Here’s a gorgeous white home built with love and dreams. Named “MN House”, it’s an oasis of calm and comfort in the midst of the hustle and bustle of city life. Plus, there is a sense that art is present everywhere, inspiring creativity and making the expression of human imagination part of everyday living.
/ Bangkok, Thailand /
/ Story: Lily J. / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
More than anything, its interior lighting design is inspired by galleries for the display of works of art, while the external envelope consists of long, straight and curved walls likened to a combination of oversized papier mâché. The curvature of the building shell is there for good reason. It opens at intervals to bring natural light into enclosed rooms. In the meantime, the light is more diffuse thanks to crisp clean white tones that make the home feel airy, warm and welcoming.
Creative big windows bring natural light into the home, while light-colored surfaces and curves in the walls effectively reflect much of the heat away, keeping interior living spaces cool.
First Floor Plan / Courtesy of SaTa Na ArchitectSecond Floor Plan / Courtesy of SaTa Na ArchitectThird Floor Plan / Courtesy of SaTa Na Architect
The house’s modern interior boasts a pristine living room illuminated by daylight streaming in through a large opening in the wall. For privacy, the side of the room facing a nearby building is overhung by second-floor walls that protect it from unwanted eyes. In the meantime, a skylight built into the rooftop contributes to a healthy indoor air environment. A shaft of sunlight spreads over a wide area creating an impression reminiscent of the white interior of an art gallery.
Viewed from above, the courtyard pool provides natural ventilation and daylight in the middle of the home. The mere sight and sound of water enhances interaction between indoor and outdoor living despite limited available space.The heart of the home consisting of a living room, dining room and a home office provides easy access to the courtyard pool and a small terrace at the center of the house plan.
The second floor has a courtyard pool and poolside deck offering a serene space for relaxation. It’s the heart of the home enclosed by glass walls and accessible from multiple rooms. By design, it facilitates easy flow from one area to another, creating the ultimate communal living area that includes the living room, dining room and a home office nearby. Such beautiful visual continuity and spatial relationships can also be seen in full view from the third floor.
The inner courtyard allows sunlight and fresh air into the home while the swimming pool offers a peaceful area for relaxation. It’s amazing how the mere sight and sound of water enhances every aspect of living. Add sunshine and a gentle wind, and you get a light and airy environment despite limited space.
In terms of spatial arrangement, the floor plan layout reveals a series of rooms connected by well-thought-out lighting design and clean lines that arouse different emotional responses from one area to another. It’s like looking at picture frames placed side by side. At every turn, perfectly crisp lines and bold curves create a pleasing visual combination that matches the details of the walls and ceilings, culminating in a modern interior decorating style.
Curved symmetrical structures and round windows work alongside each other to increase natural light in the home.The simple modern house in cool-toned whites contributes to the neighborhood’s overall appeal.
To put it shortly, it’s seamless flow between rooms that makes this white home in the city a desirable place of residence, one that reflects well on the way of life, preferences and experience of the family living in it. Here’s a home inspired by serene and inviting interiors of an art gallery. Its white walls tell the story of the importance of privacy in the midst of urban chaos.
Locals go about their daily routines in the neighborhood where the white house is located.
Precisely, a well-thought-out design ensures the homeowners get what they’ve been looking for, a beautiful home that’s fully functional and capable of answering their lifestyle needs. Plus, there’s the peaceful atmosphere of the finest private art gallery.
/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Nantiya June, Kittiya Kularbrat /
If the sweet aroma of baked goods is really your thing, here’s a dessert café dubbed a “hidden gem” in Charansanitwong, a vibrant neighborhood on the Thonburi side of Bangkok. Aptly named “Patchworks”, the small restaurant is renowned for its fine pastries and delicious desserts. It’s owned and operated by four siblings who possess different talents and passions. Characterized by the functionalist approach to building design, the place is likened to needlework in which small items and different details are sewn together beautifully.
Embracing a mix of brutalism and modernism, the raw concrete building is home to a dessert café serving rich, fluffy pastries and delicious light meals. Its bold forms bear some resemblance to a massive piece of cake visible in every direction. Conveniently situated across from of the MRT Bang-O station, its dining room affords a beautiful panorama of Charansanitwong, a vibrant neighborhood on the Thonburi side of Bangkok
As the saying goes, all big things start small. “Patchworks” began as a small business selling an assortment of baked goods back in the day. It grew and matured over time into an established bakery café, ultimately changing its corporate image and creating a strong brand identity thanks to a collaboration with the design firm p/s/d, or “party / space / design”.
It all took shape when the four siblings and a design team from p/s/d got to know each other not long ago. Purposeful meetings in the ensuing days soon paved the way for a smooth project implementation. They allowed for information exchange, problem solving and decision making that led to the integration of their specialized skills and passions into the new business plan. The result is an architectural style and branding concepts that tell the story of its products and services.
The downstairs welcoming hall has a dark emperador marble counter across which pastries and desserts are served. The mouth-watering light meals are made fresh daily in the kitchen located nearby. Busy movement and activity inside it can be seen from here, thanks to a large window separating it from the hallway. Together they are viewed as the highlight of the first floor.A forest of pendant lighting is suspended from the ceiling directly above a void of space by the glass wall. The shapes and sizes of lampshades get their inspiration from a variety of whisks used for whipping and mixing ingredients, ultimately creating a bright and airy restaurant décor that goes together well with double-height ceilings.
Among other things, visuals of a whisk which is a utensil for whipping eggs and cream are used as the company logo. They are placed in different locations both on the building envelope and as ornaments enhancing the interior. Because the font style matters, the business name is made using a typeface ideally suited to a place in which to enjoy fine pastries, delicious desserts and a good dining experience.
For strength and durability, the floor is built of a type of concrete used in waterborne environments. Also known as “marine concrete”, it’s commonplace in Japanese lofts and widely preferred for its beautiful visual effects when touched by light.
