No place personifies the timeless beauty of Bangkok’s old town like dusitD2 Samyan, a destination hotel where stylishly fashionable design seamlessly mixes with urban lifestyles.
A vista of Bangkok’s landscape as seen from inside a DusitD2 hotel room.
As the name suggests, dusitD2 Samyan is a member of the D2 hotel chain. It nestles comfortably on Si Phraya Road, a longtime economic hub renowned for busy movement and modern architecture. Taken as a whole, there’s a feeling of excitement and pleasure that comes with urban conveniences. dusitD2 Samyan no doubt is a beautiful work of contemporary hotel design, one that helps to rejuvenate a city neighborhood without sacrificing the value of Thailand’s arts and culture.
The hotel lobby space decorated in contemporary style tells the story of Bangkok’s Si Phraya Road neighborhood now and then.
First things first, let us show you around high-rise hotel rooms offering a vibrant panorama of Bangkok. The overall effect is impressive, thanks to a perfect blend of convenience and comfort plus the furnishing and decoration that tells the story of the Si Phraya neighborhood now and then.
The area’s reputation as one of Thailand’s jewelry trade centers is manifested in the interior design inspired by beautifully crafted personal ornaments, such as jewels and precious metals. Among other things, decorative throw pillows and headboards are covered in textile fabrics showcasing precious stone patterns in a variety of shapes and colors.
The furnishing and decoration of hotel rooms gets its inspiration from personal ornaments, such as precious stones and metals that have made the Si Phraya Road neighborhood famous as one of Thailand’s jewelry trade centers.Hotel room décor brings about a good impression of the Si Phraya Road neighborhood renowned for its reputation as one of Thailand’s jewelry trade centers.A throw pillow showcasing an image of precious stone patterns tells the story of Si Phraya as one of Thailand’s jewelry trade centers.
dusitD2 Samyan has two areas for common use that non-guests can access. The 16th floor contains the Bedidas – Pool Bar, where the tasty, distinctive Mexican cuisine is served. Be spoilt for choice when it comes to drinks and refreshments. And if you swing by in the late afternoon, go to Mimi’s Bar on the 25th floor. It’s a good place to watch the sun set behind cloudy skies or simply take in the panoramic view. While up there, take your time to explore amazing interior design, relax and unwind in the comforting glow of sunlight as the night falls.
The 16th floor holds the Bedidas – Pool Bar with a view of downtown Bangkok.A vibrant space with vivid colors, Mimi’s Bar on the 25th floor affords nearly 360-degree views of the cityscape.Seen from Mimi’s Bar on the 25th floor, Bangkok’s urban skyline is aglow as the night falls.
It comes as no surprise that dusitD2 Samyan has become a popular destination on Si Phraya Road for both locals and foreign visitors. Living among the hustle and bustle of the city has its advantages. Located in the city center, DusitD2 Samyan is very pleasant and easy to get to, not to mention the hotel’s interior design that evokes admiration. Precisely, it’s these qualities of urban places that earn Bangkok a reputation as one of the world’s most admired cities.
Chatpong Chuenrudeemol, of CHAT Architects, Thailand, is an architect and researcher renowned for what he called “Bangkok Bastards”, a project that investigated unsightly urban areas, such as construction site camps, inner-city slums and retail stalls abandoned and reclaimed by nature. Rethinking them from a new perspective, he was able to restore them to life in an interesting way.
Outstanding products of “Bangkok Bastards” included the Samsen Street Hotel, a downtown lodging inspired by scaffolding wooden planks and metal poles on the outside of a building. Together they gave rise to exciting new design bearing some resemblance to the raised platforms attached to a building during construction.
Samsen Street Hotel / Courtesy of CHAT ArchitectsSamsen Street Hotel / Courtesy of CHAT Architects
In a way, the Samsen Street Hotel is a revelation of previously unseen aspects of building design, a conceptualization that culminates in a thorough change in the form, character and experience in a very open and visible way. Taken as a whole, it’s a piece of architecture designed to promote social interactions, a community hub for hosting events and spaces for people to meet in the Samsen Street neighborhood. That’s not all. He also has other projects in the making, basically focusing on reuse and rethink as ways to create places of higher quality than he found it.
Angsila Oyster Scaffolding Pavilion / Courtesy of CHAT ArchitectsAngsila Oyster Scaffolding Pavilion / Courtesy of CHAT Architects
A little bit about Chatpong Chuenrudeemol
Chatpong is founder of CHAT Architects and winner of the 2020 Silapathorn Award in Architecture.
After completing his master’s degree at Harvard University’s School of Architecture, Chatpong returned to Thailand where he set up a business called CHAT Architects. He was very interested in architectural styles that reflected the true values, experience and the way of life of ordinary people. His research in urban planning and development was inspired by a feeling of wanting to know more about happenings in the street. They included events in the community, construction site camps and deserted retail stalls, to name but a few. Their untidy outward appearances belied the quality of being honest and truthful to others.
Like everything else, the buildings built by non-architects based on local needs and available materials deserved a second chance. So, it’s up to the architect to rethink them from a different point of view and put them to good use once more. After all, there is value in everything.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang /
The commercial row house, aka the shophouse that’s also used as the owner’s residence, is an architectural style akin to the way of life in Southeast Asia. It’s a small component of the larger, more complex urban landscape, a home-cum-business space more important than anyone could have ever imagined. Living ASEAN had the opportunity of interviewing Dr. Hyunju Jang, of the Faculty of Architecture at Chulalongkorn University and cofounder of the design studio DRFJ (Design & Research by Fusinpaiboon & Jang). Asst. Prof. Chomchon Fusinpaiboon, Ph.D, also of Chulalonkorn University, is the joint founder. We discussed the shophouse from historical perspectives, in the meantime examining its subsequent evolution, building performance and factors that contribute to improved quality of life in the city.
The design duo is best known for their project codenamed “Shophouse2Go! Prototypes”, a collection of row house improvement ideas that members of the general public can follow as a model. Dr. Hyunju shared her thoughts and suggestions about a possible of course of action in dealing with the problem of limited space and site constraints. Ultimately, it’s about creating quality living spaces and improvements in the well-being of city dwellers. Here’s what she said.
