easy to get to, not to mention the hotel’s interior design that evokes admiration. Precisely, it’s these qualities of urban places that earn Bangkok a reputation as one of the world’s most admired cities.
Chatpong Chuenrudeemol, of CHAT Architects, Thailand, is an architect and researcher renowned for what he called “Bangkok Bastards”, a project that investigated unsightly urban areas, such as construction site camps, inner-city slums and retail stalls abandoned and reclaimed by nature. Rethinking them from a new perspective, he was able to restore them to life in an interesting way.
Outstanding products of “Bangkok Bastards” included the Samsen Street Hotel, a downtown lodging inspired by scaffolding wooden planks and metal poles on the outside of a building. Together they gave rise to exciting new design bearing some resemblance to the raised platforms attached to a building during construction.
In a way, the Samsen Street Hotel is a revelation of previously unseen aspects of building design, a conceptualization that culminates in a thorough change in the form, character and experience in a very open and visible way. Taken as a whole, it’s a piece of architecture designed to promote social interactions, a community hub for hosting events and spaces for people to meet in the Samsen Street neighborhood. That’s not all. He also has other projects in the making, basically focusing on reuse and rethink as ways to create places of higher quality than he found it.
A little bit about Chatpong Chuenrudeemol
Chatpong is founder of CHAT Architects and winner of the 2020 Silapathorn Award in Architecture.
After completing his master’s degree at Harvard University’s School of Architecture, Chatpong returned to Thailand where he set up a business called CHAT Architects. He was very interested in architectural styles that reflected the true values, experience and the way of life of ordinary people. His research in urban planning and development was inspired by a feeling of wanting to know more about happenings in the street. They included events in the community, construction site camps and deserted retail stalls, to name but a few. Their untidy outward appearances belied the quality of being honest and truthful to others.
Like everything else, the buildings built by non-architects based on local needs and available materials deserved a second chance. So, it’s up to the architect to rethink them from a different point of view and put them to good use once more. After all, there is value in everything.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
One Bangkok, a world-class landmark project by TCC Assets (Thailand) Co., Ltd. and Frasers Property Holdings (Thailand), will soon be ready to offer a new experience in fully integrated urban living. Aspiring to be “The Heart of Bangkok,” a district created to hold a place in people’s hearts, One Bangkok is poised to elevate the city to a world-class metropolis and a must-visit destination for people from around the world. The One Bangkok Celebration, set for 25 October 2024, will mark a key moment for Bangkok’s future.
Panote Sirivadhanabhakdi, Group Chief Executive Officer of Frasers Property Limited, remarked, “Entrepreneurial leadership plays a pivotal role in driving the economy and inspiring investor confidence in Thailand’s future potential. One Bangkok will play a key role in enhancing the city’s status as a ‘Global Integrated Lifestyle Hub’. After more than a decade of meticulous design and development, we remain resolutely focused on the people, communities, and environmental sustainability. Our partnerships with world-leading companies have ensured the seamless integration of cutting-edge technologies, making One Bangkok a true model of a sustainable and future-proof smart city.”
He continued, “We are truly excited to announce the One Bangkok Celebration on 25 October 2024. This will be an opportunity to bring everyone together to witness something truly special. This spectacular event, presented in collaboration with our partners and business allies, will feature an exclusive performance by Auditoire, the visionary team behind the 2024 Olympic show and numerous other world-class spectacles. This promises to be an extraordinary and unforgettable occasion.”
A Rhythmic Retail Destination Like No Other!
Discover the ultimate shopping and lifestyle experience through the concept of The Rhythmic Experience at three unique retail destinations: Parade and The Storeys (opening 25 October), and POST 1928 (set to launch in the next phase). Spanning over 190,000 sqm, these destinations offer unique concepts and designs seamlessly connected on the ‘Retail Loop’, which encompasses 900 retail stores. Parade and The Storeys will elevate the shopping experience, complemented by the ‘All Day, Everyday Dining Journey’ at the ‘Food Loop,’ which houses over 250 acclaimed restaurants from around the world. Some of these eateries are making their debut in Thailand, including WOLFGANG’S STEAK HOUSE, Pura Brasa, Ant Hole, OYA, AWARE COFFEE, HATTENDO, and Tempura Tendon Hannosuke Tokyo. Additionally, there are unique establishments that have never been seen before in a shopping centre, such as Kopi Hia Tai Kee, Hoteki, TEMPERED, Fillets, VEGGIE FIRST CAFÉ, Krua Apsorn, and KIN ROLL.
