/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Trieu Chien /
Greetings from Soc Son, a village near Hanoi that’s home to a museum nestled in an old orchard. Known as Đạo Mẫu Museum, it stands on 5,000 square meters (about an acre) of land surrounded by lush woodlands and rolling hills. In recent years, the area has attracted many travelers, thanks to beautiful scenery and unspoiled landscapes.
Dominated by a boundary wall and towering structures covered in reclaimed clay tiles, the welcome area is a garden path leading to the main museum area at the far end.
The Đạo Mẫu is a museum and a home in one. Xuan Hinh, the owner/artist who created it, lives on the project, which conveys a great deal about his unwavering commitment to preserving the architectural heritage and folk traditions unique to this part of the country.
Among them is the traditional veneration of deities of Vietnam’s folk religion that’s gradually disappearing from modern society.
By definition, the term Đạo Mẫu is Vietnamese for mother goddesses, or deities in folk religion treated with reverence and adoration since the dawn of time.
It’s part of the ancient Vietnamese belief system that seeks communications with supernatural beings, especially the goddesses or female deities and a fascinating aura of mystery that locals adhere to and observe in everyday life.
It’s not clearly understood how such belief systems came into being. Only that female deities were worshipped for thousands of years since the earliest times. This is especially true across Southeast Asia, where female divinity is mostly concerned with the life-giving and nurturing aspects of nature.
Understandably, the power of nature is personified as a woman symbolizing a creative and controlling force, and hence the term Mother Nature as we know it.
Long story short, it’s the line of thought mentioned above that inspired Xuan Hinh to join forces with ARB Architects, an architectural practice based in Hanoi, in creating an architectural masterpiece in this regard. It serves as a vehicle to express ideas about the preservation of the folk culture that’s rooted deeply in the belief systems about the force of Mother Nature.
The result of all this is a group of towering structures covered in vintage clay tiles reaching for the sky through the void of space among the fruit trees on the property. The idea is to avoid coming into contact with surrounding lush foliage and let nature permeate.
Philosophically, it’s a reflection on the importance of the need to live a conscious lifestyle and make the world a better place for all living things.
An opening in the boundary wall covered in old clay tiles provides a pleasing view of the old orchard.
The Đạo Mẫu Museum has two parts. First, the welcome area is a long garden path that runs along the boundary wall marked with towering structures at intervals. There are five of them in all that serve as the focal points to get people’s attention.
A drawing of the floor plan shows the old orchard up front and the museum/residential area with a water pond at the rear. / Courtesy of ARB Architects
The rustic garden path leads to the main area consisting of a place of residence and a museum at the rear of the property. There are service areas and smaller buildings nearby. The old house where the owner/artist lived previously now provides space for collectibles connected with the veneration of Đạo Mẫu, the female goddess.
Elsewhere, new buildings merge into the darkness of the fruit orchard. Or it can be said that the trees blend beautifully with the built environment. Either way, it looks the epitome of a perfect picture, in which all things in the universe are inextricably linked.
More so than anything else, every square inch of the towering structures and boundary walls is covered in vintage clay tiles in varying shades of earth tones. They are reclaimed construction materials that the owner/artist had kept in his collections over many years.
The tiles were recycled from much older homes across the Northern Region of Vietnam, more than one hundred of them in all. He collected them over time when the old homes were either renovated or dismantled as a result of the increasing globalization of the economy.
For Xuan Hinh and the design team of ARB Architects, the discarded objects are priceless works of art. They are man-made artifacts whose value cannot be determined, plus they provide a reflection on the ways of life of the people of Vietnam in times past.
It’s the opportunity to adapt them for a new use, thereby upcycling them into something of higher quality and value. And from the cultural perspective, it’s about showing respect for the past, celebrating the present and inspiring the future.
A contemporary vernacular home aptly named “Baan Suan Athisthan” stands surrounded by lush green trees and bushes in Chiang Mai. The term “Baan Suan” is Thai for an orchard home. You got the idea. It’s a living space that merges traditional knowledge and skills with modern design principles, technology and materials. The result is a well-thought-out two story house plan filled with style and personality, plus useful features fitting perfectly in a coherent whole.
A tree and lush vegetation add a light and pillowy texture to the front yard. The roof is covered with terracotta tiles sourced from neighboring Lamphun Province.
Located at Tambon Mae-Tha in the District of Mae-On, the house makes good use of indigenous knowledge systems and experiences unique to the locality, albeit adapted to suit new conditions and the look that belongs to the present. It’s part of a whole range of professional pursuits that homeowner and architect Supawut Boonmahathanakorn is engaging in.
He has worked at Mae-Tha for a long time, getting involved in all kinds of development efforts. It’s easy to get why he’s become a respected member of the community. We swung by Supawut’s beautiful vernacular home recently and loved every minute of it.
