DESIGN / Living ASEAN - Inspiring Tropical Lifestyle

Lost Lindenberg: An Eight-Room Bali Hotel Boasts Design That’s out of This World

By livingasean
February 29, 2024
CULTURE,DESIGN

/ Bali, Indonesia /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Robert Rieger, Kopie Von, and Neven Allgeier /

If the magic of the great outdoors is your thing, here’s a small boutique hotel unlike anything out there. The ultimate hideaway with a sea view named “Lost Lindenberg” boasts high standards of comfort and deep relaxation in the midst of nature at Pekutatan, a rural village about two hours’ drive to the west of the Balinese capital Denpasar.

Lost Lindenberg Bali Hotel — Tower style buildings, each containing two rooms for guest accommodations, rise above the treetops for good views of the ocean and surrounding landscapes.

The village in itself is not among the island’s top tourist destinations, and that’s precisely what gives it a decided plus. Peacefully nestled in a sparsely populated corner of Bali, Lost Lindenberg offers only eight rooms for guest accommodations tucked away at the woodland edge.

It’s an architectural crown jewel thoughtfully devised to be indistinguishable from surrounding Tropical rainforest landscapes.

Like a picture worth a thousand words, the secluded holiday getaway is perched on a hill high enough to soak up the views of the ocean and the alluring sparkle of black beaches created by the gradual erosion of lava and volcanic ash in times past.

It stands against a background of trees keeping the air fresh under the shade of a crisp cool canopy. From the design perspective, it pays to protect the area from harm and destruction brought on by overcrowding that’s taking a toll on landmarks and landscapes.

Lost Lindenberg consists of four tower style villas with a hip roof, each containing two rooms for guest accommodations, plus a service center with lounge style public room and a swimming pool, bringing the total to five buildings.

Accessed by garden pathway systems and a treetop flyover, all the rooms and functions are interconnected in a design where guest convenience takes priority over any other matter.

In the big picture, it’s all about creating dreamlike experiences for people motivated by a yearning desire to be close to nature. Such is manifested in an expression that bears some resemblance to a small fleet of boats and bridges carrying people on a journey to discover the secrets of the wilderness.

Take for example the rooms above the treetops that provide a breathtaking panorama of the rainforests on one side, and the endless expanse of the Indian Ocean on the others. Unmistakably brilliant!

So that pretty much summarizes the beautiful works of nature that make this small boutique hotel original and unique in its own special way. It stands hidden in plain sight, far removed from the hustle and bustle of city life and popular travel destinations.

To make sure you don’t get lost on the way to Lost Lindenberg, there’s a bright neon sign at the main entrance that allows access to the hotel compound.

You can’t miss it. The large sign stands in contrast with dense green forest landscapes to attract people’s attention. Simply open the gate, and get away from it all. Welcome to a different kind of world where many pleasant surprises are waiting to be discovered.

Colorful neon signs at the main entrance allow access to the hotel compound. They’re made conspicuous by design to attract attention so that no one gets lost on the road to Lost Lindenberg. From here, a small gate opens to usher visitors to an exciting new world waiting to be discovered.

Architect: Alexis Dornier & Studio Jencquel

Interior and Landscape Designer: Studio Jencquel

Construction: Bali Construction

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Proud Phu Fah Muang Chiang Mai: A Hotel at Nature’s Edge Embraces a Mix of Modern and Traditional

By livingasean
February 28, 2024
CULTURE,DESIGN

/ Chiang Mai, Thailand /

/ Story: Phattaraphon / English version: Bob Pitakwong /

/ Photographs: Nantiya /

A hotel chain widely recognized in Chiang Mai’s Mae Rim District for the past 15 years has opened a new branch in Muang District in what is seen as a major expansion of luxury, comfort and style. Proud Phu Fah Muang Chiang Mai advocates living next door to nature while showcasing an intriguing combination of modern design with rich culture and beautiful traditional crafts. Its design concept keeps firmly to the belief that being in nature provides deep relaxation. And the result of all this is a resort hotel that’s environmentally conscious, plus it’s tailored to the needs of specialized segments of the market.

Needless to say, the hotel landscape is out of this world. Like taking a spellbinding journey into the woods, Proud Phu Fah Chiang Mai is a perfect escape away from the crowds, where the air is filled with the continuous murmuring sound of water flowing and leaves rustling in the trees creating detailed mental images of the beautiful northern landscape.