We recently had the opportunity of interviewing Dr. Hyunju in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into her work experience.
Q: What inspired you to set up the design studio? What’s the goal of DRFJ?
A: Prof. Chomchon and I shared the knowledge that we have gained through work experience in architecture. But our technical expertise differed from each other. Prof. Chomchon was skilled in researching into the historical aspects and evolution of contemporary architecture, while I started out working with a green building consulting firm specialized in big development projects requiring large investments. We got to talking about the importance of architecture in people’s lives, which culminated in research into architectural styles closely related to the pattern of behavior of many city dwellers. We started exchanging information and, to make a long story short, we ended up creating the design studio DRFJ with one specific goal in mind: use our skills and knowledge in conjunction with other sciences to improve the quality of living spaces in ways that the general public can follow as a model. At the same time, we respect the historical values and culture prevailing in a particular area or neighborhood.
Q: How does the project or research conducted by DRFJ contribute to improving living conditions in the city?
A: Our office, from the start, has made the shophouse a focus of our attention. Prof. Chomchon published the findings of his research into the improvement of commercial row houses built during the 1960’s and 1970’s. For your reference, the work is officially called “Strategies for the renovation of old shophouses built during the 1960’s and 1970’s in Bangkok, Thailand, for mass adoption and application.” Since then it has been further developed as a model for home improvements that the general public can follow. Apart from that, we’re also working to provide alternative living space designs, making them right and appropriate for different types of the shophouse.
As part of our research, we put a variety of designs to the test, thereby evaluating the convenience and physical comfort that each one of them could provide for the occupants of a building. The thing is that many green building design requirements that I have dealt with are formulated for large buildings by international organizations lacking deep understanding of Thailand’s climates and cultural context. So we’re searching out the best ways to customize international requirements to better fit the small-scale and everyday kind of architecture in the context of Thailand. Our prototype was the result of this testing. It’s a catalogue of works of design intended for customers to pick based on an individual’s preferences. In a nutshell, it’s about making high quality design available at the price that’s right.
Q: In terms of different climates between Thailand and Korea, is there anything of particular interest to you?
A: What I felt the most difficult when I started working in Thailand was that there were no room heaters. Most offices and commercial buildings focused on ways to keep cool in hot weather and reduce the cost of air conditioning at the same time. In Korea, it’s the opposite. Because it was cold there, all the design decisions were made to keep warm and, at the same time, reduce the cost of operating room heaters. For me personally, a design strategy is considered effective if it’s capable of reducing heat gain in the interior, thereby keeping the room cool and comfortable.
Speaking of which, the crux of the matter lies in creating energy efficient design, one that keeps a balance between power consumption and the amounts of daylight streaming into the room. Daylight conditions are of the utmost importance. As for me, I would seek the advice of a consulting engineer in a bid to turn a challenge into a solution.
Daylight analyses of a shophouse interior at different times of day illustrate the amounts and distribution of natural light entering and spreading over an area of a home in a Sukhumvit area prior to undergoing a renovation. / Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang
Q: For the most part, what are the things that most DRFJ clients want?
A: The Shophouse2Go! Prototypes project had its beginnings in a row house in which we live no So we wore multiple hats as clients, developers, and architects handling varied roles and responsibilites. But it’s a case study because what we want to develop is a platform catalogue that provides various options for customers. Meanwhile, some of our clients who already own a shophouse or a townhouse can expect to have a better environment because there are so many good choices. We think the quality of being different and diverse is very important. In other words, the clients are not interested in just expanding living spaces in their row houses. They are also interested in the things that improve the quality of life, such as green spaces and communal room shared by all family members. As things stand, we know what the clients want for their homes. And that’s what gives us the inspiration going forward.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
Q: In your opinion, what are the often-overlooked aspects of urban living that you consider important?
A: I believe that a balance between the various aspects of urban living is something that most people either don’t realize or fail to take notice of. There is no denying that life in the city as a whole is far more complex than that spent in any single building. What we need to do is strike the right balance the two worlds notwithstanding the problem of limited space or site constraints. It’s about finding ways to achieve the best result. Stay focused on raising the quality of life in the city. There is more to a home than just a place of residence.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
/ Story: Kangsadan K. / English Version: Bob Pitakwong /
/ Photographs: Living ASEAN team /
A tight budget coupled with the problem of limited space in the heart of Bangkok’s downtown is a challenge that tests the architect’s abilities to overcome site constraints. In this particular case, it’s the renovation of an old three-story shophouse as a modern living space that’s done in accordance with city ordinances. More so than anything else, it’s a home tailored to the lifestyle needs of its occupants and improvements in living conditions. Thanks to well-thought-out strategies on the part of DRFJ (Design & Research by Fusinpaiboon & Jang), a model for home renovation projects was created. It can be used as an example for the general public to follow.
To begin with, the shophouse with three floors was a narrow lot place lacking light, fresh air and ventilation. The design team at DRFJ decided to apply the concept of “simple and more” to create a contemporary living space that’s within the law, more time efficient, and involving a relatively small cost. The secret to success lies in making the least amount of change to the existing building plan. They include wall openings, plus pillars and beams used as a support for the building. In this instance, the building plan is made up of three sections, each of which is four meters long.
There are stairs giving access to the upper floors, while the façade with external devices provide solar shading and ventilation. Taking everything into account, it’s quite a departure from the usual in terms of appearance. The result is an old home beautifully renovated to banish stuffy rooms by bringing fresh air and sunshine into the interior. Plus, there’s the overall vintage appeal in building materials that promotes originality and style. Most importantly, it’s a peaceful place of abode right in the middle of a big city. It provides a showcase of ideas for the general public to follow.
Despite the small area, the purposes of structures and spaces are clearly defined. The first floor has enough room for a carport well-lit and well-ventilated by wall openings at the front and the rear of the house adorned with greenery. Go further inside, and you come to a flight of terrazzo stairs giving access to the home office on the second floor. The low headroom is nicely compensated for by walls painted a cool-toned white that’s easy on the eye.
