/ Story: Wuthikorn Sut / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
This box-shaped house uses architecture and coordinated interior design to tell stories of the present and the past.
The house is located in the Petaling Jaya district of Selangor, Malaysia. This is a district of single homes, but with little space to put up a large house.
Still, architect Dr Tan Loke Mun rose to the challenge of house owner Kenneth Koh and tore down the former structure here to build a new 3-storey box-shaped house in its place.
“Ground space was limited, so we built upward,” the architect told us. Building vertically involved careful division of space. The lower floors hold common areas: parlor/living room, dining area, kitchen, and conference/chat room. The 3rd floor is an attic, holding hidden utility systems next to a small living room.
The designers brought an “outdoors” mood to each part of this box-shaped house: there’s a “double volume” high, open space on the first floor; glass windows open to the garden atmosphere, and potted shade-loving plants bring it inside.
Gentle sunlight shining into the living space combined with a light breeze from a ceiling fan gives the feeling of sitting in a garden.
An effective play of space combines with the interior décor to bring out a timeless feeling that reflects its Malaccan legacy. The Chinese-style furniture, both traditional and contemporary, was made by Malaccan artisans. Paintings tell of a land that lives on in the memory of the owner.
Significantly, the prominent terra-cotta tile facade is remarkable.
“In tearing down the old house, we discovered that the roof tiles were handcrafted, imported from Calcutta, India, so we set them aside to use this way for privacy and heat insulation,” added the architect.
“Their texture connects nicely with the other materials used here. This original house tile is long-lasting, looks great, has a timeless quality, and is a good choice in combination with the other main structural components of brick, concrete, and steel.”
The outer surface of this box-shaped house structure shows a wall of terracotta roof tiles that open and close to catch the light. The metal support structures reach out from the main building to form a pleasing pattern of connections between the inside and outside.
The look and ambience here remind us of a Malaccan row house, but in a modern context.
Effective combination of old materials and new in textures that suit its owner’s heritage gives this house a sense of being outside of time, and its memories will be passed on to the next generations who live here.
Ultimately, we don’t often find a big-city house that feels so bright, natural, and full of narrative.
This old house that’s the pride of two generations has been given a new lease on life. Tastefully renovated, it transformed into a modern brick home that took the beauty of brick masonry to a whole new level.
The heritage building has served as a big family’s rendezvous in Pattaya, a seaside town just two hours’ drive from Bangkok. Those times are gone now. The extended family home is now in the hands of the second generation with a smaller household. That’s reason enough to restore it as a new place of abode ideally suited to a modern lifestyle.
“First, I started out with a building inspection looking to identify parts that needed repairs and whatnot,” said architect Kasin Sornsri.
“I talked with both generations of the family, and I could feel the love they had for this house. So, I decided to go for a renovation instead of a teardown to make room for a new building.”
In the process, the old roof that fell into disrepair was replaced by a moderate-pitch roof with shingles. Beautiful shed roof design was chosen for its ability to provide tall ceilings, which directly benefited the interior living spaces on the upper floor.
Like the architect intended, the new feature added attractive curb appeal to the home and its lively green surroundings when viewed from the street.
On the first floor, an open-concept dining room is capable of entertaining up to 20 houseguests. The architect has kept the iconic archway design and brick walls on the front façade pretty much intact.
In the meantime, appropriate adaptations are made to best suit the way of living of the second generation family, while the first generation family enjoys plenty of room for privacy complete with a dining space and kitchen.
Over all, the interior design presents the character and atmosphere resembling that of an antique store. Pieces of vintage furniture and stained glass decorations give off friendly vibes conjuring up the image of a family way of life back in the day.
To make it more inviting, custom mosaic tiles paired with window grills in complementing shades echo the beauty of a fusion of Eastern and Western design. Well put together, they breathe new life into the old brick house that has been home to a big family for two generations.
Built to last, and further improved through renovation, this brick house in Pattaya now stands ready for the future.
/ Story: Warapsorn / English version: Bob Pitakwong /
/ Photographs: Sungwan Phratep /
An artist’s house is never just a place to live. It’s a collection of creative spaces. Let us now turn to the studio home of Chamnian Thongma, one of the country’s most famous artists and sculptors. Many prefer to call him just “Thongma.” The artist is widely known for having produced many life-size figurative sculptures. His works are soft and sweet with a little bit of rawness to them, the likes of which aplenty right here at this chic studio home.
