Their retirement home epitomizes the “new life” many dreams of. One such is Lisa Thomas, former manager of a famous hotel chain in Thailand who retired and moved with her mother to Ratchaburi.
“It was love at first sight. Our first arrival in Ratchaburi was, like this, in the rice growing season. I love the inexplicable green of rice paddies: somehow it always brings me a peaceful feeling.”
Lisa’s first impressions resulted in her choice of Ratchaburi Province as the site of this family home, but there were other reasons: convenience of being only two hours from Bangkok, good public utilities, and, importantly “the green horizon, without the view of skyscrapers from our old condo.”
Helping to bring Lisa’s dreams to reality were Research Studio Panin Architects Assistant Professor Dr Tonkao Panin and Tanakarn Mokkhasmita. Their design began with their listening intently and paying attention.
“We’re satisfied if we can manage to translate the everyday morning-to-evening life of a homeowner into each angle and corner of our house plan.
“Houses spring up gradually, resulting from our conversations with the owner. Solutions come from knowing how to step back and fully understand what we are listening to.”
This design answered fundamental home needs including functionality of use; features gradually added to support the owner’s natural habits, and principles of comfortable living such as “cross ventilation,” which allows air to move freely through the building.
A half-outdoor deck set in the middle of the house greets entering visitors, also capturing breezes from all directions as they transit from outside to inside.
More than simply a stop on the way in, it’s a comfortable space for the owners to relax.
The building of this retirement home is laid out to follow the contour of the property, along a natural irrigation canal. To echo this locational context, a swimming pool is set parallel to the canal.
The house faces west, but the problem of day-long heat is addressed with a basic structure of steel-reinforced concrete and an extended deck that widens to match the reach of the sun.
Eaves and verandahs have a steel framework that nicely frames the surrounding scenery.
“Without Lisa’s daily life here, the house would have no meaning,” the architect added.
“It awoke different levels in this space both from the perspective of form and in the actual space itself.”
The location of this retirement home is in harmony with the nature of her life. In the everyday living areas – kitchen, dining room, living room – a high ceiling is called for.
Louvers are set in narrow dividing panels between doors and windows for good ventilation throughout the day, bringing air into the central entrance hall and on into Lisa and her mother’s bedrooms in back, upstairs and downstairs.
“Time is the important thing now,” added Lisa.
“I just want to use my time in the right way, doing what makes me happy, and part of that is returning to live with my mother, bringing back the feeling of life as a kid. The house is a safe space, recalling things that are engraved in my heart forever.”
And it also memorializes the friendship felt by architects for the homeowner in a house that has created lasting happiness.
Owner: Lisa Thomas
Architect: Reserch Studio Panin by Associate Professor Dr Tonkao Panin & Thanakarn Mokkhasamit
/ Story: Samutcha Viraporn / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
The owner of this container house in Canggu, a resort town on the Indonesian island of Bali, began trying out a design concept with the intention of building a temporary home but, as luck would have it, he ended with a permanent family residence.
Designer/architect Andika Japa Wibisana, of the Studio Tana’s said the homeowner wanted to build a house and small office here, but the owner of the land wouldn’t sell. So he decided to put in a container home in case he would have to move and build elsewhere. The designer envisioned the possibilities, and came up with a house plan that answered the needs of all family members.
The design places smaller boxes inside a large box, the larger one a steel and glass frame, enabling creation of double walls that reduce sunlight and outside heat. The interior is composed of eighteen shipping containers, some opened up for a spacious, L-shaped central living area with a high ceiling.
“Family members from Jakarta come to visit sometimes, so the living room opens out to connect with the garden, where some vegetable plots are set aside for children’s use,” said Andika.
The property is lower than the road in front, making this container house about a half-story lower than street level, with the garden behind it gradually sloping further down. Looking up from the garden, the house appears to be set on a hill of fresh green grass. This beautiful atmosphere is enhanced by the gurgling of a nearby small stream.
The building’s left section holds an office and stairway, with that spacious open-plan living room to the right and service areas behind it. Above, the shipping container near the garden projects outward for a better view of the green space: here is the master bedroom.