The brainchild of Full Scale Studio, a homegrown architectural practice, Proud Phu Fah Muang Chiang Mai embraces reconnections with the natural world. It consists of a pair of three-story buildings thoughtfully devised to merge into countryside vernacular, at the same time reaping the full health benefits of sunshine and fresh air.

The main idea is to let the aroma of nature permeate through the landscape. Such is manifested in a pair of well-maintained giant rain trees providing shade and a focal point in the center courtyard. By design it has become a favorite place of relaxation and rejuvenation among hotel guests.

Well-maintained trees keep the center courtyard in shade for much of the day.

Front and center, well-thought-out planning ensures that all the rooms have access to the best view of the natural surroundings. The first building, called Building A, is directed at a 45-degree angle to soak up a wonderful panorama of the mountains, while the second, known as Building B, is set along the 90-degree line for a beautiful orchard view.

Where appropriate, new trees offering fragrant flowers are added to the existing contiguous woodlands, resulting in uniform composition.

Architecturally speaking, it’s a project that emphasizes the use of concrete, brick and wood directly sourced from the locality as the building materials of choice. Aside from giving a sense of identity and cultural heritage, they double as storytelling tools conveying a great deal about the love of nature and preservation of traditional crafts.

An example of this is Minimal Lanna, a type of room that advocates Minimalism in art infused with a mix of traditional crafts and modern interior design.

The room has furniture beautifully crafted of teakwood, ceramic tiles, and ceramic washbasins with kid design custom-painted by the property owner, plus decorating items in a variety of finishes handcrafted by local artisans and contemporary artists in the region.

Overall, it’s a design that places great emphasis on the beauty of simplicity and the use of soft neutral tones for deep relaxation.

A type of guest rooms called Minimal Lanna advocates Minimalism in art with an interesting combination of local crafts with modern furnishing and decoration.

To reduce the harsh texture of concrete construction, red bricks come in handy for multiple applications. Among other things, the external envelope of Building B consists of brick walls inspired by the craft of basket-making known as “Lai Song” patterns in the vernacular of the Northern Region.

Like poetry in motion, the reflection of sunlight on the walls creates interesting sights and shadows that change from morning to evening.

A guest room on the first floor of Building B has a private onsen, or hot spring pool with a refreshing garden view.

For indoor thermal comfort, where appropriate perforate walls are built using contemporary cement blocks with holes in them that serve as engine driving natural air circulation and letting natural daylight stream into the interior.

In a way, they form an integral part that blends seamlessly with the landscape enlivened by the sounds of a babbling brook amid a forest garden with walkways made for relaxation. Together, they go to work connecting Proud Phu Fah Muang Chiang Mai with the idyllic natural setting.

Architect: Full Scale Studio, Tel. 08-9154-1758

Landscape Architect: H2O Design Co., Ltd, Tel. 08-1531-1871

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Innit Lombok: A Hotel Built into Nature, the Roar of the Surf and Sparkling White Sands

By livingasean
February 23, 2024
CULTURE,DESIGN

/ Lombok, Indonesia /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Courtesy of Design Hotels Virtual Press Office /

Innit Lombok is a luxury oceanfront hotel overlooking sparkling white sands on Ekas Bay, Lombok, Indonesia, a Tropical paradise island east of Bali known for being a great surfing destination. From here, the roar of the surf can be heard loud and clear. The quiet and secluded retreat offers seven modern villas with a private beach and well-thought-out design that syncs with its natural surroundings.

By and large, Lombok is more than just warm-water great waves. It’s also home to some of the most beautiful hiking routes with the Lombok volcano offering the best place for trekking and adventures.

In terms of design, each villa on the property has two hotel rooms located upstairs, while the lower floor holds an open sitting room with ocean views for relaxation. Total areas come to about 170 square meters apiece. To provide the best hotel customer service, there’s a beachfront restaurant nearby, separated from the residential zone by a swimming pool covered in black tiles and spacious terraces positioned to catch the sun.

The beachfront villas boast the beauty of box-shaped architecture that’s simple yet attractive, thanks to natural building materials being used that blend seamlessly with surrounding landscapes. They include concrete, glass, stones and timber. Worthy of note is the building envelope built of hardwood that’s organic, renewable and climate smart.

For strength and durability, the platform next to each building is built of hardwood, while the perforate façade is covered with wood panels consisting of Raju wood strips put together with spaces in between for good air circulation. Together they go to work creating a beautiful shaded retreat and doubling as a privacy screen.

The building facade consisting of Raju wood strips with spaces in between allows just enough natural light into the room while doubling as a privacy screen.