Architecturally speaking, “Patchworks” is an interesting mix of modernism and the brutalist style characterized by raw materials, bold geometric forms and functionality over ornamentation. Expressed in a different way, the use of raw concrete contrasts sharply with the alluring aromas of baked goods and delicious desserts that are its signature dishes. The café has a view of the Metropolitan Rapid Transit (MRT) Bang-O Station.
A metamorphosis of purpose. Visuals of the kitchen utensil used for whipping eggs, cream and mixing ingredients play a new role as the company logo and a forest of pendant lamps suspended from the ceiling. Together they tell the story of brand building, meantime, making the dessert café original and unique in its own special way.
From a distance, it has the appearance of a cube-shaped building, something resembling a giant piece of cake facing all directions. Its proximity to the light rail station makes “Patchworks” a convenient place to meet, relax and indulge in tasty, fluffy pastries and delicious desserts, not to mention fresh brewed coffee and other refreshments. Critics may find the brutalist architectural style unappealing. But inside it, pleasant surprises abound.
Walk in the door and be spoilt for choice. The first floor holds a welcoming hall with a dark emperador marble counter across which rich fluffy pastries, desserts and beverages are served. The mouth-watering light meals are made fresh daily in the kitchen located on one side of the room. Busy movement and activity inside it can be seen from here, thanks to a large window in the hallway. Across from it, restaurant tables and chairs come in a combination of different shapes and sizes designed to satisfy customer needs.
Behind the pastry and dessert counter, a void of space directly overhead serves as engine that drives ventilation supplying fresh air and keeping the interior cool. Not far away, rustic pendant lighting in a variety of shapes and sizes provides a focal point inviting customers to explore extra seating spaces available upstairs. By design, the downstairs seating space is built only three meters tall for good reason. It’s painted calming colors while recessed lighting fixtures behind the sofas help create a peaceful ambiance.
Worthy of note is the board-formed concrete walls that add intrigue and interest to the room as well as the exterior. They convey a great deal about brutalism, an architectural style defined by the plainness of building materials and raw wood grain patterns in cement surfaces. Obviously, they add character and personality to the project.
Climb a flight of stairs, and you come to a large room where salads, brunches, pasta meals, burgers, coffee drinks and refreshments are served. Large glass windows infuse the room with natural light, meantime, offering stunning panoramic views of the light rail station and the surrounding cityscape.
Double-height ceilings, five meters tall to be exact, create a visually striking, more expansive interior. The counter front is adorned with a beautiful mix of glossy and matte finish marble. Placing the counter on the right side of the room creates a positive work environment. It gives company employees and baristas a clear view of the dining area located on the left side, thereby ensuring good customer service at all times.
To integrate natural elements into the built environment, the design team chose not to open up the entire facade overlooking the nearby MRT station. Rather, they filled up the back of the building with a large glass window, thereby bringing in the view of an ebony tree that provides a lush green canopy at the center of the floor plan. As a result, the café is able to offer its customers a variety of dining spaces to suit their taste or wishes.
The seating area overlooking the ebony tree is adorned with pendant lamps that hang from the ceiling above a void of space along the wall. Their balloon-like shapes are inspired by different types of whisks for whipping eggs or cream and blending ingredients. Some of them even resemble the shapes of pastries. Overall, the effect is impressive and goes together well with high ceilings.
A flight of stairs built of steel gives direct access to a hot kitchen and staff workspace located at the rear of the second floor. It’s inspired by fire escape stairwells typically painted flat black. The staircase looks somewhat bent out of place as it takes a twisting course to avoid hitting an ebony tree standing in the way.
The back of the upstairs room holds a hot kitchen with staff workspace nearby. They are separately accessible via a flight of stairs made of steel that gets its inspiration from a fire escape plan. By design, the staircase looks a bit bent out of place as it takes a twisting course to avoid hitting an ebony tree standing in the way. The third floor contains the business owners’ office space that opens onto a rooftop deck.
Taken as a whole, it’s a project that strikes a balance between architecture and the fun. Among other things, the openings in the wall bear some resemblance to the influence of David Umemoto, a Canadian artist famous for creating concrete sculptures and other art objects. It’s the very concept that inspires the design team at p/s/d to try something new and different from the norm. This includes the openings in the wall that ignore a window’s primary function, such as allowing daylight and a view.
A glimpse of the interior shows the feel and functionality of the back room holding a hot kitchen with staff workspace close by. The area is accessible via a separate set of stairs.
As an alternative, they put in a new kind of window with curved lines and a series of sharp zigzags. The same revolutionary idea applies to staircase design that’s treated like a decorative item. The result is a building resembling a concrete maze of corridors through which one has to find a way. Viewed from a passing train, it’s hard to imagine what’s going on inside, except what is seen through the openings in the wall.
A strategically placed opening in the wall is obvious evidence of the influence of David Umemoto, a Canadian artist famous for creating concrete sculptures and other art objects. It’s an interesting alternative that disregards a window’s primary functions, preferring instead to use curved lines and a series of sharp zigzags. The same applies to staircase design that’s treated like a decorating item.
In a few words, “Patchworks” is an outcome of detailed examination of the elements of building design. It’s the story of a small dessert café that evolved over time, meanwhile enhancing its image and generating brand awareness through a well-thought-out plan. In this particular instance, it’s a nice little collab between the owners and the designers that culminates in the bold, raw and deliberate plainness of brutalism. This much is clear.
It’s an architectural style that prioritizes functionality over ornamentation, plus pastries taste like heaven. Drop in for an unforgettable experience and discover why rich, fluffy pastries and delicious desserts here are a top choice in town. It’s only a short train ride away.
/ Story: MNSD, Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya /
HAS Design and Research by Architects Jenchieh Hung and Kulthida Songkittipakdee likens their design work to running a marathon. From the starting line, they navigate a long and challenging path of research and experimentation before reaching the finish line, which represents the final outcome. The end result is always unpredictable, adding to the journey’s intrigue.
(Left) Jenchieh Hung and (Right) Kulthida Songkittipakdee, founder of HAS Design and Research
Living ASEAN takes you on a visit to their home studio located in a residential area on Phetkasem Road, Bangkok. Led by Kulthida Songkittipakdee (Poh) and Jenchieh Hung (Jerry), this small space is where they focus on architectural design.
