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Baan Suan Athisthan: A Contemporary Vernacular Home in Sync with Nature and Community Life

Baan Suan Athisthan: A Contemporary Vernacular Home in Sync with Nature and Community Life

/ Chiang Mai, Thailand /

/ Story: Samutcha Viraporn / English version: Bob Pitakwong /

/ Photographs: Rithirong Chanthongsuk / Styling: Salisa Viraporn /

A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.

Vernacular Home Nature
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.

Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.

He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.


A Home That Blends into the Surroundings

Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.

What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.

Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.

Vernacular Home Nature

It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.

The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.

To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.

By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.

Vernacular Home Nature
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.
Vernacular Home Nature
An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.

To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.

To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.


Combining Old and New

For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.

The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.

For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.

Vernacular Home Nature

Vernacular Home Nature
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.
Vernacular Home Nature
A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.

In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.

Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.

The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.

Vernacular Home Nature

Vernacular Home Nature
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.
Vernacular Home Nature
Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.
Vernacular Home Nature
A nook with a small desk provides a flex workspace that’s airy, open and welcoming.

Vernacular Home Nature

Vernacular Home Nature
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.

Vernacular Home Nature
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.

Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.

For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.

Vernacular Home Nature
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.

In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.


Double Height Ceilings for a Bright and Breezy Atmosphere

A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.

By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.

Vernacular Home Nature
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.
Vernacular Home Nature
Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.
Vernacular Home Nature
A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.

Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.

Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.

Vernacular Home Nature
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.
The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.

As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.

The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.
For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.
The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.

The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.

More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.

The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.

Owner/Architect: Supawut Boonmahathanakorn of Jai Baan Studio (www.facebook.com/Jaibaan)

Building contractor: Banjerd Atelier

Woodwork artisan: Pongsakorn Yuennoi, aka Sala Kew


Visit the original Thai article…

“บ้านสวนอธิษฐาน” บ้านไม้พื้นถิ่นร่วมสมัย


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The Thingamajiggy Coffee Roaster: Rice Granary Adapted for a New Use as Café amid the Rice Fields

The Thingamajiggy Coffee Roaster: Rice Granary Adapted for a New Use as Café amid the Rice Fields

/ Chiang Mai, Thailand/

/ Story: Ektida N. / English version: Bob Pitakwong /

/ Photographs: Rungkit Charoenwat /

Here is a café and roastery with an ear-grabbing name. The Thingamajiggy Coffee Roaster stands in the middle of the rice fields of Chiang Mai’s Mae Rim District. A metamorphosis of purpose, it’s performing a new function as café with panoramic views of the stunning mountain landscape. The brand may be hard to say, but it certainly holds the attention of listeners while its rustic appearance merges into the farmhouse vernacular symbolic of the Northern Region.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster

The room of this Chiang Mai café in itself has only 21 square meters of space. At the outset, that was a difficult situation that tested the ability of the design team at Yangnar Studio, a homegrown atelier based in Chiang Mai. But they stepped up to the challenge by creating a functional business space, in which everything on the premises was fused into a single entity.

And the result of all this? A piece of vernacular architecture worth remembering. It’s a wholesome destination for coffee lovers that fits right into its surrounding farmlands and the reality of simple life in the countryside.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster
Built by locals using local building materials, the small coffee shop merges beautifully into farmland vernacular.

To begin with, the project owner wanted an oasis of calm where customers could sit back and relax as they enjoyed a good cup of coffee with nothing to obscure the view of the landscape. The design team responded with a three-part plan, including a small coffee shop at the front, followed by a cozy sitting area under a bamboo pavilion, and a restroom building at the farthest end.

Here, a 360-degree-view that changes from season to season can be seen all year round. Like a wallpaper from nature, it’s a design that seeks to connect more closely with the natural world for lighting and ventilation. Hence, there’s no need for air conditioning, which translates into huge savings and contributing in its small way to a sustainable future.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster
Going in the reverse direction, slat wood wall paneling is installed on the inside while supporting vertical beams or columns are on the outside.

In terms of design, the coffee shop gets its inspiration from old rice granaries commonplace in this part of the country. The interior holds a coffee bar service/ordering area complete with an assortment of bakery goods. Nearby, a west-facing bakery room provides insulation against hot afternoon sun, thereby keeping the bar and customer seating area cool and comfortable.

Plus, double height ceilings add a light and airy atmosphere to the room. From the outside, what looks like a two-story building is in fact a cross ventilation system which relies on wind to blow cool outside air into the room through one side, while warm inside air is forced out through rooftop vents and outlets on the opposite side.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster
Extended eaves overhanging the exterior walls offer protection against too much sun and rain.
The building’s external envelope crafted of bamboo splits creates a more open and airy atmosphere in the room, plus it protects against humidity damage.

The little café amid the rice fields is built by artisans skilled in traditional carpentry using timber and other natural ingredients readily available in Chiang Mai, except for the load-bearing foundations that are made of poured cement or concrete to protect against soil moisture damage. As is the case with rice granary construction, slat wood wall paneling is installed on the inside while supporting vertical beams or columns are on the outside.