In addition, exclusive stores and leading brands offer unique experiences created specifically for One Bangkok (Made in One Bangkok), including King Power City Boutique, under the concept of “An Experiential Shopping Journey in the City,” designed by the world-renowned Hayon Studio. This boutique spans over 5,000 sqm on floors 1-2 in the Parade zone. Experience Mitsukoshi Depachika, a world-class food destination and the first of its kind in Thailand. Explore SARAPAD THAI, a premium and trendy center for Thai products, and Tech House, ONE Content Store, the first new concept duplex bookstore. Enjoy movies at One Ultra Screen, the epitome of ultra-luxury cinemas, featuring the innovative “THE EXCLUSIVE MOVIE CLUB” concept promising unparalleled clarity with LASER 4K technology.
Celebrate special moments at CHANG CANVAS, and discover flagship stores of Jim Thompson, Club 21, and the Swatch concept store. Don’t miss out on Little Gaia, a learning center crafted for children and families. Explore BIG C’s debut concept, ‘BIG C Foodplace Bangkok Marché, and enjoy FOODSTREET, where you can savor Michelin Guide-certified street food, all in one convenient location, along with many other exciting offerings.
The Finest Hospitality, Futuristic Workplaces & Ultimate Living
Experience The Ritz-Carlton Bangkok, the first 6-star luxury hotel on Rama IV Road, opening in November 2024. The first Andaz-branded hotel in Bangkok, Andaz One Bangkok, will open in 2025, and Fraser Suites Bangkok is set to open in 2026. The initial phase of the office buildings at One Bangkok includes Tower 3, Tower 4, and Tower 5. Currently, Tower 4 boasts an occupancy rate of 80%, while Tower 3 stands at 30%. Tower 5 is now open for reservations. Leading companies committed to relocating their offices to One Bangkok include Baker & McKenzie Ltd., KGI Securities (Thailand) Public Company Limited, Estée Lauder Companies, A. Menarini (Thailand) Ltd., LINE MAN Wongnai, and BMW Group Thailand. The Residences at One Bangkok, offering an unparalleled living experience at this prime Wireless Road location, will be available for customer previews from the end of 2024.
Inspiring Urban Canvas
Explore new inspirations at Art Loop, a 2-kilometre art and culture journey encircling the project. Delight in the One Bangkok Public Art Collection, showcasing public artworks by world-renowned and notable local artists, thoughtfully designed and curated to complement the context of One Bangkok. Highlights include unique sculptures by Anish Kapoor and Tony Cragg. Additionally, The Wireless House at One Bangkok will be unveiled, featuring an exhibition that brings the rich history of Thailand’s first telegraph station to life in a contemporary narrative. The building’s architecture will transport you back to 1913, making it a must-visit destination at One Bangkok.
The One Bangkok Celebration
An unforgettable global phenomenon where our hearts will beat as one at the One Bangkok Celebration. Leading Thai organizers will collaborate to present a mesmerizing show, with world-witnessed exclusive performances by Auditoire, a world-leading brand experience agency, and one of the agencies charged with producing the Paris 2024 Olympics opening ceremony. Spectacular light and music performances will involve over 300 artists from Thailand and abroad. The celebrations will continue with concerts from over 25 renowned artists throughout the weeks from 25 October to 31 December 2024.
Enjoy special promotions and offers from top stores, along with a variety of special event programs throughout the year, ensuring your excitement never wanes.
The One Bangkok Celebration marks a significant milestone in Bangkok’s transformation into a world-class metropolis. This achievement reflects a vision of sustainability and smart city development, positioning One Bangkok as “The Heart of the City,” fulfilling every need and enhancing the living experience for everyone. Join us for this thrilling experience starting 25 October 2024.
