HOUSE / Living ASEAN - Inspiring Tropical Lifestyle

Termitary House: Good Sunshine, Fresh Air, and Brick Walls

By livingasean
September 19, 2019
HOUSE,LIVING

/ Da Nang, Vietnam /

/ Story: Patsiri Chotpongsun / English version: Bob Pitakwong /

/ Photographs: Hiroyuki Oki /

The fact that the house is made of clay has enabled brick buildings to make deep connections with the natural world in so many ways. More importantly, the structures built of small rectangular blocks derived from nature are endowed with the power of storytelling that provides a window on vernacular culture, the environment, and the way of life native to a locality. These qualities are manifested in outstanding works of architecture, the likes of which are obvious at this house in Da Nang, Vietnam that uses brick walls as the main building element.

Good Sunshine, Fresh Air, and Plenty of Room to Breathe — The hall at the center of the house plan is spacious and well-lit, thanks to the skylight positioned directly above it. It has room for plenty of functions ranging from a sitting parlor to dining room to pantry. The natural light cycle interacts with the interior spaces, resulting in different color renditions as day goes by.

It all started with a family’s desire to renovate their home on a budget. A team of architects from the design firm Tropical Space soon came up with an idea inspired by termite mounds.

They knew that the small soft-bodied insects built their homes by cementing masses of earth with saliva. Amazingly, they are quite capable of withstanding hot and humid climates for long stretches of time.

For this reason, the architects designed the house walls to be built of bricks placed on top of each other with a break between blocks to create little ventilation holes that allow in light and drive natural air circulation.

Designed for tropical living, the 140-square-meter box-shaped house wrapped in perforate brick walls is going by the name “Termitary House.”

To protect from heat, the team of architects put in perfectly opaque walls on the sides exposed to intense sunlight.

Meantime, the sides with less exposure to bright light had small openings built into the walls to promote air circulation, resulting in thermal comfort in the interior living spaces year round.

The same applied to the brick house façade that’s its most outstanding feature. The vertical flat structure was made of bricks fired the old-fashion way and laid with air holes at intervals all the way across.

The result is a breathing wall that allows in just enough light and a fresh supply of air. The light and spacious atmosphere lends a modern air to the home designed to be free from dust in summer and safe from inclement weather during the monsoon season.

More importantly, it’s about privacy that comes with unique design.

Situated on a rectangular plot with narrow frontage, this box shaped house is enclosed by brick walls with ventilation holes built into them. They serve multiple functions as privacy screens, breathing walls, and means of admitting daylight into the interior.

It’s a house plan that prioritizes thermal comfort as well as functions. The staircase, storage room and bath are strategically placed on the east and west sides.

During daytime hours they double as a layer of insulation to keep sunlight heat out. The hall at the center is spacious and well-lit, thanks to the skylight positioned directly above it.

The area offers plenty of space for a sitting parlor, pantry and dining area as well as easy access to the bedroom, bathroom and small reading room on the mezzanine.

Open concept design paired with perforated room dividers contributes to visual continuity that enables family to stay connected, happy and warm even on a busy day.

A small corridor lies between the outer brick wall and the inner wall decorated with transparent glass. Glass walls maximize natural light while protecting the interior living spaces from rain.

Well thought-out design adds privacy to the bedroom on the mezzanine. Opaque walls paired with perforated brick walls and skylight in the ceiling add a new dimension to design. Meantime, glass paneling for the wall is installed to protect the room from dust and inclement weather.

Breathing walls offer several advantages. By design, countless small holes in them let a moderate amount of light shine through, increase air circulation, and reduce interior temperatures to a comfortable level.

Upfront, the vertical brick structure provides an awesome privacy screen that’s energy efficient and allows people inside to see out. Made from inexpensive local materials, it comes alive when good sunshine creates movement and a shadow play on the surface.

And the show goes on day and night, thanks to the form, color and texture that give the brick wall its character.

The house walls are built of bricks placed on top of each other with a break between blocks to create countless small holes that allow light and air to enter and circulate freely. The resulting perforate shell contributes to physical ease and well-being in the tropical style home.