Apart from retaining much of its architectural heritage, the reverse exterior walls add visual interest that merges with a massive gable roof designed for sun and rain protection. In the fewest possible words, it’s a picture of modern countryside ideas blending together beautifully into one cohesive whole.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster

To make customers feel comfortable, this Chiang Mai café amid the rice fields has patio and outdoor furniture that can be set up anywhere under the bamboo pavilion canopy. It’s a relaxation room that conveys a great deal about the humble origins of mankind and their responsibility towards nature.

To reduce the chance of exposure to harmful substances, the bamboo shades and blinds are not chemically treated to extend their longevity of life cycle. It’s a design based on the belief that everything changes and everything will be replaced when the time comes.

A drawing of the floor plan shows functional spaces in relation to the trees and shrubbery thriving on the property.

The same applies to the method of construction that’s simple and straightforward. Take for example the bamboo pole footings that are wrapped in plastic bags for protection against humidity damage. Or the overhead black mesh rolls that create diffuse light and protect against the sun’s harmful UV rays. They, too, get changed from time to time to ensure customer comfort and satisfaction.

Chiang Mai Cafe Rice Fields Thingamajiggy Coffee Roaster
For a full view of the landscape, the three buildings are set in a direction parallel with the elongated plot of land.

Architect: Yangnar Studio (www.facebook.com/Yangnarstudio)

Lead Architects: Dechophon Rattanasatchatham, Apiwat Chainarin

Construction Supervisors: Rungroj Tansukanun, Metee Moonmuang

Builder Team: Yangnar studio builder team, Yaiwood


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MA Architects Office: Integrating Natural Features in Workspace Design

MA Architects Office: Integrating Natural Features in Workspace Design

/ Ho Chi Minh City, Vietnam /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Paul Phan /

Overcrowding conditions in Ho Chi Minh City have given rise to both challenges and opportunities for the design team at MA Architects, a homegrown architectural practice in Vietnam. Back in the day, their office was on rental property with little to no room for flexibility. Albeit equipped with air conditioning and modern conveniences, the small workspace was lacking fresh air and ventilation, a far cry from the environment conducive to a relaxed atmosphere and creativity.

Coconut fiber coverings shield parts of the roof for best interior lighting and insulation.
The front façade in cool-toned gray stands sandwiched between a vacant lot and a tall building on the street corner.

Because of that, they decided to break out of the confined space into a home of their own. The new office stands sandwiched between two properties, a tall building on one side and a vacant lot on the other. Its front yard landscape is infused with green foliage.

Thoughtfully devised, the design atelier with an awesome cool gray façade is open to plenty of sunlight and fresh outdoor air plus trees and shrubbery. And the result of all this: a workplace ambience free from disturbance, one that’s good for staff’s ability to create and stay focused on their tasks.

The hallway holds a reception room that’s light and airy.

Bringing the outdoors inside, the office holds workspaces set on concrete slabs along one side and a strip of sand earth for in-ground gardening on the other.

The small, 100-square-meter office space is nestled in a peaceful city neighborhood. It occupies the full extent of a rectangular shaped lot measuring 5 by 20 meters.

The building has a narrow frontage to the street. Its external envelope is built of brick masonry plastered to form a smooth hard surface. In front of it, a small earthen terrace hemmed in by lush greenery provides a neat appearance.

An isometric drawing shows three principal dimensions of architectural features with elements of nature integrated in interior design. / Courtesy of MA Architects
An architectural drawing shows the positioning of natural elements in relation to upstairs and downstairs rooms. / Courtesy of MA Architects
In cross section, a side elevation drawing illustrates cross air flow patterns through the workspaces and under the roof. / Courtesy of MA Architects
Flashback: A photo collage shows stages of construction in chronological order. / Courtesy of MA Architects

Downstairs, a spacious workplace lies connected to a woodworking shop in the back of the building. The meeting room is upstairs that’s open to allow plenty of natural daylight and cool breezes into the interior.

Overhead, the trusses that support the roof are made entirely of timber covered by transparent corrugated roofing materials for best indoor lighting. Where appropriate, sections of the roof are protected by dry coconut fiber coverings for insulation from the sun’s harsh glare.

A woodworking shop occupies the back room, from which a staircase leads to the second-floor meeting room.
The woodworking shop lies on the earth floor with a kitchen and bathroom at the farthest end.

Because when it rains it pours in the Tropics, it makes perfect sense to plaster the entire building envelope. The hard and smooth surface goes to work protecting the building from extreme heat and wet weather all year round.

Although relatively small in size, the office interior crafted of wood is impressive thanks to an open-concept, well-ventilated layout. While dry coconut fiber coverings over the roof make the interior feel cool and dry, the uncovered part works like a skylight turning indoors into a well-lighted place.

Besides light and wind, the architect also integrated other elements of nature in the design, among them earthen floors that cover parts of the ground level. Only the workspace and kitchen floors are made of concrete slabs for ease of use and safety.

Nearby, earthen floors add a warm, natural feel to the interior with plenty of room for growing plants in-ground. As the architect puts it, being in the middle of the hustle and bustle of the city, anything that brings a touch of nature, however small, is priceless.

The second-floor meeting room is open to natural daylight and connects to the trees.

A building material of choice, earthen flooring makes it possible to fill the interior with healthy green foliage along the entire wall. Earth and sand absorb and release some moisture, which contributes to a relaxed indoor ambience.

At the same time, vegetation in the front yard and decorative indoor plants both in ground and in containers go to work in tandem keeping the new office building cool and cozy just like home.