Ng Sek San is a landscape architect famous for his untiring energy and passion that give areas lacking proper care the power of fresh starts. He’s the go-to guy when it comes to creating clean outdoor environments that produce positive effects on society and urban area. His masterpieces consist of a broad range of not-for-profit public space projects. Together they speak volumes for his role as an architect and productive member of the community, especially his native Kuala Lumpur, Malaysia.
He’s currently playing an important role in the restoration of Kebun-Kebun Bangsar, a midtown garden oasis occupying eight acres of land (about 20 Rai) with scenic views of the Kuala Lumpur skyline. Formerly home to thriving community orchards and farms, much of it was left in less than desirable condition when he found it. And that’s precisely what gave rise to a concerted effort to restore it to a good state of repair, thereby creating a public green space for recreational use that’s accessible to everyone.
Kebun-Kebun Bangsar at present provides space and facilities for essential public services ranging from seminars, to workshops for discussing agriculture and ecosystem health, to venues for social gatherings and cultural activities. The story of Kebu-Kebun Bangsar isn’t one without obstacles. Like everything else, there were many challenges that had to be dealt with at various stages of development. In the end, it’s hard work, learning and the ability to create an understanding with the community that led to success. Outside, life goes on as usual. The park now serves as a desirable model of sustainable urban planning.
A little bit about Ng Sek San
A bachelor of civil engineering product of the University of Canterbury, New Zealand, Ng Sek San went on to complete his master’s degree in landscape architecture at Lincoln University, also in New Zealand. He founded his own architectural practice, named Seksan Design Landscape Architecture and Planning, in Kuala Lumpur in 1994. Needless to say, his works represent an amalgamation of 30 years of experience in landscape architecture and design for both residential and commercial projects large and small. Over the past three decades, he has done the work in both design and non-design capacities, a distinguished career in which being earth friendly is among the top priorities. Precisely, it’s about protecting ecosystem health and doing what is right in the best interests of the community as a whole.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
“Reinterpreting Narrowness” is an excerpt from research on the subject of an architectural style ubiquitous in Vietnam by Officine Gặp. Founded in 2021 by Yuri Frassi and Afra Rebuscini, Officine Gặp is a research studio committed to the study of urban planning and development involving people with specialist knowledge in Ho Chi Minh City. It investigates the experience and opinions of local residents in a bid to arrive at conclusive findings about the appearance of design and lifestyles in a given area.
Among other things, it looks into the narrow front row house, aka the “Tube House”, a style of residential architecture prevailing in cities across Vietnam. The research project titled “Reinterpreting Narrowness” examines the facts about how urban populations live, work and play. In essence, it’s about understanding the dynamism of the people’s way of life, culture and relationships with small and narrow living spaces. That is to say, it decodes socioeconomic conditions and architectural language in a way that’s easy to understand, giving rise to exciting new ideas for urban planning and development in future.
Reinterpreting Narrowness
Reinterpreting Narrowness is a long-term project inspired by the appearance of an architectural style commonplace throughout Vietnam. Also known as the “Tube House”, it’s an urban row home plan designed to take up the full extent of an elongated rectangle. The purpose of the project is to encourage conversation among architects about the architectural style and urban landscapes that together have made Vietnam original and unique in its own special way.
The project had its beginnings in Ho Chi Minh City in 2022. Since then it has provided the stimulus for open discussions, workshops and debates attracting more than 20 groups of architects from across the country. The project is currently gradually transforming into a form of print media specialized in design innovations and ideas worth sharing.
Over the course of time, the conversations about the “Tube House” coalesced to form a meeting place where ideas about particular design were exchanged. Together they gave rise to stories about the evolution of contemporary architecture in Vietnam. In a nutshell, it’s about taking measures to deal with the problem of overcrowding and challenge of limited space. The intention is to encourage sustainable development and, at the same time, protect cultural heritage and lifestyles. Circles of architects have a role to play in improving the quality of life and ongoing interactions among people in the city.
Crafting a Sonic City (CASC)
Crafting a Sonic City is a multidisciplinary project designed to research the characteristics of sound in the city for the purpose of urban development and the conservation of features or qualities unique to an area, ultimately safeguarding its intangible cultural heritage. Unbeknownst to us, we have all grown familiar to hearing the usual sound in the neighborhood every day. This research project uses the sonic quality to record the story of a city in a factual and detailed way. In a few words, it’s about creating exciting new ideas for urban planning, using the sound as a means to promote an understanding in society.
