/ Story: Ekkarach Laksanasamrith / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
With the creative use of design elements, this Minimalist house in Kuala Lumpur feels bright, airy and comfortable, albeit having only a small number of windows. The open concept urban home with a stylish flair was designed and built by Tony Heneberry of 2’s Company, formerly JTJ Design, under the concept of a great place to live in.
As simple as that, here’s the story of a metamorphosis of purpose, in which a duo of unexciting shophouses transformed into an incredibly warm and roomy living space in the heart of town. After he had bought the two units attached to each other, Heneberry gave them a complete makeover, tearing down the dividing walls and combining them into one coherent whole with increased usable spaces inside.
The result is a 7-meter-wide façade looking much better than when Henebery found it. He removed the existing solid walls between them and assigned new functions to the interior spaces. The living room with dining area on the second floor is spacious, with a lot of open areas in accordance with the “open plan” concept.
For practical reasons, the old staircases were torn down and replaced by new ones built in a better, more convenient location. The new sets of stairs crafted of steel sit in a hallway next to the center courtyard, leading the way to the second floor.
The courtyard is filled with trees, as a main relaxation area of the house, where a glimpse of outdoor experience is brought inside in harmony. The trees also create visual continuity by naturally drawing the eyes towards the interior.
The stair to the third floor is set in another location. It sits against the outer wall, to preserve the space inside, which is an area for work and rest.
As for the ventilation system, hot air is able to float up through the hallway and then flows out through window louvers and vents on the rooftop.
Another plus is, this Minimalist urban home faces south. So, by putting planter boxes on window frames, a simple vertical garden is added to filter sunlight and enhance privacy for the people living inside. The bottom line. This newly renovated home is truly a breath of fresh air.
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Rithirong Chanthongsuk /
Who would have thought a pair of shophouses lacking interest and imagination could turn into a pleasant family co-living home? Only recently the shophouse duo located on Surawong Road in the heart of Bangkok’s downtown was tastefully renovated as a shared residential community model. The result is a co-living space and place of business integration that’s well designed, full of life and energy.
The place of residence aptly named “Siri House” is the brainchild of the Bangkok-based architectural firm IDIN Architects Co., Ltd. Architect Jeravej Hongsakul is the driving force behind the design and renovation project. He attributed the firm’s success to its ability to reinterpret co-living spaces from entirely different perspectives.
“There’s a solution to every challenge,” said Jiravej. When horizontal living is no longer the suitable choice in an urban setting, the idea of vertical living comes in handy so as to combine residential and social areas in one coherent whole. And in this particular case, the only way to build is upwards.
In essence, it’s about creating a happy, healthy and thriving home, and hence the name “Siri House” meaning the place of prosperity.
A new landmark on Surawong, the building with a distinctive facade belongs to Suree Sirivatjanangkun who shares the co-living space with her siblings.
On the emotional bonds between the people and the place, she said, “We figured it should also be an office for our family business. It’s better to live and work together as one extended family, a big family in the business neighborhood.”
“We wanted a living space that is warm and welcoming, the kind that provides a modern living atmosphere in which family members interact and socialize with one another. Everyone needs a place and time to unwind and still wants to see and care for each other. To me, that’s co-living.” Suree continued.
“Precisely, we wanted a design that’s inclusive, in which every one live together sharing a co-living space, not the type that’s divided into different floors, one floor per person. That would be no different than living separately.”
With this in mind, Jeravej came up with a solution. “I designed each residential unit to be able to stand alone and is fully functional. I paid attention to detail in each component, from the living room, bedroom and workspace, to the double volume leisure room, bathroom and kitchen, and made sure they fitted together in an effective and practical way.
“Because it’s a good-sized place with lots of functions, I needed to manage them very carefully. To improve traffic flow in the home, each residential unit is accessible via the main hallway that allows plenty of natural light into the interior. And by design, each unit is unique in its own special way.”
The homeowner wrapped it up nicely. Siri House will always be home to the close-knit siblings who live and work here. To them, it doesn’t matter it’s built for horizontal or vertical living arrangements. More so than anything else, it’s about living a lifestyle centered around family relationship, a good quality of life, and being in a location that’s great for doing business.