Another section divides containers into kitchen and dining room. Interior décor here has lost the industrial look: ceiling and walls are surfaced white, with real wood taking away the rawness of the steel.
Plants grow by the glass wall as protection against heat.
On the other wing, the second floor holds two more bedrooms, one container used for one room. The entire second story lies under a sharply sloping steel roof that forms an eave for protection against too much sun and rain. Beneath is a balcony with a long walkway connecting to the building’s outer porch, all of exmet (expanded metal grating) for an attractive play of light and shadow below.
Even though some steel houses have a harsh look, this one is designed in response to a Tropical lifestyle, with industrial materials combined in a way that gives an Oriental look to the big 18- container home. Together they create convenience and comfort, meshing perfectly with the beautiful garden.
The front door divides the house left and right. Right is the office section, blocked off by a ridged container wall.Large, spacious living room within a steel and glass frame that lets the sun in only in the morning. The tall ceiling helps reduce the heat. Evenings here are great for socializing.Another living room wall. On the ground floor is a washing area and bathroom. Clearly visible above is an arrangement of containers within the large steel frame.Spacious interior open area. Upstairs is a kitchen/pantry, dining area, and living space. The interior décor is in earth tones.In the bedroom, where the designer’s intent is to reduce the harshness of the steel with woodwork, the walls and ceiling are white, as in an ordinary house. Utility systems are hidden in the pipe-like ceiling divider: the entire ceiling is not lowered, because of the height limitation of shipping containers.The kitchen/pantry is in a container on the second floor, with a structural dividing post in the middle.
This house, with its hidden Western flavor, calls out for us to relax and drink in its peaceful atmosphere. Its owner, singer and MC Boy (Pisanu Nimsakul), had it designed as an escape from urban confusion: the green of plants, brown pebbled walkways, and a connection between his and his mother’s sections of the house allowing for both familiarity and privacy.
Boy’s house is on a thousand square meters in the Soi Yothin Pattana area, not far his old neighborhood. For the design he took the advice of his friend Sena Ling (Somkiat Chanpram) and hired Neung (Phanuphol Sildanchang) of PAA, whose work really impressed him.
“Meeting Neung, at first he just asked if I thought I could live with his style (laughs) . . . but of course, that’s exactly what I came for, didn’t even need to spend much time on the details.”
Neung added, “If the customer understands and trusts our best design work, it makes it easy.”
Boy wanted to be able to live with his mother and still have privacy for socializing with friends, so the house stretches wide, lengthwise along the property as it faces south toward the road. Mother and son’s sections have separate entries from a long walkway in the center of the property that essentially divides it into two courtyards, one a green area shared by Boy and his mother, and the other featuring a swimming pool that parallels a long porch accessible only from Boy’s section. This includes a gravel path running in from the carport along the rim of the garden fence so friends can come in without disturbing his mom.
Neung says “I wanted to have every room in the house able to open window and look out as if on a private courtyard, kind of exciting! So without a lot of artifice or excess playing around with materials I’ve created the sense that there are a lot of courtyards, as people enter at different levels.”
The central walkway has latticework screening between the two courtyard sections which keeps the buildings from appearing too separate, at the same time allowing for good air circulation on both sides. Trees are planted along the side to block the view from any neighboring houses that might be built in the future. In back he house abuts against a 3-storey townhouse in back with a wooden fence that blocks the view, covered with climbing plants such as cat’s claw vine.
To give the house a relaxing warmth, natural wood is used as much as possible. The weight-bearing steel frame is mostly hidden: some of the support pillars are completely natural wood. For the residential sections the roof is gabled, with long eaves to quickly drain water and heat, while in certain sections there is a modern-style flat roof. Various Western formats, proportions, and components have been inserted in a simple, unpretentious style. Interior décor includes movable furniture and light-colored cloth drapes for a gentle look that Boy’s sweetheart brought in.
“It came out just as designed! Coming into the house it feels relaxed, like being in a resort. It’s a pleasure just to look out the window. At the same time, it feels like I’ve come home,” added Boy, obviously a happy man.