They emphasize thorough research into the background of each project to gain a comprehensive understanding before beginning the design process.
Founded by a duo of architects
Poh – Kulthida: “HAS Design and Research. The office name is from the last name of Jenchieh Hung, and Kulthida Songkittipakdee. Combine H and S. You get HAS Design and Research. Our work emphasizes data research, conducting systematic investigations to produce the outcome needed to do design.”
Jerry – Jenchieh Hung:“The two of us lived outside of Thailand for over 10 years. We set up our first office in Shanghai. When we came back to Thailand, our first impression was we wanted this space to be different from Shanghai.
“If you look at this community, you’ll find the people are truly locals. They do many activities together as community. It’s the reason we combine home and office in one. In Phetkasem area.
“Home office offers many benefits because it’s a perfect balance between life and work. When our way of life become ONE with the surrounding community. I believe our work of architecture can provide pictures of life in the future. The same is true for Thai society.”
The home-office’s location in the Phetkasem area, Bangkok.
Integrating a workspace into a townhouse
Poh – Kulthida:“I grew up in this kind of environment. After having lived abroad, we decided to return here. The question is: Where do we begin? We started with the place we’ve lived before. The challenge was if it was the old place, we would know what the problem was, especially if it was a townhouse.
“It’s a narrow front building with an elongated shape. It doesn’t have much light. In any case, we wanted to use it as an office, and as a residence, too. The question is: Does the fence have to still be a fence when we can build it in another shape or form? Or can we make the fence a part of the space.
“Can it turn into an area that brings light and fresh air into the interior? The fence will no longer be a fence wall. It will transform into a space providing transition room for people arriving at the office. It’s like making their way through a garden first, and then gradually arrive at the office. Meanwhile, we had to find ways to bring light into the building as much as possible.”
The office space within the home-office.
Research is fundamental
Poh – Kulthida: “As for the research process, we think it’s fundamental, very important to us. Take for example MoMA, the Museum of Modern Aluminum that we did. Initially, the clients came to us saying one sentence. They wanted us to design a building with a wow factor that creates an impact. That was it.
“We looked for the best way to go about it making it stand out from the crowd on Ratchaphruek Road. People driving by won’t take notice of the buildings. Interestingly, there are lots of posters and signboards.
“Meanwhile, the daytime and the nighttime are different types of scenes, which gives us an idea of what to do. We integrated natural features in the surroundings in building design, which resulted in the building façade as you see.
“It makes the building stand out for people driving by. They feel this one is interesting. In the daytime, people will see an image of trees and leaves of grass rustling in the wind. In actual fact, it’s all aluminum. In the nighttime, it’s a light show. We worked with lighting designers to make it look like fireflies flashing on building walls.”
Jerry – Jenchieh Hung:“As for MoMA, the Museum of Modern Aluminum, actually, we want to show a dense urban space that blends into the natural environment. But our method is different. We used industrial building materials to create a result resembling a cave in nature or a forest in nature.
“Actually, it’s the story about the way people live in an urban context, but still keep in touch with nature. This is our main target. Nature and urban areas can coexist. I think our research and design are something that illustrates our imagination about the world. Think about the world we’re living in and our living behavior.
“Our design and research are the key to open up the road ahead. They open the way for our life, and for the world. And it allows for architecture and research to connect with each other.”
Poh – Kulthida:“Actually our work makes us feel like we are marathon runners because as we leave the start point, we don’t know where it will end.
“In many projects, for example the Forest Villa, the clients told us they wanted a home, that’s fit for Modern Chinese Living Styles. In the past, people might think a Chinese style home must have the quality of being Chinese in it. When we knew what they wanted, plus, details of the project site and the homeowner’s vision, it helped to create the kind of home they wanted. It’s a picture that differs from the Chinese style home it used to be.
“Only then did we know we have arrived at the finish line. We started running, not knowing where it would take us. But in the end, the project was accomplished.
“Another example is The Glade Bookstore. After careful consideration, we succeeded in creating something that exceeded their expectations. It’s a bookstore with a cultural space in it. There are art activities on the premises. We succeeded in creating an image of The Glade Bookstore in a style that showcases Chinese architectural heritage in the interior.
“We used materials that people didn’t expect. That is, for every project that we do, we think that our way of working is capable of producing an outstanding result for the project. And we did. Plus, it adds value to the design that we created in ways that exceed project owner expectations.”
Every name tells a story. Here’s a modern home on Pattanakarn Road that impresses with beautiful architecture and a love of open spaces. Named “1+1=1 House”, it’s the pride and joy of a multigenerational family. Three generations, including grandma and grandpa, mom and dad, and their children under the age of adulthood, live together in one household. The house has 650 square meters of usable space with enough personal room for everyone to live comfortably, not to mention common areas and amenities that are integral components of modern living.
Designed by Poonsook Architects Co, Ltd, a Bangkok-based architectural firm, the house comprises three main functional spaces, namely, the living area for mom and dad and their children, the living area for grandma and grandpa, and shared spaces arranged in the shape of the letter C.
The exterior walls are positioned to face the north, south and west directions so as to protect a central courtyard filled with greenery and a paved outdoor area for relaxation. Together they go to work shielding the interior from the summer sun, balancing temperature and enhancing home comfort.
A courtyard that’s the center of the C-shaped house plan creates a family-friendly outdoor living space in the backyard.
The C-shaped floor plan creates a tranquil retreat enclosed by the walls of the house that keep it in shade for much of the day. The result is an outdoor oasis that’s comfortable and pleasant.
There are two sets of stairs located on either side of the living room. They give access to the upstairs bedrooms belonging to grandma and grandpa, mom and dad, and the children, plus a workroom close by. The downstairs common area is clearly defined. There’s a carport conveniently connected to the house entrance.
The first floor boasts an open-concept design with features for living and dining in a single, uninterrupted space. To the side, large sliding glass doors can be stowed away neatly, allowing fresh air into the spacious living room.