Bottom line, the mid-city co-living space is named “Siri House” for obvious reasons. To do business, you need Siri. It’s a word meaning prosperity and the quality conducive to success. You get the idea.
/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /
/ Photographs: Soopakorn Srisakul /
A striking trio of wood shingle roofs emerged as we took a turn onto a rustic country road in Ratchaburi, a province an hour’s drive from Bangkok. The hybrid home built of a mix of timber and concrete sits gracefully amid the rice fields.
Nantapong Yindeekhun and his family sojourned in this part of Ratchaburi after massive flooding hit Bangkok and the immediate vicinity in 2011. It was the love for the pleasant aspects of the countryside that eventually led to the decision to put in a home here.
To accommodate the needs of every family member, the new house took up a large space. For privacy, all the rooms are quite separate from one another, and yet easily accessible via a system of sheltered corridors.
On the whole, the outdoor living room is cool and comfortable, thanks to a rock garden in the center courtyard canopied by overhanging trees. Viewed from above, lush foliage act as a curtain for privacy adding a calm and peaceful atmosphere to a home office on the ground floor.
The sheltered corridor and balcony systems rest firmly on cantilever beams, a rigid body supported at one end and extends out over open space. It’s a cost-effective building strategy and makes good architectural sense.
The designer explained: “I think cantilever beams are like bonuses that the main structure has to offer. They eliminate the need for extra foundations and save time. Supported by the main structure, the balconies and corridors are 1.50-meters wide. At the same time, the building envelope boasts the beautiful rustic appeal of the rice granary in former times.”
According to Nantapong, the house is built for the most part of untreated lumber for the simple reason. It’s less expensive than treated wood, and there’s no exposure to harmful chemicals. Its durability relies on the quality of the wood itself.
Take for example Takhian-thong timber (scientific name: Hopea odorata) that’s mainly used in this project. This kind of timber has stood the test of time. It’s widely used in building boat piers and can tolerate years of rain and sunshine.
“For the time being, I am commuting between my home in the city and this country hideaway. One day, should I grow tired of living in the city, this is definitely the place I want to be. It is beautiful living out here. In the cold season, natural daylight is just about right, warm and comfortable. You just have to see it yourself,” said the homeowner/designer.
In the fewest possible words, it is where the modern meets the charm of rustic life, which gives this hybrid timber and concrete home in Ratchaburi a warm and humble feel like no other.
/ Story: Otto Otto / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratem /
Concrete slabs and naked walls are commonplace in contemporary architecture. Here’s a modern house in Chiang Mai that illustrates this. The structure is built strong, using concrete columns and load bearing walls supporting a concrete slab floor on a framework of steel. What arouses one’s curiosity is the rigid structure and cantilevered steel frame integration that gives the home huge visual curb appeal plus the vintage nude wall texture.
Measuring 8 meters from front to back, the box-shape structure is built on the east-west alignment. Unusually long in relation to its width, the unyielding steel girder is fixed at only one end projecting into the open air, forming the upper covering of a carport situated directly below.
Next to the parking garage, a naked load bearing concrete wall shelters a storage room, a kitchen and private living space from the glare of afternoon sun.
The interior of the house features a spacious rectangular-shaped room that runs parallel to the poolside veranda, separated only by a clear glass wall.
The platform along the outside of the building is protected by a concrete slab jutting out about 2 meters from the exterior wall. The semi-outdoor room has plenty of space for a pantry, living area and workroom overlooking a lush green landscape.
A few steps away from the general purpose room, you find a sharp 90-degree turn leading to a small bedroom with bathroom en suite tucked away in a quiet corner. At the farthest end lies a master bedroom, also with a poolside view.
From a technical perspective, it requires meticulous planning, great care and attention to detail to create a beautiful modern home like this one. And this house is a perfect example of that — a contemporary home that’s light, airy and comfortable plus a cantilevered steel frame that boosts its curb appeal.
In a nutshell, it’s a design that sends out a strong message. Human ingenuity has the power to overcome any obstacle, be it in life, design or engineering.
Don’t judge a book by its cover. This modern Tropical home in Kuala Lumpur is more than meets the eye. Precisely, all passive design strategies imaginable are integrated in the house plan, clever hacks to save big time on utility costs. The house is nestled among the trees on a piece of land where an old family home had stood for 60 years. It’s gone now, demolished to make room for a new residence.