Several years ago Naiduangta Pathumsut and Rungroj Kraibut began building their farmhouse with meager savings. That of course didn’t produce the kind of home we see today, but it was enough for the concrete structure and the roof. Before long their enthusiasm, determination and a lot of hard work resulted in a beautiful home amid lush green fields. There is the pride and glory in it, no doubt.
They first started with a single-story home and named it “Ton Tarn”, which is Thai for the point of origin from which a stream or river flows. Naiduangta’s parents settled down and raised a family here a long time ago when the trees were still young and had only just begun to emerge from seeds.
They bequeathed a parcel of land to her and Rungroj to build this new house connecting to the original family home.
Folding doors of old wood open wide, giving the house an old-fashioned atmosphere.
By way of introduction, Naiduangta was born here in Suphan Buri, but moved when in kindergarten. Eventually completing Thai Language Studies at the Faculty of Education in Chiang Mai, she worked in Bangkok for a period of time before returning to Suphan Buri to help her father with his work promoting child literacy in this western province of Thailand.
Rungroj, a native of nearby Uthai Thani, studied environmental geography and has worked for the Seub Nakhasathien and Sarnsaeng-arun Foundations to promote learning about living with nature. After the great flood of 2011, the couple decided to put in a two-story home – connecting to the original single-story house – as a means to escape future flooding.
A multi-use spot opens on a wide view, with steel “cage doors” for security.Rungroj’s bicycle collection and workshop supports his hobby: cycling into Chiang Mai with friends, doing a solo trek to Uthai Thani, etc.
Rungroj can still recall how it all started: “If we’d waited to get all the money, we wouldn’t have been ready. We wouldn’t have started or done anything.”
With the help of local craftsmen, the basic structure was built in two years, but by then the money had run out and the work had to depend on just the two hands of “Craftsman Rung” for the wood walls, doors, windows, and some furniture.
“I used timber from Neem trees or Indian lilac (a tree in the mahogany family) and Burmese rosewood trees grown and harvested on our property. Plus, we had some old wood, doors, and windows set aside. After another two years the exterior looked finished, but there was still a lot of work to do.”
The kitchen wall has painted green shutters, “tank-shaped” chairs, and a simple shelf above the doorway.
The 9-acre property includes the parents’ house, the main house, and a rice granary. There’s a natural well with a planted bamboo border. Umbrella bamboo is grown for its edible shoots, and giant thorny bamboo for fencing. The bamboo orchard is in one area, rice paddies in another, and big, harvestable trees remain from the time of Rungroj’s grandfather.
“November to March is the perfect season for growing leafy vegetables we use ourselves, but we switch crops sometimes. Vine veggies like string beans, loofah, and squash are perennials. They provide a natural way to prevent disease and insects that often spread when growing just a single crop,” said Rungroj.
“The image of our house in the middle of the fields looks great. We can’t do anything about how farming in the area has changed: use of chemicals, burning sugarcane fields,” he continued.
“We can only adapt to it and build on our own natural world. Our joy is in the pride of doing things with our own hands. There’s nothing perfect in nature: it’s all a learning experience, like life as a married couple, gradually adapting. Where we can’t adapt, we create understanding so we can live together.”
Next to the house is a woodworking shop Rungroj also uses to store wood. Scaffolding used to build the house was converted to storage racks.
/ Story: Patsiri Chot / English version: Peter Montalbano /
/ Photographs: Anupong Chaisukkasem /
On the bank of the River Kwai, Kanchanaburi we stand beneath tall trees, their canopy of robust branches and green leaves filtering sunlight into shade as a cool, comfortable breeze riffles the water. The sight of the Erawan National Park forest fills us with awe. This enchanted spot is where Dr. Suwin Kraibhubes, CEO of Beauty Community, PLC decided to build his home on the riverfront.
“In the old days there was a resort here, but abandoned, it fell apart.” Dr. Suwin said.
“Coming here on a visit I found myself getting excited about this panoramic mountain view, the forest preserve and the peaceful river. I hadn’t known Kanchanaburi had such a quiet, pleasant riverside woodland as this.”