A Home That Blends into the Surroundings
Supawut came to Mae-Tha some eight years ago to work in community planning but ended up falling in love with it. Over time, a friendly, harmonious relationship with locals culminated in a decision to purchase a piece of land with the intention of building a home there.
What he had in mind was the kind of home that would fit, geographically and culturally, into the context of the rural vernacular habitat. And it climaxed with an impressive event in the form a thoughtfully devised wooden home with functionality and comfort fitting into a rural house plan.
Plus, correct building orientation protects it from inclement weather, creating a cozy and inviting living space that syncs with the rhythm of nature.
It’s the product of design thinking that started out with the simple drawing of a wooden home plan. As might be expected, he wanted it built the old-fashioned way. The house is now complete.
The principal front of the home looks out over a rural road and, beyond it, a panorama of Doi Khun Tan, a scenic mountain range straddling the border between nearby Lumphun and Lampang provinces to the south.
To deal with intense sunlight coming from that direction, a tree is put in the front yard to provide shade and protect the home from harsh glare. In the meantime, a specious porch along the outside of the house performs a dual function as semi-outdoor sitting room and a layer of protection saving the interior living spaces from sun damage.
By design, it’s the cool front porch that makes the house stand out from other vernacular homes in the neighborhood.
Bamboo poles alternating with barbed wires reduce the harshness of precast concrete fence posts. They provide a weather-beaten look that blends smoothly with the wooden home on the property.An array of awning windows allows natural daylight and fresh outdoor air into the home. Plus, they prove a perfect complement to clean line design on the building’s external envelope.
To blend in harmony with the community, the house is kept roughly the same size as its neighbors. Plus, it makes perfect sense to build a good rapport and avoid being seen as different from what is usual or expected.
To create a quiet and secluded living space, Supawut puts a tree in the front yard that’s still growing at the time of this report. At the same time, appropriate adaptations make the interior spaces cozy and comfortable. Among them, a “Tai Thun” or the open lower level space has since been enclosed by the walls for privacy and security since the homeowner doesn’t live here every day.
Combining Old and New
For strength and durability, the house is built on concrete foundations. The beams and joists supporting the house floor are crafted of steel to significantly speed up the overall construction process.
The floor itself is made of hardwood. The same applies to the beams and joists supporting the porch along the outside of the building. All types of timber used in this project are recycled from three old homes. They are chosen for their color and ability to suit different applications.
For good looks, teakwood is used as showpieces and wall panels, while the floor is crafted of solid hardwood in varying tones.
The front door opens to a vista of herb gardens and, beyond, a seemingly endless line of mountains.A roofed well casing made of concrete syncs with gardens filled with herbs indigenous to the Northern Region.
In keeping with local traditions, the house’s external envelope is unsophisticated and easy to understand. Unlike traditional vernacular design, the roof eaves overhanging the exterior wall are left exposed, leaving the ends of roof rafters visible.
Neither is there a gable decoration, aka the “Ga-lae” that’s symbolic of homes in the Northern Region. But nevertheless, it’s a beautiful wooden house, one that’s easy on the eye and blending perfectly into countryside vernacular.
The house entry area boasts split-level design that provides a place to sit while putting on and taking off shoes upon entering. There is an element of surprise, though. The second floor is accessible via a spiral staircase made of steel, an unusual feature for the traditional style home of the Northern Region.
The dining room and kitchen that lies furthest in is well-lit by natural daylight streaming through side windows and the front porch. Directly overhead, exposed floor joists supporting the upstairs room are clearly visible.Double height ceiling ideas make the downstairs sitting room feel airy and comfortable. Sliding glass doors open for good ventilation and lighting.A nook with a small desk provides a flex workspace that’s airy, open and welcoming.
The downstairs bathroom is an extension of the house plan, accessible via a semi-outdoor room roofed over with corrugated translucent material for lighting, a clever hack to keep the bathroom clean and hygienic.
The front porch roofed over with a translucent material performs a dual function as semi-outdoor sitting room and additional protection preventing sun, wind and water from entering the home.
Climb a flight of stairs, and you come to a “Tern” in the vernacular of the Northern Region meaning an indoor raised platform. In a way, it serves as window into the past. Supawut explained that traditionally in former times, the area was used as living room during the daytime, and sleeping space in the nighttime for unmarried sons.
For good lighting and ventilation, the room isn’t enclosed by the walls. In times past, all family members would be out tending rice in the paddy field all day. There was hardly anyone home. And by the time the sons matured into adulthood, they would be married off and started a family of their own. Since the daughters remained in the family, they were entitled to a room of their own.
A window into Northern culture in times past, the raised platform or “Tern” in the dialect of the region provided space for a living room during the daytime, and sleeping space for unmarried sons at night. Like old times, it now serves as a sitting room with throw pillows and floor seat cushions for sitting and leaning on.