The first floor holds a carport that’s well-lit thanks to an exposed ceiling, while an opening at the rear provides controlled natural ventilation to the home. The space can be updated for a future business undertaking.
A small green space breathes new life into an area at the back of the house. It’s made by taking out an add-on unit of construction and replacing it with plants.
A view from below shows wall openings at the rear of the house designed to admit natural daylight and banish stuffy rooms.
The beauty and functionality. Old wooden stairs are replaced by ones made of steel. The staircase without risers makes the hallway feel light and airy.
The workspace itself is illuminated by natural daylight shining in through balcony windows. As to be expected, the bedroom is tucked away on the third floor that’s more private and quiet, thanks to a double wall system glazed using clear glass that opens to a balcony. Proceed to rooftop deck which holds a sitting room adorned with greenery. The sitting room itself is roofed over with Sandwich Roof Panels, a lightweight material known for good heat insulation. Inside, a floating furniture layout makes it easy for future updates. Step outside, and you discover a small sky garden hemmed in by walls that have since been given a fresh coat of paint for easy cleaning.
The workspace on the second floor is neat and uncluttered with just the right amount of furniture.
The bedroom on the third floor is protected from heat and noise by a double wall system glazed using clear glass.
The bathroom is well-lit by natural daylight, thanks to an array of awning windows glazed using frosted glass, while the walls are painted white to increase light and space.
Simply put, it’s the story of a home improvement done right, one made light, airy and comfortable by careful planning in spite of the problem of limited space and a tight budget. Furthermore, because it’s a shophouse converted into a home, there’s without doubt a look that imitates the style of the previous era, yet it blends beautifully into the community. From DRFJ’s points of view, it’s the prototype of a home from which other design can be developed, a preliminary model that’s open to the general public.
Panes of glass fixed at an angle projecting outward from the main wall bear some resemblance to the beautiful bay window.
A small green space on the rooftop deck provides many benefits. Hemmed in by breeze block walls, it’s a relaxing space with a view of the cityscape.
Join us for insights on creating urban homes that maximize quality of life. The room Books X Living ASEAN Design Talk 2024 on the theme of “(Re)Thinking inside the Box: Vol. 1 Living in Small Urban Spaces” is a discussion event in English focusing on urban living opportunities and design challenges that need to be resolved. It’s aimed at creating an awareness and knowledge among the general public about the importance of design in residential development within the context of city life across Southeast Asia.
The discussion will be in English. It’s open to everyone who is interested. There is no admission fee. Seats are limited. Please preregister at https://cooll.ink/DesigntalkLA/
Looking forward to seeing you all at Hall MR 214-216, Second Floor, BITEC Bang Na on August 4, 2024 from 1300 to 1530 hours. It’s happening as part of the Baan Lae Suan Fair Midyear 2024.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya June /
Studio Miti is founded by Prakit Kanha and Padirmkiat Sukkan, two architects who have been friends since college. They attended the same school of architecture at a university. Since 2010 the architectural firm has won acclaim for its expertise in materials science skills and ability to integrate knowledge of design with the circumstances that form the setting of worksite surroundings. Having earned many architectural design awards over the years, Studio Miti is clearly living up to his name.
The story of Studio Miti had its beginnings at a workbench inside a rented room that doubled as their humble abode. As the amounts of work increased, the pair thought it wise to move into a decent workplace. They moved several times to different places, among them a rental space on the ground floor of an apartment block that, albeit small, became their first design studio.
The turning point in their career as architects came as the company grew and grew to the point they decided to move again, this time to a permanent home with a brick façade showcasing materials that speak volumes about their ideals and corporate identity.
Studio Miti’s new office showcases the building’s principal face capable of staying open and shut as needed as one of its main design features.
For almost 15 years, Studio Miti has kept firmly to its guiding principle in design, one that combines knowledge of design with an understanding of the context that forms the setting of a place, plus the ability to research the structure and properties of materials used in construction.
In the fewest possible words, it’s about knowing what the materials are made of and how they can be used so as to achieve the best results and aesthetic appeal. Equally important is the ability to create design that’s conducive to improving the quality of life plus charm, good looks that inspire.
The company’s unflinching determination to stand by its design principle and beliefs is reflected in the looks of its new office set amidst the bustle of the Lad Phrao Soi 71 neighborhood in Bangkok where it moved into in 2024.
It’s an old townhouse that has since been lovingly restored as an office. It showcases the front façade covered in lightweight concrete blocks in dark gray that conveys a great deal about Studio Miti’s ideals and in-depth visions guiding its actions.
We have the pleasure of meeting with Padirmkiat Sukkan, co-founder of Sudio Miti, and getting to know more about the company’s design concept, plus taking a tour inside their new office. Join us in discovering the secrets behind the building façade crafted of gray concrete blocks, plus the design concept and beliefs that have put Studio Miti in a class in itself.
Q: Tell us about your journey, design principles and beliefs that guide your actions.
A: “As you know, Studio Miti has moved office several times over the years. Every time we moved, we did some experiments on the materials that we used. We tried to weigh the work we did to determine its essential quality. We believe in using real materials. By that is mean that we use pure materials in their original visual shape, color and texture without over embellishments.”
Flashback: Studio Miti’s old office building showcases brick façade ideas in every direction.Despite its solid brick exteriors, Studio Miti’s old office building feels open and airy, thanks to skylight systems that turn the interior into a well-lighted place.Enclosed workspace inside Studio Miti’s old office provides freedom from external disturbances, making it easy to stay focused during the work day. Plus, it’s adequately lit by overhead skylight systems.
“At our current location, we used mostly bricks as the material of choice. We experimented on brick constructioon as well as bricks and steel. This time, we tried using lightweight concrete blocks as the main material instead.
“In fact, we found it by chance at a worksite. We were using the product and, out of the blue, it broke at the seams at the midpoint. We discovered a curving contour inside it.