Architect: MA Architects (www.facebook.com/mastudiovn)


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Lung Vai School: A Rammed Earth Schoolhouse Trio amid Mountains and Rice Terraces

Lung Vai School: A Rammed Earth Schoolhouse Trio amid Mountains and Rice Terraces

/ Ha Giang, Vietnam /

/ Story: Ektida N. / English version: Bob Pitakwong /

/ Photographs: Son Vu, Trieu Chien /

Lung Vai School stands in a small village and namesake located in the northernmost corner of Vietnam. Only 55 households of the Hmong tribe live in this mountainous terrain on the Vietnamese border with China. The natural environment is pristine, but it’s hard to get there from anywhere. Public utilities, such as water and electricity are virtually nonexistent, not to mention schoolhouses of standard sizes and qualities capable of meeting children’s learning need.

Lung Vai School Rammed Earth School
A trio of school buildings stand on a mountaintop. Circular roofs merge into the farmland vernacular and rugged terrain.

This school construction project was undertaken by AA Corporation, an interior design and furniture manufacturing industry in Vietnam. It cost 2 billion Vietnamese dongs to build, roughly 80,000 US dollars.

Its primary objective: bring educational opportunities to minority Hmong children. The schoolhouse complex performs a dual function as center of learning for kids and a venue for cultural activities in the area.

Lung Vai School Rammed Earth School

Lung Vai School Rammed Earth School

The project consists of three adjoining buildings situated a stone’s throw from the village on a mountaintop. It offers a breathtaking panorama of the landscape covered in the morning’s blue haze. The schoolhouses with circular roofs call to the mind an image of wild mushrooms shimmering in the sunlight amid a dewy meadow.

Lung Vai School Rammed Earth School

The trio includes one schoolhouse for the kindergarten, one for elementary school classrooms and the other housing the teacher’s office, plus other facilities such as bathrooms, kitchen and multifunctional spaces supporting school activities. The schoolhouse project covers 250 square meters of land, perfectly adequate for the student populations at Lung Vai and neighboring villages.

From afar, the curved roof buildings prove a perfect complement to their natural surroundings. They are put together in a way that the roof of one building overlaps another to create coherence in architecture.

It’s a passive design strategy that goes to work facilitating the traffic between rooms, keeping the schoolhouses in shade and driving natural air circulation all day long. Like so, nothing disrupts the workings of mother nature.

In cross section, a side elevation drawing shows spatial relationships between rooms and how rainwater is harvested and carried to an underground storage tank.

In terms of the language of architecture, there is a distinct synchronization of smoothly drawn curves that twist and turn as they converge at the mountaintop. All the elements of design blend together into a cohesive whole.

Lung Vai School Rammed Earth School

There is wisdom in challenges. Because the project is tucked away in a remote location, transportation is difficult to put it mildly. It was a dilemma that tested the ability of the design team at 1+1>2 Architects. And yet they rose to the challenge by successfully completing the project in only six months.

The secret to a mission accomplished lies in using building techniques and materials readily available in the area in perfect proportions, in particular rammed earth construction.

Lung Vai School Rammed Earth School

Building with rammed earth or mud brick brings many benefits. It’s friendly to the environment and capable of reducing the ambient temperatures. Plus, it’s durable even in extreme weather conditions.

Pleasant to look at, a mixture of sand, clay and other ingredients gives a rich warm color of earth hues that allows the schoolhouses to blend perfectly into the natural world around it.

Lung Vai School Rammed Earth School
A clever hack to brighten the hallway, the void of space between the top of rammed earth walls and roof trusses is filled with transparent polycarbonate boards.

Rammed earth walls are capable of supporting the loads applied to them up to a certain limit. For strength and durability, the schoolhouses also contain parts made of other materials, such as steel framing supporting roof trusses.

Steel is chosen for speed of construction and overall robustness, especially where the distance between columns increases. Plus, it’s perfect for building a great variety of roof shapes and styles.

Lung Vai School Rammed Earth School

Lung Vai School Rammed Earth School

Large windows and generous wall openings above rammed earth walls allow natural daylight and cool breezes into the interior.

Taking everything into account, it’s design that pays attention to detail in facilitating indoor traffic flows and interactions between rooms. This is evident in there being four entry areas conveniently linked to stairs and ramps leading from one floor to the other, as well as the internal traffic routes connecting all the rooms.

Lung Vai School Rammed Earth School

Lung Vai School Rammed Earth School

The schoolhouse floor is raised slightly higher from natural ground level, adding visual interest to design. The hallway leading to classrooms is built wider than average to provide space for built-in bench seating on the side. And there’s still plenty of room left.

Other useful architectural features include the extended roof overhangs that keep the classrooms cool in the summer and dry in the rainy season. Priceless!

Lung Vai School Rammed Earth School

Lung Vai School Rammed Earth School


Architect: 1+1>2 Architects (112.com.vn)

Lead Architects: KTS Hoang Thuc Hao, KTS Tran Hong Nam, KTS Nguyen Hanh Le


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The Hiên House: A Wood and Concrete Home Full of Balcony and Terrace Ideas

The Hiên House: A Wood and Concrete Home Full of Balcony and Terrace Ideas

/ Da Nang, Vietnam /

/ Story: Kanamon Najaroen / English version: Bob Pitakwong /

/ Photographs: Quang Dam /

This Tropical style house is in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The home built of wood and concrete goes by the name of “The Hiên House” for its lively green façades, Hiên being Vietnamese for the semi-outdoor rooms along the outside of the building.

