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ISAN Cubism: A Revival of Isan Folk Art through Exquisitely Beautiful Ceramic Buddha Images

By livingasean
March 19, 2024
ART,CULTURE

/ Khon Kaen, Thailand /

/ Story: Natthawat Klaysuban / English version: Bob Pitakwong /

/ Photographs: Courtesy of ISAN Cubism /

An exquisitely beautiful collection of Buddha figurines reminiscent of stone Buddha images in earlier times has restored Isan vernacular art to life. Let’s go and check out some of the extraordinary works of art that take pride of place in the hearts and minds of the people of the Northeast of Thailand, aka the Isan Region. There is a difference though, as to what kind of material they are made of. One thing is for sure, the result is the beauties of Isan folk art that inspires delight and great admiration. The tranquil figurines are skillfully handcrafted of ceramics glazed in smooth, shiny cool-toned green and blue hues. Truly in a class of itself, the stunning product line is already very well received among aficionados of fine art and sculpture countrywide.

The project is a collaboration between Dr. Kham Chaturongakul and Dr. Nuttapong Prompongsaton, associate professor — both of whom faculty members of the Department of Industrial Design at Khon Kaen University’s Faculty of Architecture.

Together they co-founded the brand “ISAN Cubism” by integrating the elements of vernacular art indigenous of the Isan Region in exciting new designs, plus using materials and techniques that best fit in with the present time.

Dr. Kham Chaturongakul (left) and Dr. Nuttapong Prompongsaton, associate professor. Both are faculty members at the Industrial Design Department, Khon Kaen University’s School of Architecture.

The ceramic statuettes with a polychromatic overlay are admired for their powerful storytelling about the richness of Isan culture and traditions. For this reason, the brand ISAN Cubism comes in handy as a vehicle of ideas to showcase an intriguing combination between the traditional and the modern.

Cubism, created by Pablo Picasso, is a style in art using simple geometric forms as a means of expression, as opposed to traditional modes of representation and concerns.

Precisely, ISAN Cubism is about the relationship between religion and humanity in the contemporary world. That being the case, the omnipresence of Siddhattha Gautama the Lord Buddha is constantly felt in society today, and hence the images of him are never far from our everyday lives.

Depending on our religiosity, the statuettes of the Buddha play multiple crucial roles in the current environment. For the followers of Buddhism, they are objects worshipped and treated with deep respects. For others, they can be anything from materials used in the furnishing and decoration of homes, to symbols of pleasure and calm rather than being treated with due seriousness. The list goes on.

That being said, the traditional lines, shapes and forms characteristic of Buddha images in former times are reduced in favor of a more streamlined design plain and obvious in this collection of modern-day statuettes. It’s a rethink that enables them to perfectly merge into the circumstances that form the setting of today’s events and ideas.

As the two professors see it, Isan vernacular is chosen as the vehicle of artistic expression in this collection because of its richness in folk elements of design, a genre of visual art and sculpture developed at the time the region was regarded as a remote frontier ungoverned by bigger, more powerful city states.

In exact terms, it’s this quality that makes Isan folk art original and unique in its own special way. Among others, there’s a sincere direct rawness to it that differs from the more refined profile typical of those of Lanna and Ayutthaya kingdoms in former times.

In a nutshell, Isan art is the works of traditional craftsmanship, made by villagers using materials and technique available within the locality, wood and clay included.

Their version of Buddha statuettes may be a far cry from awe-inspiring masterpieces intricately carved by royal court artisans highly skilled in a trade. But, unlike the elegance in appearance that we’ve all grown accustomed to, Isan folk art remains a medium of expression that’s easy to understand, one that’s created using simple clean lines and four-sided plain figures.

The two professors see a similarity of characteristics between Isan art and cubism ideas that originated in Europe. To them, the beauty of simplicity of Isan vernacular art is key to unlocking the door to endless possibilities.

Imagine what would happen if Isan folk art could transform into lifestyle products made easily accessible to today’s generation. Keep the vibrant colors that the villagers have long cherished, plus the rawness feel unique to each and every one of them. That’s what adds charm and character to folk art products.

The brand ISAN Cubism started out with the manufacture of vases for displaying cut flowers. Gradually Nattapong developed an interest in Buddha statuettes, having been surrounded by religious populations. He soon came up with his first collection of Buddha figurines based on wooden models that people made and then donated to temples as the expression of reverence.