“It looked interesting when touched by light. So we took it apart and looked inside it. The effect was good by a touch of light. I thought we could build the entire building facade using this material. And we did. The same applied for other parts of the building, too.”
“We implemented this project, renovating an old townhouse built some 30 to 40 years ago. There were site limitations that we had to deal with. The external envelope was opaque, being built entirely of brickwork. It came with one restriction; a complete teardown was not permitted.
“So we created a building façade that’s capable of being open and shut as needed so as to control the amounts of natural daylight shining into the interior, thereby making it easy to stay focused during the work day.”
“Actually, we are interested in the design process. We look for ways, by which the tools that we use in designing diagrams can also be applicable or relevant to the materials being used as well.
“Oftentimes we put the materials to the test ourselves. It gives us confidence in doing designs, plus the benefits that come from touching it and getting the feel of the materials. It’s an important approach that we use.”
Q: What’s your thought on using real materials and creating Tropical design?
A: “On real materials and Tropical design, I regard the two concerns as being part of one cohesive whole.
“In a warm and humid climate like ours, first, I say we have to understand and be able to use the sun and the winds prevailing in the region to our benefit. It’s very basic to begin with. If we have the opportunity and the owner agrees and likes what we do, then we can develop the materials that we need together.
“And when it comes to using pure materials, I feel they are beautiful without being over embellished. We just need to find out how design can be used to make them look beautiful with little or no modification. To us, understanding the materials and how to them is of the utmost important.”
A meeting room-cum-recreation space on the ground floor feels bright and breezy, plus it’s easily modified to respond quickly to changing needs and activities.A meeting room for receiving clients is glazed using clear glass to admit natural daylight into the interior.
“Speaking of knowledge of a Tropical climate, I feel it’s a must-have for architects. Thai architects, especially, must have a good understanding of sunlight, the heat, humidity and the cold. They are the basics. To create designs, knowing all the basics takes priority over any other matter.
“But more than anything else, me have to make sure the kind of architecture that we create represents the owner. If not, at least it must speak volumes about the place, about the site and the context that forms the setting around it.”
Q: Help me understand some of the work you did in the past? A few examples, perhaps?
A: “To show you some of our past achievements and the results of our experiments, I say we used bricks. Bricks were the material that we used often. As for wood, we used that often, too. We used brickwork mixed with wood in the construction of Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai Province. It’s a hybrid of brick and timber.”
Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai, Thailand’s northernmost province. / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio Miti
“If I may show you a project built entirely of bricks, or brickwork mixed with steel, it’s the “High Brick House” or “Baan Look Moo”.
High Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio Miti
“In fact, we’re working on another one, too. I believe bricks release the heat faster. We’re working on a house project called “Baan Yoo Yen”. It’s built entirely of bricks. The wind blows through it, keeping the interiors nice and coo. It benefits from traditional beliefs about Tropical design. By creating indoor thermal comfort, we can rely less on air conditioning.”
Baan Yoo Yen / Courtesy of Studio MitiBaan Yoo Yen / Courtesy of Studio Miti
“Every piece of work has its distinct character. It’s a quality of being aesthetically pleasing that lies deeper than traditional beliefs per se, even deeper than knowledge of a Tropical climate. I’m referring to an understanding of human nature, and knowledge about the circumstances around a worksite. They are the mystery we’re trying to unravel, leading to further development.”
Q: Tell us about the Goal of Studio Miti, or the object of your ambition.
A: “As for the goal of Studio Mini in ten years from now, I want to provide an idea foundation for younger members on the team today. I believe we have the capacity to develop further.
“There’s still a lot to learn. There’s more to it than design in and of itself. It may involve understanding the context that forms the setting of a place, be it socially or economically. There are lessons to learn going forward. The transmission of knowhow from us to younger members on the team is important. We want to provide the tool they can take with them.”
High ceilinged workspace inside Studio Miti’s new office is well-lit by natural daylight. Among others, the redesigned building facade can open and shut as needed to provide privacy and freedom from external disturbances, making it easy to stay focused on the task at hand.
“If I get lucky, we will move forward together. If I get luckier, they may move on to their future undertakings, where they continue to grow in their line of work. But everyone must have the basic knowledge to begin with, knowledge about the climate prevailing in Thailand, knowledge about the context that forms the setting of a place.
“It’s something that’s more than meets the eye. That’s the basics that will help them grow and mature and, at the same time, give us the old guards at Studio Miti the impetus to grow and develop as well.”
“I believe the future of our office isn’t up to me alone. Rather, it comes from younger members on the team who must understand this, and work together toward a common goal.”
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya, Weerawat Sonriang /
It all started with a 30-year-old, three-story townhouse and a company of architects Studio Miti in need of a new home. Like a fortunate stroke of serendipity, they found exactly what they had been searching for, a building with a wide, six-meter frontage abutting the street, an architectural quality attribute that gave it a decided plus.
The new building facade consisting of lightweight concrete blocks in slate gray is built of a framework of iron securely anchored to the original supporting structure of concrete masonry construction. The building’s principal face can open and shut as needed to regulate the amounts of natural daylight and fresh outdoor air streaming into the rooms. More than anything else, it’s design that meets engineering standard requirements and specifications for safety and durability.
Needless to say, it’s hard to find anything like it nowadays. More importantly, it’s located in an easily accessible community area with a variety of amenities, eating places and businesses serving surrounding populations.
Studio Mitimanagement obviously saw the potential of it developing to future success. And that’s what gave them the inspiration going forward. They set off without delay to breathe new life into the old townhouse, transforming it into a modern design atelier that’s the home of the company’s finest 20-strong staff.
Their secrets lay in creating an exciting new external envelope covered with lightweight concrete materials. And the result of all this is a pleasing visual appearance unlike anything out there. Architecturally speaking, it’s an interesting amalgam of color, texture and the perception of shape and size that inspires admiration.
A set of wooden steps rises past a trough where leafy plants grow leading to the reception room on the ground floor.