Dr. Suwin had always had a deep feeling for good design and home decoration. He followed this up with a lot of reading from many sources, and bought furniture and house accessories to add to his own collection and deck out this home in a style suiting this great location on the River Kwai.
“I had a lot of ideas, including building on the original resort’s foundations, and found an architect to help,” further explained the owner. “With modern-style gable roofs, the shapes are reminiscent of a tobacco-curing plant.
“I didn’t want to make the house too eye-catching, but more low-key, in tune with nature, so we used strong, dark colors with natural materials such as wood, stone, and steel, materials with beautiful colors and textures of their own, that also are easy to maintain.
“The result is a relaxed retreat where we don’t stay every day, but that fits in beautifully with the natural environment.”
Dr. Suwin’s personal living space is a compact riverside home on a hill directly above the water. The full residence extends across the property: another three steel-frame buildings are set in a quiet corner.
There is a separate structure in the center for use as a reception area and common dining room near a two-story house built to accommodate more family members and friends.
He also added, “I live on the river bank for comfort. It’s a little like a greenhouse: the walls are glass and face out on the river, giving both a beautiful view and privacy.
“Mornings I really enjoy looking out from the porch. I can see everything from there, it feels like we’re in the middle of everything!”
Dr. Suwin gets a lot of outdoor time here, playing in the water with the kids, kayaking, jet skiing, enjoying nature by the Tha Thung Na Dam. Sometimes in the cool evening air he sits out on a raft, socializing with his friends.
“I really love that this house has both the mountains and the river. Outside we get the full benefits of being close to nature: almost no landscaping needed,” he summarized beautifully.
“I love the big trees the most. They give this riverside home the refreshing, shady frame.”
/ Story: Samutcha Viraporn / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
Starting with the idea of building a temporary residence from commercial containers, Charnwit Ananwattanakul of Wish Architect Design Studio had to analyze the different characters of the family members who would live there. In the end, this temporary project became a permanent home made from 15 containers where all family members reside happily together.
The container house has two wings, one used for the living area. The master bedroom is on the second floor. An open wood-floored multipurpose space runs longitudinally through the house as a sort of inner courtyard, enabling family interaction and serving as a channel for heat release and air circulation from front to back.
Similar decks in front and back follow the width of the house that’s set back a distance to reduce heat entering the container elements of the home. Trees planted in front add another level of protection from the western sun.
A partition at the far end creates a wind channel for air circulation, reducing any late-morning heat gain from the east side of the house.
To minimize heat and humidity, bathrooms are placed on the south side, some containing plants suggestive of old-time country houses where bathing was done outside, pouring from water jars. Another important feature is the sprayed-in roof insulation.
The living room is done in a spacious “open plan” style, connecting to the large food preparation area/pantry with facilities such as a coffee brewer, an island with a gas range, and storage shelves for kitchenware with a large protective screen to keep the space more orderly.
The second-floor verandah has a gap cut where netting is placed for people to sit, lie back, and chill; this also helps release heat and brings natural light into the central area, as well as giving it depth.
To avoid a fussy look, white was chosen as the primary color for interior décor of this container house.
Due to limitations on utility system installation, some metal posts had to be added to container walls and ceilings to accommodate electrical systems without further lowering the already rather low container ceilings.
Where appropriate, a framework of steel was constructed to meet the proportions of container walls. At the same time, wood paneling in shades of earth-toned brown was added to give the interior living space a warm feeling.
In front of the house, real stone is used in the staircase area to give the atmosphere of a modern-design garden, playing off the boxlike shape of the container house.
The fence also features a play of vertical and horizontal lines, using the language of design to simultaneously create a look of transparency and a sense of privacy. Each area is designed to suit the behavior of the family members living there, and this links the family and strengthens relationships all the more.
/ Story: Patsiri Chot / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
This attractive, old-fashioned country home stands in the middle of huge swaths of paddies in Chiang Mai’s Mae Rim District. The upper floor, all bedrooms, is built of wood. Downstairs the many open walls convey a great deal about the traditional Thai house with a “tai thun” (the open underfloor space) that’s spacious, bright and airy. It holds a living room, dining room, and coffee nook with a natural breeze providing cool comfort all day long.