The project culminated in a public display of handmade books about the characteristics of sound in Hanoi and Ho Chi Minh City. It happened as part of the Vietnam Festival of Creativity and Design 2022, featuring a multitude of neighborhood sounds recorded by architects and researchers. It provided a forum for an exchange of views with people in the community as well as the Society for the Blind.
The Gặp Series
The Gặp Series is a program dedicated to sharing ideas and stories obtained from visiting design studios and architectural practices across the country. Findings reached as a result of an inquiry are presented in a friendly atmosphere. It’s the intention of Officine Gặp to provide a meeting place where knowledge can be exchanged plus it provides the opportunity of meeting up with the people behind the success of research projects in Vietnam.
Action Research Turtle Lake
Action Research Turtle Lake is a workshop that took place over a period of two months. It was a forum that involved little children. The intention was to explore new possibilities in urban planning and development, especially ideas that we adults would never have thought possible. It invited children at the age 4 and 5 from Little Em’s Preschool to be part of the team.
In joining the research program, the children were encouraged to observe the happenings on the streets around Turtle Lake in Ho Chi Minh City. It’s an urban neighborhood characterized by busy movement and activity, traffic congestions and places where people congregate to eat and drink together.
The children participated in surveying the area; taking photographs, drawing pictures, and talking with locals about things that happened. Officine Gặp designed activities that were easy for the children to do in line with an approach to neighborhood building known as “Tactical Urbanism”.
A little bit about Officine Gặp
Yuri Frassi
Yuri Frassi is pursuing a doctorate at the School of Architecture and Urban Design, Royal Melbourne Institute of Technology (RMIT) University, Australia. His keen understanding of the fabric of urban society is manifested in his research into the socioeconomic conditions affecting people’s way of life in Ho Chi Minh City. His works investigate ongoing relationships and interactions between different narratives about cities and urbanism. Through conversation, complex ideas in architecture and urban design are reinterpreted in a way that’s easy to understand.
Afra Rebuscini
Afra Rebuscini is an architect and independent exhibition curator based in Ho Chi Minh City, Vietnam. Her past experience and research centered around the law of urban planning and the dynamism or complex interplay of relationships between the community and the city. With an aptitude for art making, event organizing, and area knowledge, she has been able to conduct social experiments, ultimately leading to an understanding and civic participation in urban planning and development.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
Who would have thought a modest house could transform into a warm and welcoming home amid the hustle and bustle of downtown Ho Chi Minh City? Well, it’s possible. This five-story narrow lot house has plenty of room for a couple with two children to live comfortably. It even has a sitting room that echoes the timeless tradition of tea and coffee drinking, a relaxed atmosphere that keeps conversations going. Well-thought-out design gives it a streamlined and simple look, while the interconnected interior speaks volumes for a strong family bond. The house is the brainchild of Story Architecture, a homegrown architectural practice in Vietnam.
Built on a plot of land that’s unusually long in relation to its width (3.5 x 17 meters to be exact), the tall and skinny house offers 59.5 square meters of usable space. For privacy, there are three bedrooms plus communal spaces that form the heart of family life. They include a modern kitchen with dining room nearby, as well as a living room, an ancestral altar, and a swimming pool on the rooftop deck.
For added convenience, there is an elevator that provides access to all the rooms on five levels. Taking everything into account, the design team did an amazing job at integrating all the useful features in one small space.
The design concept centers around creating a more connected living space, one that’s well-lit and well-ventilated considering the warm and humid climate prevailing in the region. And that applies to all five levels, as well as the stairwell and the vertical shaft for the passage of an elevator located at the far end of the building.
By the looks of things, there are two features that stand out from the rest. First, the front of the house contains living spaces for the family plus a dining room and a kitchen located on the mezzanine. Then, the swimming pool on the rooftop deck conveys a great deal about genius ideas aimed at overcoming the problem of limited space in the city.