Dr. Kham and Dr. Nuttapong said that other countries have their own versions of human figurines, too. The most famous among them are Daruma Dolls of Japan, and Matryoshka, aka Nesting Dolls, of Russia.

They opined that Isan folk art had the potential to develop into something in the future, which can be anything including materials for the furnishing and decoration of a room, or any place on earth.

And you don’t have to be Buddhist to do that, either. Buddhist art is a visual art. It’s the way of seeing things around us and interpreting them through an artistic perspective. And this exquisitely beautiful collection of ceramic figurines is designed to do exactly that.

Artist: ISAN Cubism (www.facebook.com/Isancubism)

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An Urban Natural Home Designed for Peace of Mind

By livingasean
March 20, 2019
HOUSE,LIVING

/ Bangkok, Thailand /

/ Story: Ajchara Jeen / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

You don’t have to live in the middle of a forest to bring the outdoors inside. This beautiful house belongs to Bhalangtham Klomthongsuk, a well-known drama series organizer and television personality. The single-level urban residence takes up most of the 200-square-wah land space with modern living amenities and a private retreat amidst nature. The peaceful natural setting fits the lifestyle of the homeowner whose name translates as the power of dharma.

urban nature house — A sand colored sofa makes an attractive presence in the cozy outdoor room between Bhalangtham’s bedroom and a nearby compact garden.

Showing us around the home, Bhalangtham said: “On first seeing, I liked the way it differed from the style typical of modern-day housing developments where everything looked very similar. Besides, I’ve always preferred a single-level floor plan.

“Initially, I didn’t plan on doing any remodeling for five years, kind of waiting for my son to grow big enough to have his own room. But, I didn’t want my elderly Mom to climb up and down the stairs any more.

“So, here we are! This house offers many advantages. It’s fully functional for an old home. There wasn’t much damage to repair to begin with, except a few updates here and there to make home life easier. That was pretty much it.”

From the main entrance, a hallway provides access to the left and right wings of the house. The right wing contains a kitchen and dining room, while the left has a bedroom with private bath that has since been renovated as a multi-use space.

The clearly noticeable part of the home is a small courtyard garden at the center of the house plan where Bhalangtham’s bedroom is located. The open space offers a refreshing environment in the middle of lush foliage. There’s an outdoor sitting area with a private garden view.

The house’s main entrance lined with friendly indoor plants feels warm and inviting. Creative ideas paired with floor-standing greenery add a relaxing tropical feel to the entryway.

The hallway leading to the living room is illuminated by natural daylight streaming in from one side of the building. Everywhere indoor plants re-humidify the room preventing the interior from feeling too dry.

The furnishing and decoration are left in the good hands of interior designer and close friend Suranart Lerdkunakorn. Knowing the homeowner’s taste, Suranart creates a mix-and-match interior combining chic vintage ornamentation with newer furniture and decorations from different eras and styles.

On the whole, home décor and accents give a hint of Eastern culture that makes the interior warm and welcoming. Strong, deep colors make the interior room visually interesting.

Commenting on furnishing and decoration, Suranart said: “Bhalangtham likes the metallic duck-head green and navy blue; hence much of the interior is pained dark shades of color. Together, they bring renewal and nature to the indoor living spaces.

“As for furniture, a chinoiserie dining table that’s a gift from the previous homeowner comes in handy to reduce the stiffness of modern home design. Elsewhere, vintage décor ideas imported from Bhalantham’s old house complement a look that’s stylish and relaxing.”

An ethnic design carpet adds curious excitement to the room.

The duck-head green of the wall and the cream and beige of living room furniture provide an agreeable contrast. Green leaves freshen the atmosphere and make the room feel warmer and more inviting. The living room is part of the functional wing that’s designed to serve multiple purposes.

The small dining space adjoining the living room is flexible and party ready, thanks to a chinorserie table that was a gift from the previous homeowner.

Nature House — The metallic duck-head green dominates a corner where young Arty practices music. Like the homeowner intended, the green room serves to connect indoor spaces with the lush courtyard outside while the sound of music rejuvenates the atmosphere.

The dark shade of blue in Bhalangtham’s bedroom contrasts with the beige of leather upholstery on the furniture and the floor in natural wood stain. An area carpet in lighter shades brightens the room.