THE HIÊN HOUSE concrete home

The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.

The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.

THE HIÊN HOUSE concrete home


Wood and Concrete House

Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.

There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.

During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.

THE HIÊN HOUSE concrete home
The light and airy front entrance is visible from the driveway covered in stone pavers.

To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.

Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.

Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience. Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.

THE HIÊN HOUSE concrete home


Balconies and Terraces for Free Air Circulation

What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.

Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.

First Floor Plan / Courtesy of WINHOUSE Architecture
Second Floor Plan / Courtesy of WINHOUSE Architecture
Third Floor Plan / Courtesy of WINHOUSE Architecture
In cross section, a side elevation drawing shows space planning decorated with plants working in tandem with wall openings to admit natural light and fresh outdoor air into the home. / Courtesy of WINHOUSE Architecture
Isometric visuals show reclaimed building materials being adapted to suit new purposes on all four levels of the new home. The message is clear: save the Earth and cut costs. / Courtesy of WINHOUSE Architecture

As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.

Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.

THE HIÊN HOUSE concrete home
The kitchen in the farthest room is well-lit and well-ventilated.
THE HIÊN HOUSE concrete home
Going in the reverse direction, the terrace that in most cases lies along the outside of the house is put inside overlooking a lively green inner courtyard.

THE HIÊN HOUSE concrete home

Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.

THE HIÊN HOUSE concrete home
Illuminated by a rooftop skylight, the staircase and foot bridge spanning the void over the inner courtyard make traffic flow easy and convenient.

THE HIÊN HOUSE concrete home
A well-lit foot bridge crafted of reclaimed timber connects the major living spaces in the home.

Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard. The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.

 

Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.

THE HIÊN HOUSE concrete home
Plants growing luxuriantly make the house façade green and lively.

THE HIÊN HOUSE concrete home

THE HIÊN HOUSE concrete home
Local builders skilled in traditional carpentry reinforce wood beams and pillars for increased load capacities.

In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!


Architects: WINHOUSE Architecture

Structural Engineers: Bim City


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Nha Be House: A Brick Home Infused with Memories of the Good Old Days

Nha Be House: A Brick Home Infused with Memories of the Good Old Days

/ Ho Chi Minh City, Vietnam /

/ Story: Wuthikorn Sut / English version: Bob Pitakwong /

/ Photographs: Hiroyuki Oki /

Here’s a beautiful good-sized home with exposed brick walls in subdued orange. It sits peacefully nestled among lush greenery in Nha Be, a suburban district of Ho Chi Minh City, Vietnam. By design, it’s the perfect home size for four sisters who recently decided to come home to care for their aging Mom. A nice place for their family reunion, the brick home is filled with real warmth and memories growing up together back in the day.

Brick Home NHA BE HOUSE


Connecting Home and Garden

Designed to fit a long piece of property, the rectangular house plan holds five bedrooms plus a roomy communal space that’s the heart of family life. The architect puts the face of the building closer to the road which passes in front of the house leaving just enough room for a small front yard.

Like so, it allows a huge space for the backyard garden devoted to trees and shrubs and an outdoor sitting room.

Brick Home NHA BE HOUSE

Inside, the spacious room shared by all family members lies front and center on the house plan. To bring fresh air into the home, all the rooms are connected to the outdoor spaces in front and back of the building.

Brick Home NHA BE HOUSE
The front yard holds a small garden that’s an important factor in curb appeal. The interior is comfortable thanks to double-wall construction. The perforated outer shell performs a dual function protecting the house from heat and glare and serving as privacy screens.

Overall, it’s a design that lets the earthy, woody scents of nature permeate the air. Up front, healthy green foliage transforms the communal area into a calm, pleasant place enlivened by plenty of natural light streaming in through generous openings in the walls.

Brick Home NHA BE HOUSE
Open-concept design and floating furniture ideas make the communal room feel spacious, light and airy.
NHA BE HOUSE
An opening at the center of the house plan connects the first floor with the second, resulting in good visual and spatial continuity. The absence of risers between the treads of the staircase makes the room feel spacious and well-ventilated.

On one side of the floor plan, a flight of stairs connects to the second floor and continues to the room just below the roof that acts as a buffer against the sun and heat. The absence of vertical risers between the treads of the staircase creates visual and spatial continuity, plus good air flow in the interior.

Overhead, a shaft of sunlight streams through the rooftop skylight making the home feel bright and airy all day.

NHA BE HOUSE
A semi-circle skylight lets sunlight shine through turning the home into a well-lighted place.

Brick the Material of Choice

The two-and-a-half-story brick home, including the room under the roof, is built almost entirely of bricks for the best indoor climate. Needless to say it’s designed for healthy living.

The first floor is a perfect example of communal space with plenty of room for a generous sitting area, dining room and kitchen. It speaks volumes for a culture of caring and sharing that’s the essence of humanity.

Brick Home NHA BE HOUSE
A patch of lush greenery in the front yard makes the sitting room feel warm and invitingly comfortable.

NHA BE HOUSE

For practical reason, Mom’s open-concept bedroom is on the first floor. It’s protected from the sun’s harmful rays by perforated brick walls that form the outer shell. The inside is clear of anything that might be a tripping hazard.