That’s not all. To make a home feel more comfortable, choosing the right building material for the job is equally important. In this particular case, the rear walls built of breeze blocks provide ventilation, decoration and privacy. Plus, they protect the interior from rain and bad weather. Where appropriate, glass windows are put in place to maximize light streaming into the rear of the house. Other features that contribute significantly to the overall appearance are the balconies staggered throughout the front façade in rich warm tones of brown, an amazing design that makes the house unique in its own special way.
All things considered, it’s a task that makes great demands on the team of architects who designed it. Not only is it about overcoming the problem of limited space, but it’s also about building a place that’s comfortable to live in, a well-detailed design with plenty of room to grow a family and promote positive communication. And this warm and inviting, five-story home is created to do exactly that.
No other place looks the epitome of a charming community like this neighborhood in southeast Da Nang. The area is no stranger to shopping streets lined with narrow front row houses commonplace throughout Vietnam. And that’s exactly the challenge that tests the ability of a design team at Tran Trung Architects. They are tasked with creating a small coffee shop combined with the owner’s residence on the second and third floors. The result is a clean, well-lighted shophouse named “Lei Ơi Càphê”, ơi being a word expressing love and affection in Vietnamese.
On the outside looking in, it’s the image of a beautiful place thanks to the quaint, storybook façade and a front yard under tree cover. The healthy green foliage is quite a contrast to the building exteriors with burnt orange undertones. The storefront itself is covered in corrugated metal roofing turning a rusty brown. It’s a creative way to add vintage aesthetic to the modern terraced home. More than anything else, it doubles as an outdoor privacy screen providing peace and seclusion from busy movement and activity outside. Walk in the door, and enjoy life in the slow lane, not to mention the tantalizing aroma of fresh brewed coffee.
Meanwhile, open-concept spaces on the inside feel cohesive with everything blending together beautifully. There’s small courtyard, for lack of a better word, at the center of the house plan that’s illuminated by skylights built into the rooftop. On the whole, it’s the coming together of features produced by nature and a style of architecture that’s unique in its own special way. They work alongside each other to improve indoor air quality and excite interest as sunlight and shadow on the wall changes over time.
There’s more. Central to its character is the concept known as “Reviving the Life Cycle”. Fundamentally, it’s about the 3 R’s, reduce, reuse and recycle as a way to manage waste by putting discarded material to good use and creating works of higher quality and value than the original. This is evidenced by the use of old corrugated metal roofing on the building façade, as well as crushed brick landscaping in the front yard and the path for walking along.
To create indoor thermal comfort, the east and south-facing walls are built of perforated bricks that offer a range of benefits, among them enhanced ventilation, moisture control and stunning geometric patterns in design. Small holes in the bricks let fresh air enter and circulate inside, thereby keeping the interior cool and comfortable even when it’s really hot outside. Where appropriate, the architects installed water mist systems at the top of the wall, a clever way to cool the room while cutting energy bills.
In a few words, it’s the expert use of light and shadow that makes this small café stand out from the crowd. Touched by the sun, brick wall textures create beautiful effects, adding visual interest, depth and character to interior design. At the same time open-concept planning makes the room feel larger, resulting in a seamless connection between indoors and outdoors. The fact of the matter is well-thought-out design has a role to play in enhancing customer experience.
/ Story: Natthawat Klaysuban / English version: Bob Pitakwong /
/ Photographs: Courtesy of Formzero /
The publishers of room and Living ASEAN have the pleasure of introducing Lee Cherng Yih and Caleb Ong of Formzero, Petaling Jaya, Malaysia, an architectural practice specialized in contemporary Tropical design. The two architects are renowned for their untiring advocate of sustainable residential design and creative ways to decorate with plants. Their eager embrace of green concepts has enabled the works of Formzero to stand out from the crowd. Worthy of attention are homes carefully thought out to blend beautifully with the surroundings and Tropical climates prevailing in peninsular Malaysia. In a few words, it’s about creating urban living spaces where people and greenery thrive in close physical association.