A perfect amalgam of chinoiserie, vintage, modern, and classic styles is a distinctive feature that gives the house meaning and character. Combine that with a courtyard filled with the lush foliage of container gardens, and the benefits are amazing. Despite its small size, the patch of greenery serves as the lungs of the house, a condition ensuring that every day is a breath of fresh air.

Owners: Bhalangtham Klomthongsuk

Interior Designer: Suranart Lerdkunakorn

Visit the original Thai version…

บ้านโมเดิร์น แต่แตกต่าง

An Elegantly Eclectic Home: The Beauty of Diverse Styles

By livingasean
May 4, 2017
HOUSE,LIVING

/ Bangkok, Thailand /

/ Story: Wannch / English version: Bob Pitakwong /

/ Photographs: Nuntiya Bussabong /

It’s arguably the variety that makes living so enjoyable. Here’s the ‘Eclectic House’, a mix-and-match interior design integrating pieces of furniture and accessories from a broad range of styles and sources. Together they give the home color, freshness and charm and, at the same time, reflect well on the homeowner’s bright and sunny personality.

Architecturally speaking, the small, well-proportioned home is positioned to reap the benefits of favorable prevailing wind and light conditions, which already makes it a great place to live.

Add a gorgeous collection of furniture, and it’s hard to find a place that’s more lively and full of energy than this so-called “eclectic house” of ideas belonging to Sapsit Fungfueangchaweng, director of corporate marketing at AP Thailand.

Sapsit selected all the furniture and decorating items himself. Each of them has a story to tell that conveys a great deal about the home rich in collectibles from across the globe.

Upon his return from further studies abroad, Sapsit’s father decided to renovate an existing 200-square-meter guest house adjoining the family residence as a new home for his son. The two houses have a relaxed and intimate view of each other across the swimming pool.

“My home relies not so much on design as on interior décor, the arrangement of items from my collections,” Sapsit tells us.

Inside, it feels spacious and dominated by shades of white. Interior spaces – living room, workspace, dining area and a kitchen counter – are connected, but visually separated with the use of different dimensions. There’s a raised floor here, and an open ceiling over there with the gabled roof structure painted white, creating a spacious yet uniquely bounded feeling.

Standing front and center in the room is a collection of chairs in different styles matching harmoniously. Eclectic, yes, but beautiful. They fit in very well with tasteful ornamentation and the pictures that Sapsit has picked up during business and pleasure travels in recent years.

There’s a standout white sofa placed in front of one of Sapsit’s own works, a painting in blue and white. This is a spot where he likes to sit, maybe dreaming up new work, maybe just relaxing with friends.

Eclectic House — A raised floor sets the living room apart from the kitchen.

Sapsit used all sorts of arranging techniques to achieve a practical house plan and, at the same time, blend comfort and style. He offers a piece of advice, “In selecting what items to use, think first about function, not just decoration. Then, pick the things that have meaning, or spiritual value: they won’t become boring over time.

“Whatever selection a person makes should reflect well on his or her character, while never overlooking their function. This will result in great practical benefits and a beautiful home.”

Graphics large and small add lively highlights to this wall.

Besides his corporate marketing work, Sapsit owns the swimwear brand “Timo Trunks,” known for striking graphics with a uniquely fun and entertaining look. The brand’s products come from collaboration of Thai and foreign designers, and have developed to the point where they are distributed in more than 9 countries worldwide.

The original designs started at Sapsit’s Timo Trunks Studio, built right near his house for a super-easy work commute.

The outward appearance of the studio building is deceptively simple, but the space within reflects the brand’s fun-loving identity through graphics and furniture highlights amid white walls and a wood-grain floor with a bright, relaxing color scheme bringing to mind a colorfully painted canvas.

The full plate glass windows in front look outwards on a refreshing garden view, so the environment is inspiration for new ideas and the creation of great new designs.

Owner/Designer: Sapsit Fungfueangchaweng

Visit the original Thai article…

LIVING WITH COLLECTIBLE- เติมสีสันใส่ความเป็นตัวตน ในบ้านสไตล์อิเคล็กทิก

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The Ironwood: A Chiang Mai Vacation Home Out in Nature

By livingasean
March 30, 2017
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Monosoda / English version: Peter Montalbano /

/ Photographs: Nanthiya Bussabong /

Mountains, streams and forests in Mae Rim District embrace the open-air vacation home of a Bangkok metropolitan lady who has chosen tranquil Chiang Mai Province over big-city distraction and confusion.

chiang mai vacation home — Up front stands a beautiful Ceylon ironwood tree (scientific name: Mesua ferrea), also known as “Bunnag” in Thai. The building to the left side holds a reception lobby, with private residential areas upstairs. To the right is a spacious, open dining hall.

