Every name tells a story. Here’s a modern home on Pattanakarn Road that impresses with beautiful architecture and a love of open spaces. Named “1+1=1 House”, it’s the pride and joy of a multigenerational family. Three generations, including grandma and grandpa, mom and dad, and their children under the age of adulthood, live together in one household. The house has 650 square meters of usable space with enough personal room for everyone to live comfortably, not to mention common areas and amenities that are integral components of modern living.
Designed by Poonsook Architects Co, Ltd, a Bangkok-based architectural firm, the house comprises three main functional spaces, namely, the living area for mom and dad and their children, the living area for grandma and grandpa, and shared spaces arranged in the shape of the letter C.
The exterior walls are positioned to face the north, south and west directions so as to protect a central courtyard filled with greenery and a paved outdoor area for relaxation. Together they go to work shielding the interior from the summer sun, balancing temperature and enhancing home comfort.
A courtyard that’s the center of the C-shaped house plan creates a family-friendly outdoor living space in the backyard.
The C-shaped floor plan creates a tranquil retreat enclosed by the walls of the house that keep it in shade for much of the day. The result is an outdoor oasis that’s comfortable and pleasant.
There are two sets of stairs located on either side of the living room. They give access to the upstairs bedrooms belonging to grandma and grandpa, mom and dad, and the children, plus a workroom close by. The downstairs common area is clearly defined. There’s a carport conveniently connected to the house entrance.
The first floor boasts an open-concept design with features for living and dining in a single, uninterrupted space. To the side, large sliding glass doors can be stowed away neatly, allowing fresh air into the spacious living room.
Walk in the door, and you see a courtyard landscape with a level paved area that makes the home feel warm and welcoming. There’s a shade tree that provides a focal point in the yard and doubles as a privacy screen for the sitting room upstairs.
The downstairs dining room lies under a higher-than-normal ceiling, 5 meters tall to be exact. As would be expected, it makes the interior living space feel spacious, bright and airy. There are large, east-facing folding doors that open to connect with the veranda and a courtyard garden nearby. It’s everybody’s favorite hangout, a place for the family to get together and shoot the breeze.
The living room enclosed by glass walls has a modern sofa set in a creamy white that goes together well with wood furniture, creating a calm environment for elderly parents.
Taking everything into account, the ground floor boasts a beautiful open floor plan. There’s a sitting room with a pantry and dining area close by. Large sliding doors glazed using clear glass open onto the central courtyard, creating a visible impression that makes the room feel longer, wider and well-ventilated.
The courtyard is accessible via floor-to-ceiling glazed doors located to the side.
Grandma and grandpa’s private sitting room is connected to the kitchen area. The nearness in space to the central courtyard provides physical ease and relaxation in their sitting room. From here, a flight of stairs gives access to green spaces on the second floor that also contains their bedroom and a multipurpose area nearby.
The corridor leading to bedrooms on the second floor is enclosed by a glazed façade overlooking a lush courtyard garden.
By design, it’s a modern home that fulfills the needs of an extended family, one that provides enough private space plus a communal area shared by everyone. Among other things, the dining room is dedicated to foster social interaction and strengthen a bond of understanding in the family. It’s rare to find a multigenerational home these days when the nuclear family gradually becomes the norm.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Anupong Chaisukkasem, Phumpakorn Na Bangchang /
How would you like your coffee? Black or with cream? Welcome to Rimkhobfa Bookstore & Black and Milk Café, a stand-alone store and coffee shop snugly cocooned in a cozy neighborhood of Bangkok’s Bang Plat District. The name is a bit of a mouthful, but you get the idea. The cybercafé is thoughtfully devised to ignite the love of literacy and open new horizons among younger fans of books.
Aptly named “Rimkhobfa”, literally translated “horizons”, it’s home to a bewildering array of books about Thailand and classics that every bookworm should read. Originally located on Rajadamnoen Avenue, the store only recently moved across the Chao Phraya River to a new address in Bang Phlat District. And that’s where the design team at BodinChapa Architects came in play, transforming an old building that had fallen into disrepair into a new bookstore-cum-café rendezvous. There’s charm and the power of storytelling that captivates a thirst for knowledge. Plus, fresh brewed coffee smells like heaven and the atmosphere is pleasant.
The building that formerly housed offices is located on Charansanitwong Road, a main thoroughfare on the west bank of the Chao Phraya. There was a problem when an overpass was built nearby, making the structure less visible while the interior became dark, poorly lit by dim light. To breathe new life into the old building and make the dark rooms brighter, the architects added openings in the wall and painted the interior a light and airy color. Meanwhile, an open concept layout provides ample space for a café that’s part and parcel of the bookstore.
The first floor plan offers equal amounts of space for the café and the bookstore. / Courtesy of BodinChapa ArchitectsDrawings illustrate spatial arrangements on the second and third floor plans. The interior is made light and airy by taking away the ceiling and creating a void of space in the second floor. / Courtesy of BodinChapa ArchitectsA vantage point affords a view of areas on the first and second floors.Stair railings provide visual transitions enhancing the flow of interior space that culminates in a massive wall called the “Tower”. In all places, the interior abounds with custom built-in shelves for storing books and product displays.
In renovating the old building, the architects had a part of the second floor removed to create a double height ceiling, resulting in a visually striking interior on the ground floor. After that the bookstore and café spaces were put in, each occupying roughly equal amounts of floor area.
Climb a flight of stairs, and you come to the second floor with plenty of space for organizing events and seminars. The low ceiling that was there originally is gone now. The room is cozy and comfortable thanks to a double height space. It also has abundant space for bookshelves. The third floor holds a conference room with large windows overlooking the second floor.
A product display paired with restaurant furniture in various styles creates a good bookstore café experience.Low ceilings that were there originally have since been removed to add headroom to the retail space on the first floor. Plus, it makes the small area nice and tidy by hiding utility systems.