The night is aglow under the beams of electric light shining through the perforate shell. It’s a phenomenon that conjures up the image of a beautiful lantern symbolic of a joyful celebration.

This story is an excerpt from Modern Vernacular Homes Special Issue: Happiness Matters. (Available here in Thai and English)

Architect: Tropical Space by Tran Thi Ngu Ngon and Nguyen Hai Long

Retirement Home Perfectly Serves a New Life in Ratchaburi

By livingasean
September 12, 2019
HOUSE,LIVING

/ Ratchaburi, Thailand /

/ Story: Nathanich Chaidee / English version: Peter Montalbano /

/ Photographs: Sittisak Namkham / Styling: Tippaya Tarichkul /

Their retirement home epitomizes the “new life” many dreams of. One such is Lisa Thomas, former manager of a famous hotel chain in Thailand who retired and moved with her mother to Ratchaburi.

“It was love at first sight. Our first arrival in Ratchaburi was, like this, in the rice growing season. I love the inexplicable green of rice paddies: somehow it always brings me a peaceful feeling.”

Lisa’s first impressions resulted in her choice of Ratchaburi Province as the site of this family home, but there were other reasons: convenience of being only two hours from Bangkok, good public utilities, and, importantly “the green horizon, without the view of skyscrapers from our old condo.”

Helping to bring Lisa’s dreams to reality were Research Studio Panin Architects Assistant Professor Dr Tonkao Panin and Tanakarn Mokkhasmita. Their design began with their listening intently and paying attention.

“We’re satisfied if we can manage to translate the everyday morning-to-evening life of a homeowner into each angle and corner of our house plan.

“Houses spring up gradually, resulting from our conversations with the owner. Solutions come from knowing how to step back and fully understand what we are listening to.”

This design answered fundamental home needs including functionality of use; features gradually added to support the owner’s natural habits, and principles of comfortable living such as “cross ventilation,” which allows air to move freely through the building.

A half-outdoor deck set in the middle of the house greets entering visitors, also capturing breezes from all directions as they transit from outside to inside.

More than simply a stop on the way in, it’s a comfortable space for the owners to relax.

The building of this retirement home is laid out to follow the contour of the property, along a natural irrigation canal. To echo this locational context, a swimming pool is set parallel to the canal.

The house faces west, but the problem of day-long heat is addressed with a basic structure of steel-reinforced concrete and an extended deck that widens to match the reach of the sun.

Eaves and verandahs have a steel framework that nicely frames the surrounding scenery.

“Without Lisa’s daily life here, the house would have no meaning,” the architect added.

“It awoke different levels in this space both from the perspective of form and in the actual space itself.”

The location of this retirement home is in harmony with the nature of her life. In the everyday living areas – kitchen, dining room, living room – a high ceiling is called for.

Louvers are set in narrow dividing panels between doors and windows for good ventilation throughout the day, bringing air into the central entrance hall and on into Lisa and her mother’s bedrooms in back, upstairs and downstairs.

“Time is the important thing now,” added Lisa.

“I just want to use my time in the right way, doing what makes me happy, and part of that is returning to live with my mother, bringing back the feeling of life as a kid. The house is a safe space, recalling things that are engraved in my heart forever.”

And it also memorializes the friendship felt by architects for the homeowner in a house that has created lasting happiness.

Owner: Lisa Thomas

Architect: Reserch Studio Panin by Associate Professor Dr Tonkao Panin & Thanakarn Mokkhasamit

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Inspiring Container Home with a Tropical Garden View

By livingasean
September 5, 2019
HOUSE,LIVING

/ Bali, Indonesia /

/ Story: Samutcha Viraporn / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

The owner of this container house in Canggu, a resort town on the Indonesian island of Bali, began trying out a design concept with the intention of building a temporary home but, as luck would have it, he ended with a permanent family residence.

Designer/architect Andika Japa Wibisana, of the Studio Tana’s said the homeowner wanted to build a house and small office here, but the owner of the land wouldn’t sell. So he decided to put in a container home in case he would have to move and build elsewhere. The designer envisioned the possibilities, and came up with a house plan that answered the needs of all family members.