Three years earlier, this was just a holiday home for Lady Ying (Supapa Sanitwong). At that time, Prince Dighambara Yugala was in charge of it, and at his suggestion Lady Ying came to see if she should try living here permanently.

“Before, the house was surrounded by jungle. I explored a little each day, and found a nice view of the mountains. When the brush and grass was cut down, I found the river practically surrounded the house! Right then I fell in love with the place.”

Lady Ying bought the estate for her residence, naming it “Ironwood,” and put in a new building as lodging accommodation for visiting friends and family. Later, a hotel was added for guests wishing to experience the natural world of northern Thailand.

The name “Ironwood” refers to the Ceylon ironwood tree (scientific name: Mesua ferrea), also known as “Bunnag” in Thai. “This is a monument to my great-grandmother Jamreun (Bunnag) Sanitwong Na Ayutthaya, wife of Suwaphan Sanitwong in the reign of King Rama V. She’s not well-known, but is always in my thoughts,” she recalled.

The hotel has 5 rooms, each with a view of the Mae Sa River and the pleasant shade of big trees.

One of Lady Ying’s neighbors here is famous sculptor Jamnian Thongma, whose building design talents helped make her dreams come true. There are two zones on the premises, one in front and the other at the rear.

The front area holds two buildings; on the left, a reception lobby, with Lady Ying’s private residence above; on the right, a dining room and catering area. A walkway connects the buildings. The rear zone holds a riverside guest house.

jun161201_09333 — The simplicity of the bare concrete wall helps direct guests’ attention to the natural world all about.

Lady Ying walks us up the white metal spiral stair to her space on the second floor: a comfy, airy little studio with classic décor and a great view of the mountains.

The bedroom connects directly to a spacious bathroom; the kitchen is separated, and from there a stairway leads down to a greenhouse garden. The Ironwood grounds are shady and pleasant, landscaped by Siriwit Riwbamrung and Jaturong Khunkong of the Little Tree Landscape.

The rooms contain antique decorative items collected over several decades: wooden screens from Burma, handmade chandeliers from Italy, mortared columns from India: many remarkable masterpieces arranged to produce a multicultural atmosphere by interior decorator Sorasak Chatrakul Na Ayutthaya.

Taken as a whole, the vacation home has a remarkable mix of a natural setting and cultural atmosphere, with universal narratives everyone can understand. It’s a place that gives a sense of peace and tranquility, just waiting to be experienced.

The kitchen opens out to a stairway reaching up to the rooftop deck and down to the garden below.

Architect: Sorrasak Chatkul na Ayutthaya, Jamnian Tongma

Garden Designer: Siriwit Rewbamrung, Little Tree Landscape (www.facebook.com/Littletreelandscape)

Visit the original Thai article…

THE IRONWOOD – บ้านหลังใหม่ ในอ้อมกอดขุนเขาที่อำเภอแม่ริม

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A Bangkok Townhouse Embraces the Charm and Style of the Past

By livingasean
February 28, 2017
HOUSE,LIVING

/ Bangkok, Thailand /

/ Story: Lalitpan Cheumthaisong /English version: Bob Pitakwong /

/ Photographs: Ritthirong Chanthongsuk, Soopakorn Srisakul /

Some things never go out of style. Here’s a gorgeous urban home that’s clearly reminiscent of a townhouse in earlier times. Its impressive stylishness exudes both class and relaxation, but looks can be deceiving. Albeit rather old-fashioned in appearance, this townhouse in Bangkok was built not long ago; and yet it expresses the visible form, the finishing and decoration that bring vintage elegance back to life.

The beautiful two-story residence belongs to interior designer Napaporn Pothirach, who bought it from a property developer while it was still under construction. She came in only just in time to apply improvement ideas to the original design.

A dining room-cum-workspace is the most elegantly furnished area of the house.

For a well-lit interior, Napaporn replaced solid walls with an array of glass doors with transom windows. Stairway walls and ceilings on the upper floor were removed to make the room feel larger and more connected. Some of the original windows deemed to be too small were replaced with bigger ones.