The first floor comprises two parts, the first being a bookstore and the second holding a small café. There’s a coffee bar up front for greeting customers arriving in the store. Go further inside, and you come to an area filled with bookshelves alternating with coffee shop seating. From here the aisle leads to a collection of books beautifully arranged for public viewing.
On the whole, the interior abounds with bookshelves and library furniture starting from the café zone all the way to the stairway giving access to the second floor. Together they provide the perfect ambience for coffee aficionados and book lovers.
There’s more. Filling the interior space with style is a massive wall called the “Tower” that rises from the bottom to the top of the building. It’s an element of design dividing the interior space into parts, meanwhile doubling as the focal point drawing customers to other attractions on the second floor. Plus, it’s thoughtfully devised to provide the visual connection linking the cashier zone with the stairway nearby.
The decoration of the “Tower” keeps firmly to the original Rimkhobfa bookstore concept, whereby the gradual change of color symbolizes the horizon.
Overall, the furnishing and decoration of the interior keeps firmly to the original “Rimkhobfa” bookstore concept, whereby an image of the horizon is represented by a wall of fired clay bricks that change colors from dark at the bottom to light at the top. At the same time, indoor lights and a quadrangular opening at the top of the Tower go to work alongside each other to create a clean, well-lighted place perfect for reading and displays of books.
The second floor is well-lit and filled with shelves on which books are stored. It’s illuminated by natural daylight shining in through an array of tall windows. To protect the interior from the sun, the windows are dressed with light filtering shades. Flex space ideas help create multipurpose rooms for meetings and other events.
Low profile shelving units can be stowed away in the back room when not required, while high profile ones are used to store books and display products. They are placed against the wall with spaces in between to avoid enclosed spaces that could be signs of claustrophobia. This makes it easy to browse around the bookstore, find a quiet place to sit and enjoy a good read.
A flexible space for seminars and events has low profile shelving units that can be stowed away when not required.
Slightly tucked away from the main, noisy thoroughfare, the bookstore café makes the most effective use of natural materials to attract passers-by. Like so, the raw brick façade in shades of orange performs dual functions; structural and aesthetic. Nearby, a small signboard displaying the business name and logo directs customers to the store.
The floor is covered with tiles in shades of dark gray alternating with orange hue with brownish tints. To make the building more visible from the street, the front façade protrudes slightly from the wall while light-colored wood paneling slants up to the window sills adding instant curb appeal.
Fired clay tiles in shades of orange contrast with a gray stone wall displaying the business name. Together they add instant curb appeal to the bookstore café.
The atmosphere inside and outside the bookstore café is pleasant thanks to the use of eco-friendly materials in all places. Needless to say, it’s design that respects nature and the importance of art and culture in our lives. The materials and color shades remind a crowd of onlookers of the humble origins of man. Together they create stunning color combinations blending with the circumstances that form the setting of the neighborhood.
The second floor contains bookshelves alternating with reading nook furniture.
As print media struggle to survive in the age of technology, Rimkhobfa Bookstore manages to stand its ground in the fight by incorporating Black and Milk Café in its business plan. The result is a forward-looking bookstore café that answers the lifestyle needs of the new generations. By design, it’s a flexible business space capable of performing many functions. It’s the story of a renovation done right, one that transforms an old building in need of repairs into an oasis of calm for book and coffee lovers. Swing by the café next time you’re in town.
No place personifies the timeless beauty of Bangkok’s old town like dusitD2 Samyan, a destination hotel where stylishly fashionable design seamlessly mixes with urban lifestyles.
A vista of Bangkok’s landscape as seen from inside a DusitD2 hotel room.
As the name suggests, dusitD2 Samyan is a member of the D2 hotel chain. It nestles comfortably on Si Phraya Road, a longtime economic hub renowned for busy movement and modern architecture. Taken as a whole, there’s a feeling of excitement and pleasure that comes with urban conveniences. dusitD2 Samyan no doubt is a beautiful work of contemporary hotel design, one that helps to rejuvenate a city neighborhood without sacrificing the value of Thailand’s arts and culture.
The hotel lobby space decorated in contemporary style tells the story of Bangkok’s Si Phraya Road neighborhood now and then.
First things first, let us show you around high-rise hotel rooms offering a vibrant panorama of Bangkok. The overall effect is impressive, thanks to a perfect blend of convenience and comfort plus the furnishing and decoration that tells the story of the Si Phraya neighborhood now and then.
The area’s reputation as one of Thailand’s jewelry trade centers is manifested in the interior design inspired by beautifully crafted personal ornaments, such as jewels and precious metals. Among other things, decorative throw pillows and headboards are covered in textile fabrics showcasing precious stone patterns in a variety of shapes and colors.
The furnishing and decoration of hotel rooms gets its inspiration from personal ornaments, such as precious stones and metals that have made the Si Phraya Road neighborhood famous as one of Thailand’s jewelry trade centers.Hotel room décor brings about a good impression of the Si Phraya Road neighborhood renowned for its reputation as one of Thailand’s jewelry trade centers.A throw pillow showcasing an image of precious stone patterns tells the story of Si Phraya as one of Thailand’s jewelry trade centers.
dusitD2 Samyan has two areas for common use that non-guests can access. The 16th floor contains the Bedidas – Pool Bar, where the tasty, distinctive Mexican cuisine is served. Be spoilt for choice when it comes to drinks and refreshments. And if you swing by in the late afternoon, go to Mimi’s Bar on the 25th floor. It’s a good place to watch the sun set behind cloudy skies or simply take in the panoramic view. While up there, take your time to explore amazing interior design, relax and unwind in the comforting glow of sunlight as the night falls.
The 16th floor holds the Bedidas – Pool Bar with a view of downtown Bangkok.A vibrant space with vivid colors, Mimi’s Bar on the 25th floor affords nearly 360-degree views of the cityscape.Seen from Mimi’s Bar on the 25th floor, Bangkok’s urban skyline is aglow as the night falls.
