Blog : thailand

A Calm and Peaceful Wood House at the Water’s Edge

A Calm and Peaceful Wood House at the Water’s Edge

/ Bangkok, Thailand /

/ Story: Sarayut Sreetip-ard / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

Pongsakorn Tumpruksa, of Arsomsilp Community and Environmental Architect Co., Ltd, was passionate about life beside the water. He built his waterside wooden house on 340 square wahs (1,360 sq. m.) of land in Bang Khun Thian where two small waterways converge with Bang Mot Canal.

Thai houses
The roadside entrance is in the back, so the house fronts on the canal, Thai-style.

Like the traditional Thai house in former times, this waterside wood home has a tall open area called “tai thun” (the underfloor space at ground level), an economical construction that suits Thailand’s climate and promotes socialization processes in the family.

Thai houses

Thai houses

Thai houses

Thai houses

The tall tai thun includes a carport and an area blocked off as a workshop. An open staircase leads up to the porch, and in the center is a large contiguous open space combining living and dining areas, with the kitchen on one side and bedrooms on the other.

Pongsakorn explained the three design principles that he kept in mind, which are:

Thai houses

Thai houses

A centuries-old principle of traditional architecture of Thailand’s central region

It is about the house’s suitability for the environment, balancing sun, wind, and rain to keep things cool and comfortable. Here, the old knowledge is blended with modern construction materials. The high tai thun avoids flooding and termite damage.

Good air circulation is ensured with a high roof with long eaves; windows and a gap below the roof help release hot air. There is a deck where either clothes or fish can be dried, a heat-resistant mesh on the wooden roof, and there is an open porch below the eaves where you can sit, catch the breeze, and relax from the heat.

Also, the gardens around the house give shade and maintain moisture, cooling the area.

Thai houses

Thai houses

The architecture promotes Thai family culture

Previously, the family lived in a townhouse, chatted at the dinner table, and were always in close, warm contact.

To continue that feeling, living and dining areas and kitchen were designed as a single continuous space.

Thai houses

Thai houses

Cost-effective construction

The house was built with a limited budget: overbuilding would have been problematic.

Thai traditional knowledge shows how to do this: leave room for gradual expansion, building onto the house as needed, as was done in Thailand’s earlier days.

Thai houses

Thai houses

Pongsakorn tells us, “Building a home for my loved ones was like building happiness. What I’m most proud of is doing it as the architect son of my father, who worked for the government as an architectural technician. Dad left us last year, but he got to live with us in this house.”

“Happiness for me is growing plants and living in a shady, cool home,” says Pongsakorn’s mother with a smile.

“I’m truly glad that Father had the chance to live here with us again.”


Owner/Architect: Pongsakorn Tumpruksa of Arsom Silp Community and Environmental Architect (arsomsilparchitect.co.th)


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“Huean Tham,” Local Thai House in a Japanese Tradition“Huean Tham,” Local Thai House in a Japanese Tradition

Wooden House with “Tai Thun”: Comfortable Living, Easy Repair

Wooden House with “Tai Thun”: Comfortable Living, Easy Repair

/ Chaing Mai, Thailand /

/ Story: Patsiri Chotpongsun / English version: Peter Montalbano /

/ Photographs: Rithirong Chanthongsuk /

This lovingly handcrafted wooden house in Chiang Mai’s San Sai District connects two buildings with a high, wide open “tai thun” (open lower floor) featuring a long dining table and “living room” spot that gets a cool breeze the whole day.

 Wooden House with Thai-style “Tai Thun”

Nuttawut “Ae” and Sutthida “May” Saylahom had scheduled ten months to build their new home, but it took more than a year to finish, until after their second son was born.

Along the way a few alterations were made: a planned swimming pool, for instance, became instead a grass lawn where their young Kiri would be able to run and play with his new little brother.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

An architect by profession, Ae had no problem doing manual work himself and loved every minute of it. He combined an old Thai Lanna rice granary with the original wooden house next to it.

Construction began by disassembling the old buildings: original components and materials were removed and set aside for use in new functionality envisioned in the new design.

 Wooden House in Chiang Mai

 Wooden House with Thai-style “Tai Thun”

The granary’s primary structure remains: eight large wooden pillars, with four pillars angled inwards for weight-bearing purposes.

There is a tall main column reaching all the way through to the tie beam – a primary roof component – and another post up to the roof for ridgepole support, all set in a foundation of poured concrete to protect against moisture and ground-nesting termites.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

A wooden frame was designed to form a single house from the two buildings, creating a wooden balcony that functions as a connecting walkway.