Not affected by the passage of time, the studio home boasts the simplicity of exposed brickwork on the exteriors. Among other things, the most attractive feature is the door shutter with a classic antique feel.
The place is nestled at the heart of an old housing development just off of a major thoroughfare in Chiang Mai. Thongma came across it while working on a decorating project at the home of a friend of his, which happened to be right next door.
When he first bought the place, the one-Rai (1,600 sq.m) land was teeming with long tall grasses. After all the clutter was hacked out, it was a beauty just like it had been when the project was completed many years back. It took him just four months to build this new home from start to finish.
Thongma started out with simple design with the work studio occupying the front section facing the highway. The residential wing is at the rear looking out over a small stream where the soothing sounds of water flowing in the background can be heard night and day.
The home plan consists of three one-story buildings looking very much alike but serving entirely different functions. They all have simple gable roofs.
The studio’s main entryway sports a different kind of appeal with the door shutters showcasing classic antique design. Next to it stands the residential section, which consists two white buildings.
The fasciae covering the ends of roof rafters are made of reclaimed wood boards. Together they add a country rustic charm to the home. The two residential buildings connect to each other via an unpaved courtyard at the center of an L-shaped floor plan.
The first residential building houses Thongma’s bedroom, while the second is reserved for guest accommodations. Both of them possess a full array of wall openings to let natural light shine through in all directions.
They double as engine that drives natural ventilation keeping the interior living spaces cool and comfortable all day. Plus, they reduce the harsh appearance and irregular surfaces of the exterior walls.
The house interior is bedecked with décor items from Thongma’s collections. They consist of old furniture from France arranged and utilized in ways that embrace the natural appeal of a European country home.
On open-concept interior design, Thongma humbly said he felt more content with a simple way of living. “It’s good enough as a shelter protecting him from the elements. It’s warm, inviting and enjoyable here, thanks to plenty of chic décor ideas.”
It came as no surprise that Thongma preferred spending time in the open air to being indoors. The natural beauty of the environment was just irresistible. It has all the features to take him straight to nature – the stream, the mellifluous sounds of leaves rustling in the trees, and the lacy canopy of fully grown trees.
Thongma wrapped it up nicely. “Nature and our lives are inextricably linked. It is cool to be able to live in a nature-inspired environment in order to create works of art.”
And that’s exactly what he’s been doing from the start. The studio home best describes who he is and what he is about.
Don’t judge a book by its cover. This modern Tropical home in Kuala Lumpur is more than meets the eye. Precisely, all passive design strategies imaginable are integrated in the house plan, clever hacks to save big time on utility costs. The house is nestled among the trees on a piece of land where an old family home had stood for 60 years. It’s gone now, demolished to make room for a new residence.
Some things are better left unchanged. The relaxed ambience of the land is maintained, thanks to the homeowner and the architect together sparing no effort to preserve all matured trees on the property.
To ensure nothing goes to waste, Tan Loke Mun of ArchiCenter, an architectural practice based in Selangor, managed to incorporate building materials from the old house in the project codenamed, “S11 House” in Kuala Lumpur. Its environmental conscious design has earned the house a platinum award from the Green Building Index (GBI), Malaysia’s industry recognized rating tool for building sustainability.
There is attention to detail every step of the way. Among other things, pieces of concrete from the old house were recycled and adapted for a new use as walkway pavers along the exterior walls. Old bricks were also given a new lease on life, while steel window grids were reused for their strength and durability. At the same time, recycled timber also found a new purpose as scaffolding during construction due to limitations on steel rods.
Built along the north-south axis, the house stands to allow fresh outdoor air to enter on one side and exit on the other. Hence, large windows and other wall openings are installed to create cross ventilation that reduces heat buildup in the interior. In the meantime, west-facing exterior walls are made of lightweight anti-heat-absorbing materials. All of this translates into big savings in utility costs and improvements in the efficiency of air conditioning systems.
What’s more. In the backyard garden, lush vines and other trailing woody-stemmed plants thrive on trellises. They work in tandem with five full-grown trees to provide buffers against the sun on hot summer days.
To create thermal comfort in the interior, extra thick insulation is applied under metal sheet roofing. Where appropriate, the windows are glazed using low-emissivity glass to protect from the sun’s harsh glare.