Raju timber used to build the external envelope is sourced locally from Lombok and nearby islands, while interior construction and furniture is made of teakwood native to the Region.

Inside and out, it’s a design that puts harmony with nature high on the list of priorities. This results in visual continuity that effectively blurs the boundaries between indoors and outdoors.

Innit Lombok — The open lower floor space boasts the simplicity of a living room, dining room and kitchen set on soft beach sand floors that effectively blur the dividing line between indoors and outdoors.

The same treatment applies to the open lower floor without a wall. There is just enough furniture in the room with a view of sparkling white sands and the ocean beyond, plus a kitchen island for food preparation and dining area set on soft beach sand floors designed to bring the outdoors in.

As the architect intended, it’s a design embracing the belief that nature has a profound positive impact on human lives. Like so, it makes perfect sense to integrate natural elements in the building plan. And this gorgeous hotel in Lombok, Indonesia has shown that to be the case. Innit?

Architects: Andra Matin, and D-associates (by Gregorius Supie Yolodi, and Maria Rosantina)

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The Ben Tre Hotel: A Brick Hotel amid Lush Orchards, Fresh Air and Sunshine

By livingasean
February 5, 2024
CULTURE,DESIGN

/ Ben Tre, Vietnam /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Hiroyuki Oki /

A brick hotel in warm, earthy orange hues rises above the lush orchards and bountiful farms of Ben Tre, a charming coastal city on the Mekong Delta two hours’ drive from Ho Chi Minh City, Vietnam. Once a sleepy little town surrounded by rice fields and coconut groves, Ben Tre is emerging as a destination for eco-tourism. New hotel openings tell the story of travel trends in the region where fresh water and shorelines merge with the ocean, astonishingly beautiful by any standards.

The Ben Tre Hotel is located on an oblong piece of ground measuring 28 by 128 meters, with the narrow frontage abutting on a major thoroughfare. As might be expected, the unusually long hotel building extends almost entirely over the rectangle-shaped land and still leaves plenty of room for lush lawns, side gardens, ample parking garages and service areas.

brick hotel Ben Tre Hotel — The restaurant also has semi-outdoor room for guests who prefer dining al fresco.

The hotel lobby lies upfront on the ground floor, while a restaurant is located at the midpoint of the elongated floor plan. To avoid a monotonous regularity in the design, the team of architects came up with zigzag design, featuring abrupt alternate left and right turns all the way to the end.

There’s a refreshing change every step of the way. For relaxation, an array of cozy nooks adds visual interest to the corridor designed to soak up the view of dense green orchard landscapes.

A square opening in the perforate shell affords a vista of lush landscapes clearly visible from within the room.

The long passage along the outside of the building, aka the “single-load corridor”, means that hotel guests can enjoy the utmost privacy since there’s no unit situated directly across. It’s a thoughtfully devised building access arrangement, whereby all the rooms are placed only on one side. The same applies to the stairs that are semi-outdoors for better ventilation and lighting.

To add a rustic appeal, the hotel’s external envelope is built of handmade bricks sourced from within the locality. Bricklaying with openings in the walls, aka the perforate façades, offers many benefits. It allows for the expansion and contraction of the bricks when temperature changes.

A conceptual illustration portrays the layout of the building arranged in a zig-zag pattern across the site, harmonizing with the natural landscape by aligning itself with pre-existing trees and gardens. / Courtesy of Sanuki Daisuke Architects

The ground floor plan presents the usable public area of the building. / Courtesy of Saniki Daisuke Architects

The upper floor plans present the typology of guestrooms. / Courtesy of Sanuki Daisuke Architects

Plus, the perforate shell adds an aesthetic appeal to exterior walls and reduces the impact of outside noise, resulting in a more pleasant indoor environment.

Architect: Sanuki Daisuke Architects (www.sanukiar.com)

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Uthai Heritage Hotel: From Old Schoolhouse to Boutique Hotel off the Beaten Path

By livingasean
January 31, 2024
CULTURE,DESIGN

/ Uthai Thani, Thailand /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Courtesy of Supergreen Studio /

Like going back in time, a new boutique hotel has opened in beautiful small town Uthai Thani, one of the last few unspoiled places in the countryside. Named “Uthai Heritage”, it’s an off-the-beaten-track place of accommodation nestled in a peaceful neighborhood untouched by urban development.

Formerly the home of “Uthai Withayalai School”, the property was tastefully renovated as a boutique hotel in a class of its own. It was meant to be an alternative travel destination for those wishing to escape the popular tourist traps. An amazing hidden place people often miss, Uthai Thani lies to the north of Kanchanaburi and west of Nakhon Sawan, a major city 250 km north of Bangkok.