Ground floor interiors afford comfortable workspaces designed to boost productivity, with communal facilities such as small meeting rooms and client reception areas neatly arranged throughout the building. There’s also a casual dining area with a kitchen and pantry, not to mention recreational spaces with a ping-pong table and quiet nooks to chill out.
Taken as a whole, it’s design that speaks volumes for the company’s operating principles — investing in a conducive work environment so as to reduce stress and improve concentration. Likewise, it makes perfect sense to ensure its design team can stay focused on the task at hand.
The corridor is separated from a meeting room on the ground floor by a folding glass door system, a clever tool that defines boundaries in a way that’s easy to understand.
With the folding glass door system stowed away, the ground floor serving multiple functions as a meeting room, storage room and recreational area instantly transforms into one big open space.
Climb a flight of stairs, and you come to the main meeting room reserved for formal meetings or when work needs total concentration. There’s a customer reception area nearby that makes a great first impression, with facilities for online video conferencing, a dining room and areas used for recreation.
Different from what’s usual is the building façade that can open and shut as needed to regulate the amounts of natural light during the daytime or admit fresh outdoor air into the room in the late afternoon, a clever hack to save big on energy bills.
The stairway leading to workspaces on the upper floors remained where the old, tired looking stairs had been prior to renovation, only slightly altered to give it a look that belongs to the present.
A glass-wall and sliding-door system provides visual continuity from inside the room to the balcony hemmed in by the front façade that can open and shut as needed for privacy, light and fresh air.
Wooden bookshelves of a modular nature are the epitome of imagination and resourcefulness. They stand ready to be taken apart and reassembled elsewhere if needs be.
The third floor holds ample workspaces with a mezzanine just below the high-pitch roof. Together they boast the comfort of a high-ceilinged room made light and airy by design. For lack of a better word, it’s the pride and joy of some 20 staff members working here as a team.
Of all parts of the building, the roof received the most extensive renovation. To get where they wanted to be, the architects had the old roof torn down to make room for a new high-pitch upper covering.
This gave the interiors much more space overhead, more natural light and aesthetic appeal. Plus, new ceilings built flush with the underside of the roof add real character to the room, while the mezzanine provides extra storage space just below the roof.
Third-floor workspaces are light and airy by design, thanks to high ceilings aligned with the underside of a new high-pitch roof. Plus, there’s plenty of ample space providing neat storage solutions on the mezzanine just below the roof.
All things considered, it’s about creating a workspace that bodes well for the good health of all members on the team, while inspiring productivity and job satisfaction. These qualities can only come from having access to a conducive work environment, the ability to stay focused on work and freedom from noise and distractions.
To achieve the desired results, all the workspaces and functional areas are warmly cocooned inside a solid external envelope made of lightweight concrete materials. Yet they feel connected to the elements of nature, thanks in part to large openings in the front façade that let natural light and fresh air stream into the rooms on the second and third floors.
An opening in the mezzanine reinforced by a steel I-beam system provides visual continuity from above and below.
Not only that, all the arrangements in place also allow the architects to experiment with exciting ideas and innovative materials never before seen, among them a new kind of lightweight concrete materials for wall construction.
The building exterior showcases the ridges and grooves in concrete blocks cut open and left exposed to the weather, thereby allowing time to leave its imprint.
In Studio Miti ‘s most recent experiment, they decided out of curiosity to split an ultralight concrete block in half, only to discover that it contained ridges and grooves on the inside creating light and shadows. They then proceeded with installing the ultralight blocks inside out, thereby showcasing the beauty of imperfections of materials on the building’s exteriors.
It’s sort of going in the opposite way of what usually happens.
The result is charm, good looks without embellishments or decoration of any kind, one that creates an interesting light and shadow play when touched by light. Plus, it’s a spectacular sight that changes with the time of day.
In the fewest possible words, it’s a renovation that conveys a great deal about Studio Miti ’s belief, which says that, first and foremost, it makes a lot of sense to be material savvy. Better yet, it’s prudent to investigate the material before using it. Why? Because knowledge of materials and how they perform in real situations is essential to creating architecture.
A side-elevation view of Studio Miti’s new home shows the exteriors adorned with lightweight blocks in slate gray, a feature that gives it distinctive character.
With the façade closed, the building looks perfectly solid, transforming Studio Miti’s new home into a piece of architecture in a class of itself.
/ Story: Wuthikorn Sut, Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Courtesy of Rumbá Bor /
“There is no escape from plastic as long as we can’t decide, once and for all, to stop using it. If a product works great made of plastic, at least we should make it strong and long-lasting. That’s basically where design comes in handy to achieve desired results – good quality products that can be used over and over again.”
So said Rumpa Paweenpongpat, designer and founder of the Rumbá Borbrand. Rumpa likes to be referred to as a curator rather than designer. Only recently she stumbled across an injection mold used to make plastic stools at a factory manufacturing household goods.
The factory owner who originally created the intricate design had since stopped making the product. But for Rumpa, it was a real treasure, a work of tasteful aesthetic design deserving serious attention.
Her success was no fluke. Rumpa soon made a refreshing change from what we’ve seen before. By switching to a new material, repacking and rebranding strategies, she turned an ordinary stool into an exciting new experience, a good quality product under brand name “Choei”.
Now it can be found practically everywhere, albeit different in appearance thanks to the new improved material being used. Plus, there’s an artistic flair in the product that allows it to blend perfectly into the circumstances and ideas at the present time.
The first collection of the Choei brand comes in two different colors depending on the materials used in the making. One model is named “Sakoo” for its off-white color resembling the creamy chewy tapioca balls in Thai-style rice pudding. It’s made of a mix containing 50 percent recycled polyethylene plastic, aka PP for short.
The “Sakoo” model comes in off-whites with a yellowish tinge resembling the creamy tapioca balls in Thai-style rice pudding. – from Choei.
The other model, named “Kathi” for its coconut milk color with a gray tinge, is made of 100 percent recycled polyethylene. It’s the material of choice for obvious reasons. Polyethylene is tough, abrasion-resistant, and capable of withstanding wear and tear over a long period of time.
