/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Jar Concengco | Design Will Save the World /
Characterized by charm, good looks stripped down to the bare essentials, a two-story mountain retreat embraces the beauty of imperfection of brutalist architecture. From a distance, the rough appearance of raw concrete enhances the building’s exterior and façade rising above terraced contours that follow the natural descent towards the lush green landscape below.
Thanks to trees creating a camouflage privacy screen, a brutalist style mountain retreat merges harmoniously into the dark green of a wooded hillside outside Batangas City, the Philippines.
Located in Batangas, a city two hours by car to the south of Manila, the quiet vacation getaway named “Casa Borbon” is the brainchild of Cali Architects, an architectural practice based in Baguio City. It offers 77 square meters of living space nestled among trees and wooded hills. It was a difficult job, but the design team led by Amon Cali was able to create a home that merged into the countryside, a place advocating thoughtful use of the landscape and keeping the environment exactly like they found it.
A drawing of the master plan shows the positioning of a brutalist style home built into the hillside, hemmed in by trees that have been jealously preserved. / Courtesy of Cali ArchitectsA longitudinal view of the house plan in cross section shows the positioning of living, functional and utility spaces in relation to elements of nature in the surroundings. / Courtesy of Cali Architects
Made for cozy simple living, the brutalist style home boasts generous wall openings that admit plenty of natural daylight and cool breezes into the interior. As the architect intended, it exudes an air of raw, vibrant personality evidenced by what appears to be bare concrete surfaces and stark geometric shapes. By emphasizing honesty and natural materials, it blurs the boundaries between indoors and outdoors; meanwhile, treating functionality as more important than architectural embellishments.
Stark geometric shapes paired with the exterior devoid of embellishments create a unique look that gives the home warmth and a touch of nature.
But there is more to it than meets the eye. Where appropriate, polystyrene wall cladding is installed. It’s a lightweight material that’s resistant to water and moisture, plus it’s able to withstand a wide range of extremes of the seasons. Because it’s easy to install, the builders were able to complete the project in just eight months.
Taking everything into account, the house plan embraces minimalist interior design. On the ground floor, the dining room at the center gives an impression of the positive energy of family life. Nearby, tall glass walls separate the living room from a small dipping pool with poolside deck furniture. The second floor holds a more private area consisting of a sitting room and two bedrooms with balconies overlooking breathtaking landscapes.
A plunge pool and deck area with furniture lie between growing plants and the living room enclosed by glass walls.A simple poolside chair blends seamlessly with the minimalist outdoor environment.Generous openings on the second floor balcony allow air to flow in and out freely, creating the perfect chill-out zone with a view of the surrounding landscape.
From architectural viewpoints, Casa Borbon is unique in that the second floor can be accessed via stairs located both inside and outside of the house. Indoors, a spiral staircase built of steel connects downstairs to upstairs. Outdoors, another set of stairs leads to the second floor and continues to the rooftop deck hemmed in by planter boxes for gardening.
For privacy reasons, an outdoor set of stairs provides direct access to the second floor without passing through the interior of the first floor.An indoor spiral staircase crafted of steel gives access to the second floor. Designed to safe floor space, it blends beautifully with warm minimalist interior design.The rooftop deck is open to the sun, hemmed in by planter boxes for gardening.
In a few words, it’s well-thought-out home that conveys a great deal about brutalist architecture, one showcasing the rawness of materials fit to perform in the Tropical climate prevailing in Southeast Asia.
The lush appearance of plants growing vigorously makes the house entryway warm and welcoming in contrast to the rigidness of bare concrete walls.
/ Story: Wuthikorn Sut, Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
A home and café combination merges into the countryside vernacular of Chanthaburi, a province in Thailand’s eastern corridor bestowed with pristine forests, mountains and sea breezes. Designed for the Tropical climate prevailing in the area, it boasts the simplicity of extended eaves overhanging the walls. Together they provide protection from the elements keeping the interior cozy and cool in summer, while the gable front glazed using clear glass affords the view of a beautiful garden landscape.