The homeowner even found a way to create an attic for her kids, turning the space directly below the pitched roof of the house into an extra room. An aberration from a typical townhouse perhaps? But for the children, it seems like a good idea, something fun, functional and happy.

Taken as a whole, the wooden parts of the house bespeak the homeowner’s passion for woodwork. They include window casings and frames, doors, antique décor, crafts and all things made from wood. Napaporn designed all the built-in furniture, fittings and other ornaments herself.

Among others, wooden cupboards with intricate carvings stand out from the rest. Needless to say, the overall effect is impressive.

Napaporn admitted, with a smile, that she sometimes bought decorative accessories with no specific plan to put them. That’s something which came later on. What a nice fluke! They turned out to be a perfect mix and match style with a common hue.

“I once had the opportunity of visiting the house of Geoffrey Bawa, my favorite architect,” said Napaporn when asked about her inspiration.

“I learned the concepts of space management and the art of applying cultural identity to design. They are the qualities that make a residence feel cozy, charming and timelessly livable.”

Space management as a concept may be simple, yet in practice it’s never easy. This townhouse with all the charm and character has proved one thing. The homeowner has successfully managed to put her newfound knowledge to good use. And it showed in the utilization of space and resources, and the way she intelligently designed and decorated her home with crafts.

Owner/Designer: Napaporn Pothirach

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Ordinary Concrete House with Extraordinary Interior

By livingasean
February 21, 2017
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Panchat Changchan / English version: Bob Pitakwong /

/ Photographs: Rittirong Tongjunsuk /

A drab and gray ordinary exterior belies a concrete house’s exciting interior rich in eclectic styles.

Inspired by simple living as a lifestyle choice, Krishnapong Meechunuk the homeowner can still recall leaving behind the chaos of the workplace and heading for the North of Thailand.

He puts in a dream home in Chiang Mai, where life begins again as farmer in a simple L-shaped house. Charcoal powder is added to the mix to create concrete wall textures in dark shades of gray. But that is not the only thing unique about this concrete house.

Inside, each room showcases an original decorating style. The living room shows signs of a tilt toward vintage décor, among them a wall-mounted mirror in a French-style frame.

At the center an elegant marble coffee table stands in front of a red sofa with butterfly chair in matching hues. The set was bought from a Paris flea market. A kitty-corner from it stands a glass-front armory filled with souvenirs from theaters around the world. Black stage curtains at the entrance conjure up images of an opera house foyer.

The modern workspace says a lot about the homeowner’s passion and a lifetime of journeys. The work desk is made from a section of an aircraft wing that comes coated in nickel. A set of silver color chests of drawers accentuate the cozy appeal of the room.

Close at hand, the reading room speaks to the industrial loft style. Bookshelf poles and brackets are made of water pipes adapted for different uses. The emphasis on repurposing is inspired by a clothing store in New York.

“This is the first house that meets my expectations in every detail,” said the owner. “I did the decoration at my other houses in Bangkok too, but because they were move-in ready homes, design choices were limited.

“For this concrete house, I had the freedom to mix and match all the ingredients and styles myself. I’m very proud and very happy.”

Owner/Designer: Krishnapong Meechunuk

Visit the original Thai article…

บ้านปูน สีเทาเข้มท่ามกลางธรรมชาติบนเขา

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A Lively Safari-Inspired Mountain Escape at Khao Yai

By livingasean
December 7, 2016
HOUSE,LIVING

/ Nakhon Ratchasima, Thailand /

/ Story: Tawan / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul /

This pristine mountain retreat at Khao Yai, Nakhon Ratchasima evokes a flashback of Safari scenes in the 1985 film “Out of Africa.” It consists of a group of buildings that merges into the lush green contours of geography and topography of the area. A stream runs through it. The relaxing sounds of a babbling brook are soothing to the mind as it moves under the canopy of tall trees into a larger tributary somewhere far away.

safari house Khao Yai — The first building, nicknamed the Clubhouse, serves a dual purpose as a welcome area and common room open to everyone. Its funky yellow façade is adorned with reclaimed timber recycled from an old ship hull, evoking pleasant memories of an installation art show.

“I like being by the sea. Mountains are not my kind of place. But this location changes everything. It’s different from other places. There’s a small stream flowing through it. The gentle rush of water flowing enlivens the entire natural surroundings,” said homeowner Piset Chungyaempin, who is executive chairman at Piko (Thailand) Public Company Limited.