NHA BE HOUSE
The perforated brick wall forms the outer shell protecting Mom’s open-concept bedroom.

Brick Home NHA BE HOUSE

Meanwhile, the four sisters each have their own bedrooms on the second floor. They are equal-sized rooms connected by a balcony overlooking the communal space on the first floor. At the very top, the space under the roof becomes a devotional room for traditional veneration of the family’s ancestors. It has a quiet sitting area with a view of the surrounding landscape.

NHA BE HOUSE
The bedrooms on the second floor are plain and simple. Windows on the interior walls bring back that peaceful easy feeling.
NHA BE HOUSE
The top floor under the roof contains a devotional room for the veneration of family ancestors

Taken as a whole, the natural environment is pristine thanks to an irrigation canal that runs past the back of the property. Both sides of the waterway are covered in greenery growing luxuriantly in the wild. It’s easy to get why the architect puts in a backyard garden here, a clever hack that blends perfectly into the lush landscape.

Brick Home NHA BE HOUSE

The house is built strong using concrete frame and concrete floor slab construction, while the external envelop is made of bricks in assorted orange hues fired the old-fashioned way. Perforated brick facades enable interior spaces to benefit from natural daylight. Gaps between bricks in the house’s exterior walls admit light and fresh outdoor air into the home.

A material of choice, the vintage style bricks can absorb humidity from the nearby water body, which translates into interior thermal comfort all year round. Plus, they effectively filter out dust and pollution in the air.

The siting of the house in relation to others in the community. — Courtesy of Tropical Space

Apart from protecting against heat and glare, brick walls add a touch of timeless elegance to the home. Perforated facades double as privacy screens that prevent people from looking in and keep the home cool without air conditioning.

The light that shines through is more diffuse, while holes in the brick walls act as engine that drives natural ventilation. Plus, brick walls require little to no maintenance, and they look like new after many years later.

First Floor Plan — Courtesy of Tropical Space
Second Floor Plan — Courtesy of Tropical Space
Attic Floor Plan — Courtesy of Tropical Space
In cross section, a side elevation drawing shows the feel and functionality of the house plan. — Courtesy of Tropical Space

Backyard Garden Made for Relaxation

One of the house’s outstanding features is the backyard garden with an outdoor circular bench capable of seating several people. Built of bricks in subdued shades of orange, it’s the family’s favorite meeting place in the morning and evening.

Because it’s round, it creates more space for family members to come together face-to-face, talk together, walk together strengthening the bonds of sisterhood and relationships made in heaven.

NHA BE HOUSE
An outdoor circular bench made of bricks in assorted orange hues adorns the backyard garden designed for face-to-face family gatherings in the morning and evening.

Brick Home NHA BE HOUSE

Brick Home NHA BE HOUSE
An aerial view shows the brick house in subdued shades of orange nestled among lush greenery with a tree lined irrigation canal in the backdrop, a healthy ecosystem that helps cool the environment.

Architect: Tropical Space (tropicalspaceil.com)


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House in Chau Doc: Rediscovering the Beauty of Localness

House in Chau Doc: Rediscovering the Beauty of Localness

/ Chau Doc, Vietnam /

/ Story: Wuthikorn Sut / English version: Bob Pitakwong /

/ Photographs: Hiroyuki Oki, NISHIZAWAARCHITECTS /

Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.

House in Chau Doc

Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.

It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.

Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.

House in Chau Doc

House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.

For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.

House in Chau Doc

House in Chau Doc

House in Chau Doc

House in Chau Doc

Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.

This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.

House in Chau Doc’s Location Illustration Courtesy of Nishizawa Architects
House in Chau Doc’s Conceptual Drawing Courtesy of Nishizawa Architects
Section Drawing Courtesy of Nishizawa Architects
Structural Diagram Courtesy of Nishizawa Architects
Floor Plans Courtesy of Nishizawa Architects

What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.

Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.

House in Chau Doc

House in Chau Doc

House in Chau Doc

House in Chau Doc

House in Chau Doc

Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.

Even better if the beauty of a locality is incorporated in the design.


Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”

Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!

For more details: https://www.facebook.com/livingasean/posts/701628028672617

Register to attend at: https://amarinfair.com/…/room-x-living-asean-design-talk


Architect: NISHIZAWAARCHITECTS (www.nishizawaarchitects.com)


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Treehouse by the Lake: A Nature-Loving Forest Home on the Lakeshore

Treehouse by the Lake: A Nature-Loving Forest Home on the Lakeshore

/ Ba Ria-Vung Tau, Vietnam /

/ Story: Phattaraphon / English version: Bob Pitakwong /

/ Photographs : Dũng Huỳnh /

“There is something about this place that always brings back old memories,” said the owner of this lovely treehouse by the lake. “Several decades passed, but I still remember it as if it was yesterday. My family camped out here on a hot summer day. Our children gathered under the canopy of an old tree and set up a small tent together.”

treehouse by the lake

“We called it a ‘house’ because it protected us from the sun, and we had a lot of fun. Some children cut down a few trees to make tent poles while others gathered leaves to make the upper covering and decorations.