The “Kathi” model boasts the calm of coconut milk color, a beautiful white with a gray tinge. – from Choei.
Sharing her inspiration, Rumpa said: “It makes perfect sense to switch to PP for it’s the most common type of recycled plastic. In comparison with other types of plastic, polyethylene requires less energy to recycle and it gives stronger, better quality products.
“The Choei stool is a piece of decoration you can sit on. It might seem self-contradictory to say that from the start it wasn’t meant to be used for sitting. Rather, it represents a revival, an improvement in the condition and strength, which gives it a value that’s original and unique in its own special way.
“You can test it, or give it a twist. But front and center it’s about aesthetic pleasure. From the design point of view, it’s challenging and rewarding to be able to turn a mass-produced good into a product that has found a niche in the market, a specialized segment of the market, so to speak.”
Choei is the first product line from Rumbá Bor. On one hand, it seems quite a departure from the norm. On the other hand, it’s so ordinary that’s out of the ordinary, a quality that people tend to overlook. It’s exactly the message that the brand is trying to get across, to make people understand.
As Rumpa puts it: “We are interested in ordinary everyday things. Even mundane objects have the power or quality of giving delight. The point is that there is beauty in simplicity and mundaneness, too. There is always kitsch, or sentimentality, about a simple product that most people don’t see.
“It’s run-of-the-mill things we see every day that intrigue us. Examples include breeze blocks, even those balusters on staircase railings in people’s homes, to name but a few. The Choei stool belongs in that same category oftentimes regarded as old-fashioned and out of style.
“But, we can take it out of its humdrum existence simply by applying a new coat of paint and making the intricate design details stand out again. In this way, the improved product will emerge a refreshing change worthy of serious attention.
“Ordinary things can be adapted for a new purpose and made more attractive in ways that people can relate to. The Choei stool has that intricate detail and potential that people seem to have overlooked.”
In essence, the Choei brand is about appreciating of the good qualities and value of the resources that we have and being able to use them wisely. Original design can be adapted to suit new circumstances. A product can be made tough and long-lasting by using a better quality material.
The Choei brand isn’t about trying to change the world overnight. Rather, it’s taking one baby step at a time. Already, this little round-top stool with flowy design legs has sparked up a conversation about it, apparently a step in the right direction going forward.
Hush-hush! There’s a currently circulating story that Choei is coming up with a new set of colors soon. So stay tuned.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya Busabong /
It all began with a thoughtful son’s wish to build a new home and be close to his aging father. And Jun Sekino of the atelier JUNSEKINO Architect and Design was on hand to do precisely that.
Jun Sekino, the architect who designed it, said that originally the plan was to put in an add-on to the existing family home. Later there was a change of plan.
The owner preferred to build a new home on the opposite side of the street from his dad instead, so the design was revised in order to fit an entirely different context.
The result was a white geometric home of outstanding beauty – one that’s simple yet attractive and fully functional. It’s the product of a 360-degree turn.
And after making all necessary adjustments, the architect aptly named it “RUPU HOUSE,” a made-up term coined from the Japanese word for the action of rotating around an axis.
Built on 200 square wah of land (roughly 0.20 acre), the new two-story home offers 680 square meters in total.
It stands surrounded by greenery that’s kept further away at appropriate distances to create a well-lit, well-ventilated living space. The first floor contains functional areas including an open contemporary kitchen with dining space at the center.
There’s a sitting room tucked away in a quiet corner for relaxation. Nearby a semi-outdoor space is reserved for entertaining guests. It lies enclosed by the glass walls of the dining room and sitting room. Glass walls enhance visual continuity and the aesthetic appeal of the home.
By design, the semi-outdoor space on the ground floor is the heart of family life, said the architect. It’s easy to get why this cool and airy area has become the homeowner’s favorite niche.
The second-floor deck keeps it in shade for much of the day. It offers ample space perfect for entertaining.
Despite the house’s modern appearance, the semi-outdoor room evokes pleasant memories of comfort provided by the wooden house on stilts of former times. It’s an ideal place for receiving visitors without disturbing the peace in other parts of the house.
Climb a flight of stairs, and you come to the quiet and secluded second floor that contains three bedrooms. The master bedroom belongs to the homeowner, while two slightly smaller ones are reserved for kids. That’s what the future looks like.
To create a light and airy feel, the spacious master bedroom boasts high standards of comfort with a big bed at the center, a walk-in closet and en-suite bath. But what makes it exceptionally good is the double height ceiling, which gives enough room for a private office on the mezzanine floor.
It’s a layout option inspired by duplex design, a peaceful place in which to work undisrupted. According to Jun Sekino, it’s like having a beautiful office apartment hidden inside the home.
The overall effect is impressive. White geometric design adds interest and a sense of excitement to the house’s external appearance. As Jun Sekino puts it, there is an unadorned beauty plus clean simple lines that fit an easy lifestyle, and that’s exactly the way the homeowner likes it.
Technically, it’s meant to be a simple one-mass unit of construction with a high-pitch shed-style roof, a geometric shape without terra cotta tiles and minimal detailing. And the same treatment applies evenly from top to bottom.
To create a soothing ambience, the concrete exterior home is painted white, a single-color trend toward simplicity in design.
Its shed style roof and external envelope are characterized by regular lines and shapes. This is summed up in the vertical awnings that overhang the walls of the building on all sides.
Together they go to work keeping the sun and rain off the façade, windows and doorway on the ground floor. They also double as a design strategy to break the fall of vertical lines that run from the rooftop to the ground floor.
To improve visual and spatial continuity, the windows, doorway and most of the walls at ground level are glazed using clear glass panels.
The second floor is treated differently. Where appropriate, windows are installed only in the direction that’s not exposed to strong sunlight. Meanwhile, the external walls that face the sun have no wall openings at all.
These solid walls, in turn, make the white geometric home even more noticeable from a distance. As for the interior living spaces, a mix of wood and stone masonry is preferred for its ability to reduce the stiffness of strong geometric shapes.