Walk in the door, and you see a courtyard landscape with a level paved area that makes the home feel warm and welcoming. There’s a shade tree that provides a focal point in the yard and doubles as a privacy screen for the sitting room upstairs.
The downstairs dining room lies under a higher-than-normal ceiling, 5 meters tall to be exact. As would be expected, it makes the interior living space feel spacious, bright and airy. There are large, east-facing folding doors that open to connect with the veranda and a courtyard garden nearby. It’s everybody’s favorite hangout, a place for the family to get together and shoot the breeze.
The living room enclosed by glass walls has a modern sofa set in a creamy white that goes together well with wood furniture, creating a calm environment for elderly parents.
Taking everything into account, the ground floor boasts a beautiful open floor plan. There’s a sitting room with a pantry and dining area close by. Large sliding doors glazed using clear glass open onto the central courtyard, creating a visible impression that makes the room feel longer, wider and well-ventilated.
The courtyard is accessible via floor-to-ceiling glazed doors located to the side.
Grandma and grandpa’s private sitting room is connected to the kitchen area. The nearness in space to the central courtyard provides physical ease and relaxation in their sitting room. From here, a flight of stairs gives access to green spaces on the second floor that also contains their bedroom and a multipurpose area nearby.
The corridor leading to bedrooms on the second floor is enclosed by a glazed façade overlooking a lush courtyard garden.
By design, it’s a modern home that fulfills the needs of an extended family, one that provides enough private space plus a communal area shared by everyone. Among other things, the dining room is dedicated to foster social interaction and strengthen a bond of understanding in the family. It’s rare to find a multigenerational home these days when the nuclear family gradually becomes the norm.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Anupong Chaisukkasem, Phumpakorn Na Bangchang /
How would you like your coffee? Black or with cream? Welcome to Rimkhobfa Bookstore & Black and Milk Café, a stand-alone store and coffee shop snugly cocooned in a cozy neighborhood of Bangkok’s Bang Plat District. The name is a bit of a mouthful, but you get the idea. The cybercafé is thoughtfully devised to ignite the love of literacy and open new horizons among younger fans of books.
Aptly named “Rimkhobfa”, literally translated “horizons”, it’s home to a bewildering array of books about Thailand and classics that every bookworm should read. Originally located on Rajadamnoen Avenue, the store only recently moved across the Chao Phraya River to a new address in Bang Phlat District. And that’s where the design team at BodinChapa Architects came in play, transforming an old building that had fallen into disrepair into a new bookstore-cum-café rendezvous. There’s charm and the power of storytelling that captivates a thirst for knowledge. Plus, fresh brewed coffee smells like heaven and the atmosphere is pleasant.
The building that formerly housed offices is located on Charansanitwong Road, a main thoroughfare on the west bank of the Chao Phraya. There was a problem when an overpass was built nearby, making the structure less visible while the interior became dark, poorly lit by dim light. To breathe new life into the old building and make the dark rooms brighter, the architects added openings in the wall and painted the interior a light and airy color. Meanwhile, an open concept layout provides ample space for a café that’s part and parcel of the bookstore.
The first floor plan offers equal amounts of space for the café and the bookstore. / Courtesy of BodinChapa Architects
Drawings illustrate spatial arrangements on the second and third floor plans. The interior is made light and airy by taking away the ceiling and creating a void of space in the second floor. / Courtesy of BodinChapa Architects
A vantage point affords a view of areas on the first and second floors.
Stair railings provide visual transitions enhancing the flow of interior space that culminates in a massive wall called the “Tower”. In all places, the interior abounds with custom built-in shelves for storing books and product displays.
In renovating the old building, the architects had a part of the second floor removed to create a double height ceiling, resulting in a visually striking interior on the ground floor. After that the bookstore and café spaces were put in, each occupying roughly equal amounts of floor area.
Climb a flight of stairs, and you come to the second floor with plenty of space for organizing events and seminars. The low ceiling that was there originally is gone now. The room is cozy and comfortable thanks to a double height space. It also has abundant space for bookshelves. The third floor holds a conference room with large windows overlooking the second floor.
A product display paired with restaurant furniture in various styles creates a good bookstore café experience.
Low ceilings that were there originally have since been removed to add headroom to the retail space on the first floor. Plus, it makes the small area nice and tidy by hiding utility systems.
The first floor comprises two parts, the first being a bookstore and the second holding a small café. There’s a coffee bar up front for greeting customers arriving in the store. Go further inside, and you come to an area filled with bookshelves alternating with coffee shop seating. From here the aisle leads to a collection of books beautifully arranged for public viewing.
On the whole, the interior abounds with bookshelves and library furniture starting from the café zone all the way to the stairway giving access to the second floor. Together they provide the perfect ambience for coffee aficionados and book lovers.
There’s more. Filling the interior space with style is a massive wall called the “Tower” that rises from the bottom to the top of the building. It’s an element of design dividing the interior space into parts, meanwhile doubling as the focal point drawing customers to other attractions on the second floor. Plus, it’s thoughtfully devised to provide the visual connection linking the cashier zone with the stairway nearby.
The decoration of the “Tower” keeps firmly to the original Rimkhobfa bookstore concept, whereby the gradual change of color symbolizes the horizon.
Overall, the furnishing and decoration of the interior keeps firmly to the original “Rimkhobfa” bookstore concept, whereby an image of the horizon is represented by a wall of fired clay bricks that change colors from dark at the bottom to light at the top. At the same time, indoor lights and a quadrangular opening at the top of the Tower go to work alongside each other to create a clean, well-lighted place perfect for reading and displays of books.
The second floor is well-lit and filled with shelves on which books are stored. It’s illuminated by natural daylight shining in through an array of tall windows. To protect the interior from the sun, the windows are dressed with light filtering shades. Flex space ideas help create multipurpose rooms for meetings and other events.
Low profile shelving units can be stowed away in the back room when not required, while high profile ones are used to store books and display products. They are placed against the wall with spaces in between to avoid enclosed spaces that could be signs of claustrophobia. This makes it easy to browse around the bookstore, find a quiet place to sit and enjoy a good read.
