The Morico Café and Restaurant is nestled in an impeccably restored shophouse in the heart of Ho Chi Minh City, formerly Saigon. There’s more than it seems at first sight. A well-conceived renovation obviously plays a pivotal role in improving the functionality and value of the building. The narrow façade, typically 5 meters in width, opens onto the sidewalk and, beyond, a very busy street. The elongated building plan is 35 meters deep, making it adaptable and incredibly useful. From the architect’s point of view, it’s an opportunity to create a warm, inviting place that fosters positive connections between people and nature.
A design masterpiece by the Ho Chi Minh City-based company Inrestudio, the beautiful café and restaurant is thoughtfully devised in keeping with a contemporary Japanese concept that prioritizes the aesthetics and practicality of space. The secret lies in decorating with lush green plants, thereby creating an oasis of peace and quiet despite being in the city center.
The building facade facing the sidewalk welcomes customers to a semi-public area with a well-crafted set of concrete steps sprucing up the entryway. It balances greenery with minimalist hardscaping, creating a bright, airy transitional room radiating positive vibes. Against the walls, healthy green foliage is arranged in a zigzag order, alternating with semi-outdoor furniture designed to improve customers’ waiting experience.
The Morico Café and Restaurant blends inviting design and nature in a restored, elongated shophouse in Ho Chi Minh City.The coffee bar boasts original and unique designs thanks to the counter frontages that vary in height from one barista station to another depending on the task being undertaken. Lower frontages open up windows for good customer interaction, while higher ones keep non-customer contact areas out of sight creating a neat appearance.
Walk past the entryway, and you come to a well-conceived the coffee bar in earthy brown tones that give it a professional, polished appearance. What makes it unique is the bar counter frontages that vary in height from one barista station to the next depending on the nature of work being carried out. The beautiful frontages are kept as waist height where customer service takes place and raised higher for jobs that require less to no human interaction.
At the farthest end, a part of the second floor is taken out to make room for a curved steel staircase painted dark forest green. The vertical shaft enclosing the stairs is brightened by a skylight system built into the rooftop, while the double-height ceiling is hung with a forest of white Noren curtains commonplace at restaurants, shops and homes across Japan. There are about 180 of them in all. Together they create light and shadow effects that change throughout the day due to the angle of the sun in the sky.
The glass ceiling is hung with a forest of white Noren curtains commonplace at homes and business spaces across Japan. There are 180 of them in all. Together they create light and shadow effects that change throughout the day.A curved steel staircase painted dark forest green gives access to upstairs dining rooms. The shaft at the farthest end of the building is created by taking out a part of the second floor to make room for a new set of stairs illuminated by skylights built into the rooftop.
The overall effect is impressive. Precise floor plans and interior décor speak volumes for a philosophy of Japanese art and design that blends together beautifully with modern architecture. The downstairs is designed to please even the most avid coffee lover making the coffee easily accessible.
Earthy brown and deep forest green go well together on the stairs and the corridor enclosed by a balustrade giving access to dining rooms on the second floor. By nightfall, the restaurant is aglow under soft lights elevating dining experiences. Plus, there’s private and secluded space for large group dining nearby.
The upstairs room focuses on the good seating arrangements for comfort, the relaxed ambiance and a good dining experience. When evening comes, soft lights create a signature glow bringing depth and warmth to the cozy dining room. Plus, there’s private and secluded space for larger group dining, too.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Anupong Chaisukkasem, Phumpakorn Na Bangchang /
How would you like your coffee? Black or with cream? Welcome to Rimkhobfa Bookstore & Black and Milk Café, a stand-alone store and coffee shop snugly cocooned in a cozy neighborhood of Bangkok’s Bang Plat District. The name is a bit of a mouthful, but you get the idea. The cybercafé is thoughtfully devised to ignite the love of literacy and open new horizons among younger fans of books.