Named “Ruen Lek”, the small contemporary home consists of two parts; a semi-outdoor café located downstairs and a living space upstairs with wrap-around balconies made for coffee or just chilling out.
The brainchild of GLA Design Studio, a Bangkok-based architectural practice, the home and café combination offers 110 square meters of usable space. It stands parallel to a nearby homestay destination called “Baan Lek Villa”, separated only by a center courtyard lying in between.
The upstairs living space with a garden view is enclosed by a wrap-around balcony made for coffee and floor seating ideas.
By design, the yard filled with greenery and fresh air provides a respite from the hustle and bustle of daily life, while lush lawns hemmed in by healthy trees and shrubs create a cooling effect during warm weather.
A diagram of the first floor plan shows the positioning of the coffee shop, customer service areas and support facilities in relation to outdoor environments. / Courtesy of GLA Design StudioA drawing of the second floor plan shows the living space with a home office enclosed by a wrap-around balcony made for relaxation. / Courtesy of GLA Design StudioA front elevation view shows the small home and café combination on the right side of the property, separated from the main homestay villa on the left by a center courtyard filled with greenery. / Courtesy of GLA Design Studio
Thoughtfully devised to run cool in summer, the first floor is kept closer to the ground, slightly raised at plinth level. For good ventilation, the storefront and a side wall are fitted with bi-fold door systems that fully open from one end to the other, while the other side wall lined with a souvenir display shelf is glazed using clear glass paneling for visibility.
Awning windows at the top of the glass wall open to admit fresh outdoor air. Underneath them, glass paneling lined with a souvenir display shelf lets natural daylight shine through.
The coffee bar itself is set further towards the back with plenty of room behind it for cooking light meals. From here, the nearby “Baan Lek Villa” homestay can be seen across the center courtyard. Up front, a few sets of tables and shares are ready for customers who prefer relaxing and dining in the open air.
A place to hang out with friends, the coffee bar is set further towards the back, creating a sense of depth. There’s plenty of room behind the countertop for making drinks and cooking light meals.
Taken as a whole, the small café makes a good first impression as a peaceful place to enjoy a nice cup of bean juice, lean back and chill. Besides good local food, the atmosphere is warm and welcoming, thanks in part to the crisp cool canopy of overhanging trees, native shrubs and vines thriving luxuriantly. Together they bring back memories of Chanthaburi in times past like the architects at GLA Design Studio intended.
The second floor contains a humble abode and office space with a large drafting table. Simple, well-lit and well-ventilated, the room is enclosed by a wrap-around balcony designed for sitting on the floor with legs hanging. The side entrance at the top of the stairs affords views of green spaces and, beyond, the Baan Lek Villa homestay. For privacy, the second floor of Ruen Lek is set slightly lower than that of the main villa.
The upstairs living space with a garden view is enclosed by a wrap-around balcony made for coffee and floor seating ideas.
For privacy, the second floor of the home and café building is set slightly lower than that of the nearby main villa.
Except for the glass façades on two sides, the walls are built of handmade bricks and the floors covered in fireclay handmade tiles sourced locally. For charm, good looks that blend into the community and local traditions, door and window casings and decorative materials are made entirely of real wood.
Morning light creates a warm ambience, enhancing the brown of wooden balcony floors and the orange of fireclay tiles on the home office floor.
From a design point of view, it’s a home that speaks volumes for a desire to be close to nature and a love of the allure of Chanthaburi’s unspoiled countryside. And the team at GLA Design Studio has succeeded in doing exactly that. The result is a cozy dwelling that’s a little bit modern, a little bit country mixed in one place that’s simple yet attractive, inviting and warm.
A center courtyard filled with shade trees and lush foliage separates the home and café combination from the nearby Baan Lek Villa homestay.A way to connect with nature, the center courtyard is kept cool by shade trees and lush vegetation. Nearby, a driveway surfaced with gravel gives access to the main villa raised on piles.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.A nook with a small desk provides a flex workspace that’s airy, open and welcoming.
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.