The design places smaller boxes inside a large box, the larger one a steel and glass frame, enabling creation of double walls that reduce sunlight and outside heat. The interior is composed of eighteen shipping containers, some opened up for a spacious, L-shaped central living area with a high ceiling.

“Family members from Jakarta come to visit sometimes, so the living room opens out to connect with the garden, where some vegetable plots are set aside for children’s use,” said Andika.

The property is lower than the road in front, making this container house about a half-story lower than street level, with the garden behind it gradually sloping further down. Looking up from the garden, the house appears to be set on a hill of fresh green grass. This beautiful atmosphere is enhanced by the gurgling of a nearby small stream.

The building’s left section holds an office and stairway, with that spacious open-plan living room to the right and service areas behind it. Above, the shipping container near the garden projects outward for a better view of the green space: here is the master bedroom.

Another section divides containers into kitchen and dining room. Interior décor here has lost the industrial look: ceiling and walls are surfaced white, with real wood taking away the rawness of the steel.

Plants grow by the glass wall as protection against heat.

On the other wing, the second floor holds two more bedrooms, one container used for one room. The entire second story lies under a sharply sloping steel roof that forms an eave for protection against too much sun and rain. Beneath is a balcony with a long walkway connecting to the building’s outer porch, all of exmet (expanded metal grating) for an attractive play of light and shadow below.

Even though some steel houses have a harsh look, this one is designed in response to a Tropical lifestyle, with industrial materials combined in a way that gives an Oriental look to the big 18- container home. Together they create convenience and comfort, meshing perfectly with the beautiful garden.

The front door divides the house left and right. Right is the office section, blocked off by a ridged container wall.

Large, spacious living room within a steel and glass frame that lets the sun in only in the morning. The tall ceiling helps reduce the heat. Evenings here are great for socializing.

Another living room wall. On the ground floor is a washing area and bathroom. Clearly visible above is an arrangement of containers within the large steel frame.

Container House with a Tropical Garden View — Spacious interior open area. Upstairs is a kitchen/pantry, dining area, and living space. The interior décor is in earth tones.

In the bedroom where the designer’s intent is to reduce the harshness of the steel with woodwork the walls and ceiling are white, as in an ordinary house. Utility systems are hidden in the pipe-like ceiling divider: the entire ceiling is not lowered, because of the height limitation of shipping containers. — In the bedroom, where the designer’s intent is to reduce the harshness of the steel with woodwork, the walls and ceiling are white, as in an ordinary house. Utility systems are hidden in the pipe-like ceiling divider: the entire ceiling is not lowered, because of the height limitation of shipping containers.

The kitchen/pantry in a container on the second storey, with a structural dividing post in the middle. — The kitchen/pantry is in a container on the second floor, with a structural dividing post in the middle.

Architect: Studio Tana by Andika Japa Wibisana

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Boy Pisanu Nimsakul’s Resort-Atmosphere House

By livingasean
August 16, 2019
HOUSE,LIVING

This house, with its hidden Western flavor, calls out for us to relax and drink in its peaceful atmosphere. Its owner, singer and MC Boy (Pisanu Nimsakul), had it designed as an escape from urban confusion: the green of plants, brown pebbled walkways, and a connection between his and his mother’s sections of the house allowing for both familiarity and privacy.

/// THAILAND ///
Story: Samutcha Viraporn /// Photography: Sitthisak Namkham

Boy’s house is on a thousand square meters in the Soi Yothin Pattana area, not far his old neighborhood. For the design he took the advice of his friend Sena Ling (Somkiat Chanpram) and hired Neung (Phanuphol Sildanchang) of PAA, whose work really impressed him.

“Meeting Neung, at first he just asked if I thought I could live with his style (laughs) . . . but of course, that’s exactly what I came for, didn’t even need to spend much time on the details.”

Neung added, “If the customer understands and trusts our best design work, it makes it easy.”