Aptly named “Rimkhobfa”, literally translated “horizons”, it’s home to a bewildering array of books about Thailand and classics that every bookworm should read. Originally located on Rajadamnoen Avenue, the store only recently moved across the Chao Phraya River to a new address in Bang Phlat District. And that’s where the design team at BodinChapa Architects came in play, transforming an old building that had fallen into disrepair into a new bookstore-cum-café rendezvous. There’s charm and the power of storytelling that captivates a thirst for knowledge. Plus, fresh brewed coffee smells like heaven and the atmosphere is pleasant.
The building that formerly housed offices is located on Charansanitwong Road, a main thoroughfare on the west bank of the Chao Phraya. There was a problem when an overpass was built nearby, making the structure less visible while the interior became dark, poorly lit by dim light. To breathe new life into the old building and make the dark rooms brighter, the architects added openings in the wall and painted the interior a light and airy color. Meanwhile, an open concept layout provides ample space for a café that’s part and parcel of the bookstore.
The first floor plan offers equal amounts of space for the café and the bookstore. / Courtesy of BodinChapa ArchitectsDrawings illustrate spatial arrangements on the second and third floor plans. The interior is made light and airy by taking away the ceiling and creating a void of space in the second floor. / Courtesy of BodinChapa ArchitectsA vantage point affords a view of areas on the first and second floors.Stair railings provide visual transitions enhancing the flow of interior space that culminates in a massive wall called the “Tower”. In all places, the interior abounds with custom built-in shelves for storing books and product displays.
In renovating the old building, the architects had a part of the second floor removed to create a double height ceiling, resulting in a visually striking interior on the ground floor. After that the bookstore and café spaces were put in, each occupying roughly equal amounts of floor area.
Climb a flight of stairs, and you come to the second floor with plenty of space for organizing events and seminars. The low ceiling that was there originally is gone now. The room is cozy and comfortable thanks to a double height space. It also has abundant space for bookshelves. The third floor holds a conference room with large windows overlooking the second floor.
A product display paired with restaurant furniture in various styles creates a good bookstore café experience.Low ceilings that were there originally have since been removed to add headroom to the retail space on the first floor. Plus, it makes the small area nice and tidy by hiding utility systems.
The first floor comprises two parts, the first being a bookstore and the second holding a small café. There’s a coffee bar up front for greeting customers arriving in the store. Go further inside, and you come to an area filled with bookshelves alternating with coffee shop seating. From here the aisle leads to a collection of books beautifully arranged for public viewing.
On the whole, the interior abounds with bookshelves and library furniture starting from the café zone all the way to the stairway giving access to the second floor. Together they provide the perfect ambience for coffee aficionados and book lovers.
There’s more. Filling the interior space with style is a massive wall called the “Tower” that rises from the bottom to the top of the building. It’s an element of design dividing the interior space into parts, meanwhile doubling as the focal point drawing customers to other attractions on the second floor. Plus, it’s thoughtfully devised to provide the visual connection linking the cashier zone with the stairway nearby.
The decoration of the “Tower” keeps firmly to the original Rimkhobfa bookstore concept, whereby the gradual change of color symbolizes the horizon.
Overall, the furnishing and decoration of the interior keeps firmly to the original “Rimkhobfa” bookstore concept, whereby an image of the horizon is represented by a wall of fired clay bricks that change colors from dark at the bottom to light at the top. At the same time, indoor lights and a quadrangular opening at the top of the Tower go to work alongside each other to create a clean, well-lighted place perfect for reading and displays of books.
The second floor is well-lit and filled with shelves on which books are stored. It’s illuminated by natural daylight shining in through an array of tall windows. To protect the interior from the sun, the windows are dressed with light filtering shades. Flex space ideas help create multipurpose rooms for meetings and other events.
Low profile shelving units can be stowed away in the back room when not required, while high profile ones are used to store books and display products. They are placed against the wall with spaces in between to avoid enclosed spaces that could be signs of claustrophobia. This makes it easy to browse around the bookstore, find a quiet place to sit and enjoy a good read.
A flexible space for seminars and events has low profile shelving units that can be stowed away when not required.