Looking for cool treehouse ideas? Here’s one beautifully crafted of wood – a revolutionary design that epitomizes the ultimate return to nature.
After four months in the making, the building design company Stilt Studiosrecently unveiled the latest prototype of its treehouse series that was truly awesome. Known as “Treehouse C”, the home rises among the treetops in the salubrious weather of Penestanan, a cozy Indonesian village just a stone’s throw from Ubud town in central Bali.
Noted for its beauty and the richness of culture, Penestanan has been dubbed an artist village since the 1930’s. A 15-minute walk from the town center, the village is home to many go-to restaurants and bars sprouting up everywhere amid the green expanse of rice fields. Treehouse C itself sits high up in the leafy branches in a small community called Bukit Sari.
Strictly speaking, the home is raised high off the ground by a robust core element consisting of four vertical columns. Together they carry the weight of the entire dwelling. For strength and durability, the upright pillars are braced by a staircase and post-to-beam knee brackets for additional support.
On the rooftop, a steel cable stay system extends radially from the top of each mast anchorage to connect with the roof framework and the floor plane below, resulting in a reduction of member cross-sections and structural frames for the whole building.
From a distance, it gives the impression that the house is hovering among the lush green treetops, a sight that can leave a memorable experience. Plus, its surprisingly lightweight appearance is further enhanced by slender façades decorated with wood frames and glass paneling designed to carry nothing else but its own weight.
The latest edition of Treehouse C differs from previous C models built at Buduk village, published in October 2020, in that the original layout has been updated, changing from an open floor plan to one divided into several rooms. They include a kitchen with dining room and nearby sitting area, plus a spacious bedroom with cozy nook ideas interconnected via the bathroom corridor. The 64-square-meter design is for 2 to 4 people to fit in easily.
More so than anything else, it offers a panorama of the surrounding landscape and amazing sunrise views from Mount Agung, a famous volcano and the highest point in Bali.
As may be expected, the front yard is filled with edible gardens designed and executed by True Nature Nusantara, a Bali-based landscape consultancy specializing in natural regenerative processes.
Commenting on the role of permaculture in creating sustainable ecosystems, Bodhi Denton, the company’s director, said: “The goal of developing these gardens is to create a delightful labyrinth of low-maintenance and colorful perennials and trees like they exist in the wild, plus a laid-back, inconspicuous area to sit and enjoy the view of nearby rice fields.”
It’s for this reason that the gardens are full of flowers and ornamental plants indigenous to the Tropics plus fruits and herbs. It even has a small pond used for watering plants. Besides its famous Tetra Pod homes, the building design company also offers technical drawings of Treehouse models A, B, and C for purchase.
In three simple steps, you can get access to the drawings and license to build your dream house among the trees. Visit the company’s website for more details.
This wooden house among the trees is literally a breath of fresh air. It’s situated in Damnoen Saduak, a district of Ratchaburi made famous by abundant fruit farms and a vibrant river market. Here, the secrets to peaceful, comfortable living lies in a healthy ecosystem that provides a respite from the hustle and bustle of the city. Reclaimed timber adapted for new use gives it a rustic feel. The house is built mostly of old wood recycled from much older homes. It stands canopied by overhanging trees alongside water channels for crop irrigation. Together they act as engine that drives natural ventilation keeping the home nice and cool all year round. With a house like this, who needs air conditioning?
A pleasing vista of the quaint wooden house on stilts seen through the lush foliage of thriving coconut trees on the property.
Since its heyday in the mid-1900s, the Damnoen Saduak Canal has served as a major route for water transport in this part of Ratchaburi. Traditionally, wooden homes were built mostly at the water’s edge, while properties lying further inland were used for agriculture.
This 7-Rai piece of land (a little shy of 3 acres) has been home to thriving fruit orchards for several decades. The wooden house now in the hands of the family’s fourth generation was recently restored to all its former glory. In the process, small portions of the water channels were filled in to make room for a new contemporary home.
Originally, the family had planned to turn it into a small one-bedroom home. But after a consult with the architectural firm Studio Miti, they were convinced that house-on-stilts design, something slightly bigger, was the only way forward.