By way of introduction, the school was fully operational from 1957 until 1995. The difficulties that ensued from a decline in economic activity and environmental neglect resulted in it gradually falling into disrepair. But the owner was determined to keep the two-story buildings on the property in working order by checking and repairing regularly.

The owner felt a sentimental attachment to the wooden schoolhouse. After everything has changed, he thought it wise to give it a complete makeover, transforming it into a boutique hotel. In a way, it contributed significantly to the preservation of the historic identity of his neighborhood and, at the same time, attracted new tourists to the area by providing affordable hotel accommodations.

It was a metamorphosis of purpose that saw most of the classrooms transform into hotel rooms while others were remade as reception halls and venues for social activity, including a café and nearby cozy swimming pool.

Architecturally speaking, the renovation project was thoughtfully devised to ensure the old wooden structure remained intact. At the same time, a solid framework of steel was added for long-term strength and durability performance.

To showcase the small town’s history and cultural identity, old building parts were kept in perfect conditions, including door and window shutters as well as the old school flagpole and the signboard at the front. At the same time, they were meticulous about making the strengthening structure and materials fit right in with the original wooden buildings.

The overall effect is impressive. For increased privacy and soundproof qualities in the rooms, the walls are built of brickwork and plastered to form a neat, smooth surface. The new boutique hotel boasts the simplicity of a U-shaped floor plan with lush green lawns at the center hemmed in by native plants and well-designed corridors and connecting spaces.

Time has left its imprint. A friendly message on the stairway wall calls to the mind fond memories of old school days.

Because heritage matters, the old flagstaff remains where it has always been as storytelling artifact. Where necessary, new units of construction are added to the existing building plan to support and facilitate new business operations. They include new hotel rooms and hallways providing access to places on the premises.

Uthai Heritage Hotel — Parts of the original framework are preserved for their power of historic and cultural storytelling.

It’s a comfortable place, allowing people to feel relaxed and at home. Air conditioning is there, although it’s used very little by guests who prefer reconnections with nature and the sound effect produced by rain and leaves rustling in the breeze. If a journey in time is your cup of tea, you’ve come to the right place.

Architect: Supergreen Studio

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The Flying Block: A Midtown Hotel with the Relaxing Ambience of Sky Gardens

By livingasean
January 23, 2024
CULTURE,DESIGN

/ Ba Ria-Vung Tau, Vietnam /

/ Story: Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Hoang Le /

The Flying Block is a hotel project in a class of itself. The low-rise, six-story tower in a beach-inspired sandy brown is located in the heart of Phu My, a town in Ba Ria-Vung Tau Province bordering on Ho Chi Minh City. Only recently the coastal province has grown to become one of Vietnam’s economic powerhouses with busy sea ports, factories and industrial estates. Also known as the Cay Vang Hotel, it’s festooned with lush green foliage on balconies that provides effective window treatments and reduces summer heat gain, keeping the interior cool and comfortable.

But why Phu My? The answer lies in location, location, location. Ba Ria-Vung Tau is also renowned for its rich ecosystems with lots of sunshine and great views plus tourist destinations attracting travelers from across the globe. So it’s all about being in the right place at the right time.

Children’s drawings illustrate the multiple-use concept of box-shaped balcony design. / Courtesy of TAA Design

A diagrammatic representation shows the welcome lobby and hotel rooms on Floor 1 [above], and more hotel rooms in relation to greenery-filled balconies on Floors 2 to 4 [below]. / Courtesy of TAA Design

A diagram of hotel rooms on Floors 3 to 5 [above], and the penthouse on the top floor [below] / Courtesy of TAA Design

An axonometric projection illustrates the three stages of design development, from a bare building outline, to the addition of rooms with balconies, to the final image of tree-filled facades. / Courtesy of TAA Design

The main idea is that, with an increase in industrial activity, more housing demand and land becoming pricy, the only way to build now is upwards. At the same time, the natural environment must be preserved so as to enhance the quality of life, housing and lodging accommodations for locals as well as visitors.

The result is a tree-covered vertical living model aptly called the “Flying Greenery Blocks”. In essence, it’s the coming together of box-shaped balconies with trees secured firmly in ultra-deep planters. The rectangular platforms on the outside of the building vary in size from 2 to 3.5 meters wide.

The extra-large balconies among them even have a trough for growing decorative plants at the edges. Together they serve multiple purposes, as a charming garden space for green thumbs, a place for physical fitness exercises and a landmark clearly visible from a distance.