“It was beautiful and eye-catching. Completely finished, we went looking for things needed to ‘settle down’ in the leaf hut shelter. …”

Obviously, his experience and memories provided the inspiration that culminated in the country home of his dreams. Built into nature, this treehouse by the lake was based on biophilic design conceived and developed by H.2, a homegrown architectural practice based in Ho Chi Minh City.

The house merges into the surrounding forest landscape on the bank of Da Bang Lake, a calm and peaceful body of water in Ba Ria-Vung Tau Province in Vietnam’s Southeast.

It all began with the homeowner’s desire to let his granddaughter connect with nature just like he and his kids did when they were young — an experience that, in his words, provided lasting psychological benefits. He could still recall having fun growing up in the countryside where life was simple.

Sharing a piece of his paradise, he said, “The leaf hut shelter that we built back in the day was a place to play games, do kid-friendly things and listen to music.”

“Memories were made here and the story is crystal clear like it all happened yesterday. The simple games we played nourished our souls and, especially for me, nurtured my love for life in the poor countryside. Those were the days.”

treehouse by the lake

The 120-square-meter home sits in the shade under the canopy of tall trees near the lakeshore. It’s made attractive by ordinary materials sourced from within the neighborhood, a quality that gives it the unblemished charm of rustic rural life.

The stilt house supported by concrete structural framing offers plenty of under-floor spaces that allow natural daylight and gentle winds blowing in from the nearby lake.

It’s called a treehouse for good reason. Instead of cutting down the existing trees, the new house is built around them, literally letting them grow through the roof.

At the center, a spiral staircase winds around a tree trunk connecting the first floor to the second that serves as family living quarters.

treehouse by the lake

treehouse by the lake

What makes it unique is the use of reclaimed steel with surface rust in a variety of colors and textures, an appearance that gives the house its vintage industrial appeal. Some of the pieces came from an old factory that had been torn down, while others were purchased from a local scrap yard.

In a way, it’s contributing towards a healthier planet by reducing waste, recycling and reusing discarded materials to suit a new purpose.

House Layout Courtesy of H.2
Conceptual Diagram Courtesy of H.2

Simple yet attractive, it’s an eco-conscious home made possible by the honest use of natural materials. Here, the emphasis is on creating a light-filled, airy and comfortable interior, one that seeks reconnections with nature and, at the same time, brings the warmth of family joy.

The homeowner said that he could still recall the day his granddaughter arrived at the new home. She was obviously happy and excited.

The forest treehouse by the lake afforded a conducive learning environment with plenty of room to play, run, jump, and climb trees.

With respect to construction, it’s a very interesting project. The nature-loving house by the lake makes practical and effective use of discarded materials in a way that creates a home of higher quality and value.

Take for example the use of scrap metal and leftover materials including corrugated roof paneling that people tend to overlook. And by giving recyclable items a new purpose, it translates into big savings and, at the same time, reduces impacts on the environment.

treehouse by the lake

treehouse by the lake

Long story short, the outer appearance is immediately appealing. The interior living spaces are comfortable, peaceful and secluded to say the least.

Flexible floor plan design lets nature permeate making the home bright and airy. At the same time, it’s ingeniously devised to integrate the existing trees in the overall scheme of things.

That’s just one of several fascinating adaptations that make it original and unique – a forest home where all things eventually merge into one pleasing and consistent whole.

treehouse by the lake


Owner: Mr. Bảo & Ms. Lụa

Architects: H.2 (www.facebook.com/workshopH.2/)

Trần Văn Huynh, Nguyễn Đức Khánh, Nguyễn Duy Thế


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Premier Office: A Nature-Inspired Brick Office Design Giving off Good Vibes

Premier Office: A Nature-Inspired Brick Office Design Giving off Good Vibes

/ Ho Chi Minh City, Vietnam /

/ Story: Wuthikorn Sut / English version: Bob Pitakwong /

/ Photographs: Triệu Chiến /

Though we cannot count on the weather to be calm and delightful at all times, it is quite possible to bring physical ease, well-being and relaxation into the workplace, even without air conditioning. And this brick office named “Premier Office” has proved to be the case, thanks to clever passive cooling techniques and greenery giving off friendly vibes.

brick office

Handsomely nestled within a calm Ho Chi Minh City neighborhood, the building offering rental office spaces boasts the timeless beauty of brickwork in masonry construction.

Not only do bricks blend nicely into the surrounding landscape, but they also provide interior thermal comfort by absorbing moisture to some degree.

When wet, they dry out by evaporation thereby keeping the ambient temperature pleasant during the daytime.

brick office

The seven-story building with a parking garage below ground level offers vacant office spaces for lease that let tenants do their own setup and decorating.

Unlike the usual design offering the same old same old typical of everyday commercial real estate, the rental business spaces at Premier Office are available in a variety of shapes, sizes and configurations, each of which is unique in its own special way.

brick office

brick office

brick office

As the architect intended, the new office block centers around the concept of climate-responsive design whereby forms, functions and nature blend together into one perfectly coordinated business property.

There is a courtyard-like open area at the center that affords an airy and bright atmosphere on every floor. It’s an architectural feature that goes together well with building facades made of ventilation blocks.