Boy wanted to be able to live with his mother and still have privacy for socializing with friends, so the house stretches wide, lengthwise along the property as it faces south toward the road. Mother and son’s sections have separate entries from a long walkway in the center of the property that essentially divides it into two courtyards, one a green area shared by Boy and his mother, and the other featuring a swimming pool that parallels a long porch accessible only from Boy’s section. This includes a gravel path running in from the carport along the rim of the garden fence so friends can come in without disturbing his mom.

Neung says “I wanted to have every room in the house able to open window and look out as if on a private courtyard, kind of exciting! So without a lot of artifice or excess playing around with materials I’ve created the sense that there are a lot of courtyards, as people enter at different levels.”

The central walkway has latticework screening between the two courtyard sections which keeps the buildings from appearing too separate, at the same time allowing for good air circulation on both sides. Trees are planted along the side to block the view from any neighboring houses that might be built in the future. In back he house abuts against a 3-storey townhouse in back with a wooden fence that blocks the view, covered with climbing plants such as cat’s claw vine.

To give the house a relaxing warmth, natural wood is used as much as possible. The weight-bearing steel frame is mostly hidden: some of the support pillars are completely natural wood. For the residential sections the roof is gabled, with long eaves to quickly drain water and heat, while in certain sections there is a modern-style flat roof. Various Western formats, proportions, and components have been inserted in a simple, unpretentious style. Interior décor includes movable furniture and light-colored cloth drapes for a gentle look that Boy’s sweetheart brought in.

“It came out just as designed! Coming into the house it feels relaxed, like being in a resort. It’s a pleasure just to look out the window. At the same time, it feels like I’ve come home,” added Boy, obviously a happy man.

A Dreamlike Little Farmhouse Amid Lush Green Fields

By livingasean
July 11, 2019
HOUSE,LIVING

/ Suphan Buri, Thailand /

/ Story: Sarayut Sreetip-ard / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham / Styling: Jeedwonder /

Several years ago Naiduangta Pathumsut and Rungroj Kraibut began building their farmhouse with meager savings. That of course didn’t produce the kind of home we see today, but it was enough for the concrete structure and the roof. Before long their enthusiasm, determination and a lot of hard work resulted in a beautiful home amid lush green fields. There is the pride and glory in it, no doubt.

They first started with a single-story home and named it “Ton Tarn”, which is Thai for the point of origin from which a stream or river flows. Naiduangta’s parents settled down and raised a family here a long time ago when the trees were still young and had only just begun to emerge from seeds.

They bequeathed a parcel of land to her and Rungroj to build this new house connecting to the original family home.

Farmhouse — Folding doors of old wood open wide, giving the house an old-fashioned atmosphere.

By way of introduction, Naiduangta was born here in Suphan Buri, but moved when in kindergarten. Eventually completing Thai Language Studies at the Faculty of Education in Chiang Mai, she worked in Bangkok for a period of time before returning to Suphan Buri to help her father with his work promoting child literacy in this western province of Thailand.

Rungroj, a native of nearby Uthai Thani, studied environmental geography and has worked for the Seub Nakhasathien and Sarnsaeng-arun Foundations to promote learning about living with nature. After the great flood of 2011, the couple decided to put in a two-story home – connecting to the original single-story house – as a means to escape future flooding.

A multi-use spot opens on a wide view, with steel “cage doors” for security.

Rungroj’s bicycle collection and workshop supports his hobby: cycling into Chiang Mai with friends, doing a solo trek to Uthai Thani, etc.

Rungroj can still recall how it all started: “If we’d waited to get all the money, we wouldn’t have been ready. We wouldn’t have started or done anything.”

With the help of local craftsmen, the basic structure was built in two years, but by then the money had run out and the work had to depend on just the two hands of “Craftsman Rung” for the wood walls, doors, windows, and some furniture.

“I used timber from Neem trees or Indian lilac (a tree in the mahogany family) and Burmese rosewood trees grown and harvested on our property. Plus, we had some old wood, doors, and windows set aside. After another two years the exterior looked finished, but there was still a lot of work to do.”