The Flying Block — A spacious balcony serves multiple purposes, as a quiet reading nook with a view and room for gardening as a pastime.

Take a look inside, and you find a spacious hallway that’s a breath of fresh air. Uncluttered and arranged in an orderly way, it leaves a very good first impression.

Plus, the entryway feels light and airy, thanks to the stack ventilation effect that allows hot air to rise while low pressure draws fresh outdoor air into the interior. In a few words, there’s no lack of air circulation and hence no need for air conditioning.

On the whole, it’s about integrating urban green spaces in modern design to create indoor thermal comfort all year round. Psychologically, it provides an escape from the hustle and bustle of the city undergoing fast economic development. The bottom line. Every greenery-filled space matters when it comes to improving the quality of life in an urban area.

Architect: TAA Design (taadesign.com)

Lead Architect: Nguyen Van Thien

Design Team: Nguyen Van Thien, Tran Anh Huy, Ngo Thi Bao Nhi

Constrution: Doricons

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CoCo Cha Taiwan Tea & Coffee: A Coffee Shop in Earth-Toned Green Where the Classic Meets the Modern

By livingasean
January 12, 2024
CULTURE,DESIGN

/ Ninh Thuan, Vietnam /

/ Story: Phattaraphon / English version: Bob Pitakwong /

/ Photographs: Nguyen Duy Hoach /

Fresh brewed coffee smells like heaven, or so they say. And if you have a chance to swing by the beautiful central coast of Vietnam, get yourself a good strong cuppa at CoCo Cha Taiwan Tea & Coffee located at Phan Rang-Thap Cham in Ninh Thuan Province. Find pleasure in the timeless atmosphere where the classic meets the modern. Here, lush green color paired with earth-toned brown turns a cute coffeehouse into a Shangri-La making every day a perfect day.

CoCo Cha Taiwan Tea & Coffee — Seen from across the street, the coffeehouse façade features a beautiful mix of classic and modern architectural styles.

From architectural perspectives, it’s about creating a design that embraces the beauty of works of art that have become classics and, at the same time, make use of modern materials that are right for prevailing weather conditions on the ocean front.

The front façade is built of glass bricks, a classic material designed to admit light, turning the coffeehouse into a well-lighted place.

The Tropics is warm all year as we know it, and the city of Phan Rang-Thap Cham is no stranger to intense sunlight and strong winds. For this reason, the storefront has to be made impervious to storm water.

Plus, it must be capable of keeping the heat out and, at the same time, letting natural light in. Rising to the challenge, the architects at PT Arch Studio chose glass bricks for the façade, and it works perfectly.

Aa axonometric projection shows interior space arrangements with a rooftop layout in relation to two glass dome skylights over the stairwell and seating areas. / Courtesy of PT Arch Studio

Downstairs floor plan with the terrace storefront. / Courtesy of PT Arch Studio

Upstairs floor plan. / Courtesy of PT Arch Studio

In cross section, a diagrammatic representation shows the side elevation and space arrangements in relation to the glass dome skylight at the midpoint. / Courtesy of PT Arch Studio

The coffeehouse features large lounges typical of classic restaurant interior design. To make customers feel comfortable, the seating areas and coffee nooks are arranged in neat, attractive order.

Both downstairs and upstairs rooms are well-lit and well-ventilated, thanks to a stack ventilation system that uses temperature differences to move air. The rooftop has two glass dome skylights that allow natural light streaming inside and double as engine driving cross ventilation forcing warm and stale air to exit through the rooftop.

As is the case with business buildings across Vietnam, CoCo Cha Taiwan Tea & Coffee is situated on an elongated rectangle with a narrow frontage abutting on the street. Originally, it was a design lacking fresh air and ventilation, an unpleasant situation that had to be dealt with from the start.

The team of architects at PT Arch Studio solved the problem by integrating natural elements into the plan as much as possible. And glass bricks came in handy to avoid the interior becoming a stuffy, overcrowded space. Overhead, a pair of rooftop skylights let natural light shine into both downstairs and upstairs.

A tree thrives under the glass dome skylight illuminating the interior in muted green hues and earth-toned brown.

Precisely, it’s a layout that effectively harnesses the feel-good benefits of nature to make the business space feel comfortable, warm and welcoming. Where necessary, glass mirrors are added to give the impression of ample space in the interior.

A glass dome skylight illuminates the stairwell connecting the first and second floors.