In keeping with traditions, the Tern in this contemporary home is without furniture, an evidence that sheds light on a culture in which people sit on the floor. For Supawut, it’s a quiet nook to lean back, chill out, enjoy the view of the surrounding landscape.
Double Height Ceilings for a Bright and Breezy Atmosphere
A void of space between the first and second floors further increases ventilation in the home. It serves as engine that drives cross-ventilation, drawing fresh outdoor air from downstairs and forcing it to exit through wall openings and vents upstairs.
By making appropriate adaptations to traditional house design, Supawut was able to create high ceilings that give the home a lively and cheerful atmosphere. The result of all this: a contemporary home that’s more cozy and comfortable than the original vernacular homes in former times.
An upstairs awning window and a gable vent allow natural light and fresh outdoor air into the home.Timber conceals the steel framework supporting the roof, creating a harmonious look in the interior living space. The coverings are made of reclaimed hardwood in various shades of earth color. The wall on the right is crafted of cement boards with sand swirl texture painted a cool-toned white.A void of space between the first and second floors makes the house feel light and breezy, while windows open to bring the outdoors in.
Technically speaking, the house is an interesting amalgam of the modern and the traditional. The architect started out with ideas for a modern house plan, and then added vernacular features to it with the help and advice of local elders highly skilled in traditional carpentry and woodworking.
Ironically, the elders were reluctant to participate at first. But after working with Supawut for a period of time, they came to accept it as one of their proud achievements.
The neat and tidy bedroom embraces simple living. Shelving and cupboards perform a dual function as storage space and double insulated walls.The contemporary upstairs bathroom is small yet complete with modern conveniences. The wet and dry areas are clearly defined, while the bathtub and shower room in cool-toned whites match the toilet and nearby rectangular wash basin.
As for building material adaptations, the walls are built for the most part of cement boards painted a shade of earth tones reminiscent of vernacular homes in bygone times. A light hue is chosen to create a bright and optimistic appearance on the front porch and entry area. The second floor is built strong to give it the maximum ability to take loading, especially the wet area where the bathtub is located. There are multiple vents that allow warm air to exit, resulting in a well-lit, well-ventilated interior. In the meantime, the open-concept floor plan makes the home feel spacious and improves traffic flow.
The house sits on concrete foundations designed to protect against water damage. Post bases built of concrete keep timber frames and columns dry. The joists and beams supporting the house floor are made of steel to significantly reduce construction time and save money on timber costs. Where appropriate, the open ends of steel beams are boxed in using wood plugs for a neat appearance and keeping insects out.For a neat appearance, wooden knobs conceal the pins that secure mortise and tenon joints in place, a preferred technique to build strong timber framing. The architect sought advice from an artisan/village elder skilled in traditional carpentry to do this. Reclaimed four-sided posts and round log beams fitting together like wooden toys add visual interest to the interior.The roof over the front porch is covered with a corrugated translucent material that reduces the amounts of light passing through. The load-bearing posts, beams and joists are made of hardwood for durability. Rafter tails are cut at an angle for a lightweight look and maximize the drip-off distance from the building. Plus, it allows rain gardens to make the most of runoff water.
The new contemporary vernacular home is named Baan Suan Athisthan for a good reason. The word is Sanskrit for a resolute mind or strong will to find inner peace and happiness. Like so, Supawut created this awesome place to be a home of peace, one that seeks reconnections with the natural world and the community to which it belongs.
More than anything else, it’s a little humble abode that provides a learning environment for kids, plus a close and harmonious relationship with others in the neighborhood.
The homeowner and project architect, Supawut Boonmahathanakorn, of Jai Baan Studio.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
Here is a café and roastery with an ear-grabbing name. The Thingamajiggy Coffee Roaster stands in the middle of the rice fields of Chiang Mai’s Mae Rim District. A metamorphosis of purpose, it’s performing a new function as café with panoramic views of the stunning mountain landscape. The brand may be hard to say, but it certainly holds the attention of listeners while its rustic appearance merges into the farmhouse vernacular symbolic of the Northern Region.
The room of this Chiang Mai café in itself has only 21 square meters of space. At the outset, that was a difficult situation that tested the ability of the design team at Yangnar Studio, a homegrown atelier based in Chiang Mai. But they stepped up to the challenge by creating a functional business space, in which everything on the premises was fused into a single entity.
And the result of all this? A piece of vernacular architecture worth remembering. It’s a wholesome destination for coffee lovers that fits right into its surrounding farmlands and the reality of simple life in the countryside.
Built by locals using local building materials, the small coffee shop merges beautifully into farmland vernacular.
To begin with, the project owner wanted an oasis of calm where customers could sit back and relax as they enjoyed a good cup of coffee with nothing to obscure the view of the landscape. The design team responded with a three-part plan, including a small coffee shop at the front, followed by a cozy sitting area under a bamboo pavilion, and a restroom building at the farthest end.