A flexible space for seminars and events has low profile shelving units that can be stowed away when not required.
Slightly tucked away from the main, noisy thoroughfare, the bookstore café makes the most effective use of natural materials to attract passers-by. Like so, the raw brick façade in shades of orange performs dual functions; structural and aesthetic. Nearby, a small signboard displaying the business name and logo directs customers to the store.
The floor is covered with tiles in shades of dark gray alternating with orange hue with brownish tints. To make the building more visible from the street, the front façade protrudes slightly from the wall while light-colored wood paneling slants up to the window sills adding instant curb appeal.
Fired clay tiles in shades of orange contrast with a gray stone wall displaying the business name. Together they add instant curb appeal to the bookstore café.
The atmosphere inside and outside the bookstore café is pleasant thanks to the use of eco-friendly materials in all places. Needless to say, it’s design that respects nature and the importance of art and culture in our lives. The materials and color shades remind a crowd of onlookers of the humble origins of man. Together they create stunning color combinations blending with the circumstances that form the setting of the neighborhood.
The second floor contains bookshelves alternating with reading nook furniture.
As print media struggle to survive in the age of technology, Rimkhobfa Bookstore manages to stand its ground in the fight by incorporating Black and Milk Café in its business plan. The result is a forward-looking bookstore café that answers the lifestyle needs of the new generations. By design, it’s a flexible business space capable of performing many functions. It’s the story of a renovation done right, one that transforms an old building in need of repairs into an oasis of calm for book and coffee lovers. Swing by the café next time you’re in town.
No place personifies the timeless beauty of Bangkok’s old town like dusitD2 Samyan, a destination hotel where stylishly fashionable design seamlessly mixes with urban lifestyles.
A vista of Bangkok’s landscape as seen from inside a DusitD2 hotel room.
As the name suggests, dusitD2 Samyan is a member of the D2 hotel chain. It nestles comfortably on Si Phraya Road, a longtime economic hub renowned for busy movement and modern architecture. Taken as a whole, there’s a feeling of excitement and pleasure that comes with urban conveniences. dusitD2 Samyan no doubt is a beautiful work of contemporary hotel design, one that helps to rejuvenate a city neighborhood without sacrificing the value of Thailand’s arts and culture.
The hotel lobby space decorated in contemporary style tells the story of Bangkok’s Si Phraya Road neighborhood now and then.
First things first, let us show you around high-rise hotel rooms offering a vibrant panorama of Bangkok. The overall effect is impressive, thanks to a perfect blend of convenience and comfort plus the furnishing and decoration that tells the story of the Si Phraya neighborhood now and then.
The area’s reputation as one of Thailand’s jewelry trade centers is manifested in the interior design inspired by beautifully crafted personal ornaments, such as jewels and precious metals. Among other things, decorative throw pillows and headboards are covered in textile fabrics showcasing precious stone patterns in a variety of shapes and colors.
The furnishing and decoration of hotel rooms gets its inspiration from personal ornaments, such as precious stones and metals that have made the Si Phraya Road neighborhood famous as one of Thailand’s jewelry trade centers.
Hotel room décor brings about a good impression of the Si Phraya Road neighborhood renowned for its reputation as one of Thailand’s jewelry trade centers.
A throw pillow showcasing an image of precious stone patterns tells the story of Si Phraya as one of Thailand’s jewelry trade centers.
dusitD2 Samyan has two areas for common use that non-guests can access. The 16th floor contains the Bedidas – Pool Bar, where the tasty, distinctive Mexican cuisine is served. Be spoilt for choice when it comes to drinks and refreshments. And if you swing by in the late afternoon, go to Mimi’s Bar on the 25th floor. It’s a good place to watch the sun set behind cloudy skies or simply take in the panoramic view. While up there, take your time to explore amazing interior design, relax and unwind in the comforting glow of sunlight as the night falls.
The 16th floor holds the Bedidas – Pool Bar with a view of downtown Bangkok.
A vibrant space with vivid colors, Mimi’s Bar on the 25th floor affords nearly 360-degree views of the cityscape.
Seen from Mimi’s Bar on the 25th floor, Bangkok’s urban skyline is aglow as the night falls.
It comes as no surprise that dusitD2 Samyan has become a popular destination on Si Phraya Road for both locals and foreign visitors. Living among the hustle and bustle of the city has its advantages. Located in the city center, DusitD2 Samyan is very pleasant and easy to get to, not to mention the hotel’s interior design that evokes admiration. Precisely, it’s these qualities of urban places that earn Bangkok a reputation as one of the world’s most admired cities.
Chatpong Chuenrudeemol, of CHAT Architects, Thailand, is an architect and researcher renowned for what he called “Bangkok Bastards”, a project that investigated unsightly urban areas, such as construction site camps, inner-city slums and retail stalls abandoned and reclaimed by nature. Rethinking them from a new perspective, he was able to restore them to life in an interesting way.
Outstanding products of “Bangkok Bastards” included the Samsen Street Hotel, a downtown lodging inspired by scaffolding wooden planks and metal poles on the outside of a building. Together they gave rise to exciting new design bearing some resemblance to the raised platforms attached to a building during construction.
Samsen Street Hotel / Courtesy of CHAT Architects
Samsen Street Hotel / Courtesy of CHAT Architects
In a way, the Samsen Street Hotel is a revelation of previously unseen aspects of building design, a conceptualization that culminates in a thorough change in the form, character and experience in a very open and visible way. Taken as a whole, it’s a piece of architecture designed to promote social interactions, a community hub for hosting events and spaces for people to meet in the Samsen Street neighborhood. That’s not all. He also has other projects in the making, basically focusing on reuse and rethink as ways to create places of higher quality than he found it.
Angsila Oyster Scaffolding Pavilion / Courtesy of CHAT Architects
Angsila Oyster Scaffolding Pavilion / Courtesy of CHAT Architects
A little bit about Chatpong Chuenrudeemol
Chatpong is founder of CHAT Architects and winner of the 2020 Silapathorn Award in Architecture.