In terms of building performance, walk in the door and you find a beautiful, large coffee bar illuminated by natural light streaming in from above. At the midpoint, a spiral staircase enclosed by glass brick walls provides access to seating areas on the second floor.

Small bench seats with coffee trays along the outside of the circular wall add visual interest to interior design. They serve a useful purpose as extra seating when the house is full and no seats available. Every step of the way, signature interior furnishings in cool-toned earthy green and brown promote positive thinking and peace of mind.

Two glass dome skylights illuminate the stairwell and seating areas in cool green and earth-toned brown.

Taken as a whole, the interior is spacious and neatly arranged. The stuffiness of the unusually long and narrow space is nicely compensated for by well-thought-out design, building strategies and creative use of modern materials.

And the result of all this? CoCo Cha Taiwan Tea & Coffee capable of fulfilling a role for which it is intended – a place that’s convenient, neat and clean plus coffee smells like fresh brewed heaven. And, the price is right, too. Looking for a good strong cuppa? Well, you get the idea.

Architect: PT Arch Studio (www.ptarchstudio.com)

Lead Architects: Nguyen Van, Phuoc Thinh

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My Montessori Garden: A Green School Advocating an Interest in Nature and the Environment

By livingasean
January 9, 2024
CULTURE,DESIGN

/ Quang Ninh, Vietnam /

/ Story: Phattaraphon / English version: Bob Pitakwong /

/ Photographs: Duc Nguyen /

A green school that creates a healthy learning environment and advocates an interest in nature is making good progress in Vietnam. Here, a desire to connect with the natural world, hands-on experience growing up in the outdoors and nurturing a relationship with Mother Earth are of the utmost importance. It’s named My Montessori Garden in honor of Maria Montessori (1870-1952), an Italian educator who advocated a child-centered approach to education.

The green school is located at Ha Long, a coastal city that’s part of Quang Ninh Province about an hour’s drive from Hanoi. It embraces the Montessori Method of teaching and learning that has become popular in this region of Vietnam in recent years.

In essence, it’s about answering individual children’s learning needs and getting outside into nature, thereby developing a sense of responsible stewardship of the environment as they grow. And it’s a good idea to start early with kindergarten children, who are curious to learn and inquire about everything around them.

Needless to say spending time in nature offers lasting psychological benefits. It’s a way to build a good inner foundation for life in the process of growing up into responsible adulthood. More so than anything else, there is no forced learning taking place. It’s a curriculum by which no child is left behind, and no one is forced to learn anything regardless of his or her own wishes.

The schoolhouse design is a creation by a team of architects at HGAA, a Hanoi architectural practice, who successfully translated the ideas about alternative approaches to education into a reality. It’s a work of architecture founded upon an understanding of child behavior and nature of human learning. The result is a healthy environment conducive to learning, one that’s tailored to the specific needs of individual children.

green school — Although small in size, My Montessori Garden makes the most effective use of space, with easy traffic patterns designed with the little children in mind.

How did they do it? To begin with, a design that’s plain and simple takes precedence here. The schoolhouse is built of steel structural framing. Dry construction was cost effective and took less time to build without causing negative impacts on the environment or inconveniences to community

In future, when the land lease expires and cannot be renewed, the whole project can simply be taken apart and moved to a new location.

A diagrammatic representation shows the built environment in relation to the school yard filled with green foliage and a corridor system between buildings. / Courtesy of HGAA

A diagrammatic drawing illustrates traffic patterns on the ground floor. / Courtesy of HGAA

A diagrammatic representation illustrates traffic patterns on the footbridge system. / Courtesy of HGAA

A side elevation drawing shows the trees, the footbridge system with mesh wire railing and, beyond, winged roofs with the center gutters for carrying off rainwater, a thoughtful design that prevents storm water from splashing onto neighboring homes. / Courtesy of HGAA

A cross section drawing shows winged roof ideas with the center channels for conveying rainwater away from the building. / Courtesy of HGAA

A simplified drawing illustrates the angle at which sunlight strikes, and the direction from which the wind enters and exits, creating indoor thermal comfort. / Courtesy of HGAA

My Montessori Garden sits on a small area of ground, only 600 square meters in all. For child safety, the overhead footbridge among the trees has wire mesh railing infills designed to protect against slip and fall accidents.

Although small in size, natural elements are generously integrated into the plan in a way that pleases the senses and the mind.

There are two kinds of green space on the premises. On the ground, the school yard provides ample room with raised beds for growing vegetables, in-ground plants and shade trees. Above the ground, climbing vines and edible vegetation thrive on trellises and walls producing colorful flowers that give off good vibes.