The decision in favor of a stilt home was a prudent thing to do since the area has experienced flooding in the past. By using tall timber posts and beams, they were able to create a 112-square-meter home plan with double height ceilings.
The hardwood floor is elevated on concrete poles for stability and good ventilation in the lower space under the house. At the same time, weathered wood adds the rough texture and rustic feel to the overall superstructure.
This is especially true for the external envelope built of a captivating mix of reclaimed timber. The list includes Praduak (scientific name: Pterocarpus soyauxii) which is preferred for its bright reddish orange color, Mai Daeng or Ironwood (Xylia xylocarpa), and Mai Yang (Dipterocarpus alatus), which is light brown in color.
Nothing goes to waste. Where appropriate, shorter wall planks are used to add warmth and charm to interior living spaces.
Taken as a whole, it’s an open-concept house plan that’s just right for a small family’s lifestyle needs. The home is parred down and simple with no unnecessary features.
There is no guest reception area in the true sense of Western residential design. Instead, what is lacking is compensated for by a roomy communal space with a good-sized wooden table in the middle of the room. It fulfills multiple functions as a living room, dining room and space for relaxation and interactions within the family.
For practical reasons, the kitchen formerly at the rear of the house has been moved to the open lower floor that’s made suitable for traditional Thai cooking. It’s an easy hack to get rid of food smells fast.
Only a pantry with necessary food, dishes and utensils are kept upstairs, where the focus is more on making light meals, coffee and other beverages. It’s separated from the living area by roll-away partitions that can open to circulate air when needed.
The wooden house has two bedrooms made especially relaxing by a monochromatic color scheme. A nexus between old-world charm and a calm, clutter-free life, each room has a mattress on a wooden platform canopied by a fine net to keep mosquitoes away. They are so well-ventilated that there’s no need for air conditioning.
Wood offers many benefits as a building material. It doesn’t reflect or store heat very well, which results in hardwood floors not getting much hot in summer. This makes it comfortable to spend daylight hours in the shady space on the ground floor.
When evening comes, a gentle wind helps cool the home down even further. Otherwise, simple fans will do the trick. Outside, a canopy of overhanging trees and water channels make the home environment calm and peaceful. Come rain or come shine, roof eaves with extended overhangs protect the interior from the elements.
Bottom line. It’s a design that make economic sense. As timber prices continue on the rise, the cost of building a home also increases at an alarming rate. Here, though, the architect is able to overcome the limited budget and deliver on his promise.
The result is a contemporary design that relates to its intended function and purpose — an intimate little wooden house amid the enchantment of lush coconut groves.
/ Story: Patsiri Chotpongsun / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
Because memories are made here, Puchong Satirapipatkul of the design firm OTATO Architect built this beautiful waterside home for his grandfather Kumnung Yindeesuk. The new single-story house nestles in a coconut grove overlooking Nong Salid Canal that connects to Damnoen Saduak, a bustling little town famous for its Floating Market.
Puchong knew from the get-go that the orchard land was in a clutter of untidiness while his grandpa’s old house was more than 30 years old and impossible to repair. The only way forward was a complete teardown to make room for a new home. The old house provided vintage recycled building materials, which gave Puchong the means to avoid a large cost overrun.
Ensconced in a grove of coconut trees, jackfruits, and tamarinds, the new house plan is well suited to a small 100-tarang-wah (400 sq. m.) plot of land. The orchard offers a peaceful, warm and comfortable environment while minimizing costs. To keep within a tight 700,000-baht budget, the architect used locally sourced building materials and oversaw construction work himself.
To enhance the view, Puchong chose a U-shaped single-story house plan that’s made up of four blocks. Where appropriate, well-positioned tall windows create a stylish look and spacious feel. The overall effect is impressive; the house is pared down to a very simple form for cool minimalist living.
He also picked a low pitch gable roof that blended perfectly with traditional houses in the neighborhood. Walk in the door, and you find open-concept floor plans that maximize the use of space and provide excellent flow from room to room. The front entry and south-facing walls that receive the afternoon sun are built of solid materials to soak up the day’s heat.