The rural house built of reclaimed timber looks the epitome of a local tradition. Its design is the brainchild of Prakij Kanha of the Bangkok-based atelier Studio Miti Co., Ltd.
Overall, the building is impressive in its austere simplicity. But at the same time, the external envelope made of weather-beaten wood adds rustic charm to the home. The recycled building materials used in the project were taken from five old houses at various locations around Chiang Mai.
The house has a small courtyard along its length, a channel for natural breezes to blow that adds to an overall sense of relaxed informality.
There is a small courtyard enclosed by the walls of the house, creating a channel for natural breezes that go to work making the simple interior cozy and comfortable. Limitations on the amount of wood meant that a few downstairs walls had to be mortared in place. Where cladding boards were too short, sheet metal was used to cover the unfilled spaces.
The house was roofed over with Onduline, a kind of eco-friendly corrugated roofing sheets made of strong natural fibers. They are lightweight and suitable as insulation materials, and hence no need to install a ceiling.
For roof decking installations, oriented strand boards, or OSB, are used. OSB is a type of engineered wood similar to plywood. To keep the sun baked rooms cool during the day, gypsum boards are used to add a layer of built-in insulation.
There is a mix of tall windows and glass walls, and a central corridor connecting to every room in the house. It also doubles as air circulation channel.
Even the bathroom looks out on nature. The master bedroom has views of both Doi Saket, a mountain in the eastern part of Chiang Mai, and morning mists over the Ping River. On the opposite side, night after night you can watch the moon wax and wane.
The country house’s easy and chic interior décor is a mix of furniture and antiques almost entirely taken from the homeowner’s old place of abode.
A small mezzanine made of steel mesh flooring is home to objects of interest to collectors, including a post-World War II vintage bicycle, while photos on the wall give the air of a private gallery.On one side of the hall is a staircase made attractive by a mix of unfinished surfaces of wood, brick, cement, steel and glass.This is a homestay for nature lovers: the four guest rooms all have wooden furniture, stressing simplicity and panoramic views of the landscape.
Public electricity doesn’t reach out this far, so solar cells are used, and per-day energy use has to be carefully figured. There is no air conditioning, but the natural breezes here are deeply cooling.
On the whole, it’s a beautiful wood house set amid rice fields, a perfect place to get the peace and quiet. The sky can’t be clearer. The night is totally dark and tranquil. What could be better than that?
/ Story: Samutcha Viraporn / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
It’s everyone’s dreams to have a beautiful home. And it takes a special kind of knowledge, skills and wisdom on the part of the architect to create one that’s both gorgeous and great to live in. This box-shaped house in cool-toned whites belonging to Thanaphong and Thinan Nakaprasit has what is needed for comfortable living.
Initially, construction was delayed for a period of time for Dr. Tonkao Panin, a professor at Silpakorn University, and Tanakarn Mokkhasmita, of the Research Studio Panin to properly develop a plan to build the house around a tree.
“Our old house had a high “tai thun” (the lower open space at ground level) and a tree that’s the focal point on the property,” explained Thanaphong. “We loved this place, but we wanted to change a few things. To put in a carport in the tai thun, the house had to be raised a bit higher to create more headroom. Our first house plan had a half courtyard with the tree only partially surrounded.”
Thanaphong and Thinan had seen the results of Dr. Tonkao’s design work in the past. They grew familiar with her lines of thought that stressed using simple geometric shapes to bring out hidden character and warmth. Especially for Thanaphong, it gave him further insights into the concept of utilizing proportions, a code to unlock the geometric secrets in classic designs, and a sense of security that’s a design challenge in architecture.
Having lived in a house with glass walls, privacy and security were important to Thanaphong and Thinan: they wanted more containment. Creating secure viewpoints for looking both out of and into the house posed a challenge for the architects. Solutions began with placement of a large tree as the focal point of the house plan. The rooms are disposed around the tree in the center courtyard and have views for monitoring the exterior of the house. People inside can hardly be seen from outside, while the addition of steel panels adds more security.