Here, a 360-degree-view that changes from season to season can be seen all year round. Like a wallpaper from nature, it’s a design that seeks to connect more closely with the natural world for lighting and ventilation. Hence, there’s no need for air conditioning, which translates into huge savings and contributing in its small way to a sustainable future.
Going in the reverse direction, slat wood wall paneling is installed on the inside while supporting vertical beams or columns are on the outside.
In terms of design, the coffee shop gets its inspiration from old rice granaries commonplace in this part of the country. The interior holds a coffee bar service/ordering area complete with an assortment of bakery goods. Nearby, a west-facing bakery room provides insulation against hot afternoon sun, thereby keeping the bar and customer seating area cool and comfortable.
Plus, double height ceilings add a light and airy atmosphere to the room. From the outside, what looks like a two-story building is in fact a cross ventilation system which relies on wind to blow cool outside air into the room through one side, while warm inside air is forced out through rooftop vents and outlets on the opposite side.
Extended eaves overhanging the exterior walls offer protection against too much sun and rain.The building’s external envelope crafted of bamboo splits creates a more open and airy atmosphere in the room, plus it protects against humidity damage.
The little café amid the rice fields is built by artisans skilled in traditional carpentry using timber and other natural ingredients readily available in Chiang Mai, except for the load-bearing foundations that are made of poured cement or concrete to protect against soil moisture damage. As is the case with rice granary construction, slat wood wall paneling is installed on the inside while supporting vertical beams or columns are on the outside.
Apart from retaining much of its architectural heritage, the reverse exterior walls add visual interest that merges with a massive gable roof designed for sun and rain protection. In the fewest possible words, it’s a picture of modern countryside ideas blending together beautifully into one cohesive whole.
To make customers feel comfortable, this Chiang Mai café amid the rice fields has patio and outdoor furniture that can be set up anywhere under the bamboo pavilion canopy. It’s a relaxation room that conveys a great deal about the humble origins of mankind and their responsibility towards nature.
To reduce the chance of exposure to harmful substances, the bamboo shades and blinds are not chemically treated to extend their longevity of life cycle. It’s a design based on the belief that everything changes and everything will be replaced when the time comes.
A drawing of the floor plan shows functional spaces in relation to the trees and shrubbery thriving on the property.
The same applies to the method of construction that’s simple and straightforward. Take for example the bamboo pole footings that are wrapped in plastic bags for protection against humidity damage. Or the overhead black mesh rolls that create diffuse light and protect against the sun’s harmful UV rays. They, too, get changed from time to time to ensure customer comfort and satisfaction.
For a full view of the landscape, the three buildings are set in a direction parallel with the elongated plot of land.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Paul Phan /
Overcrowding conditions in Ho Chi Minh City have given rise to both challenges and opportunities for the design team at MA Architects, a homegrown architectural practice in Vietnam. Back in the day, their office was on rental property with little to no room for flexibility. Albeit equipped with air conditioning and modern conveniences, the small workspace was lacking fresh air and ventilation, a far cry from the environment conducive to a relaxed atmosphere and creativity.
Coconut fiber coverings shield parts of the roof for best interior lighting and insulation.The front façade in cool-toned gray stands sandwiched between a vacant lot and a tall building on the street corner.
Because of that, they decided to break out of the confined space into a home of their own. The new office stands sandwiched between two properties, a tall building on one side and a vacant lot on the other. Its front yard landscape is infused with green foliage.
Thoughtfully devised, the design atelier with an awesome cool gray façade is open to plenty of sunlight and fresh outdoor air plus trees and shrubbery. And the result of all this: a workplace ambience free from disturbance, one that’s good for staff’s ability to create and stay focused on their tasks.
The hallway holds a reception room that’s light and airy.
Bringing the outdoors inside, the office holds workspaces set on concrete slabs along one side and a strip of sand earth for in-ground gardening on the other.
The small, 100-square-meter office space is nestled in a peaceful city neighborhood. It occupies the full extent of a rectangular shaped lot measuring 5 by 20 meters.
The building has a narrow frontage to the street. Its external envelope is built of brick masonry plastered to form a smooth hard surface. In front of it, a small earthen terrace hemmed in by lush greenery provides a neat appearance.
An isometric drawing shows three principal dimensions of architectural features with elements of nature integrated in interior design. / Courtesy of MA ArchitectsAn architectural drawing shows the positioning of natural elements in relation to upstairs and downstairs rooms. / Courtesy of MA ArchitectsIn cross section, a side elevation drawing illustrates cross air flow patterns through the workspaces and under the roof. / Courtesy of MA ArchitectsFlashback: A photo collage shows stages of construction in chronological order. / Courtesy of MA Architects
Downstairs, a spacious workplace lies connected to a woodworking shop in the back of the building. The meeting room is upstairs that’s open to allow plenty of natural daylight and cool breezes into the interior.