Leftover wood was used to build a garage in front roofed over with tiles from the old structure and using old porch railings for walls.

Trees were planted all around to block the line of sight, functioning as a natural fence.

Old-style wooden houses in this province of Thailand were often built with the bathroom outside, separate from the house, or sometimes a concrete wall was put up to add a connected bathroom.

Here, though, the bathroom was built directly into the wooden house structure, floored with stainless steel cut with holes for plumbing.

Concrete was then poured in over steel reinforcing rods left over from the old structure, and all overlaid with tile flooring.

Where walls would get wet, fiber cement “smartboard” walls were set on the wood frame, joints sealed with polyurethane glue, and Flex Shield applied before surface painting.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

Ae says that this is the first house, and will probably be the last, for him to put such a huge amount of his spirit and labor into.

Lovingly handcrafted, the size and utility of each piece of wood are fitted to its best use. But with this level of detailed knowledge, if a problem comes up, he’ll see the cause and be able to jump in and immediately fix it.

 Wooden House in Chiang Mai


Designer: Nuttawut Saylahom


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Huean Tham House: Local Thai House in a Japanese Tradition

Huean Tham House: Local Thai House in a Japanese Tradition

/ Chiang Mai, Thailand /

/ Story: Wuthikorn Suthiapa / Englosh version: Peter Montalbano /

/ Photographs: Soopakorn Srisakul /

The Huean Tham house (House of Dharma) has a depth that makes it much more than just a place to live. It’s actually a group of buildings and rooms, each with its own particular use. The Thai word “tham” (dharma) is integral to the words “thammachat” (nature) and “thammada” (natural), and suggests tranquility in life living in this local Thai house.

Local Thai House

Huean Tham is a residence, a design workshop for naturally dyed fabrics, and a storehouse for Usaato brand fabrics, all in 6 buildings.

First is “ruean yai” (the large house), residence of owners Somyot Suparpornhemin and Usaburo Sato.

Just to the north is ruean lek (small house), where the children and visiting friends stay.

More or less in the center of the complex is sala tham (dharma hall), a place to socialize, with a shady multipurpose yard for activities such as dharma seminars and trainings in woven fabric design, for a local village weaving group, and in natural soap production.

There is also a shrine with a wooden Buddha in this local Thai house. Both wings of the second floor hold guest rooms for close friends.

Local Thai House

On the southwest side is ruean luang pho (holy man house), a retreat for family members which serves as a monk’s hut when a revered spiritual teacher is invited to the home.

Finally, to the south are akhan kep pha (fabric storehouse) and ruean ngan (workshop) for design work, with different rooms for specialists in different crafts.

Local Thai House

Local Thai House

Huean Tham’s outstanding attributes were conceived by Arsomsilp Community and Environmental Architects with the aim of combining good features of the traditional Thai house with functional Japanese concepts.

Entering ruean yai we see the floor is raised a bit: this is to protect against ground moisture. Thai and Japanese homes share a characteristic utilization of the area beneath the main house for guest reception and dining, a multipurpose space called “tai thun” in Thai.

Local Thai House

Construction materials were selected for their good points and their suitability: the house is constructed primarily of wood, the house frame primarily of concrete and steel.

The architecture of Huean Tham isn’t flashy or showy. The true beauty of this home is in its fusion of architecture with life toward oneness with nature and the ways of tranquility, raising the level of excellence for both the architectural team and for Eung and Ussa’s lifestyle.

This excellence will continuously reinforce the beauty of this local Thai house as time goes on.

Local Thai House

Local Thai House

Local Thai House


Owner: Somyot Suparpornhemin and Usaburo Sato

Architect: Arsomsilp Community and Environmental Architect

Project Consultant: Teerapon Niyom

Contractor: Pratiew Yasai


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Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

The Airports of Thailand Public Company Limited (AOT) announced on August 22, 2018 that the Duangrit Bunnag Group, aka the DBALP Consortium, has won the Suvarnabhumi Airport Terminal 2 Project design contest.

AOT had previously invited the private sector to make bids for designing the new 35-billion-baht Terminal 2 project. As a result, the first runner-up Duangrit Bunnag Group was declared winner for its design proposal worth an estimated 329 million baht.

DBALP was able to achieve an important triumph after the winning bidder SA Group was disqualified for failing to submit an important document, namely, the original quotation for the cost of work as stipulated in the contract.