It comes as no surprise that dusitD2 Samyan has become a popular destination on Si Phraya Road for both locals and foreign visitors. Living among the hustle and bustle of the city has its advantages. Located in the city center, DusitD2 Samyan is very pleasant and easy to get to, not to mention the hotel’s interior design that evokes admiration. Precisely, it’s these qualities of urban places that earn Bangkok a reputation as one of the world’s most admired cities.
Chatpong Chuenrudeemol, of CHAT Architects, Thailand, is an architect and researcher renowned for what he called “Bangkok Bastards”, a project that investigated unsightly urban areas, such as construction site camps, inner-city slums and retail stalls abandoned and reclaimed by nature. Rethinking them from a new perspective, he was able to restore them to life in an interesting way.
Outstanding products of “Bangkok Bastards” included the Samsen Street Hotel, a downtown lodging inspired by scaffolding wooden planks and metal poles on the outside of a building. Together they gave rise to exciting new design bearing some resemblance to the raised platforms attached to a building during construction.
Samsen Street Hotel / Courtesy of CHAT ArchitectsSamsen Street Hotel / Courtesy of CHAT Architects
In a way, the Samsen Street Hotel is a revelation of previously unseen aspects of building design, a conceptualization that culminates in a thorough change in the form, character and experience in a very open and visible way. Taken as a whole, it’s a piece of architecture designed to promote social interactions, a community hub for hosting events and spaces for people to meet in the Samsen Street neighborhood. That’s not all. He also has other projects in the making, basically focusing on reuse and rethink as ways to create places of higher quality than he found it.
Angsila Oyster Scaffolding Pavilion / Courtesy of CHAT ArchitectsAngsila Oyster Scaffolding Pavilion / Courtesy of CHAT Architects
A little bit about Chatpong Chuenrudeemol
Chatpong is founder of CHAT Architects and winner of the 2020 Silapathorn Award in Architecture.
After completing his master’s degree at Harvard University’s School of Architecture, Chatpong returned to Thailand where he set up a business called CHAT Architects. He was very interested in architectural styles that reflected the true values, experience and the way of life of ordinary people. His research in urban planning and development was inspired by a feeling of wanting to know more about happenings in the street. They included events in the community, construction site camps and deserted retail stalls, to name but a few. Their untidy outward appearances belied the quality of being honest and truthful to others.
Like everything else, the buildings built by non-architects based on local needs and available materials deserved a second chance. So, it’s up to the architect to rethink them from a different point of view and put them to good use once more. After all, there is value in everything.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
/ Story: Kangsadan K. / English version: Bob Pitakwong /
/ Photographs: Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang /
The commercial row house, aka the shophouse that’s also used as the owner’s residence, is an architectural style akin to the way of life in Southeast Asia. It’s a small component of the larger, more complex urban landscape, a home-cum-business space more important than anyone could have ever imagined. Living ASEAN had the opportunity of interviewing Dr. Hyunju Jang, of the Faculty of Architecture at Chulalongkorn University and cofounder of the design studio DRFJ (Design & Research by Fusinpaiboon & Jang). Asst. Prof. Chomchon Fusinpaiboon, Ph.D, also of Chulalonkorn University, is the joint founder. We discussed the shophouse from historical perspectives, in the meantime examining its subsequent evolution, building performance and factors that contribute to improved quality of life in the city.
The design duo is best known for their project codenamed “Shophouse2Go! Prototypes”, a collection of row house improvement ideas that members of the general public can follow as a model. Dr. Hyunju shared her thoughts and suggestions about a possible of course of action in dealing with the problem of limited space and site constraints. Ultimately, it’s about creating quality living spaces and improvements in the well-being of city dwellers. Here’s what she said.
We recently had the opportunity of interviewing Dr. Hyunju in the lead-up to the Design Talk titled (Re)Thinking inside the Box, Vol. 1 Living in Small Urban Spaces. Conducted in English, the discussion was scheduled for Sunday August 4, 2024. It was a part of the Baan Lae Suan Fair Midyear 2024 at BITEC Bang Na, Bangkok. In essence, it’s about raising public awareness about the problem of limited space in the city and the importance of well-thought-out design in overcoming site constraints, especially in the context of the type of climate most common in Southeast Asia. The following are some insights into her work experience.
Q: What inspired you to set up the design studio? What’s the goal of DRFJ?
A: Prof. Chomchon and I shared the knowledge that we have gained through work experience in architecture. But our technical expertise differed from each other. Prof. Chomchon was skilled in researching into the historical aspects and evolution of contemporary architecture, while I started out working with a green building consulting firm specialized in big development projects requiring large investments. We got to talking about the importance of architecture in people’s lives, which culminated in research into architectural styles closely related to the pattern of behavior of many city dwellers. We started exchanging information and, to make a long story short, we ended up creating the design studio DRFJ with one specific goal in mind: use our skills and knowledge in conjunction with other sciences to improve the quality of living spaces in ways that the general public can follow as a model. At the same time, we respect the historical values and culture prevailing in a particular area or neighborhood.
Q: How does the project or research conducted by DRFJ contribute to improving living conditions in the city?
A: Our office, from the start, has made the shophouse a focus of our attention. Prof. Chomchon published the findings of his research into the improvement of commercial row houses built during the 1960’s and 1970’s. For your reference, the work is officially called “Strategies for the renovation of old shophouses built during the 1960’s and 1970’s in Bangkok, Thailand, for mass adoption and application.” Since then it has been further developed as a model for home improvements that the general public can follow. Apart from that, we’re also working to provide alternative living space designs, making them right and appropriate for different types of the shophouse.
As part of our research, we put a variety of designs to the test, thereby evaluating the convenience and physical comfort that each one of them could provide for the occupants of a building. The thing is that many green building design requirements that I have dealt with are formulated for large buildings by international organizations lacking deep understanding of Thailand’s climates and cultural context. So we’re searching out the best ways to customize international requirements to better fit the small-scale and everyday kind of architecture in the context of Thailand. Our prototype was the result of this testing. It’s a catalogue of works of design intended for customers to pick based on an individual’s preferences. In a nutshell, it’s about making high quality design available at the price that’s right.