For a more comfortable living environment, north-facing walls are open to take in fresh outdoor air and beautiful views of the nearby waterway.
To create a buffer against direct sunlight, the south-facing block contains service areas, such as pantry, workroom and storage closets. For indoor thermal comfort, the north-facing block is cool and dry, thanks to an array of vertical fins that protect the building’s façade and create diffused light in the interior.
Not far away, a viewing platform raised on girders extends from the house all the way to the water’s edge, a nice place for walking exercise.
Puchong explained: “The overall house plan is carefully thought out based on how frequently a space is used. Hence, the more private residential areas are put on the right side with less traffic, while semi-outdoor rooms for family socialization and houseguests are on the left.
“By design, it’s a medium-sized house plan with large house functionality. The new home for grandpa has all the conveniences for comfortable living, including a nice living room, dining room, bathroom, and bedroom all neatly integrated in one coherent whole.
“All the rooms have undisturbed waterfront views. High ceilings paired with tall windows make the simple house among the trees feel bigger, light and airy.
“To shorten construction time, only standard building materials were used, including the average ceiling panels, roof tiles, and sheets of glass in prefab sizes from 1.20 to 2.40 meters. This made it easy for local builders to build, easy to maintain. Plus, it saved a lot of money, and reduced waste.”
Puchong said: “Using vertical louvre fins is a technique that gives the house its character. They are architectural features that blend beautifully into the overall design.
“This is evident in the way every roof rafter is positioned to align with the top end of the vertical fin. Although in different sizes, the vertical fins are placed at regular intervals, resulting in a clean and simple exterior.”
All things considered, this waterside home is well planned every step of the way. All elements are arranged in such a way that best accomplishes a particular purpose.
More than anything else, it’s about living in peaceful harmony with the land, the water, the trees, even the fireflies. For Puchong, building this retirement home as a gift is absolutely the right way to say: “Grandpa, I love you.”
/ Story: Nawapat Dusdul / English version: Bob Pitakwong /
/ Photographs: Mario Wibowo /
For an Indonesian family, life in an urban kampong is a beautiful journey. Aquino Krishadi and Elis Rosmiati lived for some time in a medium-density urban village. The positive feeling that they cherished was brought with them as they moved into their new home in Cimahi, roughly ten minutes’ drive from Bandung Metropolis in West Java.
The chic new home is designed by Ismail Solehudin, of Ismail Solehudin Architecture. Reflecting the Indonesian kampong experience, the siding materials that enclose and divide interior living spaces are made of rigid PVC sheets mixed with brick masonry. It’s a creative way to build, plus it provides excellent toughness and good moisture resistance.
The term kampongs, also spelled kampoongs, or kampungs, refers to traditional villages with stilt houses in the Indonesian archipelago.
Made for living green in a small space, the new dwelling is aptly named “Kampoong-In-House” for its character and real certain appeal of village life that provides the architect and the family with invaluable inspiration. In essence it’s an intriguing combination of features with rooms and a network of passageways beautifully fitting together in a house plan.
Sharing his points of view, Ismail said that the design was based on the client’s experience from having lived in an urban village, plus their interest in a sustainable way of living, albeit in a small space.
To comply with the family’s wishes, he translated their ideas into a coherent distribution of masses and expertly crafted a house plan capable of bringing many benefits, including convenient and safe exterior and interior traffic patterns.
The front of the house features an eclectic mix of items and decorations ubiquitous among urban kampongs across Indonesia. They include different textures and materials that come together in an untidy way like a picture of a village scene.
Among them are ornaments such as window box planters, skylights, garden areas and unfilled spaces in the wall that drive natural ventilation keeping the interior living spaces cool and comfortable.
Commenting on a hybrid of brickwork and PVC sheets, Ismail said that PVC is strong and durable, which explains why it’s one of the most widely used thermoplastic polymers worldwide. Here, it’s used on the façade to protect against damage from too much sun and rain.