The security steel panels were originally designed to be of Exmet (expanded metal), but Thanaphong consulted with the architects and decided instead on perforated steel, adding a charming polka dot pattern to the latticework blocking off the long walkway behind the house by the canal.
“Environmentally, this is a great location: water and mountains are behind us, so we need practically no gardening of our own,” explained Thanaphong. Instead of being near the road, the house is set deep in the back of the .4-acre property. Besides the tree between buildings, the living room has a beautiful view of the natural forest on the other bank of the canal.
For easy maintenance, the property is landscaped primarily with grass lawn or paved with stones and large rocks, which are used especially for the shady, peaceful “tai thun” space (the lower open space), which gets no direct sunlight.
For movable furniture, Thanaphong especially wanted to bring some Modernform “black Iceland” items from their old house, which required some expansion of the kitchen. Other furniture is mostly from IKEA, with light color tones and light, simple shapes.
“The longer we’ve lived here, the more charm we’ve found in this house, its great functionality, and the open areas, the deck and the tai thun. This is a very special design. Completely separate from other benefits, just the view as we drive in lets us see past the buildings to the mountains, water, a panorama of nature. I love it,” the owner wrapped up beautifully.
Following our report on 10 must-see highlights of the Architect ’19 “Living Green”, an expo of architectural technologies, building materials, smart innovations and home decorations, it’s time for a deeper glimpse into the world of sustainable developments to show why living a green lifestyle is so important to us and our future generations. The 33rd edition of the architectural expo is doing exactly that. It’s the ASEAN’s major confluence of interesting ideas, news and information on how to live sustainably with a focus on innovative products, advances in construction, repairs and decorations. There are even more exciting discoveries that we want to share with you. Take a look.
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Graphenstone Stuki Premium: Innovative ideas to make your house work like a tree with awesome design and colors
(See real products at Jorakay’s exhibit, Booth S211)
Do you know that using 15 liters of paint (roughly 3 buckets) can sequester as much as 10 kilograms of carbon-dioxide in the air; thereby helping to reduce the overall concentration of greenhouse gases in Earth’s atmosphere. That’s pretty much the amount work a tree does in one year. Introducing G Color Stuki Premium. The new paint product line represents a major breakthrough in research and development by the Jorakay Corporation Co, Ltd, a leader in the manufacture and distribution of products for construction, repairs and decorations. Its products are certified to international safety standards.
Jorakay’s G Color Stuki Premium is a colored cement for decorative concrete surfaces. It’s made of a mixture of high-quality limestone that’s sourced directly from nature. Stuki Premium is the result of Graphen technology that’s eco-friendly and capable of producing a family of colored cements that’s durable and suitable for both indoor and outdoor situations. Beautiful design patterns can be easily made using a small handheld plaster trowel. Three are 322 color shades to choose from.
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dECOLeather® Recycled Leather Veneer, 5650 Shagreen: Reuse of leather shreds to minimize the killing of animals
(Get the feel of real products at Formica Thailand Booth F507)
The dECOLeather® brand of recycled leather veneer is a composite of shredded leather scraps collected from leather goods manufacturers. An alternative product from the Formica Group, the durable laminate is beautifully crafted for decorative coverings, interior design and other surfaces. Ensuring that nothing goes to waste, dECOLeather® works by making good use of every small piece of leather destined to be discarded or destroyed as rubbish. In the recycling process, leather scraps from garment cuttings and other manufacturing activities are reduced to fine particles and then mixed with synthetic resin to form a hard, flat and flexible material for decorative coverings. After that, a variety of design patterns are printed on the composite material. For this exhibit, four design collections are on public display. They include whiptail stingray, buffalo hide, sea lion, and crocodile decorative patterns. You will love the stingray design. See it at the Formica booth.
dECOLeather® is a line of alternative products designed to be perceived as similar or comparable to genuine materials for which it is intended to substitute. The most important point at issue is about saving the environment. It comes in handy for the consumer who has a taste for leather goods but dislikes the killing or hunting of animals for their skins. Advances in the manufacturing process ensure that recycled leather veneer is more durable than leather in general, making it a material of choice for interior decoration, table top, and other surfaces to name a few. It’s water impermeable, easy to install, flexible and available in many colors.