Q: In terms of different climates between Thailand and Korea, is there anything of particular interest to you?
A: What I felt the most difficult when I started working in Thailand was that there were no room heaters. Most offices and commercial buildings focused on ways to keep cool in hot weather and reduce the cost of air conditioning at the same time. In Korea, it’s the opposite. Because it was cold there, all the design decisions were made to keep warm and, at the same time, reduce the cost of operating room heaters. For me personally, a design strategy is considered effective if it’s capable of reducing heat gain in the interior, thereby keeping the room cool and comfortable.
Speaking of which, the crux of the matter lies in creating energy efficient design, one that keeps a balance between power consumption and the amounts of daylight streaming into the room. Daylight conditions are of the utmost importance. As for me, I would seek the advice of a consulting engineer in a bid to turn a challenge into a solution.
Daylight analyses of a shophouse interior at different times of day illustrate the amounts and distribution of natural light entering and spreading over an area of a home in a Sukhumvit area prior to undergoing a renovation. / Courtesy of DRFJ – Design & Research by Fusinpaiboon & Jang
Q: For the most part, what are the things that most DRFJ clients want?
A: The Shophouse2Go! Prototypes project had its beginnings in a row house in which we live no So we wore multiple hats as clients, developers, and architects handling varied roles and responsibilites. But it’s a case study because what we want to develop is a platform catalogue that provides various options for customers. Meanwhile, some of our clients who already own a shophouse or a townhouse can expect to have a better environment because there are so many good choices. We think the quality of being different and diverse is very important. In other words, the clients are not interested in just expanding living spaces in their row houses. They are also interested in the things that improve the quality of life, such as green spaces and communal room shared by all family members. As things stand, we know what the clients want for their homes. And that’s what gives us the inspiration going forward.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
A glimpse into a home renovation that’s part of the Shophouse2Go! Prototypes project by DRFJ – Design & Research by Fusinpaiboon & Jang.
Q: In your opinion, what are the often-overlooked aspects of urban living that you consider important?
A: I believe that a balance between the various aspects of urban living is something that most people either don’t realize or fail to take notice of. There is no denying that life in the city as a whole is far more complex than that spent in any single building. What we need to do is strike the right balance the two worlds notwithstanding the problem of limited space or site constraints. It’s about finding ways to achieve the best result. Stay focused on raising the quality of life in the city. There is more to a home than just a place of residence.
(Re)Thinking inside the Box is a series of discussion events focusing on the issues abovementioned. It’s all a matter of perspective about what can be done to address the problem of limited living space in the city. It’s a forum for people to explore new possibilities and look at the problem from within, thereby turning a challenge into a solution. Hence, the title is (Re)Thinking inside the Box, as an alternative to outside-the-box thinking.
As part of the room X Living ASEAN Design Talk 2024, (RE)Thinking inside the Box Vol. 1 is on the theme of “Living in Small Urban Spaces”. Here, expert guest speakers will discuss ways to create small living spaces and enhance the quality of life, at the same time shedding light on site constraints, challenges, and possibilities for building decent homes in urban areas. In the fewest possible words, it’s about promoting good life and a good living environment.
/ Story: Kangsadan K. / English Version: Bob Pitakwong /
/ Photographs: Living ASEAN team /
A tight budget coupled with the problem of limited space in the heart of Bangkok’s downtown is a challenge that tests the architect’s abilities to overcome site constraints. In this particular case, it’s the renovation of an old three-story shophouse as a modern living space that’s done in accordance with city ordinances. More so than anything else, it’s a home tailored to the lifestyle needs of its occupants and improvements in living conditions. Thanks to well-thought-out strategies on the part of DRFJ (Design & Research by Fusinpaiboon & Jang), a model for home renovation projects was created. It can be used as an example for the general public to follow.
To begin with, the shophouse with three floors was a narrow lot place lacking light, fresh air and ventilation. The design team at DRFJ decided to apply the concept of “simple and more” to create a contemporary living space that’s within the law, more time efficient, and involving a relatively small cost. The secret to success lies in making the least amount of change to the existing building plan. They include wall openings, plus pillars and beams used as a support for the building. In this instance, the building plan is made up of three sections, each of which is four meters long.
There are stairs giving access to the upper floors, while the façade with external devices provide solar shading and ventilation. Taking everything into account, it’s quite a departure from the usual in terms of appearance. The result is an old home beautifully renovated to banish stuffy rooms by bringing fresh air and sunshine into the interior. Plus, there’s the overall vintage appeal in building materials that promotes originality and style. Most importantly, it’s a peaceful place of abode right in the middle of a big city. It provides a showcase of ideas for the general public to follow.
Despite the small area, the purposes of structures and spaces are clearly defined. The first floor has enough room for a carport well-lit and well-ventilated by wall openings at the front and the rear of the house adorned with greenery. Go further inside, and you come to a flight of terrazzo stairs giving access to the home office on the second floor. The low headroom is nicely compensated for by walls painted a cool-toned white that’s easy on the eye.
The first floor holds a carport that’s well-lit thanks to an exposed ceiling, while an opening at the rear provides controlled natural ventilation to the home. The space can be updated for a future business undertaking.
A small green space breathes new life into an area at the back of the house. It’s made by taking out an add-on unit of construction and replacing it with plants.
A view from below shows wall openings at the rear of the house designed to admit natural daylight and banish stuffy rooms.
The beauty and functionality. Old wooden stairs are replaced by ones made of steel. The staircase without risers makes the hallway feel light and airy.
The workspace itself is illuminated by natural daylight shining in through balcony windows. As to be expected, the bedroom is tucked away on the third floor that’s more private and quiet, thanks to a double wall system glazed using clear glass that opens to a balcony. Proceed to rooftop deck which holds a sitting room adorned with greenery. The sitting room itself is roofed over with Sandwich Roof Panels, a lightweight material known for good heat insulation. Inside, a floating furniture layout makes it easy for future updates. Step outside, and you discover a small sky garden hemmed in by walls that have since been given a fresh coat of paint for easy cleaning.