Some things are better left unchanged. The relaxed ambience of the land is maintained, thanks to the homeowner and the architect together sparing no effort to preserve all matured trees on the property.
To ensure nothing goes to waste, Tan Loke Mun of ArchiCenter, an architectural practice based in Selangor, managed to incorporate building materials from the old house in the project codenamed, “S11 House” in Kuala Lumpur. Its environmental conscious design has earned the house a platinum award from the Green Building Index (GBI), Malaysia’s industry recognized rating tool for building sustainability.
There is attention to detail every step of the way. Among other things, pieces of concrete from the old house were recycled and adapted for a new use as walkway pavers along the exterior walls. Old bricks were also given a new lease on life, while steel window grids were reused for their strength and durability. At the same time, recycled timber also found a new purpose as scaffolding during construction due to limitations on steel rods.
Built along the north-south axis, the house stands to allow fresh outdoor air to enter on one side and exit on the other. Hence, large windows and other wall openings are installed to create cross ventilation that reduces heat buildup in the interior. In the meantime, west-facing exterior walls are made of lightweight anti-heat-absorbing materials. All of this translates into big savings in utility costs and improvements in the efficiency of air conditioning systems.
What’s more. In the backyard garden, lush vines and other trailing woody-stemmed plants thrive on trellises. They work in tandem with five full-grown trees to provide buffers against the sun on hot summer days.
To create thermal comfort in the interior, extra thick insulation is applied under metal sheet roofing. Where appropriate, the windows are glazed using low-emissivity glass to protect from the sun’s harsh glare.
To keep the heat out and the interior cool, the three-story home (including a basement) has an air duct system that lets hot air dissipate through rooftop vents. With this ingenious design, no air-conditioning machine is needed.
For the most part, building materials are used in their true forms. Painting and coating are minimized if ever needed. Otherwise, naked concrete, bare brick walls and timber in its neutral wood tones prevail. Where a layer of paint is needed, the designer chooses Low VOC paints (low volatile organic compounds) to minimize impacts on the environment.
In a nutshell, it’s a design that speaks volumes for architecture of the future – an environmentally conscious place of abode thoughtfully devised to perform in perfect harmony with nature.
We have seen many Chinese-style homes built on ground level. This one sits on higher ground. Naturally, it is more difficult to build a home on a slope. But the homeowner decided to give it a go to this land in Phuket.
The property spans across a land of almost an acre. The 5-unit complex is based on an O-shaped plan with the main villa at the center surrounded by single-story annexes scattered across the landscape. Inspired by arcade designs, a garden pathway runs along the edges of the roof providing access to all units.
According to Voranuch Saencharoen who owns the place, a grassy hill at the center court reflect traditional Chinese wisdom. “The house was originally belonged to a Western gentleman and his wife. At that time, the land was half an acre. When we bought the place, a Feng Shui master recommended us to expand the space to an adjacent land.”
Kanit Tantiwong, a friend of the family, was responsible for the design. He initially came up with a beautiful Modern Balinese design, but the owner insisted on going the Sino-Portuguese style. Most of Sino-Portugese buildings are shophouses, not detached house. As a result, the designer and the homeowner had to do a lot of research.
As the construction got underway, Voranuch was seeking for materials from both inbound and abroad. “To me, building this house is also an experience to learn new things. For example, I learned that white plaster was used in the old days to cover wall cracks but it’s sensitive to humidity. So, I had to search for a solution and finally found one.”
Voranuch took care of the décor, while her other half, Thanawat Surachetkhomson was responsible for the structural enhancement and construction. Antique Chinese-style door panels were assembled from various origins, including Phuket, Bangkok, and Chiang Mai. The roof was inspired by ancient Korean homes, which in turn was influenced by Chinese architecture. The roof tiles were custom made in Thailand, with some tweaks in design. A vintage-looking charcoal stove was inspired by one of Voranuch’s trip to Phuket Museum. Only this one is using gas instead of charcoal.
