/ Story: Ekkarach Laksanasamrit / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratep /
The hot and humid climate in Thailand is inevitable. But where there’s a will there’s always a way. This energy efficient home clearly illustrates that. The old house belonging to Assoc. Prof. Tonkao Panin Ph.D., of the Faculty of Architecture, Silpakorn University was lovingly restored to its former glory. The result is a place of residence that’s very pleasant, airy and well-lighted.
Located on the bank of a canal, the property faced a long-term problem. Flooding tended to happen often. This eventually necessitated a complete teardown to make room for a new home.
“We had full-grown trees on the land, which we intended to keep. So, the architects designed the building around them. Due to some limitations, parts of the old home remained intact. The space where the trees are standing now has since transformed into an atrium,” Tonkao said.
“I want a home that’s open and airy – a house that breathes, so to speak. The new design calls for a system of wide corridors and ample spaces underneath it. The low land is now filled up to bring it to street level and create semi-outdoor multipurpose room.”
Tonkao chose steel for the main structure because it reduced construction time and enables a flexible construction schedule.
The two-story, L-shaped home splits into two wings located on either side of the warm and pleasant center courtyard. The canopy of tall trees keeps the entire living spaces cool and comfortable all day long.
For indoor thermal comfort, the exterior walls are made of hollow bricks to block the sun while allowing the wind to pass through. Plus, long eaves overhanging the outside walls protect the home from heat waves, while house-on-stilts design improves ventilation.
“We sleep soundly in a compact bedroom. A wide corridor helps when we walk pass each other. Semi-outdoor walkways enable us to keep abreast of current weather conditions and we don’t need air-conditioning,” said Tonkao apparently content with the design.
All things considered, it’s an energy efficient home, one that embraces natural light, increases airflow and makes daily living not only comfortable, but also enriching.
Architect: Assoc.Prof.Tonkao Panin, Ph.D., and Tanakarn Mokkhasmita of Research Studio Panin (www.researchstudiopanin.com)
/ Story: Ekkarach Laksanasamrith / English version: Peter Montalbano /
/ Photographs: Soopakorn Srisakul /
There are ways to bring the outdoors in and enjoy the benefits of nature without ever leaving your home. Likewise, a concrete house in Malaysia named Sekeping Tenggiri has embarked on the journey to establish a sanctuary for the mind.
Located in Jalan Tenggiri, a district of Malaysia’s capital Kuala Lumpur, the house graces a modest plot of land. Nonetheless, the homeowner adeptly integrates a plethora of natural features into the design for a look that blends seamlessly with the environment.
The house belongs to Ng Sek San, who is the founder of Seksan Design, a landscaping and architecture firm in Kuala Lumpur. He told us that the house was a renovation of two adjacent homes skillfully transformed with a clean sweep.
Ng is also an art collector, which is evident in one side of the house dedicated to an enviable art collection that’s open to the public with no admission charge.
The two-story home boasts a comprehensive range of functional spaces, including an ample sitting room, dining room and kitchen, complemented by a refreshing swimming pool and seven bedrooms.
An experienced landscape architect, Ng started out with a modest garden while working on this house. Over time, he progressed to larger projects, smoothly integrating exterior and interior spaces so that they become a whole. To him, a garden is a room, and his exterior design spaces resemble extensions of the interiors.
An exemplary illustration of Modern Tropical style, Sekeping Tenggiri is designed to mitigate heat and prevent moisture-related issues. Long overhangs and awnings provide protection against scorching sunlight, while exposed roof sections and plain floors contribute to a clean and simple aesthetic.
Materials such as concrete masonry, bricks, wood, and steel were utilized, with the main structure being steel-reinforced concrete. The thoughtful incorporation of nature into the living space is evident in details like raising the floorboards 40 centimeters from the concrete floors, promoting air circulation that naturally cools the upstairs bedrooms.
Opaque walls are replaced by glass louvre windows that usher in light, creating airy interiors. Transparent materials in parts of the roof facilitate ample sunlight, particularly over the swimming pool.
As has been demonstrated, Sekeping Tenggiri features numerous passageways that facilitate air movement. They include the spaces between wooden floorboards and along the corridors, plus openings in exterior walls. These design elements not only enhance ventilation, but also contribute to the house’s uncluttered and incredibly relaxed appearance.
This Modern Thai stilt house incorporates traditional wisdom into its modern design. All aspects of the environment are taken into account, including air circulation, calmness and comfort.