Meantime, exposed brick walls provide great opportunities to experiment with various textures and patterns. The break in the wall allows fresh air to enter and circulate inside, a perfect solution for houses in a Tropical climate.
Walk in the door, and you come to an open concept common area with greenery that’s the essential part of the house plan. It conveniently connects to a plant-filled living room, kitchen, and a large backyard garden.
In all places, unfilled spaces in the wall and green areas create microclimates that differ from those in the surrounding areas. Plus, they allow natural light and improve air circulation at the same time.
Bedrooms are slightly hidden from view, cocooned in a comfortable location. They are reachable via an interior corridor lined with functions that serve practical purposes, among them a bar table and a few bookshelves.
All things considered, it’s a chic contemporary home thoughtfully devised to promote social interactions among family members without intruding into the lives of one another. At the same time, it’s made for a lifestyle that tries to reduce the use of natural resources.
The message is clear. Living sustainably in an urban kampong is more than just helping the environment. It’s also a way to bring people back in time and experience the Indonesian way of life like it’s always been.
The House Plan & Section Courtesy of Ismail Solehudin Architecture
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
This is a stilt house design where the contemporary style merges with rural vernacular in Chanthaburi. It’s built on the concept of home with a dual nature – a villa-cum-homestay. The design pays particular attention to the simple life and harmony with the surroundings, plus good positioning in relation to light and wind patterns makes it more comfortable to live.
Baan Lek Villa is the work of “Kaew” Rinrada Nirote, homeowner and architect at GLA DESIGN STUDIO, in collaboration with designer Pitch Nimchinda. It’s intended to accommodate her family, house guests and friends of her mother (“Lek” Kuna Nirote).
Rinrada came to Bangkok to further her studies and has worked there since graduation. Little by little it dawned on her that building a new house in her native Chanthaburi would be a good idea.
It would give her a place to stay and a small office away from the city. She wanted a design that looked simple yet attractive, kept within the budget, and blended into the community.
The result is a home that merges with the surrounding countryside. Simple house design offers two distinctly different zones – private and public areas.
The living space is raised up on piles, while the ample multi-use area underneath it is meant for dining and receiving guests.
Sharing her slice of paradise, Rinrada says that nowadays more people are yearning for a simple way of living. Advances in technology have made it possible for us live anywhere and still be able to work. What we need is a case for carrying clothes and a few personal belongings, plus a portable computer.
Even better if you have a place of your choice that helps you relax in nature. Intended to make our breaks truly refreshing in the countryside, this house was complete only recently. So far it has received many guests and friends of her mother and brother.
“We didn’t intend to make it a family business. I was into hotel designing to begin with. Now that I have a house of my own, Mom has invited her friends over. They loved it and spread the good word. So we thought the time was ripe to provide the accommodation of guests. It’s important that they get to experience the relaxing side of Chantaburi town,” she said.
What makes this house unique is the architectural detail that’s right for the climate of Thailand.
The design takes into account seasonal variations, such as sunlight and wind patterns, to create a comfortable environment. Rinrada got the inspiration for the multi-use ground floor from “Have you eaten yet?” a traditional expression of goodwill that Thais say as a sign of welcome.
This explains why a dining table set and kitchen counter are there. The area doubles as waiting room for people who drop by for a visit just like old times.
Walk up the stairs and you come to a more private area of the house, which consists of a large balcony and main living quarters.
Overall, the building is made of concrete that works well with beautiful wood accents. To make the building appear lightweight, the entire floor of the overhanging balcony is made of steel framework.
Taken as a whole, it’s a perfect mix of concrete, steel and clever design that lets the beauty of natural wood stand out.
For an aesthetic appeal, the ground floor is covered to some extent by eggshell pebble pavers that seamlessly connect with the surrounding landscape. The garden sits in the shade for much of the day thanks to the house being positioned on the western side of land.
The fact that it’s located in the further reach also leaves plenty of extra room available for future projects. For the time being, Rinrada intends to turn the front yard into an ample garden filled with large trees, shrubs and natural light.