Overhead, the trusses that support the roof are made entirely of timber covered by transparent corrugated roofing materials for best indoor lighting. Where appropriate, sections of the roof are protected by dry coconut fiber coverings for insulation from the sun’s harsh glare.
A woodworking shop occupies the back room, from which a staircase leads to the second-floor meeting room.The woodworking shop lies on the earth floor with a kitchen and bathroom at the farthest end.
Because when it rains it pours in the Tropics, it makes perfect sense to plaster the entire building envelope. The hard and smooth surface goes to work protecting the building from extreme heat and wet weather all year round.
Although relatively small in size, the office interior crafted of wood is impressive thanks to an open-concept, well-ventilated layout. While dry coconut fiber coverings over the roof make the interior feel cool and dry, the uncovered part works like a skylight turning indoors into a well-lighted place.
Besides light and wind, the architect also integrated other elements of nature in the design, among them earthen floors that cover parts of the ground level. Only the workspace and kitchen floors are made of concrete slabs for ease of use and safety.
Nearby, earthen floors add a warm, natural feel to the interior with plenty of room for growing plants in-ground. As the architect puts it, being in the middle of the hustle and bustle of the city, anything that brings a touch of nature, however small, is priceless.
The second-floor meeting room is open to natural daylight and connects to the trees.
A building material of choice, earthen flooring makes it possible to fill the interior with healthy green foliage along the entire wall. Earth and sand absorb and release some moisture, which contributes to a relaxed indoor ambience.
At the same time, vegetation in the front yard and decorative indoor plants both in ground and in containers go to work in tandem keeping the new office building cool and cozy just like home.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Son Vu, Trieu Chien /
Lung Vai School stands in a small village and namesake located in the northernmost corner of Vietnam. Only 55 households of the Hmong tribe live in this mountainous terrain on the Vietnamese border with China. The natural environment is pristine, but it’s hard to get there from anywhere. Public utilities, such as water and electricity are virtually nonexistent, not to mention schoolhouses of standard sizes and qualities capable of meeting children’s learning need.
A trio of school buildings stand on a mountaintop. Circular roofs merge into the farmland vernacular and rugged terrain.
This school construction project was undertaken by AA Corporation, an interior design and furniture manufacturing industry in Vietnam. It cost 2 billion Vietnamese dongs to build, roughly 80,000 US dollars.
Its primary objective: bring educational opportunities to minority Hmong children. The schoolhouse complex performs a dual function as center of learning for kids and a venue for cultural activities in the area.
The project consists of three adjoining buildings situated a stone’s throw from the village on a mountaintop. It offers a breathtaking panorama of the landscape covered in the morning’s blue haze. The schoolhouses with circular roofs call to the mind an image of wild mushrooms shimmering in the sunlight amid a dewy meadow.
The trio includes one schoolhouse for the kindergarten, one for elementary school classrooms and the other housing the teacher’s office, plus other facilities such as bathrooms, kitchen and multifunctional spaces supporting school activities. The schoolhouse project covers 250 square meters of land, perfectly adequate for the student populations at Lung Vai and neighboring villages.
From afar, the curved roof buildings prove a perfect complement to their natural surroundings. They are put together in a way that the roof of one building overlaps another to create coherence in architecture.
It’s a passive design strategy that goes to work facilitating the traffic between rooms, keeping the schoolhouses in shade and driving natural air circulation all day long. Like so, nothing disrupts the workings of mother nature.
In cross section, a side elevation drawing shows spatial relationships between rooms and how rainwater is harvested and carried to an underground storage tank.
In terms of the language of architecture, there is a distinct synchronization of smoothly drawn curves that twist and turn as they converge at the mountaintop. All the elements of design blend together into a cohesive whole.
There is wisdom in challenges. Because the project is tucked away in a remote location, transportation is difficult to put it mildly. It was a dilemma that tested the ability of the design team at 1+1>2 Architects. And yet they rose to the challenge by successfully completing the project in only six months.
The secret to a mission accomplished lies in using building techniques and materials readily available in the area in perfect proportions, in particular rammed earth construction.
Building with rammed earth or mud brick brings many benefits. It’s friendly to the environment and capable of reducing the ambient temperatures. Plus, it’s durable even in extreme weather conditions.
Pleasant to look at, a mixture of sand, clay and other ingredients gives a rich warm color of earth hues that allows the schoolhouses to blend perfectly into the natural world around it.
A clever hack to brighten the hallway, the void of space between the top of rammed earth walls and roof trusses is filled with transparent polycarbonate boards.
Rammed earth walls are capable of supporting the loads applied to them up to a certain limit. For strength and durability, the schoolhouses also contain parts made of other materials, such as steel framing supporting roof trusses.