In addition to a distinguished career in design, the pair also teaches architecture at a university in Malaysia. Their working life in academia has given them the opportunity of combining formal knowledge with hands-on experience in the fields. One of their signature works is the “Planer Box House”, a narrow front home in Kuala Lumpur adorned with edible gardens growing luxuriantly from the ground up all the way to the rooftop deck. At the risk of stating the obvious, it’s designed to answer the need of a homeowner who has a preference for growing plants.
Together they give the home instant curb appeal that’s quite a departure from what people expect to see in a residential neighborhood. From architectural perspectives, it’s about finding a balance between sustainable living and overcrowding in the big city. According to the architects at Formzero, it’s a building design, style and classification that “go beyond the typology”.
Lee Cherng Yih and Caleb Ong were among expert guest speakers at the design talk titled (Re)Thinking inside the Box: Vol. 1 Living in Small Urban Spaces. Discussion topics include, among others, the challenges that test the abilities of architects, ways to deal with site constraints and ideas for improving in the quality of urban life. Fundamentally, it’s about raising public awareness of the issue and the importance of well-thought-out design in solving the problem of limited space in the city, especially in Southeast Asia.
Q: Basically, how would you describe Formzero?
Lee Cherng Yih: Formzero is a design studio under the leadership of myself, Lee Cherng Yih, and Caleb Ong. Besides the two of us, we also have a five-strong design team. Established in 2012, our office has been up and running for 12 years now. As an architectural practice, from day one we’ve focused our attention on creating designs that could effectively respond to the challenges of Tropical climates. We looked into how green spaces could be integrated in building design. In central respects, that’s pretty much the heart of our studio.
Q: From your perspective, how would you define Tropical architecture?
Lee Cherng Yih: In my opinion, Tropical architecture can be seen from two different points of view. First, it’s an architectural style that embraces climatic conditions prevailing in the locality. I’m not saying that everyone can live in a place without air conditioning. Rather, I’m talking about finding a balance between sustainability and energy consumption in homes. That said, we need a design that works, one capable of dealing with weather that changes seasonally.
Secondly, we cannot trust everything in the physical world, and the built environment on top of that. As humans, we are part of nature. We should make appropriate adaptations to fit in well with a new environment, rather than trying to change the environment to suit our needs. I think that these two points of view are of the utmost importance as we try to understand and reap the benefits of living in Tropical climates.
Q: What’s your opinion on urban environments in Southeast Asia? How does the ecosystem of an urban area influence your work as designers?
Caleb Ong: Nowadays, urban areas across the region have become more densely populated, giving rise to the problem of lack of privacy. That said, we have to create spaces where people can live without being constantly observed or disturbed by others. Everybody wants to feel safe and protected from disruptions that come with living in a crowded place.
Lee Cherng Yih: In my opinion, it’s obvious that population growth only exacerbated the problem of overcrowding in urban areas. At the same time, there’s a need to protect the ecological sustainability of the planet. And that’s where well-thought-out design comes into play as we adapt to changes in our lives. It’s a challenge that tests the abilities of architects like us. We have to find a balance between urban living and saving the environment.
Q: Can you give a few examples that are the signature of your design studio, either completed or under construction?
Lee Chern Yih: The first project, called Windows House, is a home in Kuala Lumpur. It has double layer façades for two reasons. First, they are designed to keep direct sunlight out of the rooms during the hottest hours. Then, because the homeowners had expressed privacy concerns, we solved the problem for them by putting in architectural elements extending outward from the building facades. As a result, the inner walls perform a dual function providing sun protection while creating semi-outdoor room that’s snug and cozy. Meanwhile, the facades built of perforated materials make the home feel light and airy.
The second project, known as Vertical Park, is a high-rise building, which we entered into a competition. It’s located in a city where open public spaces are few and far between. So we experimented with the idea of incorporating greenery as the integral part of the building’s communal areas, business spaces, even children’s playgrounds. Together they form the building façade overlooking the street below. It’s an idea that begs the question. What is the façade, anyway? Is it a public space? Or is it a business venue? It’s both. We incorporated fun ideas in the design to invite people to visit for pleasure.
The third project, called Planter Box House, is a home adorned with edible landscapes thriving on the front façade and rooftop deck. The principal face of the building holds planter boxes of concrete made for growing vegetables and fruit trees. It’s designed to blend in with other homes in the area, giving rise to conversations and promoting neighborly relationships. Needless to say, it caters to the homeowner who loves growing plants. Like a farm, it even has a place to store water for growing crops.