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XPOSH Series: Luxury water-saving faucets and winners of the Red Dot Design Award 2019
(Get the feel of real products at COTTO Booth S308)
If you prefer a touch of luxury and save energy at the same time, look no further than an impressive line of water faucets for the bathroom sink from COTTO. The XPOSH Series features a single handle with one-hole mixer tap design that lets you use just the right amount of warm water when needed. It comes in a variety of colors and finishes that please and pleasure your senses, among them Starlight Silver, Matte Onyx, Midnight Silver and Starlight Gold. Each model features eye-catching design that has won the Red Dot Design Award for 2019.
Nicknamed “a jewel in the bathroom”, the XPOSH Series is considered not only a luxury, but also a perfect example of advances in technological innovations. That’s what COTTO is about; save the energy needed to make hot water. It’s easy to use simply by pushing the handle slightly to the side. The XPOSH Series has a smart mechanism hidden inside the cartridge that turns on and starts heating water after only 4 liters has passed instead of 6 liters that’s normally the case. In the process, this mechanism helps save both water and electricity at the same time. It’s an interesting development compared to the standard instant hot water faucet that consumes more energy.
Reverie Rethinking FormRivulet Rethinking Flow
For design aficionados, the COTTO exhibit also features showerheads in a variety of styles and finishes, among them the “Rivulet Rethinking Flow”, a three-dimensional abstract form designed to let you enjoy the delightful spray of water as if you were bathing in a stream. There’s also the “Reverie Rethinking Form” showerhead, which is a mix of metal casing and crystal parts. The design mimics a mass of small soap bubbles kissed by the morning sun, immediately appealing to say the least.
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DOS WaterPac Pro: A space saving water tank rich in functions; it’s more than a storage
(See the real product at DOS Life Booth S104)
DOS WaterPac Pro is a technological innovation under the brand name DOS Life. The water tank with pump has become an instant success story. It won a 2018 DEmark Award, an official accolade for design excellence in the Industrial Goods Category, and the Good Design Award, or Gmark for short, in 2018. The underlying logic and reasoning for the design is about saving space and maximizing the utilization of vertical space.
Designer Vichit Choopho obviously tries to make a connection between the lifestyle of the new generation and modern conveniences that contribute to an easy way of living. A water tank that’s rich in functions turns out to be one of the four must-haves in every home. For this reason, DOS WaterPac Pro is designed to be more than just a water storage. It’s a source, means and process of supplying water for the entire household, and in a succinct way reflects the taste of the homeowners.
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STOCK HOME BROWN: Wood-look porcelain tiles designed to reduce waste
(See the real product at Duragres Booth S305)
Stock Home Brown is a line of wood-look porcelain tiles that’s part of the Recycled Tiles series manufactured by Duragres. A metamorphosis of purpose, it’s made by converting waste into useable raw materials, including tiles that have been damaged in the manufacturing process. The result is an impressive array of 20×20 inch tiles for covering floors and other surfaces. In the end, the main concept is about ensuring nothing goes to waste and that every piece is made to the highest international standards.
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KENZAI x JUNSEKINO Architect + Design: Bricks designed to break the traditional rules
(See the real product at KENZAI Booth S212-1)
“I want a building material that allows light to pass through and provides protection from rain.” Jun Sekino of the architectural firm JUNSEKINO Architect + Design has carried out a thorough search for the ideal material. The answer is a line of translucent bricks made of various raw materials binding together to form a perfect building block.
The new kind of brick is made of a mixture of clay and polycarbonate, a synthetic resin that’s the strongest of all plastics. The part that’s translucent is only five millimeters thick. Because it’s so strong, the brick can be used to build a wall up to three meters tall with no need for a lintel across the top. It’s water impermeable and allows light to pass through the part that is polycarbonate. There is practically no limit when it comes to controlling the amounts of light shining through. In so doing, the architect can use any brick laying patterns to add a new dimension to the interior living space. More importantly, it translates into a big saving on electricity use.