Steel is chosen for speed of construction and overall robustness, especially where the distance between columns increases. Plus, it’s perfect for building a great variety of roof shapes and styles.
Large windows and generous wall openings above rammed earth walls allow natural daylight and cool breezes into the interior.
Taking everything into account, it’s design that pays attention to detail in facilitating indoor traffic flows and interactions between rooms. This is evident in there being four entry areas conveniently linked to stairs and ramps leading from one floor to the other, as well as the internal traffic routes connecting all the rooms.
The schoolhouse floor is raised slightly higher from natural ground level, adding visual interest to design. The hallway leading to classrooms is built wider than average to provide space for built-in bench seating on the side. And there’s still plenty of room left.
Other useful architectural features include the extended roof overhangs that keep the classrooms cool in the summer and dry in the rainy season. Priceless!
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Quang Dam /
Here’s a Tropical-style home located in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The hybrid timber and concrete home is appropriately named “The Hiên House” for its lively green façades, Hiên being Vietnamese for semi-outdoor room along the outside of the building. Overall, it’s a design that comes from thinking outside the box to create a relaxing space in the open air.
The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.
The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.
Wood and Concrete House
Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.
There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.
During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.
The light and airy front entrance is visible from the driveway covered in stone pavers.
To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.
Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.
Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience.
Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.
Balconies and Terraces for Free Air Circulation
What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.
Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.
First Floor Plan / Courtesy of WINHOUSE ArchitectureSecond Floor Plan / Courtesy of WINHOUSE ArchitectureThird Floor Plan / Courtesy of WINHOUSE ArchitectureIn cross section, a side elevation drawing shows space planning decorated with plants working in tandem with wall openings to admit natural light and fresh outdoor air into the home. / Courtesy of WINHOUSE ArchitectureIsometric visuals show reclaimed building materials being adapted to suit new purposes on all four levels of the new home. The message is clear: save the Earth and cut costs. / Courtesy of WINHOUSE Architecture
As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.
Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.
The kitchen in the farthest room is well-lit and well-ventilated.Going in the reverse direction, the terrace that in most cases lies along the outside of the house is put inside overlooking a lively green inner courtyard.
Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.
Illuminated by a rooftop skylight, the staircase and foot bridge spanning the void over the inner courtyard make traffic flow easy and convenient.
A well-lit foot bridge crafted of reclaimed timber connects the major living spaces in the home.
Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard.
The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.
Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.
Plants growing luxuriantly make the house façade green and lively.
Local builders skilled in traditional carpentry reinforce wood beams and pillars for increased load capacities.
In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Here’s a beautiful good-sized home with exposed brick walls in subdued orange. It sits peacefully nestled among lush greenery in Nha Be, a suburban district of Ho Chi Minh City, Vietnam. By design, it’s the perfect home size for four sisters who recently decided to come home to care for their aging Mom. A nice place for their family reunion, the brick home is filled with real warmth and memories growing up together back in the day.
Connecting Home and Garden
Designed to fit a long piece of property, the rectangular house plan holds five bedrooms plus a roomy communal space that’s the heart of family life. The architect puts the face of the building closer to the road which passes in front of the house leaving just enough room for a small front yard.
Like so, it allows a huge space for the backyard garden devoted to trees and shrubs and an outdoor sitting room.
Inside, the spacious room shared by all family members lies front and center on the house plan. To bring fresh air into the home, all the rooms are connected to the outdoor spaces in front and back of the building.
The front yard holds a small garden that’s an important factor in curb appeal. The interior is comfortable thanks to double-wall construction. The perforated outer shell performs a dual function protecting the house from heat and glare and serving as privacy screens.
Overall, it’s a design that lets the earthy, woody scents of nature permeate the air. Up front, healthy green foliage transforms the communal area into a calm, pleasant place enlivened by plenty of natural light streaming in through generous openings in the walls.
Open-concept design and floating furniture ideas make the communal room feel spacious, light and airy.An opening at the center of the house plan connects the first floor with the second, resulting in good visual and spatial continuity. The absence of risers between the treads of the staircase makes the room feel spacious and well-ventilated.
On one side of the floor plan, a flight of stairs connects to the second floor and continues to the room just below the roof that acts as a buffer against the sun and heat. The absence of vertical risers between the treads of the staircase creates visual and spatial continuity, plus good air flow in the interior.
Overhead, a shaft of sunlight streams through the rooftop skylight making the home feel bright and airy all day.
A semi-circle skylight lets sunlight shine through turning the home into a well-lighted place.
Brick the Material of Choice
The two-and-a-half-story brick home, including the room under the roof, is built almost entirely of bricks for the best indoor climate. Needless to say it’s designed for healthy living.
The first floor is a perfect example of communal space with plenty of room for a generous sitting area, dining room and kitchen. It speaks volumes for a culture of caring and sharing that’s the essence of humanity.