Q: To wrap it up, how would you define “sustainability” from your perspective? And how does sustainable design benefit your line of work?
Caleb Ong: I think that, viewed in its essential qualities, sustainable design is about finding ways to reduce energy use and creating a living space that’s easy to care for. In the big picture, sustainable design requires less energy to build and is flexible in terms of building performance. These are qualities that enable the building industry to thrive while causing the least impact on the environment.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
Showcasing geometry in architecture, an earthenware factory stands enclosed by stunning brick walls in a brownish orange hue. Aptly named the “Terra Cotta Workshop”, it’s unlike anything else out there. The building exuding friendship and goodwill is located in Quang Nam, a city on Vietnam’s Central Coast known for a richness of heritage and vibrant culture. It’s the brainchild of Tropical Space, a design studio acclaimed for its environmental responsibility manifested in the use of common materials, notably bricks made the old-fashioned way. Together they give rise to an architectural style that’s aesthetically pleasing, plus it’s a perfect fit for the humid Tropical climate prevailing in the region.
The building offers 682 square meters of industrial space. It’s a unit of construction added to an existing plant belonging to a ceramic artist. In term of spatial planning and relationship between different elements, the Terra Cotta Workshop is divided into three parts, namely, the observation zone and the earthenware workshop, both of which are disposed on the periphery within the building.
They are connected to the old factory building via an outdoor passage along the side. From here local artisans can be seen going about their specific trades in an area near the river. The third part contains a kiln for firing pottery and baking earthenware, also called terra cotta. The furnace itself is about two decades old. It’s the heart of the studio workshop in which goods are manufactured.
The building’s outstanding features include, among other things, countless rows of openings in the brick walls. Placed at eye level, they afford clear views of every step in the clayware manufacturing process. A good customer experience begins with the corridor paved with the crushed remains of earthenware. It’s a distinctive aspect that provides a glimpse into the world of pottery making industries. Further along the path is the place where the clay is worked into dough with the hands as it transforms into ornamentally shaped outlines ready to be fired into finished products.
The walls made of quadrangular and circular shapes are designed to enclose and divide an area of land into well-connected workspaces. Apart from providing an uninterrupted view of the manufacturing process, the openings in brick walls allow plenty of natural light into the interior, further enhancing the timeless beauty of brick architecture.
Plus, they promote good ventilation keeping the studio workshop cool. Above and beyond all other consideration, the furnace at the center of the floor plan makes it possible for visitors to observe every step of the process. At the same time, the factory layout is neatly planned to create indoor-outdoor connections while taking every precaution to reduce environmental impacts. This is evidenced by the building’s exteriors made of fired clay that blend beautifully with the surroundings, a distinctive feature that is Tropical Space’s signature.
In the big picture, the Terra Cotta Workshop is the story of wisdom traditional to the people of Vietnam, an account of history and culture retold by designers who embrace materials sourced directly from nature. The result is a factory that has a spacious layout with well-proportioned workspaces, plus they make friends with nature and open to welcome visitors with open arms. And that’s precisely the message the design team at Tropical Space is trying to communicate.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang /
The commercial row house, aka the shophouse that’s also used as the owner’s residence, is an architectural style akin to the way of life in Southeast Asia. It’s a small component of the larger, more complex urban landscape, a home-cum-business space more important than anyone could have ever imagined. Living ASEAN had the opportunity of interviewing Dr. Hyunju Jang, of the Faculty of Architecture at Chulalongkorn University and cofounder of the design studio DRFJ (Design & Research by Fusinpaiboon & Jang). Asst. Prof. Chomchon Fusinpaiboon, Ph.D, also of Chulalonkorn University, is the joint founder. We discussed the shophouse from historical perspectives, in the meantime examining its subsequent evolution, building performance and factors that contribute to improved quality of life in the city.
The design duo is best known for their project codenamed “Shophouse2Go! Prototypes”, a collection of row house improvement ideas that members of the general public can follow as a model. Dr. Hyunju shared her thoughts and suggestions about a possible of course of action in dealing with the problem of limited space and site constraints. Ultimately, it’s about creating quality living spaces and improvements in the well-being of city dwellers. Here’s what she said.