By design, the breathable envelope doubles as a passive cooling system that draws fresh outdoor air into this brick office and dissipates excess heat into the sky by rooftop ventilation.

brick office

brick office

Façade and Ventilation Conceptual Diagram Courtesy of Tropical Space
First Floor Plan Courtesy of Tropical Space
Second Floor Plan Courtesy of Tropical Space
Third Floor Plan Courtesy of Tropical Space
Fourth Floor Plan Courtesy of Tropical Space
Fifth Floor Plan Courtesy of Tropical Space
Sixth Floor Plan Courtesy of Tropical Space
Seventh Floor Plan Courtesy of Tropical Space

For the health benefits of natural light, the building envelope is constructed with spaces in between bricks. These little openings in the wall work in tandem with the skylight over the courtyard-like area at the center.

Together they create interior thermal comfort by admitting a defused light to illuminate the room, meantime protecting it from the sun’s harsh glare.

It’s a clever hack to promote well-being, by which only the indirect light filtered by brick walls and surrounding trees is allowed.

brick office

The architect believed that by integrating physical comfort in the design of this brick office, it would double as second home for many tenants working here.

To avoid invading people’s privacy, the business space for each and every tenant is easily identifiable and clearly defined by a brick masonry wall.

Even with that, all the rental spaces appear bright and airy, no doubt, a nature-inspired place in which to conduct business.


Owner: Nguyen Thi Thuy Linh
Architect: Tropical Space (https://tropicalspaceil.com/)


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Tita House: Redefining Vernacular Architecture in a Tropical Paradise

Tita House: Redefining Vernacular Architecture in a Tropical Paradise

/ Chiang Mai, Thailand /

/ Story: Nantagan / English version: Bob Pitakwong /

/ Photographs: Rungkit Charoenwat /

All he ever wanted was a place out in the country. Dechophon “Teng” Rattanasatchatham, the architect at Yangnar Studio, built his humble abode amid the rice fields in bucolic Chiang Mai’s Sankamphaeng District. Carefully thought out from work experience, it has come to redefine the meaning of rural home life from the perspectives of both the architect who designed it, and his family living in it. Like so, a calm and beautiful piece of vernacular architecture was created, one that came complete with all the requirements for good living. Plus, it’s aptly named “Tita House,” which is Thai for a bright and friendly rural appeal.

vernacular architecture

Sharing his piece of paradise, Teng said: “To start with, because I was going to live here, I wanted to draw on all my experience in vernacular architecture, design, ideas, and results of the experiments I had done in the past and put them to good use.

“I envisaged building a home that would be best suited to me and my family, one that kept within the budget and was built out of reclaimed timber that I had at the time.”

Viewed in its essential qualities, the house plan was adapted from vernacular architecture, which has been the signature of the atelier Yangnar Studio from the start.

It was built the old-fashioned way of Northen Thailand vernacular architecture by carpenters from within the locality. Clever building hacks utilizing a mix of modern tools and time-honored traditional techniques resulted in the superb vernacular carpentry of a true-to-nature wooden home.

From the look of things, the inconspicuous earth-oriented ebony building appeared unpretentious and capable of merging with the surrounding landscape.

Architecture on stilts features a mix of low and high elevation floors.

Tita House represents a marriage of the modern and the traditional. It’s rich in architectural features indigenous to the Northern Region.

They include, among other things, stilt house design that integrates lower and higher elevation floors to form a coherent whole. Essentially it’s about making appropriate adaptations of tranditional vernacular architecture that are convenient for and acceptable to family lifestyle needs.

As the architect put it, “The idea of integrating a lower elevation floor (the smaller building) in the design was adopted because there was a need for easily accessible under-floor space.

“Plus, it provided storage room for agricultural tools, food raw materials and articles for household use. Nearby, a higher elevation floor (the main building) offered plenty of ample under-floor space for woodworking, a casual relaxed sitting room and areas for the children to run and play.”

Under-floor space offers many benefits. Aside from creating multifunctional room, it doubles as a passive cooling system that drives natural air circulation.

This helps prevent high humidity levels in the home and keeps the interior cool in summer. It’s a more effective way to cool a home than building a wooden floor on the ground, which is prone to moisture damage, Teng explained.

vernacular architecture
The veranda that’s part of the smaller building is used for open flame cooking. Next to it lies a space for welcoming house guests and dining.

Right Building Orientation Improves Comfort

Tita House comprises two buildings that blend like cuts from the same cloth and are connected by a wooden deck that’s roofed over to protect from the elements. The smaller of the two buildings is used for open-flame cooking and eating, while the bigger building houses main living quarters.

As is often the case with vernacular architecture, it’s built on a split-level home plan. Cooking and eating spaces lie at the lower end, while the front deck and main living quarters are positioned slightly higher.

The area for eating and entertaining house guests lies to the north of the main building. It’s pleasantly cool and bright under the shade of trees that are the vital part of a wild yard landscape.

Winds blowing into it from underneath the nearby smaller building keep the area nice and comfortable all day. The main building that houses family living quarters affords a fine mountain view easily seen from the front deck connecting to two bedrooms at the far end.

Ground Floor Plan Courtesy of Yangnar Studio
First Floor Plan Courtesy of Yangnar Studio
Section Drawing Courtesy of Yangnar Studio
vernacular architecture
Seen from the outside, the two buildings connected by a terrace look onto a wild front yard landscape.

“The reception area is positioned to the north of the main building for it gets beautiful morning sunshine.” Teng explained.