The 9-acre property includes the parents’ house, the main house, and a rice granary. There’s a natural well with a planted bamboo border. Umbrella bamboo is grown for its edible shoots, and giant thorny bamboo for fencing. The bamboo orchard is in one area, rice paddies in another, and big, harvestable trees remain from the time of Rungroj’s grandfather.

“November to March is the perfect season for growing leafy vegetables we use ourselves, but we switch crops sometimes. Vine veggies like string beans, loofah, and squash are perennials. They provide a natural way to prevent disease and insects that often spread when growing just a single crop,” said Rungroj.

“The image of our house in the middle of the fields looks great. We can’t do anything about how farming in the area has changed: use of chemicals, burning sugarcane fields,” he continued.

“We can only adapt to it and build on our own natural world. Our joy is in the pride of doing things with our own hands. There’s nothing perfect in nature: it’s all a learning experience, like life as a married couple, gradually adapting. Where we can’t adapt, we create understanding so we can live together.”

Owner: Naiduangta Pathumsut and Rungroj Kraibut

Visit the original Thai article…

บ้านไร่กลางทุ่งที่สร้างด้วยเงินเก็บสามแสนและน้ำพักน้ำแรงฉบับคนบ้านนอก

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Under the canopy of tall trees, the ground floor is open to receive cool breezes blowing in from the southwest. — **FROM OLD HOME TO STUNNING HOUSE ON STILTS**

Mountains, Shady Trees and a Riverside Home

By livingasean
June 21, 2019
HOUSE,LIVING

/ Kanchanaburi, Thailand /

/ Story: Patsiri Chot / English version: Peter Montalbano /

/ Photographs: Anupong Chaisukkasem /

On the bank of the River Kwai, Kanchanaburi we stand beneath tall trees, their canopy of robust branches and green leaves filtering sunlight into shade as a cool, comfortable breeze riffles the water. The sight of the Erawan National Park forest fills us with awe. This enchanted spot is where Dr. Suwin Kraibhubes, CEO of Beauty Community, PLC decided to build his home on the riverfront.

“In the old days there was a resort here, but abandoned, it fell apart.” Dr. Suwin said.

“Coming here on a visit I found myself getting excited about this panoramic mountain view, the forest preserve and the peaceful river. I hadn’t known Kanchanaburi had such a quiet, pleasant riverside woodland as this.”

Dr. Suwin had always had a deep feeling for good design and home decoration. He followed this up with a lot of reading from many sources, and bought furniture and house accessories to add to his own collection and deck out this home in a style suiting this great location on the River Kwai.

“I had a lot of ideas, including building on the original resort’s foundations, and found an architect to help,” further explained the owner. “With modern-style gable roofs, the shapes are reminiscent of a tobacco-curing plant.

“I didn’t want to make the house too eye-catching, but more low-key, in tune with nature, so we used strong, dark colors with natural materials such as wood, stone, and steel, materials with beautiful colors and textures of their own, that also are easy to maintain.

“The result is a relaxed retreat where we don’t stay every day, but that fits in beautifully with the natural environment.”

Dr. Suwin’s personal living space is a compact riverside home on a hill directly above the water. The full residence extends across the property: another three steel-frame buildings are set in a quiet corner.

There is a separate structure in the center for use as a reception area and common dining room near a two-story house built to accommodate more family members and friends.

He also added, “I live on the river bank for comfort. It’s a little like a greenhouse: the walls are glass and face out on the river, giving both a beautiful view and privacy.

“Mornings I really enjoy looking out from the porch. I can see everything from there, it feels like we’re in the middle of everything!”

Dr. Suwin gets a lot of outdoor time here, playing in the water with the kids, kayaking, jet skiing, enjoying nature by the Tha Thung Na Dam. Sometimes in the cool evening air he sits out on a raft, socializing with his friends.

“I really love that this house has both the mountains and the river. Outside we get the full benefits of being close to nature: almost no landscaping needed,” he summarized beautifully.

“I love the big trees the most. They give this riverside home the refreshing, shady frame.”