Slightly tucked away from the main, noisy thoroughfare, the bookstore café makes the most effective use of natural materials to attract passers-by. Like so, the raw brick façade in shades of orange performs dual functions; structural and aesthetic. Nearby, a small signboard displaying the business name and logo directs customers to the store.
The floor is covered with tiles in shades of dark gray alternating with orange hue with brownish tints. To make the building more visible from the street, the front façade protrudes slightly from the wall while light-colored wood paneling slants up to the window sills adding instant curb appeal.
Fired clay tiles in shades of orange contrast with a gray stone wall displaying the business name. Together they add instant curb appeal to the bookstore café.
The atmosphere inside and outside the bookstore café is pleasant thanks to the use of eco-friendly materials in all places. Needless to say, it’s design that respects nature and the importance of art and culture in our lives. The materials and color shades remind a crowd of onlookers of the humble origins of man. Together they create stunning color combinations blending with the circumstances that form the setting of the neighborhood.
The second floor contains bookshelves alternating with reading nook furniture.
As print media struggle to survive in the age of technology, Rimkhobfa Bookstore manages to stand its ground in the fight by incorporating Black and Milk Café in its business plan. The result is a forward-looking bookstore café that answers the lifestyle needs of the new generations. By design, it’s a flexible business space capable of performing many functions. It’s the story of a renovation done right, one that transforms an old building in need of repairs into an oasis of calm for book and coffee lovers. Swing by the café next time you’re in town.
This house on the hill is a refreshing change to be taken seriously. Designed for four people to fit in comfortably, it looks out over the Mae Sa River in Chiang Mai’s Mae Rim District. It all began with a family wanting to get away from Bangkok and live somewhere out there in the countryside. As luck would have it, they had an old vacation home that needed repairs, and the rest is history.
It wasn’t long before they decided to put in a new house set amid the landscape of undulating hillsides filled with fond memories of the good old days. From a distance, the new place named Mae Rim House is built into nature, the perfect place to get fresh air and sunshine. Can’t beat that!
The open concept first floor offers plenty of ample space under double height ceilings. It holds a living room, dining room and kitchen. Upstairs, a footbridge provides access to the bedroom at the rear of the house plan.
Upon completion, the family had most of their furniture and furnishings shipped up here when they left Bangkok. They included collectibles that had been in family possession for some time and personal effects shipped home after an extended stay overseas. Take a quick look, and it’s easy to get how they felt a sentimental attachment to their possessions.
The dinning room affords a peaceful vista of the family’s old vacation home at the rear of the property.
Overall, home decoration is inspired by fond memories for the past. Amenities and features of the house are mostly in taupe or light gray with a tinge of brown. And that’s especially true for the ceilings, interior walls, sofas and other furniture items.
It’s a mix of old and new that blends perfectly with the dense green color of the surrounding landscape. The same applies to the comparative coolness of the house exterior that’s in shade for much of the day, a rustic ambience that’s in perfect harmony with nature.
The two-story, 500-square-meter home boasts the beauty of a large living room in the middle of the first floor. Elsewhere, smaller sitting areas are placed at intervals across the house plan.
But what makes it an interesting place to live is the double height ceiling at the center that promotes cross ventilation, keeping the interior cool and comfortable especially during summer months. At the same time, open concept design encourages smooth flow around the interior, from the kitchen to dining room to living room.
A topographic map shows the house location on the hill in relation to green spaces, roadway and nearby structures.A drawing of the downstairs floor plan.A drawing of the upstairs floor plan.
The result is a bright and breezy atmosphere, thanks in part to an array of sliding glass doors on one side of the house that opens to let nature permeate the interior. There’s also a ceiling fan on standby, too. It’s so cozy that they hardly ever use air conditioning.
The first floor holds two bedrooms with a view of nature. Designed for senior family members, they are positioned at either end of the house plan for increased privacy. The second floor is an entirely different story.
There’s an attic-style bedroom at the south end of the house plan that has been adapted to avoid stuffiness and promote good air flow. For lighting and ventilation, a trio of awnings and skylight windows are built into the gable roof.
The upstairs bedroom at the rear is accessed via a footbridge overlooking the void of space above the first floor that holds a kitchen, dining room and living room.