We recently had the opportunity of interviewing Dr. Hyunju in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into her work experience.
Q: What inspired you to set up the design studio? What’s the goal of DRFJ?
A: Prof. Chomchon and I shared the knowledge that we have gained through work experience in architecture. But our technical expertise differed from each other. Prof. Chomchon was skilled in researching into the historical aspects and evolution of contemporary architecture, while I started out working with a green building consulting firm specialized in big development projects requiring large investments. We got to talking about the importance of architecture in people’s lives, which culminated in research into architectural styles closely related to the pattern of behavior of many city dwellers. We started exchanging information and, to make a long story short, we ended up creating the design studio DRFJ with one specific goal in mind: use our skills and knowledge in conjunction with other sciences to improve the quality of living spaces in ways that the general public can follow as a model. At the same time, we respect the historical values and culture prevailing in a particular area or neighborhood.
Q: How does the project or research conducted by DRFJ contribute to improving living conditions in the city?
A: Our office, from the start, has made the shophouse a focus of our attention. Prof. Chomchon published the findings of his research into the improvement of commercial row houses built during the 1960’s and 1970’s. For your reference, the work is officially called “Strategies for the renovation of old shophouses built during the 1960’s and 1970’s in Bangkok, Thailand, for mass adoption and application.” Since then it has been further developed as a model for home improvements that the general public can follow. Apart from that, we’re also working to provide alternative living space designs, making them right and appropriate for different types of the shophouse.
As part of our research, we put a variety of designs to the test, thereby evaluating the convenience and physical comfort that each one of them could provide for the occupants of a building. The thing is that many green building design requirements that I have dealt with are formulated for large buildings by international organizations lacking deep understanding of Thailand’s climates and cultural context. So we’re searching out the best ways to customize international requirements to better fit the small-scale and everyday kind of architecture in the context of Thailand. Our prototype was the result of this testing. It’s a catalogue of works of design intended for customers to pick based on an individual’s preferences. In a nutshell, it’s about making high quality design available at the price that’s right.
Q: In terms of different climates between Thailand and Korea, is there anything of particular interest to you?
A: What I felt the most difficult when I started working in Thailand was that there were no room heaters. Most offices and commercial buildings focused on ways to keep cool in hot weather and reduce the cost of air conditioning at the same time. In Korea, it’s the opposite. Because it was cold there, all the design decisions were made to keep warm and, at the same time, reduce the cost of operating room heaters. For me personally, a design strategy is considered effective if it’s capable of reducing heat gain in the interior, thereby keeping the room cool and comfortable.
Speaking of which, the crux of the matter lies in creating energy efficient design, one that keeps a balance between power consumption and the amounts of daylight streaming into the room. Daylight conditions are of the utmost importance. As for me, I would seek the advice of a consulting engineer in a bid to turn a challenge into a solution.
Q: For the most part, what are the things that most DRFJ clients want?
A: The Shophouse2Go! Prototypes project had its beginnings in a row house in which we live no So we wore multiple hats as clients, developers, and architects handling varied roles and responsibilites. But it’s a case study because what we want to develop is a platform catalogue that provides various options for customers. Meanwhile, some of our clients who already own a shophouse or a townhouse can expect to have a better environment because there are so many good choices. We think the quality of being different and diverse is very important. In other words, the clients are not interested in just expanding living spaces in their row houses. They are also interested in the things that improve the quality of life, such as green spaces and communal room shared by all family members. As things stand, we know what the clients want for their homes. And that’s what gives us the inspiration going forward.
Q: In your opinion, what are the often-overlooked aspects of urban living that you consider important?
A: I believe that a balance between the various aspects of urban living is something that most people either don’t realize or fail to take notice of. There is no denying that life in the city as a whole is far more complex than that spent in any single building. What we need to do is strike the right balance the two worlds notwithstanding the problem of limited space or site constraints. It’s about finding ways to achieve the best result. Stay focused on raising the quality of life in the city. There is more to a home than just a place of residence.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
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