For the architects, it’s about designing an environment conducive to learning and, at the same time, promoting positive thinking, interactions with nature and socialization processes among kids. And it’s happening all day and every day, indoors and outdoors.

In a few words, well-thought-out design matters. For My Montessori Garden, it’s a design that fulfills the purpose for which it’s intended, one that’s easily to understand and presenting no difficulty. In the end, it boils down to one thing — nature is the best classroom.

Architect: HGAA (https://hgaa.vn)

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The Park: A Grass-Roof Community Center Shimmers in the Night

By livingasean
January 2, 2024
CULTURE,DESIGN

/ Nghe An, Vietnam /

/ Story: Ektida N. / English version: Bob Pitakwong /

/ Photographs: Trieu Chien /

Like the green roofs in times past, a quintet of community center buildings stands sentinel over the rice fields in Vinh, a small farming town in Vietnam’s Nghe An Province. Officially named “The Park” it looks out over a calm and peaceful lake and, beyond, long lines of mountains and hillsides can be seen from miles around.

No doubt, the heavenly morning mist and respect for nature combine to give a team of architects the inspiration they need going forward. The Park is the brainchild of the MIA Design Studio, an architectural firm based in Ho Chi Minh City. And the end result is a delightful a group of public space buildings that blends perfectly into the natural environment.

Technically speaking, it’s a design that takes into account the circumstances that form the setting of the area. And that’s exactly the quality that puts the small town’s community center in a class of its own. The five-building civic center is a great addition to the neighborhood. Among other things, it attracts townspeople, provides community services, and promote community fitness.

A three-stage diagrammatic representation shows a quintet of civic center buildings placed along different imaginary lines to take in different views of surrounding landscapes. / Courtesy of MIA Design Studio

A diagrammatic representation illustrates the location of the civic center quintet in relation to the waterfront. / Courtesy of MIA Design Studio

Their waterfront facades afford a view of the lake surrounded by lush green paddies and mountain ranges to the far side. The exterior walls are built of engineered wood textured and stained to look like real timber set at intervals to allow natural light and fresh outdoor air into the interior.

Designed to merge into surrounding landscapes, the principal facades overlooking the road in front lie hidden under grass roofs set at an angle of 45 degrees gently rising from the ground up to culminate at the apexes.

The five buildings are symmetrical solids set on different axes to take in different views of the calm and peaceful countryside. They are connected with each other by a system of corridors, which in tern leads to a jetty at which boats come to dock and be moored. In a way that’s uncomplicated and easy to understand, each building serves its specific functions providing public services to people in the community.

the park — Openings in the external envelope allow light and fresh outdoor air into the interior, strategies that prevent it from becoming a stuffy, overcrowded space.

Like historic roofing making a comeback, the five buildings are roofed over with lush green lawns resembling grassy knolls overlooking the road in front. Shed roofs covered with earth and vegetation create a superior thermal mass that absorbs and transfer less heat from the sun into the interior.

On approaching the civic center, you only see what looks like a few grassy knolls gently rising to the summits that are the focal points of the design. It’s visual experience that excites the imagination and creates a good first impression on people passing by. For a warm and friendly atmosphere, the main entry area is flanked by a welcome building and a restaurant building linked by a hallway. The other three buildings that lie a little further away contain a sauna, fitness center, and changing rooms plus other amenities, respectively, for privacy.

With nature as the first priority, the architects chose only simple building materials for interior decorating. It falls into a line of thought that the beautiful view outside takes precedence over any other consideration. At the same time, it is built strong and capable of carrying and transferring loads down onto the foundations. The facades overlooking the lake are covered in frameworks of wooden bars with awnings built of composite wood to keep the sun and rain off the building faces.

Step inside, and you find the ceilings covered in engineered wood paneling. This material is chosen for its beautiful, authentic look that connects with the outdoors. The interior walls are covered in indoor tiles for a neat appearance, while the external envelope is adorned with faux wood lattices for a relaxing outdoor ambience.

Designed as a landmark easily seen from a distance, the quintet of civic center buildings is all aglow in the nighttime, thanks to an orchestra of electric lights shining through hundreds upon hundreds of small openings in wooden latticework. Like a chandelier shimmering in the dark of night, they create stunning reflections on water and an indelible impression on people going past this area.