The SA Group stood firm that it had never received the original quotation document from AOT, and called for a reconsideration of bid results. It made reference to winning on points for its technical proposal, and that the cost of work it entered for the contest was lower than that stipulated by AOT. Furthermore, the purpose of the original quotation document was only to prevent the competition process being compromised.   

Four private sector groups responded to the AOT invitation to compete for design work by means of sealed bids. The first is a consortium of legal persons consisting of DBALP, Nikken Sekkei, EMS, MHPM, and MSA, collectively known as the Duangrit Bunnag Group for short.

The second group is an association of consulting firms made up of the Beaumont Partners Co Ltd, the Index International Group Co Ltd, the Egis-Rail (Thailand) Co Ltd, the CEL Engineers Co Ltd, the CEL Architects and Environments Co Ltd, the Alana Engineering Co Ltd, Egis Avia, and Egis Rail S.A.

The third group is a number of consulting firms composed of the Varda Associates Co Ltd, the Wise Project Consulting Co Ltd, and the Chong Lim Architecture Co Ltd.

Last is the SA Group, a consortium of consulting firms made up of the Span Consultants Co Ltd, the Sign-Tech Engineering Consultants Co Ltd, the Azusa Sekkei Co Ltd, and the Sky Party Co Ltd.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

As per the August 22, 2018 announcement, the DBALP Consortium is obligated to complete its forest-inspired design on the Suvarnabhumi Airport Terminal 2 project in 10 months’ time. Coming up next is an AOT invitation to bid for the construction phase.

Designed to meet future demands, the new Terminal 2 at Suvarnabhumi Airport will have the ability to receive over 30 million passengers annually — 12 million via domestic flights, and 18 million on board international flights. The building will come complete with 14 airport aprons and parking spaces for 1,000 cars. Construction will take about 30 months to complete. The project is scheduled to be fully functional mid-2021 at the earliest.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

See more: A glance at other design proposals entered into the competition >>

The Beauty of Simplicity in a Single-Story Home

The Beauty of Simplicity in a Single-Story Home

/ Ang Thong, Thailand /

/ Story: Patsiri Chot / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul / Styling: Somboon Kringkrai /

Right in the middle of a field in Ang Thong Province stands a single-story house that has become a community point of interest.

Single-Storey House

Owner Chamnan Chatchawalyangkul says, “At my age, I really needed to make this happen while I was still strong enough to get around.

“I don’t want to be a burden on my kids when I’m not so capable anymore, living in a cramped room with them worrying about me all the time.

“I needed to plan in advance to have a house where I can take care of myself. And the house will eventually belong to the kids anyhow.” 

 

Single-Storey House / Teerachai Leesuraplanon

Chamnan’s design is spare and open, with excellent ventilation. With everything on the same level, each room is accessible by wheelchair.

One special place is a karaoke room for him and his friends. Architect Jim (Teerachai) Leesuraplanon tells us:

“Chamnan said he’d always lived in a rowhouse, a limited, safe space. Some people might want a house in the middle of an open lot to be open all around, but I think about safety, too.

“This is why we put the brick wall in front, and the iron bars, barriers that still allow light and air to pass through. I’d summarize the design I had in mind with the three words ‘balance,’ ‘blend,’ and ‘believe,’ expressing a balanced life, cause and effect, and faith.”

Single-Storey House / Teerachai Leesuraplanon

Single-Storey House / Teerachai Leesuraplanon

Standing in a rural field with a road in front, the house opens out on a rubber tree orchard in the rear.

Simplicity is the foundation of the design: a balance between vertical and horizontal lines and surfaces, no nooks or ridges to collect dust, and elemental materials such as concrete, wood, metal, brick, and gravel.

Single-Storey House

Single-Storey House / Teerachai Leesuraplanon

A metal frame lifts the roof at an angle to break the force of the wind. The floor is raised above the ground, facilitating maintenance work on utility systems beneath.

The front wall is a striking display of BPK brick, a local Ang Thong material, laid in a unique arrangement to create beautiful patterns of light and shade, with an additional layer of sliding glass windows for safety.

Around the house is laid a path of river gravel, so someone in the house can easily hear a person walking outside.

Single-Storey House / Teerachai Leesuraplanon

The big central living room is a great place to relax, but the real heart of this single-story house is the big porch.

When the folding doors are opened, the room opens up, and it’s much like an old-time Thai house, with the added benefit of a great view of the gorgeous rubber forest, just as the original design envisioned.