The workspace on the second floor is neat and uncluttered with just the right amount of furniture.
The bedroom on the third floor is protected from heat and noise by a double wall system glazed using clear glass.
The bathroom is well-lit by natural daylight, thanks to an array of awning windows glazed using frosted glass, while the walls are painted white to increase light and space.
Simply put, it’s the story of a home improvement done right, one made light, airy and comfortable by careful planning in spite of the problem of limited space and a tight budget. Furthermore, because it’s a shophouse converted into a home, there’s without doubt a look that imitates the style of the previous era, yet it blends beautifully into the community. From DRFJ’s points of view, it’s the prototype of a home from which other design can be developed, a preliminary model that’s open to the general public.
Panes of glass fixed at an angle projecting outward from the main wall bear some resemblance to the beautiful bay window.
A small green space on the rooftop deck provides many benefits. Hemmed in by breeze block walls, it’s a relaxing space with a view of the cityscape.
Join us for insights on creating urban homes that maximize quality of life. The room Books X Living ASEAN Design Talk 2024 on the theme of “(Re)Thinking inside the Box: Vol. 1 Living in Small Urban Spaces” is a discussion event in English focusing on urban living opportunities and design challenges that need to be resolved. It’s aimed at creating an awareness and knowledge among the general public about the importance of design in residential development within the context of city life across Southeast Asia.
The discussion will be in English. It’s open to everyone who is interested. There is no admission fee. Seats are limited. Please preregister at https://cooll.ink/DesigntalkLA/
Looking forward to seeing you all at Hall MR 214-216, Second Floor, BITEC Bang Na on August 4, 2024 from 1300 to 1530 hours. It’s happening as part of the Baan Lae Suan Fair Midyear 2024.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya June /
Studio Miti is founded by Prakit Kanha and Padirmkiat Sukkan, two architects who have been friends since college. They attended the same school of architecture at a university. Since 2010 the architectural firm has won acclaim for its expertise in materials science skills and ability to integrate knowledge of design with the circumstances that form the setting of worksite surroundings. Having earned many architectural design awards over the years, Studio Miti is clearly living up to his name.
The story of Studio Miti had its beginnings at a workbench inside a rented room that doubled as their humble abode. As the amounts of work increased, the pair thought it wise to move into a decent workplace. They moved several times to different places, among them a rental space on the ground floor of an apartment block that, albeit small, became their first design studio.
The turning point in their career as architects came as the company grew and grew to the point they decided to move again, this time to a permanent home with a brick façade showcasing materials that speak volumes about their ideals and corporate identity.
Studio Miti’s new office showcases the building’s principal face capable of staying open and shut as needed as one of its main design features.
For almost 15 years, Studio Miti has kept firmly to its guiding principle in design, one that combines knowledge of design with an understanding of the context that forms the setting of a place, plus the ability to research the structure and properties of materials used in construction.
In the fewest possible words, it’s about knowing what the materials are made of and how they can be used so as to achieve the best results and aesthetic appeal. Equally important is the ability to create design that’s conducive to improving the quality of life plus charm, good looks that inspire.
The company’s unflinching determination to stand by its design principle and beliefs is reflected in the looks of its new office set amidst the bustle of the Lad Phrao Soi 71 neighborhood in Bangkok where it moved into in 2024.
It’s an old townhouse that has since been lovingly restored as an office. It showcases the front façade covered in lightweight concrete blocks in dark gray that conveys a great deal about Studio Miti’s ideals and in-depth visions guiding its actions.
We have the pleasure of meeting with Padirmkiat Sukkan, co-founder of Sudio Miti, and getting to know more about the company’s design concept, plus taking a tour inside their new office. Join us in discovering the secrets behind the building façade crafted of gray concrete blocks, plus the design concept and beliefs that have put Studio Miti in a class in itself.
Q: Tell us about your journey, design principles and beliefs that guide your actions.
A: “As you know, Studio Miti has moved office several times over the years. Every time we moved, we did some experiments on the materials that we used. We tried to weigh the work we did to determine its essential quality. We believe in using real materials. By that is mean that we use pure materials in their original visual shape, color and texture without over embellishments.”
Flashback: Studio Miti’s old office building showcases brick façade ideas in every direction.Despite its solid brick exteriors, Studio Miti’s old office building feels open and airy, thanks to skylight systems that turn the interior into a well-lighted place.Enclosed workspace inside Studio Miti’s old office provides freedom from external disturbances, making it easy to stay focused during the work day. Plus, it’s adequately lit by overhead skylight systems.
“At our current location, we used mostly bricks as the material of choice. We experimented on brick constructioon as well as bricks and steel. This time, we tried using lightweight concrete blocks as the main material instead.
“In fact, we found it by chance at a worksite. We were using the product and, out of the blue, it broke at the seams at the midpoint. We discovered a curving contour inside it.
“It looked interesting when touched by light. So we took it apart and looked inside it. The effect was good by a touch of light. I thought we could build the entire building facade using this material. And we did. The same applied for other parts of the building, too.”
“We implemented this project, renovating an old townhouse built some 30 to 40 years ago. There were site limitations that we had to deal with. The external envelope was opaque, being built entirely of brickwork. It came with one restriction; a complete teardown was not permitted.
“So we created a building façade that’s capable of being open and shut as needed so as to control the amounts of natural daylight shining into the interior, thereby making it easy to stay focused during the work day.”
“Actually, we are interested in the design process. We look for ways, by which the tools that we use in designing diagrams can also be applicable or relevant to the materials being used as well.
“Oftentimes we put the materials to the test ourselves. It gives us confidence in doing designs, plus the benefits that come from touching it and getting the feel of the materials. It’s an important approach that we use.”
Q: What’s your thought on using real materials and creating Tropical design?
A: “On real materials and Tropical design, I regard the two concerns as being part of one cohesive whole.