“As time passes and the sun moves across the sky, the nearby smaller building provides protection from afternoon heat. This way it’s nice and cool in the shade for much of the day.”

vernacular architecture

vernacular architecture
The veranda reserved for guest reception and dining is covered in concrete block pavers with retaining frames surrounded by landscaping beach pebbles. It’s raised higher than existing ground level for easy access to the main building.
vernacular architecture
The cozy sitting room that’s part of main living quarters opens to the terrace leading to the smaller building.
The workspace comes complete with low-profile bookcases on one side and a long desk for the home office on the other.
Looking through office windows, on a clear day the iconic Doi Suthep Mountain can be seen in full view.

There’s a living room that forms part of the suite in the private house. It’s designed to conveniently connect to a workspace lying between two bedrooms.

The workspace itself is on the east side of the house plan with bay windows projecting outward from the wall of the building. Elsewhere, transom windows are fitted with weather-resistant insect screens instead of glass, thereby allowing fresh outdoor air to enter and circulate inside.

Meanwhile, long eaves that overhang the walls of the building protect the interior from the elements. The under-floor space beneath it is kept cool by design, thanks to the house floor that extends outward to form the upper covering that keeps it in shade for much of the day.

For the health benefits of early morning sunlight, the two bedrooms are positioned on the east side of the house plan.
The shower room enclosed with brick walls lies in the open air. Nice alfresco design improves ventilation and protects against moisture damage.
vernacular architecture
The west side of the main building looks onto a backyard vegetable garden where onion greens, collard greens, cualiflowers, and herbs are grown for household use.

A Product of Intermixing and Experimenting with Ideas

Tita House is the brainchild of the homeowner and architect who created it. To him, it’s a living experiment of current time vernacular architecture. It contains architectural features, building techniques and qualities that he has never tested before elsewhere.

“I had the opportunity of visiting a village in the North of Vietnam and Kengtung (a township in Myanmar’s Shan State) and came away impressed by the method of building houses there,” said Teng.

“It was very interesting. They started out by making flat component pieces in the shop or on-site. Then people in the village joined together to assemble them step-by-step to form a unified whole. In no time, a complete home was erected simply by connecting prefab paneling together.

“It gave me the inspiration to adapt and try it myself.”

Apart from trying out new methods for structural frames making, Teng also put other creative ideas to the test.

This new house of his was the outcome of those experiments. In a nutshell, it was about making appropriate adaptations that best fit the circumstances.

In the case of Tita House, the integration of a low elevation floor in stilt house design was something not seen very often in the North of Thailand’s vernacular architecture. In most cases, different elevation floors, if any, were kept apart in two separate buildings.

vernacular architecture
Flashbacks, prefab component pieces are seen being erected in the initial stage of construction at Tita House.
vernacular architecture
Structural framing component pieces arrive ready to be assembled on site. They are put together using mortise and tenon joinery with an emphasis on wood color and texture that are true to nature.
vernacular architecture
A perspective view of interactions between different elevations in the house plan.

Besides architecture, there are several internal fitments that are worthy of note. They include wash basin design ideas for preparing vegetables, washing dishes, and watering plants in the yard.

Here, pieces of kitchen equipment are beautifully organized. They are connected to the backyard garden below by a line of bamboo poles that carries water supply to a glove of banana trees.

For a neat appearance, the wash basin is crafted of teakwood paneling put in place parallel to the edge of a balcony.

Teng said: “From experience, I have done an experiment on teakwood wash basins for customers only to discover that most of the time they were too small for their needs.

“So I came up with a bigger size, put it to the test right here at home. Apparently it worked out very well. The large teakwood basin dried fast and required little to no maintenance.”

vernacular architecture
A large-sized wash basin crafted of teakwood is put in place parallel to the edge of a balcony. It connects to a line of bamboo poles that carries water supply to the backyard garden below.

vernacular architecture


An Unpretentious Home Made Attractive by True-to-Nature Materials

The two buildings were made almost entirely of reclaimed timber. Cut into desired lengths and sizes, the pieces were put together using mortise and tenon joinery to create individual component parts.

The next step was to assemble the pieces of the jigsaw to form a unified whole on-site. The materials of choice were wood and brick. To bring out the color and texture that’s true to nature, brickwork was not plastered in a cement mixture to create smooth hard surfaces, which translated into big savings.

vernacular architecture
To add a touch of nature to the room, teakwood planks that make up a wooden floor are nat stained to a dark shade.

According to Teng, “Most of the wood reused here came from old homes that were torn down at various places. For durability, they were given a coat of protective wood stains on site. For the most part they were weathered almost black and differed greatly in terms of the appearance or texture, a quality that gave the home its vintage vernacular appeal.”

All things considered, it’s an unpretentious abode that speaks volumes for what the architect and homeowner is about. Every little thing has a story to tell, whether it is about the ways of the community, the materials, or the architectural features integrated in the design.

It’s a home that conveys a great deal about a desire to reconnect with nature through sustainable living. And Tita House is doing exactly that.

vernacular architecture
A bird’s eye view reveals a peaceful front yard covered in the lush foliage of small trees and shrubs, such as basils, polyscias, and crotons that thrive among flowers. The south and west sides of the property are lined with native tree species that keep the house in shade.
The house merges into the rice fields, comfortably ensconced in the dusk of a Chiang Mai mountainside.

Owner/Architect: Dechophon Rattanasatchatham of Yangnar Studio


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