To keep the heat out and the interior cool, the three-story home (including a basement) has an air duct system that lets hot air dissipate through rooftop vents. With this ingenious design, no air-conditioning machine is needed.
For the most part, building materials are used in their true forms. Painting and coating are minimized if ever needed. Otherwise, naked concrete, bare brick walls and timber in its neutral wood tones prevail. Where a layer of paint is needed, the designer chooses Low VOC paints (low volatile organic compounds) to minimize impacts on the environment.
In a nutshell, it’s a design that speaks volumes for architecture of the future – an environmentally conscious place of abode thoughtfully devised to perform in perfect harmony with nature.
/ Story: Ekkarach Laksanasamrith / English version: Peter Montalbano /
/ Photographs: Soopakorn Srisakul /
A lot of work and research was invested in this row house renovation project. The big question is: how to make the compact house look wider?
Like most urban residential buildings in Vietnam, “3×9 House” was formerly a shophouse built a long time ago. Only recently it was restored to a good state of repair. Looking back over the years, the old place lacking fresh air and ventilation had only a few windows and lots of solid brick walls, which made the building look dim.
A bold move was needed to rejuvenate it. The result is a modern living space that looks and feels fresher, younger and more lively, plus it helps to lift up the mood of the residents.
As land prices in Vietnam continued to rise rapidly and steeply every year, buying a new house seemed like a formidable task. So the owner thought it wise to invest in renovating his existing home.
He reached out to A21 Studiofor their good reputations in the building industry, especially when it came to turning small, stuffy old houses into nice, uncluttered and environment-friendly homes.
Walk in the door, and the first thing that catches our eyes is a tree growing up through an opening in the footbridge set against the wall. It’s a sign of welcome warmly greeting visitors coming into the entryway. The overall effect is bright and airy, thanks in part to a rooftop skylight illuminating the interior living spaces and letting sunlight shine on the tree.
For indoor thermal comfort, openings in the walls let breezy wind enter through the front door and circulate inside the home. As a result of this, the entire interior feels fresh and full of life all the way to the rear section, the second floor and the room under translucent sliding panels on the rooftop.
Flanked by three-story row houses on both sides, “3×9 House” is exposed to direct sunlight only in the middle of the day. For the rest of the time, the home is full of nice cool shade, making it feel very comfortable, warm and cozy, so there’s no need for air-conditioning.
For a bigger, more open vibe in the interior, solid room dividers are avoided, with the exception of the bathroom. The ground floor consists of a living room, dining area and kitchen; all connected.
The bedroom and leisure areas are upstairs. Since the homeowner lives alone, solid room dividers are of no use. In a nutshell, it’s about integrating natural features, openings in the walls and a good ventilation system in the overall design. That’s what makes it a good place to live.
A designer couple’s dream house stands amidst the idyllic farmlands of Vietnam countryside. Interior designer My An Pham Thi and her husband Michael Charrualt, who is also a 3D graphic designer, built their new home office using natural materials and creative building techniques. Basically, it’s a design that embraces the green building concept aimed at minimizing negative impacts on the environment. By mixing locally sourced materials with imagination and modern methods of construction, they were able to create an eclectic living space with a look that’s uniquely their own.
It’s a design choice that came at the right time as sustainable building was catching on in different parts of the country. Green construction provides many benefits, among them reduced waste, reduced cost and better air quality, and the list goes on.
This designer couple’s home out in the country conveys a great deal about that line of thought and the need to go green. They mixed local materials with imagination to create an environment-friendly home that’s cozy and warm without burning a hole in the pocket.
The fence wall in front of the house boasts the simplicity of raw concrete finishes with beautiful bamboo detailing. There are two gates made of wood in dark reddish browns that blend with the rural environment, at the same time, protecting the home from the outside.
As a feature that’s a source of pride, the house’s external envelope is crafted of bare brickwork that adds visual interest to the overall design. Where appropriate, perforate brick walls are installed to allow fresh air and natural light into the home, making the interior feel nice and dry.
All of this is achieved by using simple materials readily available in the locality, such as wood, cement, bricks and palm-leaf roofing. Together they give the house in the fields a beautiful indigenous flair.
In essence, it’s the love of the outdoors that inspires My An Pham Thi and Michael Charrualt to build their home out in Vietnam countryside. It boils down to the healthy lifestyle they cherish in their heart, a yearning desire to seek reconnections with nature. And this rustic country house in the fields is made for that.