After completing his master’s degree at Harvard University’s School of Architecture, Chatpong returned to Thailand where he set up a business called CHAT Architects. He was very interested in architectural styles that reflected the true values, experience and the way of life of ordinary people. His research in urban planning and development was inspired by a feeling of wanting to know more about happenings in the street. They included events in the community, construction site camps and deserted retail stalls, to name but a few. Their untidy outward appearances belied the quality of being honest and truthful to others.
Like everything else, the buildings built by non-architects based on local needs and available materials deserved a second chance. So, it’s up to the architect to rethink them from a different point of view and put them to good use once more. After all, there is value in everything.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang /
The commercial row house, aka the shophouse that’s also used as the owner’s residence, is an architectural style akin to the way of life in Southeast Asia. It’s a small component of the larger, more complex urban landscape, a home-cum-business space more important than anyone could have ever imagined. Living ASEAN had the opportunity of interviewing Dr. Hyunju Jang, of the Faculty of Architecture at Chulalongkorn University and cofounder of the design studio DRFJ (Design & Research by Fusinpaiboon & Jang). Asst. Prof. Chomchon Fusinpaiboon, Ph.D, also of Chulalonkorn University, is the joint founder. We discussed the shophouse from historical perspectives, in the meantime examining its subsequent evolution, building performance and factors that contribute to improved quality of life in the city.
The design duo is best known for their project codenamed “Shophouse2Go! Prototypes”, a collection of row house improvement ideas that members of the general public can follow as a model. Dr. Hyunju shared her thoughts and suggestions about a possible of course of action in dealing with the problem of limited space and site constraints. Ultimately, it’s about creating quality living spaces and improvements in the well-being of city dwellers. Here’s what she said.
We recently had the opportunity of interviewing Dr. Hyunju in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into her work experience.
Q: What inspired you to set up the design studio? What’s the goal of DRFJ?
A: Prof. Chomchon and I shared the knowledge that we have gained through work experience in architecture. But our technical expertise differed from each other. Prof. Chomchon was skilled in researching into the historical aspects and evolution of contemporary architecture, while I started out working with a green building consulting firm specialized in big development projects requiring large investments. We got to talking about the importance of architecture in people’s lives, which culminated in research into architectural styles closely related to the pattern of behavior of many city dwellers. We started exchanging information and, to make a long story short, we ended up creating the design studio DRFJ with one specific goal in mind: use our skills and knowledge in conjunction with other sciences to improve the quality of living spaces in ways that the general public can follow as a model. At the same time, we respect the historical values and culture prevailing in a particular area or neighborhood.
Q: How does the project or research conducted by DRFJ contribute to improving living conditions in the city?
A: Our office, from the start, has made the shophouse a focus of our attention. Prof. Chomchon published the findings of his research into the improvement of commercial row houses built during the 1960’s and 1970’s. For your reference, the work is officially called “Strategies for the renovation of old shophouses built during the 1960’s and 1970’s in Bangkok, Thailand, for mass adoption and application.” Since then it has been further developed as a model for home improvements that the general public can follow. Apart from that, we’re also working to provide alternative living space designs, making them right and appropriate for different types of the shophouse.
As part of our research, we put a variety of designs to the test, thereby evaluating the convenience and physical comfort that each one of them could provide for the occupants of a building. The thing is that many green building design requirements that I have dealt with are formulated for large buildings by international organizations lacking deep understanding of Thailand’s climates and cultural context. So we’re searching out the best ways to customize international requirements to better fit the small-scale and everyday kind of architecture in the context of Thailand. Our prototype was the result of this testing. It’s a catalogue of works of design intended for customers to pick based on an individual’s preferences. In a nutshell, it’s about making high quality design available at the price that’s right.
Q: In terms of different climates between Thailand and Korea, is there anything of particular interest to you?
A: What I felt the most difficult when I started working in Thailand was that there were no room heaters. Most offices and commercial buildings focused on ways to keep cool in hot weather and reduce the cost of air conditioning at the same time. In Korea, it’s the opposite. Because it was cold there, all the design decisions were made to keep warm and, at the same time, reduce the cost of operating room heaters. For me personally, a design strategy is considered effective if it’s capable of reducing heat gain in the interior, thereby keeping the room cool and comfortable.
Speaking of which, the crux of the matter lies in creating energy efficient design, one that keeps a balance between power consumption and the amounts of daylight streaming into the room. Daylight conditions are of the utmost importance. As for me, I would seek the advice of a consulting engineer in a bid to turn a challenge into a solution.
Daylight analyses of a shophouse interior at different times of day illustrate the amounts and distribution of natural light entering and spreading over an area of a home in a Sukhumvit area prior to undergoing a renovation. / Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang
Q: For the most part, what are the things that most DRFJ clients want?
A: The Shophouse2Go! Prototypes project had its beginnings in a row house in which we live no So we wore multiple hats as clients, developers, and architects handling varied roles and responsibilites. But it’s a case study because what we want to develop is a platform catalogue that provides various options for customers. Meanwhile, some of our clients who already own a shophouse or a townhouse can expect to have a better environment because there are so many good choices. We think the quality of being different and diverse is very important. In other words, the clients are not interested in just expanding living spaces in their row houses. They are also interested in the things that improve the quality of life, such as green spaces and communal room shared by all family members. As things stand, we know what the clients want for their homes. And that’s what gives us the inspiration going forward.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
Q: In your opinion, what are the often-overlooked aspects of urban living that you consider important?
A: I believe that a balance between the various aspects of urban living is something that most people either don’t realize or fail to take notice of. There is no denying that life in the city as a whole is far more complex than that spent in any single building. What we need to do is strike the right balance the two worlds notwithstanding the problem of limited space or site constraints. It’s about finding ways to achieve the best result. Stay focused on raising the quality of life in the city. There is more to a home than just a place of residence.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
/ Story: Kangsadan K. / English Version: Bob Pitakwong /
/ Photographs: Living ASEAN team /
A tight budget coupled with the problem of limited space in the heart of Bangkok’s downtown is a challenge that tests the architect’s abilities to overcome site constraints. In this particular case, it’s the renovation of an old three-story shophouse as a modern living space that’s done in accordance with city ordinances. More so than anything else, it’s a home tailored to the lifestyle needs of its occupants and improvements in living conditions. Thanks to well-thought-out strategies on the part of DRFJ (Design & Research by Fusinpaiboon & Jang), a model for home renovation projects was created. It can be used as an example for the general public to follow.