Above all, seems like the charm of chinoiserie-style lies in the house’s old-fashioned doors and window. Ceiling-height windows were equipped with plantation shutters at the top and ventilation grids were added where necessary, creating a good balance between the old and the new.
/ Story: Atta Otto / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratem /
The Plankrich Co., Ltd, led by Kwanchai Suthamsao, is known for being at the forefront of trends in row house design and renovation. Only recently when the firm undertook the restoration of a row house trio in Chiang Mai, many design aficionados were expecting to see exciting new innovations and exquisite materials. As it turns out, the redesigned homes boast a beautiful mix of simplicity and vintage charm with design for practical modern living. Especially for his own end unit, Kwanchai’s main goal is to create a place of abode that best answers his urban lifestyle. The three-unit row house block is conveniently located in a central neighborhood of Chiang Mai.
On reasons to invest in a row house, Kwanchai said: “A single, detached home is out of the question; land has become very expensive. The only option is a row house. After a survey, I chose this three-unit shophouse block. The size is about right; the price is fair and not too high. This way I am able to give it a complete makeover.”
Kwanchai had practically everything inside removed, including the old bulky staircase so as to make room for a new flight of stairs without risers between the treads for better ventilation. The only things remaining were pillars and beams.
The floor plans for all three units were completely redesigned. He wanted each one of them to have its own unique character, but space was limited. So, he only focused on making his end unit look different instead, at least for the time being.
To accommodate visitors from time to time, there’s a compact guest room at the far end of the first floor. Custom-designed double bunks make it suitable for sleeping two guests. In all three units the mezzanines were taken out, while the omnipresence of reclaimed timber beams and long planks making up parts of the wooden floors brings back vintage charms.
The second floor is neatly planned for multiple uses. There’s a sitting room in the front section, dining space in the middle, and the kitchen and bathroom at the rear of the building. The dining area is made a bit small to make room for the stairway.
Overall, the furnishing and decoration of the interior conveys a great deal about the owner’s love for vintage collectables. Oblique-aligned wooden walls and floorboards give a warm, homey feeling.
The third floor holds a bedroom in the front section that’s kept clean and uncluttered, with the wardrobe and bathroom nearby separated by a sliding door. The overall effect is impressive; the interior boasts a clean neutral shade for relaxation. There’s a minimal amount of decoration while furniture is reduced to bare essentials.
Taken as a whole, the secret to success lies in constancy of purpose and using reclaimed wood as the material of choice. The interior living space is cozy and comfortable, thanks to large windows that allow plenty of natural daylight. The result is a bright and breezy place of abode that’s small but has everything for a vibrant city lifestyle.
/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /
/ Photographs: Soopakorn Sriskul /
Everything about this modern home by Andra Matin presents a perfect example of tropical residential architecture. Check this out.
Andra Matin, the homeowner and designer of AM House, greeted us with a smile in his spacious multi-purpose room dominated by a solid-wooden long table.
His tropical modern home was made of concrete, its unique stilt structures were outstanding. These elements intrigue us to hear what he had to say about the house.
According to Matin, this state-of-the-art work took five years to finish.
“I began building this house in 2008, starting out with a cube-shaped design. As construction was underway, more details were added. By slowly and gradually building the house, I had time to consider the best option for our family.”
Matin is widely known for his attention to detail. He is responsible for pioneering modern tropical design projects across Indonesia.
When it comes to designing a house to suit a hot and humid climate, he relied mostly on nature and a clever floor plan.
There are only two air-conditioning machines in the house. One is located in the basement bathroom, to control the humidity. And the other is on the top-floor bedroom.
“I have always been interested in spatial relationships rather than the form per se,” Matin mentions his interest which he adopted to his works and the designing of his home.
“Good design is one that takes ‘Spatial Relationships.’ into account. It looks into all kinds of activity that will take place within, and not just the room hemmed in by four walls.
“In reality, there exists an in-between space that subtly tells one room apart from the next, be it sitting or sleeping, walking or standing. After that, we look for the form or configuration that best fits in with those spaces, the climate, and ways of living.”
Matin sourced materials locally. This is not only to support the locals, Matin believes local artisans know their stuff.