Here, ecosystem health takes precedence. To transform his property into a perfect holiday home, Piset avoided cutting down trees the best he possibly could. He has a plan. With a smile, he said: “The house is a holiday retreat for now, but in the future we can live here long term.”

“The kitchen is probably the most expensive part of this house,” Piset said with laughs. “It is designed to look as if it had been around for some 50 years. The cooking range, for example, is a new technology remade to imitate the Retro style of the recent past. It stands in perfect harmony with the general ambience.” — “The kitchen is probably the most expensive part of the house,” said Piset. “It’s designed to look as if it had been around for some 50 years. The cooking range, for example, is a new technology remade to imitate the Retro styles in times past. It stands in perfect harmony with a relaxing vintage ambience.”

In sync with the rhythms of nature, the house plan twists and turns around the existing trees. The homeowner made a choice from a range of possibilities. Instead of one big house in the woods, he chose a design consisting of three smaller buildings. The result is a charming trio that’s comfortable, warm and welcoming, plus a sense of space and privacy.

The first building has two levels, which Piset nicknamed “The Clubhouse.” It serves a dual function, as a welcome area for entertaining guests and a common room for use by anyone at any time. There is a mid-sized kitchen with a hint of cool country vibes on the first floor.

The second building holds a rustic home living space by the water. At present, it’s a living room setting. When needed, it can easily sleep up to four people. Piset’s favorite nook is the front porch overlooking a carp fishpond and a small stream nearby. He plays the guitar and does his hobby projects here sometimes.

The building that houses Piset’s private residence has turns and angles intended to avoid cutting down trees on the property. The floor plan allows for nature to permeate the living spaces to the max.

The master bedroom is spacious with a bed made of old wood in it. “Like a fortunate stroke of serendipity, it’s by chance that I came across old railroad ties listed for sale. They were very heavy and needed seven to eight people to transport them up here,” said Piset.

The front porch that overlooks the carp fishpond is Piset’s favorite hangout. It is where he plays the guitar, or just relaxes in the comfort of a wicker chair that he brought over from the old house. — The front porch overlooking a carp fishpond is Piset’s favorite nook, where he likes to play the guitar, or just relaxes in the comfort of a wicker chair that he brought over from his old house.

Piset named the third building “Tarzan’s house.” His son lives here. It’s a one-bedroom house on stilts designed to look like a treehouse.

There is a small pantry for making simple meals and a balcony that doubles as a lookout post. Its most interesting feature is the hydraulic powered staircase that’s neatly stowed away when not in use. It’s like he’s actually living somewhere up there in the treetop.

[Left] A bathroom countertop crafted of reclaimed wood brings out the beauty of raw natural textured finishes. [Right] An old bookshelf speaks volumes for the homeowner’s personal interests. It’s filled with publications on guitars, boats, and Safari style decor. All things considered, it is a small world embracing Safari themes and colors that Piset has come to love. It is a living space rich in spirits of adventure and memories of enchanting experiences. — [Left] A bathroom countertop crafted of reclaimed wood brings out the beauty of raw natural textured finishes. / [Right] An old bookshelf speaks volumes for the homeowner’s personal interests. It’s filled with publications on guitars, boats, and Safari style decor. All things considered, it is a small world embracing Safari themes and colors that Piset has come to love. It is a living space rich in spirits of adventure and memories of enchanting experiences.

Taken as a whole, it’s a group of three buildings that differ greatly from one to the other. Nonetheless, they share a few common characteristics — a mix of Moorish, Safari, and rustic country styles. Decorating items for the most part reveal a taste for the beauty of raw textured finishes, while furniture comes in the Antique style.

Owner: Piset Chungyaempin

Visit the original Thai article…

กลมกลืนกับธรรมชาติใน สไตล์คันทรีซาฟารี

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A Beautiful White House in the Sun-Kissed Rice Fields of Chiang Mai

By livingasean
November 1, 2016
HOUSE,LIVING

/ Chiang Mai, Thailand /

/ Story: Warapsorn / English version: Bob Pitakwong /

/ Photographs: Oum Chaonapreecha, Anupong Chaisukkasem, Rittirong Junthongsuk /

If the relaxed ambience of a country home is your ideal of what life should be, here’s a contemporary white house in the sun-kissed rice fields in Chiang Mai that will warm your heart. Needless to say, it’s built into nature. The famous Mount Doi Luang Chiang Dao is clearly visible from miles around.