The couple incorporated traditional Thai wisdom with the best in modern design to create this modern Thai delightful home. The Thai stilt house of Panupong and Busakorn Hiranrak inspired by changing the design.
Obviously, some of the imported concepts didn’t seem to go together well with the kind of climate we have in Southeast Asia.
Located in Bangkok’s Bangplad District, the house sits on a plot that was once part of a lush agricultural landscape. Architect Bundhit Kanitakhon explains:
“The land for many years used to be a thriving fruit orchard served by a well-planned irrigation system. House design was honest and straightforward, taking into account directions of the winds, the sun, and seasonal flooding. The result was a simple home with a modern edge and comfy atmosphere.”
On the outside, this Modern Thai stilt house was made of concrete masonry, for the most part unornamented. Closer examinations revealed elements of a true Thai style personality – ideal house orientation, suspended ground floor, and the so-called breathing wall design.
Ideal building orientation
There is a sense of auspicious energetic flow and comfort. The main log axis of the building runs East-West, allowing it to capitalize on natural air movement and effectively reduce heat.
Suspended ground floor
Its stilt house design provides for effective under-floor air circulation, which is a form of the passive cooling characteristic of homes in Southeast Asia.
The stilts raise the house one meter above the surface of the soil to protect from seasonal flooding, ventilate air underneath the suspended ground floor, and effectively reduce humidity.
Breathing wall design
This Thai stilt house is all about creating one seamless transition from the inside to the outside. Indoors living spaces are light and airy thanks to an array of 26 windows that stand 3.6 meters tall. They open up to bring in the outdoors. The teak wood shutters are the work of master builders from the old capital Ayuthaya.
Meanwhile, walls are composed of air blocks. The so-called breathing walls not only promote good air ventilation but also add to the overall curb appeal.
The house’s other distinctive features include a large central terrace, steep roofs arching upwards, and lush green surroundings.
Central terrace
The central court is the largest open space that connects with and supplies fresh air to other parts of the house. A form of cooling strategies, it ensures the occupants are thermally comfortable all year round.
Steep roofs design
The house boasts steeply sloping tile roofs that arch upwards about 40 degrees to allow for rapid rainwater run-off.
On the edges, the eaves from an overhang that not only protects the building from scorching midday sun but also throw storm water clear of the walls. The steep roof design also serves as a natural cooling strategy.
Natural surroundings
Thanks to the creative design, the house blends well with the green surroundings. Nearby, mango, banana, and jackfruit trees thrive alongside other vegetation that provides a crisp, cool canopy keeping the occupants comfortable all year round.
On the inside, ample living spaces boast Asian inspired décor. Airy rooms are decked out with classic Thai and Chinese furniture from years gone by. Old cabinets, tables, and a Chinese style daybed are carefully placed to ensure they don’t clash with new sofas and trendy modern shelves. There is a seamless transition from one area to another.
Modest design concepts also pull in the natural earth tones seen throughout the house, from wood to kiln fired ceramic tiles and the air blocks.
/ Story: Supachart Boontang / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
This house on stilts in a riparian neighborhood just off of Rama 2 Road represents a confluence of ideas between traditional craftsmanship and modern technology. There is timeless elegance and beauty in traditional design that provides an ample relaxation space on the open lower floor. The second floor features a wood balcony large enough to be used for several purposes, while the third holds a quiet, more secluded living space.
On the outside, long eaves overhanging the walls of the building protect the interior from the elements, while solid walls shield the home from intense glare of the sun. The result of all this is a comfortable indoor environment.
Nanthapong Lertmaneethaweesap, of the Arsom Silp Institute of the Arts, designed this home as part of an affordable housing program for the institute’s most valuable assets — their teachers. The program has aided the teaching staff in owning a home of their dream, hence the name “Baan Bang-Gru”, meaning houses for the teachers.
He said that for the most part a house plan based on simple design is the most comfortable to live in. That has a lot to do with finding the right balance between functionality and the house’s overall dimensions – or how big it is. Easy living can be achieved without spending a fortune on sophisticated decorative details.
Our documentary crew visited this house in the waterside area just off of Rama 2 Road that was famous for its simple lifestyle. We witnessed people go about their business in ways that were distinctive to a riparian community. We also noticed that change was just around the corner.
Overall, the design and build quality of the house represented the combination of ideas between traditional knowledge and technology of the modern era. Interestingly, it was like is a journey through time.