“In a warm and humid climate like ours, first, I say we have to understand and be able to use the sun and the winds prevailing in the region to our benefit. It’s very basic to begin with. If we have the opportunity and the owner agrees and likes what we do, then we can develop the materials that we need together.
“And when it comes to using pure materials, I feel they are beautiful without being over embellished. We just need to find out how design can be used to make them look beautiful with little or no modification. To us, understanding the materials and how to them is of the utmost important.”
A meeting room-cum-recreation space on the ground floor feels bright and breezy, plus it’s easily modified to respond quickly to changing needs and activities.A meeting room for receiving clients is glazed using clear glass to admit natural daylight into the interior.
“Speaking of knowledge of a Tropical climate, I feel it’s a must-have for architects. Thai architects, especially, must have a good understanding of sunlight, the heat, humidity and the cold. They are the basics. To create designs, knowing all the basics takes priority over any other matter.
“But more than anything else, me have to make sure the kind of architecture that we create represents the owner. If not, at least it must speak volumes about the place, about the site and the context that forms the setting around it.”
Q: Help me understand some of the work you did in the past? A few examples, perhaps?
A: “To show you some of our past achievements and the results of our experiments, I say we used bricks. Bricks were the material that we used often. As for wood, we used that often, too. We used brickwork mixed with wood in the construction of Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai Province. It’s a hybrid of brick and timber.”
Athita the Hidden Court Chiang Saen, a boutique hotel in Chiang Saen District of Chiang Rai, Thailand’s northernmost province. / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio MitiAthita the Hidden Court Chiang Saen / Courtesy of Studio Miti
“If I may show you a project built entirely of bricks, or brickwork mixed with steel, it’s the “High Brick House” or “Baan Look Moo”.
High Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio MitiHigh Brick House / Courtesy of Studio Miti
“In fact, we’re working on another one, too. I believe bricks release the heat faster. We’re working on a house project called “Baan Yoo Yen”. It’s built entirely of bricks. The wind blows through it, keeping the interiors nice and coo. It benefits from traditional beliefs about Tropical design. By creating indoor thermal comfort, we can rely less on air conditioning.”
Baan Yoo Yen / Courtesy of Studio MitiBaan Yoo Yen / Courtesy of Studio Miti
“Every piece of work has its distinct character. It’s a quality of being aesthetically pleasing that lies deeper than traditional beliefs per se, even deeper than knowledge of a Tropical climate. I’m referring to an understanding of human nature, and knowledge about the circumstances around a worksite. They are the mystery we’re trying to unravel, leading to further development.”
Q: Tell us about the Goal of Studio Miti, or the object of your ambition.
A: “As for the goal of Studio Mini in ten years from now, I want to provide an idea foundation for younger members on the team today. I believe we have the capacity to develop further.
“There’s still a lot to learn. There’s more to it than design in and of itself. It may involve understanding the context that forms the setting of a place, be it socially or economically. There are lessons to learn going forward. The transmission of knowhow from us to younger members on the team is important. We want to provide the tool they can take with them.”
High ceilinged workspace inside Studio Miti’s new office is well-lit by natural daylight. Among others, the redesigned building facade can open and shut as needed to provide privacy and freedom from external disturbances, making it easy to stay focused on the task at hand.
“If I get lucky, we will move forward together. If I get luckier, they may move on to their future undertakings, where they continue to grow in their line of work. But everyone must have the basic knowledge to begin with, knowledge about the climate prevailing in Thailand, knowledge about the context that forms the setting of a place.
“It’s something that’s more than meets the eye. That’s the basics that will help them grow and mature and, at the same time, give us the old guards at Studio Miti the impetus to grow and develop as well.”
“I believe the future of our office isn’t up to me alone. Rather, it comes from younger members on the team who must understand this, and work together toward a common goal.”
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya, Weerawat Sonriang /
It all started with a 30-year-old, three-story townhouse and a company of architects Studio Miti in need of a new home. Like a fortunate stroke of serendipity, they found exactly what they had been searching for, a building with a wide, six-meter frontage abutting the street, an architectural quality attribute that gave it a decided plus.
The new building facade consisting of lightweight concrete blocks in slate gray is built of a framework of iron securely anchored to the original supporting structure of concrete masonry construction. The building’s principal face can open and shut as needed to regulate the amounts of natural daylight and fresh outdoor air streaming into the rooms. More than anything else, it’s design that meets engineering standard requirements and specifications for safety and durability.
Needless to say, it’s hard to find anything like it nowadays. More importantly, it’s located in an easily accessible community area with a variety of amenities, eating places and businesses serving surrounding populations.
Studio Mitimanagement obviously saw the potential of it developing to future success. And that’s what gave them the inspiration going forward. They set off without delay to breathe new life into the old townhouse, transforming it into a modern design atelier that’s the home of the company’s finest 20-strong staff.
Their secrets lay in creating an exciting new external envelope covered with lightweight concrete materials. And the result of all this is a pleasing visual appearance unlike anything out there. Architecturally speaking, it’s an interesting amalgam of color, texture and the perception of shape and size that inspires admiration.
A set of wooden steps rises past a trough where leafy plants grow leading to the reception room on the ground floor.
Ground floor interiors afford comfortable workspaces designed to boost productivity, with communal facilities such as small meeting rooms and client reception areas neatly arranged throughout the building. There’s also a casual dining area with a kitchen and pantry, not to mention recreational spaces with a ping-pong table and quiet nooks to chill out.
Taken as a whole, it’s design that speaks volumes for the company’s operating principles — investing in a conducive work environment so as to reduce stress and improve concentration. Likewise, it makes perfect sense to ensure its design team can stay focused on the task at hand.
The corridor is separated from a meeting room on the ground floor by a folding glass door system, a clever tool that defines boundaries in a way that’s easy to understand.
With the folding glass door system stowed away, the ground floor serving multiple functions as a meeting room, storage room and recreational area instantly transforms into one big open space.
Climb a flight of stairs, and you come to the main meeting room reserved for formal meetings or when work needs total concentration. There’s a customer reception area nearby that makes a great first impression, with facilities for online video conferencing, a dining room and areas used for recreation.