Single-Storey House / Teerachai Leesuraplanon


Owner: Chamnan Chatchawalyangkul

Architect: Teerachai Leesuraplanon


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บ้านชั้นเดียวบนพื้นฐานความเรียบง่าย


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DEmark Award 2018 / Design Excellence Award

DEmark Award 2018 / Design Excellence Award

We have the results of this year’s official accolade of design excellence. Eight pieces of furniture have won the coveted DEmark Award for outstanding design for 2018. Among the winners: a water hyacinth chair beautifully crafted on a metal frame, a neatly packed kitchen cabinet, a chair inspired by tea tree topiaries, and a set of chairs that come together as table legs.

/// Thailand ///

Furniture category: “Khing,” a set of stool and table inspired by research on tea tree topiaries, a craft skill that’s slowly disappearing – by the Sumphat Gallery

Every year, the Department of International Trade Promotion (DITP) gives out the Design Excellence Award, DEmark Award for short, as an acknowledgement of outstanding merit by Thai designers from across the country.

The ultimate official accolade seeks to increase direct presence of Thailand’s creative products in the world marketplace. Successful candidates will participate in international trade events, such as the Gmark Award competition in Japan, as well as DITP’s exhibition tours throughout Europe and Asia.

This year’s DEmark Awards were given to eight pieces of furniture for impressive achievements in  blending craft skills with modern manufacturing techniques.

Furniture category: A neatly packed kitchen cabinet called “Q-Mini Compact” – by Qrua
Furniture category: “Jaak Coffee Table,” an elaborate design that gets its inspiration from the bird cage common in southern Thailand — by Tima
Furniture category: “Sim Steel Bar Stool,” impressive knock-down furniture ideas — by Take Home Design
Furniture category: The so-called (W)hole Chair, featuring stow-away furniture ideas — by Everyday Studio
Furniture category: “Water Weed Chair,” a product of collaboration between a community skilled in the art of basketry and a modern furniture designer — by the Sumphat Gallery
Furniture category: “Krachap,” a hanging lounge chair featuring bamboo housing crafted on a steel frame — by Performax and “Kodax,” a lounge chair capable of moving in a circle around an axis — by Kenkoon

 

Every year, the DEmark Awards are given out in six categories — Furniture, Lifestyles, Fashion, Industry, Packaging and Graphic Design – as an acknowledgement of outstanding achievements by Thai designers and manufacturers. Not all of the winners are listed in this report.

Lifestyles category: “TARN Collection,” a mortar and pestle set — by Stew
Lifestyles category: “Year Ring Collection,” an accessory container made of wood — by Deesawat
Lifestyles category: “Hill Pot,” a collection of houseplant containers — by Qualy
Lifestyles category: “Chong Mana,” a collection of scented candles featuring the motto “work hard and you shall succeed” — by Dib Dee and “Wit Tray,” a food tray featuring bamboo crafted on a steel frame — by Yothaka
Lifestyles category: “Husk Object,” a set of tray, coasters, and flower pots made of neatly compacted rice husks — by Sonite
Industry category: “Vento Brick,” a perforate wall designed to enhance natural air circulation — by Kenzai
Fashion category: “Natural Blue Honor Sport Jacket,” an apparel collection made of indigo-dyed fabric – by Blue Nails
Graphic Design category: “Thunder Bird Hostel” — by Shake and Bake Studio
Graphic Design category: “Chiangmai Design Week 2018” — by Octopus Grafik Studio

 

For more information, please visit: http://demarkaward.net/en/demark_winner?product_type=0&year_awarded=2018&keyword=Search

 


 

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Peaceful, Shady Northeastern Thai House

Peaceful, Shady Northeastern Thai House

/ Bangkok, Thailand /

/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul / Styling: Wanas Thira /

Out of the edge of a sun hemp field rises what looks to be a traditional huean isaan (Northeastern Thai house). But this home, set in a shady, woodsy atmosphere, fragrant with the aromas of a Thai house and the fun-filled rhythms of Thai family ways, is fully adapted to contemporary ways of life.


After Sakda and Orapin Sreesangkom had lived 20 years in a condo, they designed this eco-friendly house to find an adaptation of Thai family life that could suit the modern age, and to build environmental awareness in themselves and their children.



The ground floor design echoes the traditional “tai thun” lower space found beneath Thai stilt houses. A porch reaches outwards to fill the usual roles: entertaining guests, and socializing.