A patch of lush greenery in the front yard makes the sitting room feel warm and invitingly comfortable.
For practical reason, Mom’s open-concept bedroom is on the first floor. It’s protected from the sun’s harmful rays by perforated brick walls that form the outer shell. The inside is clear of anything that might be a tripping hazard.
The perforated brick wall forms the outer shell protecting Mom’s open-concept bedroom.
Meanwhile, the four sisters each have their own bedrooms on the second floor. They are equal-sized rooms connected by a balcony overlooking the communal space on the first floor. At the very top, the space under the roof becomes a devotional room for traditional veneration of the family’s ancestors. It has a quiet sitting area with a view of the surrounding landscape.
The bedrooms on the second floor are plain and simple. Windows on the interior walls bring back that peaceful easy feeling.The top floor under the roof contains a devotional room for the veneration of family ancestors
Taken as a whole, the natural environment is pristine thanks to an irrigation canal that runs past the back of the property. Both sides of the waterway are covered in greenery growing luxuriantly in the wild. It’s easy to get why the architect puts in a backyard garden here, a clever hack that blends perfectly into the lush landscape.
The house is built strong using concrete frame and concrete floor slab construction, while the external envelop is made of bricks in assorted orange hues fired the old-fashioned way. Perforated brick facades enable interior spaces to benefit from natural daylight. Gaps between bricks in the house’s exterior walls admit light and fresh outdoor air into the home.
A material of choice, the vintage style bricks can absorb humidity from the nearby water body, which translates into interior thermal comfort all year round. Plus, they effectively filter out dust and pollution in the air.
The siting of the house in relation to others in the community. — Courtesy of Tropical Space
Apart from protecting against heat and glare, brick walls add a touch of timeless elegance to the home. Perforated facades double as privacy screens that prevent people from looking in and keep the home cool without air conditioning.
The light that shines through is more diffuse, while holes in the brick walls act as engine that drives natural ventilation. Plus, brick walls require little to no maintenance, and they look like new after many years later.
First Floor Plan — Courtesy of Tropical SpaceSecond Floor Plan — Courtesy of Tropical SpaceAttic Floor Plan — Courtesy of Tropical SpaceIn cross section, a side elevation drawing shows the feel and functionality of the house plan. — Courtesy of Tropical Space
Backyard Garden Made for Relaxation
One of the house’s outstanding features is the backyard garden with an outdoor circular bench capable of seating several people. Built of bricks in subdued shades of orange, it’s the family’s favorite meeting place in the morning and evening.
Because it’s round, it creates more space for family members to come together face-to-face, talk together, walk together strengthening the bonds of sisterhood and relationships made in heaven.
An outdoor circular bench made of bricks in assorted orange hues adorns the backyard garden designed for face-to-face family gatherings in the morning and evening.
An aerial view shows the brick house in subdued shades of orange nestled among lush greenery with a tree lined irrigation canal in the backdrop, a healthy ecosystem that helps cool the environment.
Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.
Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.
It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.
Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.
House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.
For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.
Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.
This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.
House in Chau Doc’s Location Illustration Courtesy of Nishizawa ArchitectsHouse in Chau Doc’s Conceptual Drawing Courtesy of Nishizawa ArchitectsSection Drawing Courtesy of Nishizawa ArchitectsStructural Diagram Courtesy of Nishizawa ArchitectsFloor Plans Courtesy of Nishizawa Architects
What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.
Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.
Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.
Even better if the beauty of a locality is incorporated in the design.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
“There is something about this place that always brings back old memories,” said the owner of this lovely treehouse by the lake. “Several decades passed, but I still remember it as if it was yesterday. My family camped out here on a hot summer day. Our children gathered under the canopy of an old tree and set up a small tent together.”
“We called it a ‘house’ because it protected us from the sun, and we had a lot of fun. Some children cut down a few trees to make tent poles while others gathered leaves to make the upper covering and decorations.
“It was beautiful and eye-catching. Completely finished, we went looking for things needed to ‘settle down’ in the leaf hut shelter. …”
Obviously, his experience and memories provided the inspiration that culminated in the country home of his dreams. Built into nature, this treehouse by the lake was based on biophilic design conceived and developed by H.2, a homegrown architectural practice based in Ho Chi Minh City.
The house merges into the surrounding forest landscape on the bank of Da Bang Lake, a calm and peaceful body of water in Ba Ria-Vung Tau Province in Vietnam’s Southeast.
It all began with the homeowner’s desire to let his granddaughter connect with nature just like he and his kids did when they were young — an experience that, in his words, provided lasting psychological benefits. He could still recall having fun growing up in the countryside where life was simple.
Sharing a piece of his paradise, he said, “The leaf hut shelter that we built back in the day was a place to play games, do kid-friendly things and listen to music.”
“Memories were made here and the story is crystal clear like it all happened yesterday. The simple games we played nourished our souls and, especially for me, nurtured my love for life in the poor countryside. Those were the days.”