Different from what’s usual is the building façade that can open and shut as needed to regulate the amounts of natural light during the daytime or admit fresh outdoor air into the room in the late afternoon, a clever hack to save big on energy bills.
The stairway leading to workspaces on the upper floors remained where the old, tired looking stairs had been prior to renovation, only slightly altered to give it a look that belongs to the present.
A glass-wall and sliding-door system provides visual continuity from inside the room to the balcony hemmed in by the front façade that can open and shut as needed for privacy, light and fresh air.
Wooden bookshelves of a modular nature are the epitome of imagination and resourcefulness. They stand ready to be taken apart and reassembled elsewhere if needs be.
The third floor holds ample workspaces with a mezzanine just below the high-pitch roof. Together they boast the comfort of a high-ceilinged room made light and airy by design. For lack of a better word, it’s the pride and joy of some 20 staff members working here as a team.
Of all parts of the building, the roof received the most extensive renovation. To get where they wanted to be, the architects had the old roof torn down to make room for a new high-pitch upper covering.
This gave the interiors much more space overhead, more natural light and aesthetic appeal. Plus, new ceilings built flush with the underside of the roof add real character to the room, while the mezzanine provides extra storage space just below the roof.
Third-floor workspaces are light and airy by design, thanks to high ceilings aligned with the underside of a new high-pitch roof. Plus, there’s plenty of ample space providing neat storage solutions on the mezzanine just below the roof.
All things considered, it’s about creating a workspace that bodes well for the good health of all members on the team, while inspiring productivity and job satisfaction. These qualities can only come from having access to a conducive work environment, the ability to stay focused on work and freedom from noise and distractions.
To achieve the desired results, all the workspaces and functional areas are warmly cocooned inside a solid external envelope made of lightweight concrete materials. Yet they feel connected to the elements of nature, thanks in part to large openings in the front façade that let natural light and fresh air stream into the rooms on the second and third floors.
An opening in the mezzanine reinforced by a steel I-beam system provides visual continuity from above and below.
Not only that, all the arrangements in place also allow the architects to experiment with exciting ideas and innovative materials never before seen, among them a new kind of lightweight concrete materials for wall construction.
The building exterior showcases the ridges and grooves in concrete blocks cut open and left exposed to the weather, thereby allowing time to leave its imprint.
In Studio Miti ‘s most recent experiment, they decided out of curiosity to split an ultralight concrete block in half, only to discover that it contained ridges and grooves on the inside creating light and shadows. They then proceeded with installing the ultralight blocks inside out, thereby showcasing the beauty of imperfections of materials on the building’s exteriors.
It’s sort of going in the opposite way of what usually happens.
The result is charm, good looks without embellishments or decoration of any kind, one that creates an interesting light and shadow play when touched by light. Plus, it’s a spectacular sight that changes with the time of day.
In the fewest possible words, it’s a renovation that conveys a great deal about Studio Miti ’s belief, which says that, first and foremost, it makes a lot of sense to be material savvy. Better yet, it’s prudent to investigate the material before using it. Why? Because knowledge of materials and how they perform in real situations is essential to creating architecture.
A side-elevation view of Studio Miti’s new home shows the exteriors adorned with lightweight blocks in slate gray, a feature that gives it distinctive character.
With the façade closed, the building looks perfectly solid, transforming Studio Miti’s new home into a piece of architecture in a class of itself.
/ Story: Wuthikorn Sut, Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Courtesy of Rumbá Bor /
“There is no escape from plastic as long as we can’t decide, once and for all, to stop using it. If a product works great made of plastic, at least we should make it strong and long-lasting. That’s basically where design comes in handy to achieve desired results – good quality products that can be used over and over again.”
So said Rumpa Paweenpongpat, designer and founder of the Rumbá Borbrand. Rumpa likes to be referred to as a curator rather than designer. Only recently she stumbled across an injection mold used to make plastic stools at a factory manufacturing household goods.
The factory owner who originally created the intricate design had since stopped making the product. But for Rumpa, it was a real treasure, a work of tasteful aesthetic design deserving serious attention.
Her success was no fluke. Rumpa soon made a refreshing change from what we’ve seen before. By switching to a new material, repacking and rebranding strategies, she turned an ordinary stool into an exciting new experience, a good quality product under brand name “Choei”.
Now it can be found practically everywhere, albeit different in appearance thanks to the new improved material being used. Plus, there’s an artistic flair in the product that allows it to blend perfectly into the circumstances and ideas at the present time.
The first collection of the Choei brand comes in two different colors depending on the materials used in the making. One model is named “Sakoo” for its off-white color resembling the creamy chewy tapioca balls in Thai-style rice pudding. It’s made of a mix containing 50 percent recycled polyethylene plastic, aka PP for short.
The “Sakoo” model comes in off-whites with a yellowish tinge resembling the creamy tapioca balls in Thai-style rice pudding. – from Choei.
The other model, named “Kathi” for its coconut milk color with a gray tinge, is made of 100 percent recycled polyethylene. It’s the material of choice for obvious reasons. Polyethylene is tough, abrasion-resistant, and capable of withstanding wear and tear over a long period of time.
The “Kathi” model boasts the calm of coconut milk color, a beautiful white with a gray tinge. – from Choei.
Sharing her inspiration, Rumpa said: “It makes perfect sense to switch to PP for it’s the most common type of recycled plastic. In comparison with other types of plastic, polyethylene requires less energy to recycle and it gives stronger, better quality products.
“The Choei stool is a piece of decoration you can sit on. It might seem self-contradictory to say that from the start it wasn’t meant to be used for sitting. Rather, it represents a revival, an improvement in the condition and strength, which gives it a value that’s original and unique in its own special way.
“You can test it, or give it a twist. But front and center it’s about aesthetic pleasure. From the design point of view, it’s challenging and rewarding to be able to turn a mass-produced good into a product that has found a niche in the market, a specialized segment of the market, so to speak.”