The contemporary white home stands in the middle of it all under the big blue sky.

For many people, a calm and peaceful home atmosphere is everything and everlasting. This white house under the big sky is exactly that — simple, humble and comfortable to live in.

The two-story home amid the sea of rice paddies belongs to Fasai Viseskul, an art therapist. As one would expect, interesting works of art are practically everywhere inside the residence inspired by French Colonial architecture.

Climbing rose plants thrive in the sun making their way up to a lattice awning over the front porch.

[Left] Door panels are made of wood recycled from much older homes. Nearby stands a bench seat crafted of unused materials left over from house building. [Right] A set of wood slab table and bench seat comes in free form. It is made out of a tree trunk. — [Left] Door panels are made of wood recycled from much older homes. Nearby stands a bench seat crafted of unused materials left over from house building. / [Right] A set of wood slab table and bench seat comes in free form. It is made out of a tree trunk.

A large dining table is set facing outward to soak up spectacular mountain views.

Fasai is a much traveled person, having been to many different places across the Northern Region. Impressed by the beauty of nature and landscapes, she recently relocated to Chiang Dao, a district of Chiang Mai known for its majestic mountains and pristine Tropical forests.

It’s a helpful place. Some colleagues of hers are stationed in the area, including those working with the Makhampom Foundation, an NGO.

The absence of solid room dividers on the first floor makes the interior living spaces very light and airy. Open concept design not only promotes visual continuity, but also makes it easy for future updates.

The work room boasts the simplicity of a tabletop upcycled from unused door panels left over from house construction. The legs are crafted of square steel tubing.

A relaxed living room is illuminated by natural light thanks to glass enclosed loft ideas.

Fasai selected all the decorating items for the home herself. They came from many different sources. She is very particular about fabrics, always insisting that everything is correct in every detail. She got traditional Lanna fabrics and ethnic materials from a crafts market in Chiang Mai. Bamboo basketry, rattan furniture, and other weaving crafts were obtained from nearby provinces.

The kitchen is Minimalist in style, intended for preparing simple meals. The counter is made of hand-hewn stone blocks made to look like brickwork.

[Left] The kitchen countertop and lower shelf made of hand-hewn wood slabs add a rustic appeal to the interior. [Right] A medicine cabinet is made of reclaimed wood. The homeowner had her neighbor make the woven bamboo cabinet door for her, a design inspired by her Mom, who in turn got the idea from a vintage hotel in Luang Prabang, Laos PDR. The house is mainly white because Fasai wanted it to feel light and airy inside and out. — [Left] The kitchen countertop and lower shelf made of hand-hewn wood slabs add a rustic appeal to the interior. / [Right] A medicine cabinet is made of reclaimed wood. The homeowner had her neighbor make the woven bamboo cabinet door for her, a design inspired by her Mom, who in turn got the idea from a vintage hotel in Luang Prabang, Laos PDR. The house is mainly white because Fasai wanted it to feel light and airy inside and out.

The house among the rice fields was built mostly of reclaimed timber recycled from much older homes. They were taken apart and transported up here ready to be adapted for new purposes.

And yet the overall effect is very nice, although it was built of simple and inexpensive building materials. They included the house floors made of white cement in glossy finishes, and pieces of furniture made on site by upcycling unused building parts, such as door and window panels.

A vintage shade of white chalk on the staircase breaks the harsh appearance of dark colored wood.

Let’s take a look inside. The first-floor interior boasts the simplicity of a clean and uncluttered open house plan. There is ample space for a workroom, living room and kitchen plus two bedrooms tucked away in a quiet, more secluded area of the house.

The second floor holds a relaxed sitting nook by the wall with a flight of stairs at the center. There are four bedrooms, all with the view of the misty air above the mountains and seemingly endless paddy fields. All of them come complete with a bathroom en suite and a private balcony. To increase privacy, the bedrooms are disposed in four directions and located away from one another.

In all the bedrooms, lampshades on nightstands are crafted of beautiful traditional Lanna fabrics. Elsewhere, light fixtures are covered in bamboo woven shades to add a rustic appeal to the home. All interior décor accessories are handcrafted in either traditional or vernacular fashion.