Charatsri Sribumrungkiat, the homeowner, said: “I acquired this piece of land thanks to assistance from the Arsom Silp Institute of the Arts. It was part of an effort to provide affordable housing for the institute’s instructors. The program has aided the teaching staff in buying a piece of real estate at cost price, hence the name “Baan Bang-Gru”, which means the teacher’s home.”
Nanthapong added: “In my opinion, this piece of land has great potential. It affords good views both of the lake and the waterway that runs past the rear of the property.
“The house’s front façade rises facing south, and the building is oriented along the east-west axis. This enables it to reap the health benefits that come with southerly winds.
“The house plan in itself fits in very well with the waterside setting. Its house-on-stilts design provides an ample relaxation space on the open lower floor. The second floor features a wood balcony large enough for multiple functions, while the third holds a quiet, more secluded living space.”
Occupying 120 tarang wah (480 sq. m.) of land, this house on stilts boasts high quality craftsmanship, albeit built on a small budget. This is possible because as much as 90 percent of lumber supplies came from reclaimed wood and other recyclables. New lumber used in the project accounted for only about 10 percent.
The homeowner attributed the success to his sister, who was good at finding recyclable ideas and putting them to good use around the house. This not only saved a lot of money, but it also filled the home with cool pieces of furniture.
By design, the open lower floor is a feature that makes life less stressful. It provides easy access to practically everything, from the little lake in front of the property, to the peaceful waterway behind it.
It is the area that is used all day every day for relaxation, dining, tending plants and pruning trees in the garden. Plus, correct building orientation ensures the home receives the full benefits of natural ventilation especially during summer months.
Originally the homeowners had intended to build a normal two-story house, but later decided to raise it on concrete piles instead. The change of plan resulted in the first floor becoming second, and the old second becoming third.
The main kitchen is on the ground floor. There is a good-sized sitting space with a small kitchen and dining room on the second floor that’s reserved for use in the event the ground floor is flooded. The third floor holds three bedrooms and a Buddha room.
The exterior walls are inspired by the rice granary in former times, in which vertical studs are installed on the outside and horizontal wood palettes on the inside. The edge joint technique that has existed for a long time ensures the wall is water impermeable during rains.
On the whole, it’s a beautifully crafted house on stilts, one that fits in perfectly with the peaceful riparian landscape on the outskirts of Bangkok. The interior living spaces are uncluttered in keeping with the minimalist style, while the exterior showcases the architecture, waterfront lifestyles and experiences unique to this part of Central Thailand.
/ Story: Ajchara Jeenkram / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
This house among the trees is part of a suburban residential development nestled in a wooded area where calming fruit orchards once grew. It is comforting to know the developers have made every effort at preserving as many trees as they possibly could. Like so, the houses are built around mature trees that have long been there. Here’s one of them.
The cube-shaped façade looks out over the front yard. Large glass windows in wood casings stretch across the entire face of the building. To reconnect with nature, patches of greenery occupy every open space including the rooftop deck. Meanwhile, open concept floor plans allow abundant natural light. The positioning of windows and other features ensures minimum consumption of electricity, which translates into big savings. More than anything else, it’s about building a relationship with the natural world.
“Tanah Teduh” is the name of the housing development. It’s a reminder of the residential projects where a large number of houses of similar design are built closer together, creating a friendly neighborhood in which everybody knows everybody.
Here, all the residential units have access to common areas via both front and back doors. Well-thought out design ensures security is achievable without sacrificing privacy. Taken as a whole, the housing development is situated on 21 Rai of land (roughly 8.3 acres) that once upon a time was a thriving fruit orchard.
Inspired by the need for nature conservation, the project developer offers only 20 modern houses with a view of the lush garden landscape. The privacy of its residents takes priority over any other matter. But the beauty of the landscape is important, too. So, instead of building boundary walls that can be unpleasant to look at, the homes are kept separate from each other by green hedges and other smart architectural hacks.
It takes a team of top ten Indonesian designers to make this housing development exceptionally good. To avoid repetition, the front façade varies from one unit to the next, and each unit is a signature of an individual designer.
Oranat Pernquist is the owner of the house that we visited on this housing development. A Thai lady who has come to call Jakarta home, she welcomed our editorial team to take a look around. Overall, the home was beautiful, well-designed, and nicely decorated.
Andra Matin, the designer and project director, sure did a good job at it. He put in a small center courtyard to let nature pervade throughout the home. Natural light and correct building orientation were taken into account, resulting in well-connected, warm, and inviting interior living spaces.
Meanwhile, the external envelope showcased the charm of modern design, something akin to the works made famous by world-renowned architect Le Corbusier, but with an Asian outlook.