“Local builders have insight know-how and skills. These materials weren’t hard to find and savvy,” said Matin
Apart from architecture, Matin also has a strong passion for travel. Hence, this house is full of fun gimmicks to make walking from room to room like an exciting adventure.
The entrance is through the hill. Followed by a lounge area with a spiral staircase as a shortcut to a rooftop on one side and a tilted floor leading to a small lodge. A children’s room is also accessible through the lodge. A working space on the ground floor also has a backdoor hidden behind a bookshelf.
The endless wonder in this modern tropical home is indeed no less than Peter Pan’s Neverland.
/ Story: Ottomaan / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratem /
If relaxing on the seafront is your idea of paradise, here’s a house overlooking a quiet stretch of sand away from the crowds. It is not often that we come across a home perched on a pristine hillside. This captivating house on the rock stands out amid lush greenery in Samui, a popular resort island in the Gulf of Thailand.
The house sits tight on a slope just shy of an acre in extent, hemmed by huge rock faces and views of exuberant vegetation. From afar, it’s hard to tell the shape of the building as it’s situated at a lower level than the road in front of it.
The landscape strewn with large boulders forces the home to be built in multiple separate units, each anchored to a rock face to secure its place. Overall, it’s a crisp, clean and modern design, with neat exteriors under a shed roof.
Because of conditions that cannot be changed, asymmetrical shapes are used, while the typical rectangular shapes are avoided so as to achieve the form, color and texture that blend well with the natural surroundings.
The separate units of construction are set at slightly different levels depending on ground conditions. The shed roof above the main villa creates a wide open façade looking out over the ocean. To arouse visual interest, diagonal lines are applied to the exteriors, a clever hack that gives the home a friendly, warm and welcoming appeal.
The main villa has two levels. The upstairs living room is bright and breezy with panoramic ocean views. For indoor thermal comfort, the exterior walls are covered in timber strips evenly spaced to create gaps in between for air passing through.
Where appropriate, parts of the building envelope are built of bricks covered with plaster for a neat appearance, while windows are glazed using transparent glass to get a better view. The upper floor also extends to connect with a spacious sundeck used as al fresco dining room.
The ground floor connects to a lush lawn, with trees and foliage plants growing luxuriantly on one side. Nearby, floor-to-ceiling windows fill the home with light and remove anything standing in the way between indoors and outdoors. There’s also a lounge where people can sit and relax a short distance away from a semi-formal dining room and contemporary-style pantry.
Opposite from the main villa stand two outbuildings accessible via a stepping-stone garden pathway. One is a single-story unit holding a bedroom with a semi-outdoor bathroom en suite, while the other sits slightly lower than the rest. At a glance, the floor plans and general appearances are reminiscent of sundecks on a cruise ship.
The master bedroom is comfortably ensconced in the smaller building anchored to a huge boulder. The edge of the building can be seen projecting outward to soak up the sea view.
For safe walking from one building to the other, areas with uneven ground are smoothed out to make room for a lawn with garden pathway. With the passage of time, nature gives the large boulder and nearby rocks the perfect weather-beaten faces that blend with the house and surrounding landscapes.
Taken as a whole, it’s an intriguing amalgam of natural touches and well-thought-out planning that makes this house on the rock a perfect place to be.
/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Amid the relaxed ambience of the countryside stands a two-story raw concrete house with a view of rice fields and a beautiful blue sky. Here at Baan Mae Ann in Chiang Mai’s Mae Rim District, life is simple, morning dew lingers on flowers and paddy fields, and the scenic view seems to stretch farther than the eye can see. The house stands among teak trees. Unmistakably paradise!
The house design is the idea and creation of Seksan Silpwatananukul. There is beauty in imperfections and natural flaws in cement walls that tell the story of the patterns and seams imprinted on them by handheld trowels and scrub brushes.
Sharing his design experience, Seksan said: “At first, the land had been left unattended for some time before the owner decided to put in a home here. I managed to change the whole look of the property by incorporating raw concrete finishes in the overall design. Every little detail was thought about very carefully.
“I took my time to look around in no hurry. After a meeting with the homeowner, we decided that multiple-level design would best fit into the idyllic setting in this part of Chiang Mai’s landscapes. We didn’t really stick to any particular style. But I would say Tropical modern was the best definition for it.”
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