To begin with, the shophouse with three floors was a narrow lot place lacking light, fresh air and ventilation. The design team at DRFJ decided to apply the concept of “simple and more” to create a contemporary living space that’s within the law, more time efficient, and involving a relatively small cost. The secret to success lies in making the least amount of change to the existing building plan. They include wall openings, plus pillars and beams used as a support for the building. In this instance, the building plan is made up of three sections, each of which is four meters long.
There are stairs giving access to the upper floors, while the façade with external devices provide solar shading and ventilation. Taking everything into account, it’s quite a departure from the usual in terms of appearance. The result is an old home beautifully renovated to banish stuffy rooms by bringing fresh air and sunshine into the interior. Plus, there’s the overall vintage appeal in building materials that promotes originality and style. Most importantly, it’s a peaceful place of abode right in the middle of a big city. It provides a showcase of ideas for the general public to follow.
Despite the small area, the purposes of structures and spaces are clearly defined. The first floor has enough room for a carport well-lit and well-ventilated by wall openings at the front and the rear of the house adorned with greenery. Go further inside, and you come to a flight of terrazzo stairs giving access to the home office on the second floor. The low headroom is nicely compensated for by walls painted a cool-toned white that’s easy on the eye.
The first floor holds a carport that’s well-lit thanks to an exposed ceiling, while an opening at the rear provides controlled natural ventilation to the home. The space can be updated for a future business undertaking.
A small green space breathes new life into an area at the back of the house. It’s made by taking out an add-on unit of construction and replacing it with plants.
A view from below shows wall openings at the rear of the house designed to admit natural daylight and banish stuffy rooms.
The beauty and functionality. Old wooden stairs are replaced by ones made of steel. The staircase without risers makes the hallway feel light and airy.
The workspace itself is illuminated by natural daylight shining in through balcony windows. As to be expected, the bedroom is tucked away on the third floor that’s more private and quiet, thanks to a double wall system glazed using clear glass that opens to a balcony. Proceed to rooftop deck which holds a sitting room adorned with greenery. The sitting room itself is roofed over with Sandwich Roof Panels, a lightweight material known for good heat insulation. Inside, a floating furniture layout makes it easy for future updates. Step outside, and you discover a small sky garden hemmed in by walls that have since been given a fresh coat of paint for easy cleaning.
The workspace on the second floor is neat and uncluttered with just the right amount of furniture.
The bedroom on the third floor is protected from heat and noise by a double wall system glazed using clear glass.
The bathroom is well-lit by natural daylight, thanks to an array of awning windows glazed using frosted glass, while the walls are painted white to increase light and space.
Simply put, it’s the story of a home improvement done right, one made light, airy and comfortable by careful planning in spite of the problem of limited space and a tight budget. Furthermore, because it’s a shophouse converted into a home, there’s without doubt a look that imitates the style of the previous era, yet it blends beautifully into the community. From DRFJ’s points of view, it’s the prototype of a home from which other design can be developed, a preliminary model that’s open to the general public.
Panes of glass fixed at an angle projecting outward from the main wall bear some resemblance to the beautiful bay window.
A small green space on the rooftop deck provides many benefits. Hemmed in by breeze block walls, it’s a relaxing space with a view of the cityscape.
Join us for insights on creating urban homes that maximize quality of life. The room Books X Living ASEAN Design Talk 2024 on the theme of “(Re)Thinking inside the Box: Vol. 1 Living in Small Urban Spaces” is a discussion event in English focusing on urban living opportunities and design challenges that need to be resolved. It’s aimed at creating an awareness and knowledge among the general public about the importance of design in residential development within the context of city life across Southeast Asia.
The discussion will be in English. It’s open to everyone who is interested. There is no admission fee. Seats are limited. Please preregister at https://cooll.ink/DesigntalkLA/
Looking forward to seeing you all at Hall MR 214-216, Second Floor, BITEC Bang Na on August 4, 2024 from 1300 to 1530 hours. It’s happening as part of the Baan Lae Suan Fair Midyear 2024.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya June /
Studio Miti is founded by Prakit Kanha and Padirmkiat Sukkan, two architects who have been friends since college. They attended the same school of architecture at a university. Since 2010 the architectural firm has won acclaim for its expertise in materials science skills and ability to integrate knowledge of design with the circumstances that form the setting of worksite surroundings. Having earned many architectural design awards over the years, Studio Miti is clearly living up to his name.
The story of Studio Miti had its beginnings at a workbench inside a rented room that doubled as their humble abode. As the amounts of work increased, the pair thought it wise to move into a decent workplace. They moved several times to different places, among them a rental space on the ground floor of an apartment block that, albeit small, became their first design studio.
The turning point in their career as architects came as the company grew and grew to the point they decided to move again, this time to a permanent home with a brick façade showcasing materials that speak volumes about their ideals and corporate identity.
Studio Miti’s new office showcases the building’s principal face capable of staying open and shut as needed as one of its main design features.
For almost 15 years, Studio Miti has kept firmly to its guiding principle in design, one that combines knowledge of design with an understanding of the context that forms the setting of a place, plus the ability to research the structure and properties of materials used in construction.
In the fewest possible words, it’s about knowing what the materials are made of and how they can be used so as to achieve the best results and aesthetic appeal. Equally important is the ability to create design that’s conducive to improving the quality of life plus charm, good looks that inspire.
The company’s unflinching determination to stand by its design principle and beliefs is reflected in the looks of its new office set amidst the bustle of the Lad Phrao Soi 71 neighborhood in Bangkok where it moved into in 2024.