Choei is the first product line from Rumbá Bor. On one hand, it seems quite a departure from the norm. On the other hand, it’s so ordinary that’s out of the ordinary, a quality that people tend to overlook. It’s exactly the message that the brand is trying to get across, to make people understand.
As Rumpa puts it: “We are interested in ordinary everyday things. Even mundane objects have the power or quality of giving delight. The point is that there is beauty in simplicity and mundaneness, too. There is always kitsch, or sentimentality, about a simple product that most people don’t see.
“It’s run-of-the-mill things we see every day that intrigue us. Examples include breeze blocks, even those balusters on staircase railings in people’s homes, to name but a few. The Choei stool belongs in that same category oftentimes regarded as old-fashioned and out of style.
“But, we can take it out of its humdrum existence simply by applying a new coat of paint and making the intricate design details stand out again. In this way, the improved product will emerge a refreshing change worthy of serious attention.
“Ordinary things can be adapted for a new purpose and made more attractive in ways that people can relate to. The Choei stool has that intricate detail and potential that people seem to have overlooked.”
In essence, the Choei brand is about appreciating of the good qualities and value of the resources that we have and being able to use them wisely. Original design can be adapted to suit new circumstances. A product can be made tough and long-lasting by using a better quality material.
The Choei brand isn’t about trying to change the world overnight. Rather, it’s taking one baby step at a time. Already, this little round-top stool with flowy design legs has sparked up a conversation about it, apparently a step in the right direction going forward.
Hush-hush! There’s a currently circulating story that Choei is coming up with a new set of colors soon. So stay tuned.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya Busabong /
It all began with a thoughtful son’s wish to build a new home and be close to his aging father. And Jun Sekino of the atelier JUNSEKINO Architect and Design was on hand to do precisely that.
Jun Sekino, the architect who designed it, said that originally the plan was to put in an add-on to the existing family home. Later there was a change of plan.
The owner preferred to build a new home on the opposite side of the street from his dad instead, so the design was revised in order to fit an entirely different context.
The result was a white geometric home of outstanding beauty – one that’s simple yet attractive and fully functional. It’s the product of a 360-degree turn.
And after making all necessary adjustments, the architect aptly named it “RUPU HOUSE,” a made-up term coined from the Japanese word for the action of rotating around an axis.
Built on 200 square wah of land (roughly 0.20 acre), the new two-story home offers 680 square meters in total.
It stands surrounded by greenery that’s kept further away at appropriate distances to create a well-lit, well-ventilated living space. The first floor contains functional areas including an open contemporary kitchen with dining space at the center.
There’s a sitting room tucked away in a quiet corner for relaxation. Nearby a semi-outdoor space is reserved for entertaining guests. It lies enclosed by the glass walls of the dining room and sitting room. Glass walls enhance visual continuity and the aesthetic appeal of the home.
By design, the semi-outdoor space on the ground floor is the heart of family life, said the architect. It’s easy to get why this cool and airy area has become the homeowner’s favorite niche.
The second-floor deck keeps it in shade for much of the day. It offers ample space perfect for entertaining.
Despite the house’s modern appearance, the semi-outdoor room evokes pleasant memories of comfort provided by the wooden house on stilts of former times. It’s an ideal place for receiving visitors without disturbing the peace in other parts of the house.
Climb a flight of stairs, and you come to the quiet and secluded second floor that contains three bedrooms. The master bedroom belongs to the homeowner, while two slightly smaller ones are reserved for kids. That’s what the future looks like.
To create a light and airy feel, the spacious master bedroom boasts high standards of comfort with a big bed at the center, a walk-in closet and en-suite bath. But what makes it exceptionally good is the double height ceiling, which gives enough room for a private office on the mezzanine floor.
It’s a layout option inspired by duplex design, a peaceful place in which to work undisrupted. According to Jun Sekino, it’s like having a beautiful office apartment hidden inside the home.
The overall effect is impressive. White geometric design adds interest and a sense of excitement to the house’s external appearance. As Jun Sekino puts it, there is an unadorned beauty plus clean simple lines that fit an easy lifestyle, and that’s exactly the way the homeowner likes it.
Technically, it’s meant to be a simple one-mass unit of construction with a high-pitch shed-style roof, a geometric shape without terra cotta tiles and minimal detailing. And the same treatment applies evenly from top to bottom.
To create a soothing ambience, the concrete exterior home is painted white, a single-color trend toward simplicity in design.
Its shed style roof and external envelope are characterized by regular lines and shapes. This is summed up in the vertical awnings that overhang the walls of the building on all sides.
Together they go to work keeping the sun and rain off the façade, windows and doorway on the ground floor. They also double as a design strategy to break the fall of vertical lines that run from the rooftop to the ground floor.
To improve visual and spatial continuity, the windows, doorway and most of the walls at ground level are glazed using clear glass panels.
The second floor is treated differently. Where appropriate, windows are installed only in the direction that’s not exposed to strong sunlight. Meanwhile, the external walls that face the sun have no wall openings at all.
These solid walls, in turn, make the white geometric home even more noticeable from a distance. As for the interior living spaces, a mix of wood and stone masonry is preferred for its ability to reduce the stiffness of strong geometric shapes.
Looking back over the years, Jun Sekino could still recall that concrete roof construction was the hardest part of the entire project. Steel-reinforced concrete roof building required special skills to ensure the remarkable smoothness of the outer surface and prevent leakage.
Apart from that, other challenges included window fittings, which also needed specialized skills and craftsmanship to make sure they don’t leak when it rains.
All things considered, it’s a home project that brings deep pleasure derived from Jun Sekino’s abilities to accomplish a mission. The concrete exterior is smooth and with no apparent gaps or cracks of any kind. It’s a home carefully thought out to age gracefully.
Like so, the homeowner will be able to repaint the house when necessary without worrying about too many practical details. The new home offers a calm and cozy atmosphere with plenty of room for entertaining and the opportunity to be close to his aging father.
It’s a heartwarming moral story of unbreakable bonds.
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