Architect: MIA Design Studio (miadesignstudio.com)

Principal Architect: Nguyen Hoang Manh

Concept Design: Nguyen Hong Quan

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CHOEI: A Contemporary Round-Top Stool Revival by Rumbá Bor

By livingasean
December 25, 2023
CULTURE,DESIGN

/ Bangkok, Thailand /

/ Story: Wuthikorn Sut, Kor Lordkam / English version: Bob Pitakwong /

/ Photographs: Courtesy of Rumbá Bor /

“There is no escape from plastic as long as we can’t decide, once and for all, to stop using it. If a product works great made of plastic, at least we should make it strong and long-lasting. That’s basically where design comes in handy to achieve desired results – good quality products that can be used over and over again.”

So said Rumpa Paweenpongpat, designer and founder of the Rumbá Bor brand. Rumpa likes to be referred to as a curator rather than designer. Only recently she stumbled across an injection mold used to make plastic stools at a factory manufacturing household goods.

The factory owner who originally created the intricate design had since stopped making the product. But for Rumpa, it was a real treasure, a work of tasteful aesthetic design deserving serious attention.

Her success was no fluke. Rumpa soon made a refreshing change from what we’ve seen before. By switching to a new material, repacking and rebranding strategies, she turned an ordinary stool into an exciting new experience, a good quality product under brand name “Choei”.

Now it can be found practically everywhere, albeit different in appearance thanks to the new improved material being used. Plus, there’s an artistic flair in the product that allows it to blend perfectly into the circumstances and ideas at the present time.

The first collection of the Choei brand comes in two different colors depending on the materials used in the making. One model is named “Sakoo” for its off-white color resembling the creamy chewy tapioca balls in Thai-style rice pudding. It’s made of a mix containing 50 percent recycled polyethylene plastic, aka PP for short.

choei stool rumba bor — The “Sakoo” model comes in off-whites with a yellowish tinge resembling the creamy tapioca balls in Thai-style rice pudding. – from Choei.

The other model, named “Kathi” for its coconut milk color with a gray tinge, is made of 100 percent recycled polyethylene. It’s the material of choice for obvious reasons. Polyethylene is tough, abrasion-resistant, and capable of withstanding wear and tear over a long period of time.

Sharing her inspiration, Rumpa said: “It makes perfect sense to switch to PP for it’s the most common type of recycled plastic. In comparison with other types of plastic, polyethylene requires less energy to recycle and it gives stronger, better quality products.

“The Choei stool is a piece of decoration you can sit on. It might seem self-contradictory to say that from the start it wasn’t meant to be used for sitting. Rather, it represents a revival, an improvement in the condition and strength, which gives it a value that’s original and unique in its own special way.

“You can test it, or give it a twist. But front and center it’s about aesthetic pleasure. From the design point of view, it’s challenging and rewarding to be able to turn a mass-produced good into a product that has found a niche in the market, a specialized segment of the market, so to speak.”

Choei is the first product line from Rumbá Bor. On one hand, it seems quite a departure from the norm. On the other hand, it’s so ordinary that’s out of the ordinary, a quality that people tend to overlook. It’s exactly the message that the brand is trying to get across, to make people understand.

As Rumpa puts it: “We are interested in ordinary everyday things. Even mundane objects have the power or quality of giving delight. The point is that there is beauty in simplicity and mundaneness, too. There is always kitsch, or sentimentality, about a simple product that most people don’t see.

“It’s run-of-the-mill things we see every day that intrigue us. Examples include breeze blocks, even those balusters on staircase railings in people’s homes, to name but a few. The Choei stool belongs in that same category oftentimes regarded as old-fashioned and out of style.

“But, we can take it out of its humdrum existence simply by applying a new coat of paint and making the intricate design details stand out again. In this way, the improved product will emerge a refreshing change worthy of serious attention.

“Ordinary things can be adapted for a new purpose and made more attractive in ways that people can relate to. The Choei stool has that intricate detail and potential that people seem to have overlooked.”

In essence, the Choei brand is about appreciating of the good qualities and value of the resources that we have and being able to use them wisely. Original design can be adapted to suit new circumstances. A product can be made tough and long-lasting by using a better quality material.

The Choei brand isn’t about trying to change the world overnight. Rather, it’s taking one baby step at a time. Already, this little round-top stool with flowy design legs has sparked up a conversation about it, apparently a step in the right direction going forward.

Hush-hush! There’s a currently circulating story that Choei is coming up with a new set of colors soon. So stay tuned.

Designer: Rumbá Bor (https://linktr.ee/rumbabor)

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CHOEI: A Contemporary Round-Top Stool Revival by Rumbá Bor

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