Take a look inside. The ground floor boasts a specious living room with Chinoiserie furniture that connects to the dining room with a large table and Windsor chairs. It has the view of a side yard garden.
The second floor works as a home office with a snug bedroom tucked away in a quiet, more secluded area.
The master bedroom lies on the third floor that’s characterized by simplicity and a handful of essential elements unique to Minimalist style.
Here, time goes by so slowly, and the designer couple isn’t in a hurry to go anywhere. Their dream home is, in fact, a live-in experiment, in which different materials and various building strategies are being evaluated to determine how they perform in real life.
Should any issue arise, it will be dealt with one by one to arrive at the best solution. But one thing for sure, it’s a home with love and care.
Owner/Architect: My An Pham Thi and Michael Charruault of MM++ Architects (www.mmarchitects.net)
/ Story: Ekkarach Laksanasamrith / English version: Peter Montalbano /
/ Photographs: Soopakorn Srisakul /
There are ways to bring the outdoors in and enjoy the benefits of nature without ever leaving your home. Likewise, a concrete house in Malaysia named Sekeping Tenggiri has embarked on the journey to establish a sanctuary for the mind.
Located in Jalan Tenggiri, a district of Malaysia’s capital Kuala Lumpur, the house graces a modest plot of land. Nonetheless, the homeowner adeptly integrates a plethora of natural features into the design for a look that blends seamlessly with the environment.
The house belongs to Ng Sek San, who is the founder of Seksan Design, a landscaping and architecture firm in Kuala Lumpur. He told us that the house was a renovation of two adjacent homes skillfully transformed with a clean sweep.
Ng is also an art collector, which is evident in one side of the house dedicated to an enviable art collection that’s open to the public with no admission charge.
The two-story home boasts a comprehensive range of functional spaces, including an ample sitting room, dining room and kitchen, complemented by a refreshing swimming pool and seven bedrooms.
An experienced landscape architect, Ng started out with a modest garden while working on this house. Over time, he progressed to larger projects, smoothly integrating exterior and interior spaces so that they become a whole. To him, a garden is a room, and his exterior design spaces resemble extensions of the interiors.
An exemplary illustration of Modern Tropical style, Sekeping Tenggiri is designed to mitigate heat and prevent moisture-related issues. Long overhangs and awnings provide protection against scorching sunlight, while exposed roof sections and plain floors contribute to a clean and simple aesthetic.
Materials such as concrete masonry, bricks, wood, and steel were utilized, with the main structure being steel-reinforced concrete. The thoughtful incorporation of nature into the living space is evident in details like raising the floorboards 40 centimeters from the concrete floors, promoting air circulation that naturally cools the upstairs bedrooms.
Opaque walls are replaced by glass louvre windows that usher in light, creating airy interiors. Transparent materials in parts of the roof facilitate ample sunlight, particularly over the swimming pool.
As has been demonstrated, Sekeping Tenggiri features numerous passageways that facilitate air movement. They include the spaces between wooden floorboards and along the corridors, plus openings in exterior walls. These design elements not only enhance ventilation, but also contribute to the house’s uncluttered and incredibly relaxed appearance.
/ Story: Warapsorn Akkhaneeyut / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Terraced houses are ubiquitous throughout Singapore, many of which are well preserved to showcase the country’s rich architectural heritage and history of British Colonial rule. Many of them have changed to better serve commercial and residential needs of the modern world. This handsome terraced house is no exception.
This terraced house belongs to Alan Barr and Phaswan Promphat, both of whom interior designers.
Alan has had experience living in big cities, such as New York, before the job sent him across the globe to settle in Singapore nine years ago. He didn’t arrive empty-handed, but with furniture and other prized possessions.
Over time Alan transformed the old townhouse into a trendy residential unit, incorporating a touch of New York in the prevailing climatic conditions of Singapore.
The home has a narrow front façade, but the narrow width is compensated by depth, a design feature typical of Sino-Portuguese architecture.
The front part has since been remade to accommodate lattice awnings from floor to ceilings. They serve as privacy curtains while shielding the interior from direct sunlight without limiting air circulation.
From the outside in, it looks like any two-story home. Step in, and you will find it is actually a three-story design.
The ground floor now serves as a carport and storage facility. A set of stairs takes us to the second floor, which is the living room and kitchen with a spacious dining area.