Owner/Decorator: Dr. Suwin Kraibhubes

Architect: Rojanin Milintanasit

Visit the original Thai article…

บ้านชั้นเดียวริมน้ำ กลางเขา และเงาไม้ใกล้อุทยานแห่งชาติเอราวัณ

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Local, with a Modern Flavor

Modern House amid a Country Atmosphere

A Container Home Adapted to Meet Individual Requirements

By livingasean
May 19, 2019
HOUSE,LIVING

/ Khon Kaen, Thailand /

/ Story: Samutcha Viraporn / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

Starting with the idea of building a temporary residence from commercial containers, Charnwit Ananwattanakul of Wish Architect Design Studio had to analyze the different characters of the family members who would live there. In the end, this temporary project became a permanent home made from 15 containers where all family members reside happily together.

The container house has two wings, one used for the living area. The master bedroom is on the second floor. An open wood-floored multipurpose space runs longitudinally through the house as a sort of inner courtyard, enabling family interaction and serving as a channel for heat release and air circulation from front to back.

Similar decks in front and back follow the width of the house that’s set back a distance to reduce heat entering the container elements of the home. Trees planted in front add another level of protection from the western sun.

To minimize heat and humidity, bathrooms are placed on the south side, some containing plants suggestive of old-time country houses where bathing was done outside, pouring from water jars. Another important feature is the sprayed-in roof insulation.

The living room is done in a spacious “open plan” style, connecting to the large food preparation area/pantry with facilities such as a coffee brewer, an island with a gas range, and storage shelves for kitchenware with a large protective screen to keep the space more orderly.

The second-floor verandah has a gap cut where netting is placed for people to sit, lie back, and chill; this also helps release heat and brings natural light into the central area, as well as giving it depth.

Due to limitations on utility system installation, some metal posts had to be added to container walls and ceilings to accommodate electrical systems without further lowering the already rather low container ceilings.

Where appropriate, a framework of steel was constructed to meet the proportions of container walls. At the same time, wood paneling in shades of earth-toned brown was added to give the interior living space a warm feeling.

In front of the house, real stone is used in the staircase area to give the atmosphere of a modern-design garden, playing off the boxlike shape of the container house.

The fence also features a play of vertical and horizontal lines, using the language of design to simultaneously create a look of transparency and a sense of privacy. Each area is designed to suit the behavior of the family members living there, and this links the family and strengthens relationships all the more.

Owner: Non and Chutiporn Som Chobkhai

Architect: Charnwit Ananwattanakul of Wish Architect Design Studio

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A Quaint Country Home amid the Rice Fields of Chiang Mai

By livingasean
May 16, 2019
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Patsiri Chot / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

This attractive, old-fashioned country home stands in the middle of huge swaths of paddies in Chiang Mai’s Mae Rim District. The upper floor, all bedrooms, is built of wood. Downstairs the many open walls convey a great deal about the traditional Thai house with a “tai thun” (the open underfloor space) that’s spacious, bright and airy. It holds a living room, dining room, and coffee nook with a natural breeze providing cool comfort all day long.

The rural house built of reclaimed timber looks the epitome of a local tradition. Its design is the brainchild of Prakij Kanha of the Bangkok-based atelier Studio Miti Co., Ltd.

Overall, the building is impressive in its austere simplicity. But at the same time, the external envelope made of weather-beaten wood adds rustic charm to the home. The recycled building materials used in the project were taken from five old houses at various locations around Chiang Mai.

The house has a small courtyard along its length, a channel for natural breezes to blow that adds to an overall sense of relaxed informality.

There is a small courtyard enclosed by the walls of the house, creating a channel for natural breezes that go to work making the simple interior cozy and comfortable. Limitations on the amount of wood meant that a few downstairs walls had to be mortared in place. Where cladding boards were too short, sheet metal was used to cover the unfilled spaces.

The house was roofed over with Onduline, a kind of eco-friendly corrugated roofing sheets made of strong natural fibers. They are lightweight and suitable as insulation materials, and hence no need to install a ceiling.

For roof decking installations, oriented strand boards, or OSB, are used. OSB is a type of engineered wood similar to plywood. To keep the sun baked rooms cool during the day, gypsum boards are used to add a layer of built-in insulation.