It’s an old townhouse that has since been lovingly restored as an office. It showcases the front façade covered in lightweight concrete blocks in dark gray that conveys a great deal about Studio Miti’s ideals and in-depth visions guiding its actions.
We have the pleasure of meeting with Padirmkiat Sukkan, co-founder of Sudio Miti, and getting to know more about the company’s design concept, plus taking a tour inside their new office. Join us in discovering the secrets behind the building façade crafted of gray concrete blocks, plus the design concept and beliefs that have put Studio Miti in a class in itself.
Q: Tell us about your journey, design principles and beliefs that guide your actions.
A: “As you know, Studio Miti has moved office several times over the years. Every time we moved, we did some experiments on the materials that we used. We tried to weigh the work we did to determine its essential quality. We believe in using real materials. By that is mean that we use pure materials in their original visual shape, color and texture without over embellishments.”
Flashback: Studio Miti’s old office building showcases brick façade ideas in every direction.Despite its solid brick exteriors, Studio Miti’s old office building feels open and airy, thanks to skylight systems that turn the interior into a well-lighted place.Enclosed workspace inside Studio Miti’s old office provides freedom from external disturbances, making it easy to stay focused during the work day. Plus, it’s adequately lit by overhead skylight systems.
“At our current location, we used mostly bricks as the material of choice. We experimented on brick constructioon as well as bricks and steel. This time, we tried using lightweight concrete blocks as the main material instead.
“In fact, we found it by chance at a worksite. We were using the product and, out of the blue, it broke at the seams at the midpoint. We discovered a curving contour inside it.
“It looked interesting when touched by light. So we took it apart and looked inside it. The effect was good by a touch of light. I thought we could build the entire building facade using this material. And we did. The same applied for other parts of the building, too.”
“We implemented this project, renovating an old townhouse built some 30 to 40 years ago. There were site limitations that we had to deal with. The external envelope was opaque, being built entirely of brickwork. It came with one restriction; a complete teardown was not permitted.
“So we created a building façade that’s capable of being open and shut as needed so as to control the amounts of natural daylight shining into the interior, thereby making it easy to stay focused during the work day.”
“Actually, we are interested in the design process. We look for ways, by which the tools that we use in designing diagrams can also be applicable or relevant to the materials being used as well.
“Oftentimes we put the materials to the test ourselves. It gives us confidence in doing designs, plus the benefits that come from touching it and getting the feel of the materials. It’s an important approach that we use.”
Q: What’s your thought on using real materials and creating Tropical design?
A: “On real materials and Tropical design, I regard the two concerns as being part of one cohesive whole.
“In a warm and humid climate like ours, first, I say we have to understand and be able to use the sun and the winds prevailing in the region to our benefit. It’s very basic to begin with. If we have the opportunity and the owner agrees and likes what we do, then we can develop the materials that we need together.
“And when it comes to using pure materials, I feel they are beautiful without being over embellished. We just need to find out how design can be used to make them look beautiful with little or no modification. To us, understanding the materials and how to them is of the utmost important.”
A meeting room-cum-recreation space on the ground floor feels bright and breezy, plus it’s easily modified to respond quickly to changing needs and activities.A meeting room for receiving clients is glazed using clear glass to admit natural daylight into the interior.
“Speaking of knowledge of a Tropical climate, I feel it’s a must-have for architects. Thai architects, especially, must have a good understanding of sunlight, the heat, humidity and the cold. They are the basics. To create designs, knowing all the basics takes priority over any other matter.
“But more than anything else, me have to make sure the kind of architecture that we create represents the owner. If not, at least it must speak volumes about the place, about the site and the context that forms the setting around it.”
Q: Help me understand some of the work you did in the past? A few examples, perhaps?
A: “To show you some of our past achievements and the results of our experiments, I say we used bricks. Bricks were the material that we used often. As for wood, we used that often, too. We used brickwork mixed with wood in the construction of Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai Province. It’s a hybrid of brick and timber.”
Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai, Thailand’s northernmost province. / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio Miti
“If I may show you a project built entirely of bricks, or brickwork mixed with steel, it’s the “High Brick House” or “Baan Look Moo”.
High Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio Miti
“In fact, we’re working on another one, too. I believe bricks release the heat faster. We’re working on a house project called “Baan Yoo Yen”. It’s built entirely of bricks. The wind blows through it, keeping the interiors nice and coo. It benefits from traditional beliefs about Tropical design. By creating indoor thermal comfort, we can rely less on air conditioning.”
Baan Yoo Yen / Courtesy of Studio MitiBaan Yoo Yen / Courtesy of Studio Miti
“Every piece of work has its distinct character. It’s a quality of being aesthetically pleasing that lies deeper than traditional beliefs per se, even deeper than knowledge of a Tropical climate. I’m referring to an understanding of human nature, and knowledge about the circumstances around a worksite. They are the mystery we’re trying to unravel, leading to further development.”
Q: Tell us about the Goal of Studio Miti, or the object of your ambition.
A: “As for the goal of Studio Mini in ten years from now, I want to provide an idea foundation for younger members on the team today. I believe we have the capacity to develop further.
“There’s still a lot to learn. There’s more to it than design in and of itself. It may involve understanding the context that forms the setting of a place, be it socially or economically. There are lessons to learn going forward. The transmission of knowhow from us to younger members on the team is important. We want to provide the tool they can take with them.”
High ceilinged workspace inside Studio Miti’s new office is well-lit by natural daylight. Among others, the redesigned building facade can open and shut as needed to provide privacy and freedom from external disturbances, making it easy to stay focused on the task at hand.
“If I get lucky, we will move forward together. If I get luckier, they may move on to their future undertakings, where they continue to grow in their line of work. But everyone must have the basic knowledge to begin with, knowledge about the climate prevailing in Thailand, knowledge about the context that forms the setting of a place.
“It’s something that’s more than meets the eye. That’s the basics that will help them grow and mature and, at the same time, give us the old guards at Studio Miti the impetus to grow and develop as well.”
“I believe the future of our office isn’t up to me alone. Rather, it comes from younger members on the team who must understand this, and work together toward a common goal.”
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