Inside the house, slanted ceilings that run parallel to top chords create a bigger space overhead making the entire bedroom feel spacious and airy. On the outside, the underside of overhanging eaves is covered with soffit panels for a neat appearance.
Bedroom walls are glazed using clear glass to soak up the views of lush wooded hills.A cozy semi-outdoor gallery adjoining the bedroom is brightened up with foliage plants.
For indoor thermal comfort, the box-shaped home lies protected by an expansive gable roof with long eaves overhanging the exterior walls. It stands hemmed in by tall trees that keep the new family home in shade for much of the day.
The awning and skylight window customized to match the roof reduces the harshness of materials, plus it facilitates cross ventilation in the interior, keeping the house cool in summer.
What makes it fascinating is the far ends of the gable roof that extends quite a distance from the walls of the building. The resulting triangular shape of the second level is designed to avoid making the house look too big or too tall, so as to blend with all that exists in the neighborhood. After all, it’s everlasting harmony that’s the foundation of good design.
/ Story: Wuthikorn Sut / English version: Peter Montalbano /
/ Photographs: Soopakorn Srisakul /
The townhouse is a common type of building in Thailand, especially in Bangkok. Homeowner and architect Narong Othavorn grew up in one, always thinking of ways it could be better designed. Eventually, he and his wife Pim Achariyasilpa chose a 30-year-old townhouse in Si Phraya, a downtown neighborhood, and turned it into one of the most excellent townhouse makeover projects in the city.
Overall, the final building is a combination of the adjacent townhouses. Narong kept the original wrought-metal façade, modifying the original metal entrance door with a mixed frame of wood and steel, leaving the next-door side the entrance to a fourth-floor warehouse.
A picture window in the living room brings in natural light onto washed gravel walls that lead down to a small garden behind the house, inspiration for the “double space” mezzanine.
The double-space ceiling isn’t only about making the lower level look good: it supports the open-plan design.
Glass panels in the dining nook of the mezzanine above extend a feeling of comfort to every space in the house. From the mezzanine there’s a continuous view through glass partitions out to the garden behind the house, and there’s steady circulation of air from front to back.
Townhouses are apt to feel cramped, but not this one! The light is different in each area, but the light is what connects everything.
“These things came from our own personal tastes. Pim likes well-lit spaces. Me, I like indirect light,” explained Narong.
“So with a house for the two of us, we had to get the division of space just right, using the light available in each area. The lower floor is bathed in subdued natural light; upstairs, the living room is brightly lit through the front window.
“Moving back to the dining area and bar, the light is dimmer. Go upstairs to the bathroom and dressing areas and it’s lighter again, suiting the specific limitations and characteristics of each space.”
“Small, but spacious” is how both owners refer to this house: better than adequate, the size is really perfect.
Not so small as to be cramped. Everywhere some things catch your eyes up close and others at a distance. The home offers a master class on how townhouse renovation can work with limited areas to create special, interesting spaces.
Even though adjoining buildings make side windows impossible, careful arrangement of space and windows on higher levels give this house a beauty that is anything but ordinary.
/ Story: Kor Lordkam / English version: Peter Montalbano /
/ Photographs: W Workspace /
This box-shaped steel house, hidden in shady green woods, has a cool, peaceful resort atmosphere. – hard to believe it’s right in the middle of a congested city!
wide eaves, glass windows set 3 meters in for shade and rain protectionpaved driveway leading into the carport 5 meters from the street
Designing architect Boonlert Hemvijitraphan ofBoon Design took up the challenge set by the owner: create a home on the limited plot that is neither cramped nor stuffy.
Boonlert said, “The challenge was to make that work within the urban context. Fortunately, the owner gave us a completely free hand; our job was simply to design a comfortable residence on a 360-square-meter (90-square-wah) property. The starting point was what we saw in the original landscaping here.”
[left] The dark of the steel house and bamboo blinds contrasts with the surrounding greenery. [right]: Open space carport leads up into the house.The main door from the carport into the living room
The property was not large, and its location right in the center of a capital city was seriously limiting
How to build a comfortable residence here? The garden/orchard greenery was used as a tool to create a sense of spaciousness.