The home office is here, too. From the living room, there is another set of stairs leading to the bedroom on the third floor.
Alan said, “This home used to be a design studio. The interior was just about right. It looked like a home, but it was not.
“At the time, it was an office and it had no kitchen. So when we got it, we had to put in one. I like the layout of this home very much. I divide it into two simple zones – general, and privacy.
“The top floor is served by two separate sets of stairs. The attic has since become an office. Space is divided to store decorative works on one side and use as a workstation on the other.”
“The second-floor dining room serves multiple purposes, from eating and entertaining customers, to meetings and project presentations,” he continued.
“Personally, I don’t like an office hemmed in by glass walls supported by steel or other metal frames. Offices in much of Singapore are like that.
“I want a different kind of workplace, in which to impress the customers with different experiences. Most of them like it here, whether it is furniture or decorative items that we have on hand.”
As a whole, the interior spaces are neatly designed and well-appointed.
Décor items from various places are placed in perfect harmony with one another. As he puts it, good furnishings don’t always have to be expensive if you know how.
Alan has given this old terraced house a chic modern makeover with a hint of interest and personality.
“It’s a co-housing arrangement.Mine is more of a dynamic, full-of-life home. The house next door is my brother’s. It appears to be more private in the midst of a tranquil setting.“
The homeowner, Suthiphong Pongpawasuit said I was kind of speechless for a bit when I heard him express his feelings about the co-housing house. It could be that I was expecting the most beautiful replies like always. No offense intended. It was the most honest and unpretentious of feelings.
“I could feel a warm and friendly atmosphere, and appreciate the meaning of “home” as he defined it. I have come to one that reflected the true personality of its owners.” The two houses are surrounded by pleasant grounds made the two brothers happy in their own way.
The two buildings brought out differences in their lifestyles and their preferences.
The first building
The first building belongs to Suthiphong. It is concrete chic based on a straightforward design. The walls are fabricated of unornamented concrete finishes and an interesting mix of textures and materials. Floating systems of electrical conduits conjure up images of an urban industrial loft apartment.
The interior features gorgeous living spaces. During the day, natural light shines through large overhead windows with wrought iron detailing, creating an amazing shadow play. There is a sense of visual continuity that connects seamlessly with the exterior as soon as the large door slides open.
On the outside, peaceful lush landscaping under a tree canopy can be seen in full view. On the inside, different furniture styles add a hint of interest in a subtle way.
Obviously, the co-housing house is designed for the local climate. Oftentimes we complain of too much sun, winds, and rain. But since we call this country home, why not make the most of the extreme weather conditions?
They are the natural appeal of this Region. That is why we see all natural elements being incorporated into the design scheme. Here, the sun, the winds, and rain are all taken into account in framing the house within a beautiful botanical border. That makes living in a co-housing house a life fulfilling experience.
The second building
The second building belongs to Suthiphong’s brother, Kittiwat Pongpawasuit. Unlike the first house, it comes in a mix of white, cream, and gray tones, which together give it to a strikingly handsome appearance.
The design is light and airy and emphasizes a warm and peaceful atmosphere. Brick walls are painted white to minimize any alteration of natural light and color reflecting on the surfaces. The home, especially its living spaces, is all about enhancing a seamless indoor-outdoor relationship.
Crisp, clean landscaping can be seen all the way to the swimming pool, thanks to large single-paned glass doors that slide open and neatly disappear into the walls. The living room gets nice cool breezes from the swimming pool and is set facing north to avoid the harshest of the afternoon sun.
Design relationship
The two designs may contrast in personality, but architect Kraipol Jayanetra of Alkhemist Architects found a relationship between them by opting for like materials, textures, and mutual décor ideas.
By this was meant the use of naked, unornamented concrete finishes, industrial-style electrical conduits, wood furniture, and a plenty of accent pieces.
“I started out with something small but interesting, and worked my way up until I arrived at a complete unit,” said Kraipol.
That being said, every part of the co-housing buildings, be it vertical or horizontal spaces performs the functions it is intended. Overall, a great mix of patterns and textures makes the two houses appear in perfect harmony with each other. The difference is in the details.
This has been a story of two youthful homes in a co-housing house that coexist to complement each other. One is overflowing with life. The other is tranquil and handsome in its own way. They enhance and improve each other’s curb appeal, and set the stage for a simple fulfilling lifestyle.
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