Up close you’ll see it’s more like 3 houses connected by one deck, each one with wide eaves blocking sun and rain, but with a twist: the underside insulation is “rammed earth,” La Terre’s innovative cooling solution that rapidly absorbs and diffuses heat and is made from organic, renewable materials.

Sakda and designers Arsomsilp Community and Environmental Architects shared the same vision.

The huean isaan takes over in spirit, though, with its outward image evoking a cultural memory reflected in the playfulness of the three boys, Chris, Gav, and Guy, bringing cheer to every corner of the house.

They like to play in the attic, slide down polished planks beside the stairway, and everyone’s favorite: the sky deck, accessible from anywhere in the house.


The heart of the home is the living room: it’s spacious, with a bar counter, dining area, and sofas for relaxing, sized 7 x 11 meters, and with no support pillars blocking the view within.

It was designed to mirror the look and function of the “tai thun,” a space that brings everyone together to do whatever they like to do best, as individuals or a group.

The building foundation supports a raised deck all around the house. This keeps slithering things and garden creepy-crawlies from coming into the house, at the same time creating good ventilation below.

The extra area for sitting, stretching the legs, or walking out into the garden is one more bonus.

Sakda’s deep attachment to the traditional huean isaan is what brought this all about.

That, and the family’s courage in leaving the convenience of condo life behind them to design, build, and live in a completely different way, growing their own garden, and creating a new home that could be passed down to the next generations.

Sun hemp is grown for soil maintenance.

Owner: Sakda and Orapin Sreesangkom

Architect: Arsomsilp Community and Environmental Architect (arsomsilparchitect.co.th)


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Baan Home Boon: A Modern House in Khon Kaen’s Tranquil Surroundings

Baan Home Boon: A Modern House in Khon Kaen’s Tranquil Surroundings

 / Khon Kaen, Thailand /

/ Story: Ektida N. / English version: Bob Pitakwong /

/ Photographs:  Soopakorn Srisakul /

This one-story wood house in Khon Kaen brings the best of the old Northeastern lifestyle into the contemporary world. Strikingly modern with its steep gable roof, it features a spacious adaptation of the Traditional Thai house verandah where relatives and neighbors come together, hang out and shoot the breeze.

wooden house in Khon Kaen

The house is located in the peaceful countryside of Si Chompu District, Khon Kaen Province. Wathinee Sudta calls her dwelling place “Baan Home Boon,” a portmanteau coined by combining “Baan” meaning a place of abode, “Home” a verb in the Northeastern dialect meaning to come together, and “Boon” which is Thai for good deeds or merits.

Put them together, and you get something like a home of good fortune.

wooden house in Khon Kaen

Originally, Wathinee wanted the designers at S Pace Studio simply to renovate her two-story house making it more livable. The old family home had cement flooring at ground level and the upstairs built entirely of wood.

After a full assessment of materials and building frame, though, it became clear that a completely new house was the way to go.

wooden house

The first step was to raise the foundation above road level with landfill to reduce the risk of flooding.

Eventually, they took advantage of the large property size to bring all the functionality of the former two stories into a thoroughly modern single level house with the added bonus of not requiring an aging grandma to climb stairs anymore.

wooden house in Khon Kaen

The new Baan Home Boon has 190 square meters of floor space with enough functionality to completely meet the needs of five family members.

The rear section of the house has a high gable roof, which overlaps the lower gabled front that’s covered with translucent corrugated roofing. This allows natural daylight to shine in, an effective way to keep the 9-meter-deep verandah light and cheerful.

Khon Kaen

Khon Kaen

Another unique feature is the placement of the kitchen at the front of the house, with the thought that family members will tend to enjoy most sit-down meals together on the verandah.

The kitchen is fully enclosed, and the walls have grooves etched and painted to resemble wood grain, all giving a clean, proportionate look to a highly practical design.

Khon Kaen

The wood used to build the house is mostly – 90% or more – real wood taken from the old house.

This saved on the budget, and only the high-quality, strong wood was used, but the marks on its surface speak of character, faithful service over time, and add charm, keeping lifetimes of family memories alive and shining into modern times.


Owner: Wathinee Sudta

Architect: S Pace Studio (www.facebook.com/spacestudiodesign)


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บ้านบุญโฮม บ้านไม้ชั้นเดียวท่ามกลางความเงียบสงบของชนบทแท้


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Vernacular Houses around the ASEAN

Vernacular Houses around the ASEAN

If you are interested in design based on local needs, local materials, and local traditions, you will find vernacular building exhibitions well worth a visit.