A rustic paper lantern chandelier illuminates the stairwell. Fasai made it herself using a mix of traditional fabrics and raw paper rolled up and bundled together.

Throw pillows on handcrafted floor mats are set up to entertain house guests in a friendly, relaxed atmosphere on the second floor.

The bedroom is Minimalist in style. It is awesome to wake up and take in the same spectacular view every morning.

For Fasai, the lovely white home in the fields is a perfect country hideaway at least for now. It’s her intention to live here permanently in the end. With the beautiful rice fields, gorgeous plants in the garden and such wonderful weather, a visit here is an enchanting experience indeed.

The bedroom is simple, uncluttered and set entirely in cool-toned whites. Wood boxes in the recessed wall and on the floor provide extra storage space.

The bathtub is crafted on site using white cement. For privacy, the window is hung with a blind made out of handwoven ethnic fabrics.

Owner/Decorator: Fasai Wiseskul

Visit the original Thai article…

บ้านครึ่งปูนครึ่งไม้กลิ่นอายโคโลเนียลกลางทุ่งนาในเชียงดาว ของนักศิลปะบำบัดที่แต่งบ้านด้วยตัวเอง

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By livingasean
September 22, 2016
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/ Yangon, Myanmar /

/ Story: Samutcha Viraporn / English version: Bob Pitakwong /

/ Photographs: Rithirong Chanthongsuk /

Despite being located in a vibrant prime location, this home-cum-art gallery in Yangon is a fascinating place with a serene atmosphere and qualities that delight and please the senses. Architecturally speaking, it’s a nexus of ideas from different styles, places, and times.

The white mansion mixes and matches the visual elements of Contemporary and Colonial styles of architecture. Plus, it puts an innovative spin on traditions of years gone by, resulting in charm, good looks that tell the story of ongoing change in modern-day Yangon.

The calm and peaceful place is a short distance away from a busy market on Nawaday Road. Min Han, the homeowner, is on hand to give a warm welcome and show us around the premises.

The three-story home has many interesting features that apparently blend well together creating a building that works as a cohesive whole. Take for example the Modern-style wing that stands in perfect harmony with the nearby Colonial-style mansion. It’s a new addition to the original structure that’s zealously preserved.

home art gallery Yangon — A vivid color painting and wood furniture in dark brown dominate the hallway on the first floor. Unique elements of design including large bay windows are preserved in every part of the Contemporary style wing.

Other than that, the floors have since been improved and refinished, while room dividers are remade to create a light and airy atmosphere on the inside. In front of the house stands a two-story family business building, where traditional Burmese snacks and light meals are sold, including Yuzana Pickled Tea Leaves.

Nearby, a fence beautifully crafted of stone masonry separates a parking space upfront from outside and protects the family home from the noise and hubbub of the big city.

“In fact, I am not much of an artist. But I like collecting works of art, especially those of U Maung Maung Hla Myint, who is nationally renowned for his bright color paintings. Vivid color paintings make the space feel more lively,” said Min Han.

To create a sense of spaciousness, the architects put in a steel staircase with glass railings at the center of the house plan, resulting in unobstructed views of the whole interior. In general, the room is comfortable, airy and well-lighted, thanks to skylights above the stairway leading to the third floor. Together, they make the furnishings and other decorative details more noticeable.

The bedroom’s white interior contrasts with dark brown colors of wood beams, posts, and ceiling joists.

For a neat appearance, the system of electrical wiring and lighting is arranged in a tidy way pretty much in the same fashion as that of a typical art gallery. There are spotlights on the installations, which makes the interior spaces look very well organized. As a private gallery, the hallway also doubles as a rendezvous point for friends and relatives coming by for a visit.

A spacious sound studio in the back confirms that a music lover lives here.

The shower room is plain and simple. Attention to detail is reflected in the use of different materials separating dry and wet areas.

The homeowner not only paid attention to detail but also actively participated in making design decisions every step of the way, resulting in perfect visual harmony from beginning to end. All told, it’s a delightfully warm home and an art gallery combined into one cohesive whole. And it conveys a great deal about the homeowner’s love of art and a taste for something different.

[Left] The upright structural support is crafted of wood posts. Where appropriate, all sharp edges are removed. / [Right] To create a light and airy feel in the interior, the stairway is built on a steel frame with glass railings. There are no risers between the treads for good ventilation.

Architect: Spine Architects Co, Ltd

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