Instead of the house spreading outwards toward the fence, it rose vertically as a 2½-storey home with open space beneath the house used as a carport and multipurpose area, the rest of the property becoming a relaxing, park-like space.
High-ceilinged living room, naturally bright and airy, with a great view of outside greenery.
The large garden was set up to the south to get the best breeze and the best shade from plants and trees.
The garden is planted on soil raised 1.2 meters higher than before to be level with the 3-meter height of the living room.
The living room connects with the dining area beneath the mezzanine, with the kitchen behind the glass doorThe metal bookshelf reaching almost to the mezzanine also acts as weight-bearing support for the staircase behind it.
The first floor has a high “double volume” ceiling for more natural light and ventilation. A steel staircase rises from the living room to the mezzanine, which holds a workroom and guest bedroom, and up to the second floor, the owner’s private space.
The single staircase up from the carport connects everything from the ground to the top floor.
Mezzanine walkway with banister and protective grating steel is the primary building material, but natural materials such as bamboo are also important.
Bamboo shades cover the house façade, filtering sunlight, protecting against rain, giving privacy from outside view, yet still allowing good ventilation.
“We used steel not because we especially wanted to use steel, but because it was light, and we wanted that quality,” explained Boonlert.
“Each material has its own particular value. Coming up with a principle means coming up with the quality we want. Design is a value in itself.”
The architecture of this house reflects modern times. It’s surrounded by the natural environment people long for, so no matter chaotic and confused the outside world, in this home there’s a mood of relaxation and contentment: it’s just a great place to live.
/ Story: Wuthikorn Sut / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
This box-shaped house uses architecture and coordinated interior design to tell stories of the present and the past.
The house is located in the Petaling Jaya district of Selangor, Malaysia. This is a district of single homes, but with little space to put up a large house.
Still, architect Dr Tan Loke Mun rose to the challenge of house owner Kenneth Koh and tore down the former structure here to build a new 3-storey box-shaped house in its place.
“Ground space was limited, so we built upward,” the architect told us. Building vertically involved careful division of space. The lower floors hold common areas: parlor/living room, dining area, kitchen, and conference/chat room. The 3rd floor is an attic, holding hidden utility systems next to a small living room.
The designers brought an “outdoors” mood to each part of this box-shaped house: there’s a “double volume” high, open space on the first floor; glass windows open to the garden atmosphere, and potted shade-loving plants bring it inside.
Gentle sunlight shining into the living space combined with a light breeze from a ceiling fan gives the feeling of sitting in a garden.
An effective play of space combines with the interior décor to bring out a timeless feeling that reflects its Malaccan legacy. The Chinese-style furniture, both traditional and contemporary, was made by Malaccan artisans. Paintings tell of a land that lives on in the memory of the owner.
For architectural reasons, the stairway is in the middle of the house. The folded steel balusters look light, and the red banister is at once tremendously chic and reminiscent of the row houses of yesteryear.
Significantly, the prominent terra-cotta tile facade is remarkable.
“In tearing down the old house, we discovered that the roof tiles were handcrafted, imported from Calcutta, India, so we set them aside to use this way for privacy and heat insulation,” added the architect.
“Their texture connects nicely with the other materials used here. This original house tile is long-lasting, looks great, has a timeless quality, and is a good choice in combination with the other main structural components of brick, concrete, and steel.”
The decorative outer house wall uses a suspended steel framework to hold the terracotta roof tiles and red brick.
The outer surface of this box-shaped house structure shows a wall of terracotta roof tiles that open and close to catch the light. The metal support structures reach out from the main building to form a pleasing pattern of connections between the inside and outside.
The look and ambience here remind us of a Malaccan row house, but in a modern context.
Effective combination of old materials and new in textures that suit its owner’s heritage gives this house a sense of being outside of time, and its memories will be passed on to the next generations who live here.
Ultimately, we don’t often find a big-city house that feels so bright, natural, and full of narrative.
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