/// Thailand ///

 

The expo area features 5 show pavilions designed by the design firms.

Five show pavilions are open now at Architect ’18, the ASEAN’s largest building technology exposition organized by the Association of Siamese Architects (ASA). It’s happening on May 1-6, 2018 at Impact, Muang Thong Thani.

Plastic crates filled with clay are readied for the show at Architect ’18.

Other attractions range from a photography display by Vernacular Built Environment and Cultural Heritage Studies Group, and exhibitions by various architectural firms, to retail businesses, and seminars featuring distinguished speakers from Thailand and abroad.

The expo’s must-see events include a show pavilion by Boon Design, which presents building techniques using materials readily available in a locality, such as plastic crates for fruit transportation filled with clay.

Inside one of the show pavilions dedicated to vernacular-style living
The dark exterior that is characteristic of the Boon Design show pavilion

Designer Boonlert Hemvijitraphan said: “Traditionally, earth has been a material of choice for home building while plastic crates come in handy as byproducts of the industry. The choice of materials is often dictated by availability in a particular area. Homes can be made of anything, whether it’s earth or wood, so long as they are adapted to suit local needs and requirements.” Like so, a vernacular house in Southeast Asia may appear dim on the inside because there are only a few openings. Lace fabrics on the windows tell stories of clever adaptations to suit local weather conditions.

Vernacular houses on the waterfront in Myanmar, Cambodia, and Thailand
photograph reflects local beliefs and customs around the Region.

The building techniques differ from country to country across Southeast Asia as illustrated by the photo exhibition by the Vernacular Built Environment and Cultural Heritage Studies Group. Its members include Isarachai Buranaut, Kullphut Seneevong Na Ayudhaya, Somchai Chuechuaychu, and Surapong Jamniyom.

 

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WOODEN THAI HOUSE IN THE LANNA TRADITION

A Large White House with a Modern Oriental Flavor

A Large White House with a Modern Oriental Flavor

 / Bangkok, Thailand /

/ Story: Samutcha Viraporn / English version: Peter Montalbano /

/ Photographs:  Sitthisak Namkham, Nantiya Busabong /

This beautiful place is home to a large, multigenerational family. With family members from 8 to 84 years old, what stories it tells! Here belongings passed down across nearly a century give a sense of modern oriental flavor to every corner of its design.

Modern House
Patama Roonrakwit, the architect and the owner (second from the right), and her family

Long-time community worker Patama Roonrakwit, CASE Studio architect who designed and owns the house, created it from her knowledge of the ways and tastes of all its residents in their old home.

In a unique adaptation and fundamental design difference here, she preserved an old wooden house Pong’s grandfather had built, hiring Chinese craftsmen to raise it up to the second floor of the central building so family members could continue to experience its warmth.

Besides this, the home contains the offices of CASE Studio, Ed The Builder/Contractor, her brother’s tour company, sister’s music school, and guest rooms where friends can stay.

 

All this had to fit in a space of 1 Rai (1600 sq.m.), a narrow, long north-to-south lot.  The building divides into seven sections, some of which are open, verandah-like corridors that give an angular definition to the space, trapping the wind and making for good air circulation throughout.

Modern House
Wooden slats guard against the sun and wind and create visual harmony.
Modern House
The lower floor is a multipurpose area, adapting the Thai traditional “tai thun” space below a house to fit modern lifestyles.
Modern House
A nearly hundred-year-old wooden house is set as the very center of the main home, and contains a shrine holding Buddha images.

Bedrooms are intentionally not large, so as to encourage residents to come out and socialize in common spaces. Throughout the home, doors open onto walkways sloping down to the swimming pool.

Modern House
The swimming pool parallels the central verandah on the west side, which is set back a bit to reduce heat entering the central building.

 

The charm of the wooden house and the heirloom furniture gives the three generations of the Roonrakwit family and their regular guests the sense of a home that has opened its doors to welcome change while incorporating the experiences of them all at this important time.

 

An elderly person’s room, with special adaptations: bathrooms with no steps, support railings, and adjustable wash basins.
An elderly person’s room, with special adaptations: bathrooms with no steps, support railings, and adjustable wash basins.


Owner: Roonrakwit family

Architect: CASE Studio


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A BAMBOO HOUSE EMBRACED BY NATURE
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