Most importantly, Rinrada says it’s the understanding of the context that sets the main idea about good house design. Appropriate orientation involves more than just the sun’s path or seasonal wind patterns. Every little detail must be taken into account.
This modest home is designed to blend with the environment and other key attributes that have made Chanthaburi town famous. It merges with rural vernacular and sprawling fruit orchards. It’s built of material that’s available locally, reclaimed lumber included.
All told, it’s one that stands in perfect harmony with the community.
/ Story: Patsiri Chotpongsun / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Alexis Dornier is a German architect who nearly ten years ago moved to the village of Mas in Bali to build a vacation home. To properly house his furniture and artworks gathered from all over the world, he combined modern building techniques with an ancient Javanese architectural style known as joglo. Based around four pillars supporting a tall roof, in olden times joglo architecture indicated the owner’s social status.
“This house was primarily designed to showcase the ancient art of joglo wood construction. Functionality was figured in afterwards,” said Alexis.
“A modern steel support framework in the middle of the house adds a new element to the architectural tone, providing added support and making the house unique, but the essential artistry of the joglo structure was unaffected and remains essentially unchanged.”
Joglo architecture lends its character to two prominent spots in the house while also supporting well-defined modern functionality.
The first is where the multipurpose room connects to the living room, showing off the joglo high ceiling. Next to that is a display spot for outstanding works of art, where a grand piano is set.
Both spots are bordered by clear glass walls looking out on the incomparable verdant green of the surrounding jungle vegetation.
As it opens into the spacious, high-ceilinged dining room, the kitchen also shows off the joglo architecture. Above is a unique and exciting mezzanine walkway of clear glass where skylights allow natural light to shine below.
A person walking here gets a close-up look at details of artistic work carved into the joglo wood, perhaps experiencing something of the past joy archaeologists have felt in making new and priceless discoveries.
“Hidden beneath this spacious living room, connected to it by a three-dimensional walkway with views in all directions (a spiral staircase reaching down from the mezzanine), you will find two large bedrooms with ensuite bathrooms, as well as another living room.
“On your journey up or down, you’ll see beautiful artworks and striking views inside and out.”
If you are interested in design based on local needs, local materials, and local traditions, you will find vernacular building exhibitions well worth a visit.
/// Thailand ///
The expo area features 5 show pavilions designed by the design firms.
Five show pavilions are open now at Architect ’18, the ASEAN’s largest building technology exposition organized by the Association of Siamese Architects (ASA). It’s happening on May 1-6, 2018 at Impact, Muang Thong Thani.
Plastic crates filled with clay are readied for the show at Architect ’18.
Other attractions range from a photography display by Vernacular Built Environment and Cultural Heritage Studies Group, and exhibitions by various architectural firms, to retail businesses, and seminars featuring distinguished speakers from Thailand and abroad.
The expo’s must-see events include a show pavilion by Boon Design, which presents building techniques using materials readily available in a locality, such as plastic crates for fruit transportation filled with clay.
Inside one of the show pavilions dedicated to vernacular-style living
The dark exterior that is characteristic of the Boon Design show pavilion
Designer Boonlert Hemvijitraphan said: “Traditionally, earth has been a material of choice for home building while plastic crates come in handy as byproducts of the industry. The choice of materials is often dictated by availability in a particular area. Homes can be made of anything, whether it’s earth or wood, so long as they are adapted to suit local needs and requirements.” Like so, a vernacular house in Southeast Asia may appear dim on the inside because there are only a few openings. Lace fabrics on the windows tell stories of clever adaptations to suit local weather conditions.
Vernacular houses on the waterfront in Myanmar, Cambodia, and Thailand
photograph reflects local beliefs and customs around the Region.
The building techniques differ from country to country across Southeast Asia as illustrated by the photo exhibition by the Vernacular Built Environment and Cultural Heritage Studies Group. Its members include Isarachai Buranaut, Kullphut Seneevong Na Ayudhaya, Somchai Chuechuaychu, and Surapong Jamniyom.
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