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MO31 (ECO PLUS): One-piece toilet sanitary ware with washbasin and a water recycling system
(See the real product at MOGEN Booth S305-1)
Wouldn’t it be nice if wastewater from the washbasin can turn around and be used again to flush the toilet? That’s actually the case with M031 (Eco Plus), a revolutionary one-piece toilet sanitary ware that comes with a washbasin and a recycling system designed to cut down on water use.
MO31(ECO PLUS) from MOGEN is the first water-saving sanitary ware system that uses Siphon Wash in coordination with Flush. Made using solid ceramic technology, the toilet bowl requires only 3 to 6 liters to flush. Innovative design ensures the toilet bowl and water reservoir is built tough, its surface smooth to the touch, and the toilet seat stable and easy to operate.
Every model in the MO31(ECO PLUS) series comes complete with an installation kit that includes hoses, clean water supply line, stop valve and rubber gasket that seals the junction between two surfaces.
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The above-mentioned technological innovations, products and services are on view at the Architect ’19 Expo that’s happening from April 30 to May 5 at Challenger Halls 1-3, Impact Exhibition Center, Muang Thong Thani. There isn’t much time left, and we don’t want you to miss out on it.
The renovation of this hundred-plus-year-old rowhouse in Charoen Krung Soi 44 is more than a home improvement: for Mou Lumwatananont, it’s a homecoming she’d never imagined.
“My mother was born here, but we moved out before I was two. After building it up from 2 storeys to 2½ storeys, my aunt continued to use it as an office,” the owner began to tell the house’s story.
“However, that business ended many years ago, and it has been only two years since we began making plans for renovation and conversion to fulfill our long-time dream of a guest house and a café.”
This area’s former prosperity is apparent in traces of European colonial-style architecture and bustling alleys that now welcome international tourists and backpackers to the charm of its storied history.
Mou and architect Pok (Wachirasak Maneewatanaperk) from sea.monkey.coconut share views on the value of preserving history through architecture.
The architect explained, “Renovating this great old building, I didn’t want to change a lot. But I discovered it had already changed.”
“An upper floor had been added, and it had been expanded outback as far as it could go. The entire second-storey wooden floor had been covered with another material.”
In line with building preservation guidelines, the architect decided to make clear distinctions between old and new.
They kept intact the front wall and brick walls all around, chiseling off interior mortar to show weight-bearing structures, including wood wall beams fitted into brick arches, and keeping the charming mortared patterns of the original roof.
The lower floor is chic travelers’ café, a wooden stairway stretching up to guest rooms above. Visitors might wonder about the functionality of the steel poles they see set at intervals throughout. It is the by-product of the makeover process, as the architect told:
“This area is a walled-in rectangle, and without changing outer walls and structure at all, we’ve created a new house within the frame of the old one, sinking micro pilings into the root foundation and installing all new support pillars.
“It was important to keep the new structure separate. Concrete flooring was poured on the ground level and separated by a foam at the joints where it meets the original walls.
“These “expansion joints” keep outer and inner structures from being attached, so if the floor subsides, it won’t pull a wall down with it. On the second level, we’d intended to keep the original wood flooring, but found irreparable termite damage, so we had to replace it.”
Explaining the challenges of the construction process, the architect added, “At the back of the house, we changed to steel and drywall construction to install walls and latticework.
“Building here was difficult because of the limited space. Fronting on a narrow street made delivery difficult. There was nowhere to stack and store materials, so all work had to begin inside.
“When the inside was done, we brought in the materials stored outside and switched to working on the front. There was a lot of planning involved to make it possible for the craftsmen to be able to work at all.”
Row houses lasting more than a hundred years naturally tell stories with marks from sun and wind, just as with marks left on our lives by travel.
Leaving to study and live in England for more than twenty years, Mou could never have expected the winds would slowly blow her back to her origins with a new feeling, one born of love and dreams.
The word “Chez” is French, meaning “at,” or “at the home of,” hence the name: Mou has opened her home to welcome friends at “Chez Mou,” where stories are told by marks on bricks and sweet smiles.
Here is a place full of feeling of release from travel, and full of a bittersweet, gentle fragrance.
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