There is a mix of tall windows and glass walls, and a central corridor connecting to every room in the house. It also doubles as air circulation channel.

Even the bathroom looks out on nature. The master bedroom has views of both Doi Saket, a mountain in the eastern part of Chiang Mai, and morning mists over the Ping River. On the opposite side, night after night you can watch the moon wax and wane.

The country house’s easy and chic interior décor is a mix of furniture and antiques almost entirely taken from the homeowner’s old place of abode.

The small mezzanine, where we see a post-World War II vintage bicycle, is traversed by a steel walkway. Photos on the wall give the air of a private gallery. — A small mezzanine made of steel mesh flooring is home to objects of interest to collectors, including a post-World War II vintage bicycle, while photos on the wall give the air of a private gallery.

On one side of the hall is a staircase. Note the mix of unfinished wood, brick, cement, steel, and glass. — On one side of the hall is a staircase made attractive by a mix of unfinished surfaces of wood, brick, cement, steel and glass.

Wood House Amid the Rice Fields — This is a homestay for nature lovers: the four guest rooms all have wooden furniture, stressing simplicity and panoramic views of the landscape.

Public electricity doesn’t reach out this far, so solar cells are used, and per-day energy use has to be carefully figured. There is no air conditioning, but the natural breezes here are deeply cooling.

On the whole, it’s a beautiful wood house set amid rice fields, a perfect place to get the peace and quiet. The sky can’t be clearer. The night is totally dark and tranquil. What could be better than that?

Owner: Anisaa and Apichai Wangtragul

Architect: Studio Miti (www.facebook.com/studiomitidesign)

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A Beautiful White Cube-Shaped Home Made for the Good Life

By livingasean
May 4, 2019
HOUSE,LIVING

/ Chonburi, Thailand /

/ Story: Samutcha Viraporn / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

It’s everyone’s dreams to have a beautiful home. And it takes a special kind of knowledge, skills and wisdom on the part of the architect to create one that’s both gorgeous and great to live in. This box-shaped house in cool-toned whites belonging to Thanaphong and Thinan Nakaprasit has what is needed for comfortable living.

Initially, construction was delayed for a period of time for Dr. Tonkao Panin, a professor at Silpakorn University, and Tanakarn Mokkhasmita, of the Research Studio Panin to properly develop a plan to build the house around a tree.

“Our old house had a high “tai thun” (the lower open space at ground level) and a tree that’s the focal point on the property,” explained Thanaphong. “We loved this place, but we wanted to change a few things. To put in a carport in the tai thun, the house had to be raised a bit higher to create more headroom. Our first house plan had a half courtyard with the tree only partially surrounded.”

Thanaphong and Thinan had seen the results of Dr. Tonkao’s design work in the past. They grew familiar with her lines of thought that stressed using simple geometric shapes to bring out hidden character and warmth. Especially for Thanaphong, it gave him further insights into the concept of utilizing proportions, a code to unlock the geometric secrets in classic designs, and a sense of security that’s a design challenge in architecture.

Having lived in a house with glass walls, privacy and security were important to Thanaphong and Thinan: they wanted more containment. Creating secure viewpoints for looking both out of and into the house posed a challenge for the architects. Solutions began with placement of a large tree as the focal point of the house plan. The rooms are disposed around the tree in the center courtyard and have views for monitoring the exterior of the house. People inside can hardly be seen from outside, while the addition of steel panels adds more security.

The security steel panels were originally designed to be of Exmet (expanded metal), but Thanaphong consulted with the architects and decided instead on perforated steel, adding a charming polka dot pattern to the latticework blocking off the long walkway behind the house by the canal.

“Environmentally, this is a great location: water and mountains are behind us, so we need practically no gardening of our own,” explained Thanaphong. Instead of being near the road, the house is set deep in the back of the .4-acre property. Besides the tree between buildings, the living room has a beautiful view of the natural forest on the other bank of the canal.