The 120-square-meter home sits in the shade under the canopy of tall trees near the lakeshore. It’s made attractive by ordinary materials sourced from within the neighborhood, a quality that gives it the unblemished charm of rustic rural life.
The stilt house supported by concrete structural framing offers plenty of under-floor spaces that allow natural daylight and gentle winds blowing in from the nearby lake.
It’s called a treehouse for good reason. Instead of cutting down the existing trees, the new house is built around them, literally letting them grow through the roof.
At the center, a spiral staircase winds around a tree trunk connecting the first floor to the second that serves as family living quarters.
What makes it unique is the use of reclaimed steel with surface rust in a variety of colors and textures, an appearance that gives the house its vintage industrial appeal. Some of the pieces came from an old factory that had been torn down, while others were purchased from a local scrap yard.
In a way, it’s contributing towards a healthier planet by reducing waste, recycling and reusing discarded materials to suit a new purpose.
House Layout Courtesy of H.2Conceptual Diagram Courtesy of H.2
Simple yet attractive, it’s an eco-conscious home made possible by the honest use of natural materials. Here, the emphasis is on creating a light-filled, airy and comfortable interior, one that seeks reconnections with nature and, at the same time, brings the warmth of family joy.
The homeowner said that he could still recall the day his granddaughter arrived at the new home. She was obviously happy and excited.
The forest treehouse by the lake afforded a conducive learning environment with plenty of room to play, run, jump, and climb trees.
With respect to construction, it’s a very interesting project. The nature-loving house by the lake makes practical and effective use of discarded materials in a way that creates a home of higher quality and value.
Take for example the use of scrap metal and leftover materials including corrugated roof paneling that people tend to overlook. And by giving recyclable items a new purpose, it translates into big savings and, at the same time, reduces impacts on the environment.
Long story short, the outer appearance is immediately appealing. The interior living spaces are comfortable, peaceful and secluded to say the least.
Flexible floor plan design lets nature permeate making the home bright and airy. At the same time, it’s ingeniously devised to integrate the existing trees in the overall scheme of things.
That’s just one of several fascinating adaptations that make it original and unique – a forest home where all things eventually merge into one pleasing and consistent whole.
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Triệu Chiến /
Though we cannot count on the weather to be calm and delightful at all times, it is quite possible to bring physical ease, well-being and relaxation into the workplace, even without air conditioning. And this brick office named “Premier Office” has proved to be the case, thanks to clever passive cooling techniques and greenery giving off friendly vibes.
Handsomely nestled within a calm Ho Chi Minh City neighborhood, the building offering rental office spaces boasts the timeless beauty of brickwork in masonry construction.
Not only do bricks blend nicely into the surrounding landscape, but they also provide interior thermal comfort by absorbing moisture to some degree.
When wet, they dry out by evaporation thereby keeping the ambient temperature pleasant during the daytime.
The seven-story building with a parking garage below ground level offers vacant office spaces for lease that let tenants do their own setup and decorating.
Unlike the usual design offering the same old same old typical of everyday commercial real estate, the rental business spaces at Premier Office are available in a variety of shapes, sizes and configurations, each of which is unique in its own special way.
As the architect intended, the new office block centers around the concept of climate-responsive design whereby forms, functions and nature blend together into one perfectly coordinated business property.
There is a courtyard-like open area at the center that affords an airy and bright atmosphere on every floor. It’s an architectural feature that goes together well with building facades made of ventilation blocks.
By design, the breathable envelope doubles as a passive cooling system that draws fresh outdoor air into this brick office and dissipates excess heat into the sky by rooftop ventilation.
Façade and Ventilation Conceptual Diagram Courtesy of Tropical SpaceFirst Floor Plan Courtesy of Tropical SpaceSecond Floor Plan Courtesy of Tropical SpaceThird Floor Plan Courtesy of Tropical SpaceFourth Floor Plan Courtesy of Tropical SpaceFifth Floor Plan Courtesy of Tropical SpaceSixth Floor Plan Courtesy of Tropical SpaceSeventh Floor Plan Courtesy of Tropical Space
For the health benefits of natural light, the building envelope is constructed with spaces in between bricks. These little openings in the wall work in tandem with the skylight over the courtyard-like area at the center.
Together they create interior thermal comfort by admitting a defused light to illuminate the room, meantime protecting it from the sun’s harsh glare.
It’s a clever hack to promote well-being, by which only the indirect light filtered by brick walls and surrounding trees is allowed.
The architect believed that by integrating physical comfort in the design of this brick office, it would double as second home for many tenants working here.
To avoid invading people’s privacy, the business space for each and every tenant is easily identifiable and clearly defined by a brick masonry wall.
Even with that, all the rental spaces appear bright and airy, no doubt, a nature-inspired place in which to conduct business.
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