Looking back over the years, Jun Sekino could still recall that concrete roof construction was the hardest part of the entire project. Steel-reinforced concrete roof building required special skills to ensure the remarkable smoothness of the outer surface and prevent leakage.
Apart from that, other challenges included window fittings, which also needed specialized skills and craftsmanship to make sure they don’t leak when it rains.
All things considered, it’s a home project that brings deep pleasure derived from Jun Sekino’s abilities to accomplish a mission. The concrete exterior is smooth and with no apparent gaps or cracks of any kind. It’s a home carefully thought out to age gracefully.
Like so, the homeowner will be able to repaint the house when necessary without worrying about too many practical details. The new home offers a calm and cozy atmosphere with plenty of room for entertaining and the opportunity to be close to his aging father.
It’s a heartwarming moral story of unbreakable bonds.
/ Story: room Books and Living Asean Editorial Staff /
/ English version: Bob Pitakwong /
/ Photographs: Baan Lae Suan Fair Press Room /
A collection of inspiring quotes and flashbacks to the room x Living Asean Design Talk 2023, at the Baan Lae Suan Fair Midyear, BITEC Bang Na, Bangkok.
The latest architecture event “room X Living Asean Design Talk 2023” took place last Sunday 6 August. Convening a group of well-known experts from three countries, the annual conversation was on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.”
It’s the star of the show at this year’s Baan Lae Suan (home and garden) Fair Midyear.
The panel included M.L. Varudh Varavarn of Vin Varavarn Architects Ltd., Bangkok; Supawut Boonmahathanakorn of JaiBaan Studio, Chiang Mai; Japanese architect practicing in Vietnam Shunri Nishizawa of Nishizawa Architects, Ho Chi Minh City; and Antonius Richard of the design atelier RAD+ar, Jakarta, Indonesia, with Bangkok’s Deputy Governor Sanon Wangsrangboon as special guest speaker.
Chana Sampalang, President of ASA (The Association of Siamese Architects under Royal Patronage), officiated at the opening of the room x Living Asean Design Talk 2023 on Sunday 6 August at BITEC Bang Na, Bangkok.
The Design Talk centered around the shared interest in design that’s friendly to the environment and conducive to social development in both urban and rural areas.
And the Deputy Governor of Bangkok came in handy to touch upon the subject of official policy tools and collaborations with various efforts at developing public spaces and improving the quality of life for people in Bangkok.
Essentially, the conversation is about building strong networks that will enable us to stay tuned to things happening in the city and communities across the country.
It’s seen as a confluence of ideas between architects and people from different disciplines inspired to create a sustainable future together.
The conversation event started with Bangkok’s Deputy Governor Sanon Wangsrangboon, who spoke on “Urban Development Policy: Thoughts on response from and interactions with residents from different backgrounds.”
He shared a great deal of careful thoughts and his vision of a “livable city,” which he defined as one capable of accommodating people from all walks of life.
It’s the place where residents live together in harmony. In other words, it’s the type of surroundings where people participate in creating sufficient open spaces that lead to improved quality of life.
Sanon plays a part in furthering policy objectives and collaborating with multiple agencies working towards common goals. Front and center are projects aimed at improving the public spaces deemed crucial to the quality life of people in the city.
Apart from providing all the conveniences, a good city must offer the opportunity for people to live together happily. A “Livable City” can be defined as one that’s open for everyone to participate in the development process.
When people feels a sense of involvement and affiliation to a place that’s suitable for them, they have high hopes of making it better both for themselves and for others.
The next speaker, M.L. Varudh Varavarn of Vin Varavarn Architects, Thailand, touched on the subject of “Public Architecture and solutions to the problems brought on by the gap between people in society.”
He emphasized that architects had an important role to play in helping to reduce social inequality. They had the knowledge and skills in the art and technique of designing and building and they could use them in the best interests of the people.
M.L. Varudh and Vin Varavarn Architects have won acclaim serving clients across a wide range of industries. Lately his focus has shifted towards designs that help solve problems in the society.
They ranged from schoolhouse planning thoughtfully devised to deal with earthquake risks, to low-cost housing opportunities for overcrowded city neighborhoods.
All of them speak volumes for the principles governing Vin Varavarn Architects’ ideas and design strategies.
Essentially, it’s about creating the right design that’s capable of bringing about a change for the better for the people and the society as a whole.
And then Shunri Nishizawa, of Nishizawa Architects, Vietnam, talked about “Residential Design in Response to the Prevailing Climate and Limitations in Different Contexts.”
He sent a strong message about the need to create living spaces that harmonize with the circumstances that form the setting of a place. Upon reflection, the relationship between man and nature is impossible to disentangle.
Shunri Nishizawa has practiced in Vietnam for over 15 years. He believes that an architect is duty bound to have a complete understanding of the context surrounding a project being developed.
This can be anything from humans and animals, to plants and the natural environment, plus the cultural context and so forth.
All of them must be treated with equal respect if we are to create a piece of architecture that adds a good complement to the surroundings.
Nishizawa Architects’ finest works to date have made living with nature front and center.
Besides harmony with the natural surroundings, the designer group attaches special importance to choosing only materials that are right for the context of a place. That’s the role of an architect the way he sees it.
He laid greater emphasis on biophilic design that called for rewilding the built environment and the restoration of all aspects of the physical world.
At the very center, the health of the natural environment is as important as that of humans, perhaps even more so.
Supawut and Jai Baan Studio are renowned for their nature-inspired design, effort at environmental conservation and ability to connect with a sizeable proportion of the rural population.
Through multiple collaborations with property owners, Supawut is able to promote a good understanding of the connectedness between man and nature.
He gets his message across to the public that “time” is of the essence when it comes to restoring the natural environment to health.
His outstanding works include a project that transforms unused land into a green oasis in the city. It’s achieved by rewilding, a process of reintroducing native trees and plants, thereby creating natural habitats for birds and other organisms native to the Northern Region.
As “ambassador” speaking on behalf of nature, he proves the point that the relationships between humans, animals, and ecosystems are inextricable.