For easy maintenance, the property is landscaped primarily with grass lawn or paved with stones and large rocks, which are used especially for the shady, peaceful “tai thun” space (the lower open space), which gets no direct sunlight.

For movable furniture, Thanaphong especially wanted to bring some Modernform “black Iceland” items from their old house, which required some expansion of the kitchen. Other furniture is mostly from IKEA, with light color tones and light, simple shapes.

“The longer we’ve lived here, the more charm we’ve found in this house, its great functionality, and the open areas, the deck and the tai thun. This is a very special design. Completely separate from other benefits, just the view as we drive in lets us see past the buildings to the mountains, water, a panorama of nature. I love it,” the owner wrapped up beautifully.

Visit the original Thai article…

สวยพอเหมาะพอดีใน บ้านทรงกล่องสีขาว

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Chez Mou: A Home Hidden In the Frame of an Old House

By livingasean
April 18, 2019
HOUSE,LIVING

/ Bangkok, Thailand /

/ Story: Sarayut Sreetip-ard / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham / Styling: Jeedwonder /

The renovation of this hundred-plus-year-old rowhouse in Charoen Krung Soi 44 is more than a home improvement: for Mou Lumwatananont, it’s a homecoming she’d never imagined.

“My mother was born here, but we moved out before I was two. After building it up from 2 storeys to 2½ storeys, my aunt continued to use it as an office,” the owner began to tell the house’s story.

“However, that business ended many years ago, and it has been only two years since we began making plans for renovation and conversion to fulfill our long-time dream of a guest house and a café.”

This area’s former prosperity is apparent in traces of European colonial-style architecture and bustling alleys that now welcome international tourists and backpackers to the charm of its storied history.

Mou and architect Pok (Wachirasak Maneewatanaperk) from sea.monkey.coconut share views on the value of preserving history through architecture.

The architect explained, “Renovating this great old building, I didn’t want to change a lot. But I discovered it had already changed.”

“An upper floor had been added, and it had been expanded outback as far as it could go. The entire second-storey wooden floor had been covered with another material.”

In line with building preservation guidelines, the architect decided to make clear distinctions between old and new.

They kept intact the front wall and brick walls all around, chiseling off interior mortar to show weight-bearing structures, including wood wall beams fitted into brick arches, and keeping the charming mortared patterns of the original roof.

The lower floor is chic travelers’ café, a wooden stairway stretching up to guest rooms above. Visitors might wonder about the functionality of the steel poles they see set at intervals throughout. It is the by-product of the makeover process, as the architect told:

“This area is a walled-in rectangle, and without changing outer walls and structure at all, we’ve created a new house within the frame of the old one, sinking micro pilings into the root foundation and installing all new support pillars.

“It was important to keep the new structure separate. Concrete flooring was poured on the ground level and separated by a foam at the joints where it meets the original walls.

“These “expansion joints” keep outer and inner structures from being attached, so if the floor subsides, it won’t pull a wall down with it. On the second level, we’d intended to keep the original wood flooring, but found irreparable termite damage, so we had to replace it.”

Explaining the challenges of the construction process, the architect added, “At the back of the house, we changed to steel and drywall construction to install walls and latticework.

“Building here was difficult because of the limited space. Fronting on a narrow street made delivery difficult. There was nowhere to stack and store materials, so all work had to begin inside.

“When the inside was done, we brought in the materials stored outside and switched to working on the front. There was a lot of planning involved to make it possible for the craftsmen to be able to work at all.”

Row houses lasting more than a hundred years naturally tell stories with marks from sun and wind, just as with marks left on our lives by travel.

Leaving to study and live in England for more than twenty years, Mou could never have expected the winds would slowly blow her back to her origins with a new feeling, one born of love and dreams.

The word “Chez” is French, meaning “at,” or “at the home of,” hence the name: Mou has opened her home to welcome friends at “Chez Mou,” where stories are told by marks on bricks and sweet smiles.

Here is a place full of feeling of release from travel, and full of a bittersweet, gentle fragrance.

Architect: Wachirasak Maneewatanaperk of sea.monkey.coconut (www.facebook.com/sea.monkey.coconut)

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