The house has two wings. The ground floor of the first building offers a good-sized sitting room, dining area and kitchen. Glass siding fills the entire exterior wall on one side, making the center court clearly visible from within. The second floor holds a home office, while the third is a sundeck converted into a sky garden.
The second building also has two levels with multi-use spaces on the first floor. The second floor contains a sitting room with access to the garden. It’s decorated with a sofa in soft hues and a set of table and chairs. There is a park bench made of concrete for relaxation in the outdoors.
The designer is passionate about Thai-modern design that’s evident in the interior decorated with simple materials. They include real wood, bare concrete walls in lighter shades and a perforate shell. Every living space is designed for specific use. It looks uncluttered and opens to let nature permeate.
Oranat said that her other half, Anders Pernquist, traveled abroad for business often and brought home beautiful objects from Italy, Taiwan, and India. She wrapped it up nicely: “Anders is responsible for purchasing,” and she for installation. No wonder home interior design is so full of life.
“Anders likes Asian style handicrafts. Works produced in this region are beautifully crafted. We have glass-front armoires with superb wood carving imported from Thailand, area rugs from India, and other pieces that are made to order in Jakarta,” said Oranat.
“Our collections come from various parts of the world. They remind us of our long journey.”
“It’s a co-housing arrangement.Mine is more of a dynamic, full-of-life home. The house next door is my brother’s. It appears to be more private in the midst of a tranquil setting.“
The homeowner, Suthiphong Pongpawasuit said I was kind of speechless for a bit when I heard him express his feelings about the co-housing house. It could be that I was expecting the most beautiful replies like always. No offense intended. It was the most honest and unpretentious of feelings.
“I could feel a warm and friendly atmosphere, and appreciate the meaning of “home” as he defined it. I have come to one that reflected the true personality of its owners.” The two houses are surrounded by pleasant grounds made the two brothers happy in their own way.
The two buildings brought out differences in their lifestyles and their preferences.
The first building
The first building belongs to Suthiphong. It is concrete chic based on a straightforward design. The walls are fabricated of unornamented concrete finishes and an interesting mix of textures and materials. Floating systems of electrical conduits conjure up images of an urban industrial loft apartment.
The interior features gorgeous living spaces. During the day, natural light shines through large overhead windows with wrought iron detailing, creating an amazing shadow play. There is a sense of visual continuity that connects seamlessly with the exterior as soon as the large door slides open.
On the outside, peaceful lush landscaping under a tree canopy can be seen in full view. On the inside, different furniture styles add a hint of interest in a subtle way.
Obviously, the co-housing house is designed for the local climate. Oftentimes we complain of too much sun, winds, and rain. But since we call this country home, why not make the most of the extreme weather conditions?
They are the natural appeal of this Region. That is why we see all natural elements being incorporated into the design scheme. Here, the sun, the winds, and rain are all taken into account in framing the house within a beautiful botanical border. That makes living in a co-housing house a life fulfilling experience.
The second building
The second building belongs to Suthiphong’s brother, Kittiwat Pongpawasuit. Unlike the first house, it comes in a mix of white, cream, and gray tones, which together give it to a strikingly handsome appearance.
The design is light and airy and emphasizes a warm and peaceful atmosphere. Brick walls are painted white to minimize any alteration of natural light and color reflecting on the surfaces. The home, especially its living spaces, is all about enhancing a seamless indoor-outdoor relationship.
Crisp, clean landscaping can be seen all the way to the swimming pool, thanks to large single-paned glass doors that slide open and neatly disappear into the walls. The living room gets nice cool breezes from the swimming pool and is set facing north to avoid the harshest of the afternoon sun.
Design relationship
The two designs may contrast in personality, but architect Kraipol Jayanetra of Alkhemist Architects found a relationship between them by opting for like materials, textures, and mutual décor ideas.
By this was meant the use of naked, unornamented concrete finishes, industrial-style electrical conduits, wood furniture, and a plenty of accent pieces.
“I started out with something small but interesting, and worked my way up until I arrived at a complete unit,” said Kraipol.
That being said, every part of the co-housing buildings, be it vertical or horizontal spaces performs the functions it is intended. Overall, a great mix of patterns and textures makes the two houses appear in perfect harmony with each other. The difference is in the details.
This has been a story of two youthful homes in a co-housing house that coexist to complement each other. One is overflowing with life. The other is tranquil and handsome in its own way. They enhance and improve each other’s curb appeal, and set the stage for a simple fulfilling lifestyle.
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