Last but not least, architect Antonius Richard of RAD+ar, Indonesia, spoke on the topic of “Different aspects of design in response to the environment and surrounding circumstances.”
He shared many useful techniques to incorporate natural elements in contemporary design. Plus, it’s a discussion alive with insights into design features unique to Tropical regions.
Mr. Richard spoke on the topic of integrating elements of nature in architectural design with respect to circumstances unique to Indonesia.
For the most part, his works deal with experiments undertaken to test the performance of new design in real life situations.
His experience encompasses a wide range of designs, from small projects such as cafés and restaurants, to homes and offices, to big projects such as commercial spaces and mosques that are designed to accommodate a large number of people.
Regardless of size, they share one common feature – a strict adherence to sustainable living ideas and design that’s compatible with the environment. It’s the quality that has served as the signature of Mr. Richard and his group of architects, designers and thinkers from day one.
More about architecture and design for better living, plus ideas for a sustainable society and conserving the environment, known collectively as the “Betterism” concept, are waiting to be discovered. Follow us and room Books for more!
/ Story: Urawan Rukachaisirikul / English version: Bob Pitakwong /
/ Photographs: Vin Varavarn Architects /
A low-cost residential project promising 87 micro-houses is “a dream come true” for many low-income households occupying a mid-city neighborhood of Bangkok, Thailand. Officially named the Housing Development Project for Klong Toey Community, it was implemented as part of a wider housing opportunities program for impoverished urban dwellers throughout the capital and 25 provinces in the Central Region.
A collaboration between the 1st Army and respective provincial administrations, the task was carried out in support of the volunteer program Chitr Asa, a royal policy initiative under His Majesty King Rama X.
It also received help from the Charoen Pokphan Foundation. The housing design is the brainchild of the Bangkok-based architectural practice Vin Varavarn Architects (VVA) under the leadership of M.L. Varudh Varavarn, founder and CEO.
For a long time, the mid-town neighborhood of Klong Toey has been home to many of the working classes in the midst of a vibrant commercial district bordering the south bend of the Chao Phraya River. Before becoming Klong Toey Community as we know it, the area was originally the seat of a fortress town named Paknam Phrapadaeng, a fortification designed for the defense of the capital in warfare of olden days.
Over time, urban developments expanded into this part of the city giving rise to overcrowded communities in a way regarded as disorganized and unattractive.
The area being chock-full of tightly compacted makeshift housing became a challenge for even the most experienced architect.
M.L. Varudh Varavarn said that he could still recall facing countless obstacles in performing the task, not to mention juggling limited funds with compelling needs for materials and building techniques.
He had to deal with many limitations occurring on site. And immediately upon receiving the final official briefing, it was a race against time going full blast until the very last day.
Nonetheless, it was a mission accomplished despite limited manpower. As to be expected, on-site training became necessary since construction crews made up of soldiers were a far cry from being skilled builders. Trained right, they were able to get the job done.
That’s not all. Access through and around the site was narrow and couldn’t be widened any further. As a result, building supplies had to be hand carried, plus there was the problem with reclaimed ground filled with waste material and water that had nowhere to go, causing a flood when it rained.
The key to success lies in active public participation, in a sense perceived as a crucial stage in the implementation of the plan.
When members of the Klong Toey Community chipped in, contributing their shares of a joint effort, the project made headway in helping families in need of housing.
Overall it was a project well thought out with the user in mind. Hence, the focus of attention was on safety in family living spaces, the performance of the buildings and their ability to effectively answer user needs.
What gave it a chance to succeed was the concept of free will and the esprit de corps shared by members of Klong Toey Community. There was no forced eviction of residents as was the case with several overcrowded communities in the past.
Aiming for a win-win situation, the 1st Army that spearheaded the campaign was able to liaise with leaders across the community for the purpose of a survey and identifying the households that wished to participate.
The overall effect was impressive. Through active public participation, the project was able to achieve desired results.
It set the scene for joint learning and the social contract that everyone came away happy and satisfied. In the process, it gave the architect the power, skills and techniques to do it right and make work easy.
Meantime, the resident households were free to choose any color they wanted for their home entrance.
Conceptual Diagram Courtesy of Vin Varavarn Architects
With respect to design, it’s good looks that speak to the same appearance standard. Yet, there is plenty of room for customizable features that allow for updates to suit specific user needs.
Plus, it’s a home plan capable of being adapted to fit into different land sizes. This gives families the freedom to choose what’s right for their life and to make plans for future add-ons should the family size increases.
This kind of advance planning helps reduce the problems occurring on site, giving the team of supervising architects more time to concentrate on building strong and durable homes.
To improve thermal comfort in the home, the roof is built of metal sheeting with polyurethane heat insulation measuring one inch thick.
The exterior walls are made of fiber cement board siding. Designed to protect from lightning strikes, the home is light and airy, and can be built within budget. And in future, should a mezzanine be needed, that’s perfectly doable too.
Recognizing the fact that homeowner needs varied from house to house, the team of architects came up with flexible design.
To begin with, they accepted that most households wanted to hang on to the amounts of land they already occupied. And they were determined to build to cover the full extent of the existing plots. This gave rise to an interesting mix of differently-sized homes across the neighborhood.
In the process, the architects were able to produce home plans made up of simple geometric shapes. They were easily adaptable to fit into many different arrangements.
In the big picture, it’s an urban development setting in which a rich variety of shapes and configurations come together to form a coherent whole – a curious amalgam of forms, colors and textures emblematic of the contemporary style. It’s pleasant to look at.
Architect M.L. Varudh Varavarn wraps it up nicely, “The Housing Development Project for Klong Toey Community, may not be perfect due to multiple limitations on site, but it’s very well thought out in view of the circumstances overall.
“More than anything else, it’s one that’s carefully devised to be a part of the solution, not a part of the problem. All things considered, it contributes to improving the quality of life for a sizable proportion of an urban population.
“In the end the people are happy. That’s what matters.”
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from M.L. Varudh Varavarn, architect and founder of Vin Varavarn Architects (VVA), Thailand, at the upcoming the “room x Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs.” The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
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