Blog : asean design

“Pattani Decoded” Pattani Design Week

“Pattani Decoded” Pattani Design Week

Once you get to know it better, you will find Pattani is really quite interesting. A design week aptly named “Pattani Decoded” took place from 29 August to 1 September 2019. Living ASEAN is on location to file this report.

 

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Story: Samutcha Viraporn / Photo: Sitthisak Namkham, Samutcha Viraporn

“Pattani Decoded” is the perfect example of an esprit de corps among the city’s handpicked architects, designers and people in the community. It celebrates the richness of diverse cultural heritage and history that gives this southern town its character.

The show transforms the streets of Pattani into an outdoor gallery featuring design and architectural masterpieces. They rekindle old memories from the time of King Rama III to the Japanese invasion of Thailand during World War II and important events in recent history. The cool places to visit are on Pattanipirom, Anoaru, and Ruedi raods in Pattani Old Town, a melting pot where peoples of Thai, Chinese, and Malay descent are mixed together.

The Old Town that’s the historic heart of Pattani is alive and well today. People use their artistic abilities and creativity to liven up buildings and improve their neighborhoods. They give locals and tourists hope for the future. Favorite things to do include a journey on foot through the Old Town, a boat ride on the Pattani River, and a visit to the official residence of the first governor of Pattani.

The highlight event is an exhibition by a group called “Pattani Art Space”. Meantime, art enthusiasts have the opportunity of meeting up with luminaries such as Dr. Singh Intrachooto, Boonserm Premthada, and Saran Yen Panya. More fun events include an architectural design competition, Chef Table demos by famous restaurants, retail businesses, live music as well as workshops on shoemaking from waste materials by Tlejourn, Lepus fabric making by Benjametha, and discussions on great works of literature.

Why called it “Pattani Decoded”? Rachit Radenahmad, leader of the organizer group “Melayu Living”, replied: “We want locals to know that design is something close at hand, something within their reach. Meantime, this land abounds with good things. Going forward, people need to mix design with their beautiful cultural heritage. In so doing, they convert coded messages into intelligible language.

“We manage to get locals to participate in showcasing their homes or other places of residence. People are energized by the idea, and the show draws the biggest response both in Pattani and nearby provinces. We have so many good things here that people sometimes take for granted. The region may be known for violence, but art is always in the heart of everyone. That’s the message we are sending to the world outside.”

By all accounts it’s a well-thought-out design festival despite certain limitations. The show is giving talented architects, designers and students a chance to showcase the beauty, charm and adventure of Pattani to the world outside. At the end of the day, it’s about getting people to change their point of view, visit the historic southern town, and come away impressed.

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

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Story: Nawapat D. /// Photography:  Spaceshift Studio, Courtesy of Vin Varavarn Architects 

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

 


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Jatujak Isn’t Just for Weekends

Jatujak Isn’t Just for Weekends

If two days is not enough time for the weekend, you still have plenty of hours to shop on weekdays.

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Story: Samutcha Viraporn /// Photography: Soopakorn Srisakul 

Make Mistake
Koch
Brezza Dee

Situated near the MRT Kampaengpet Station, Jatujak Plaza is open on weekdays, too, except either Monday or Tuesday depending. It’s a popular marketplace for not only furniture, home furnishings and decorating items, and souvenirs, but also plenty of pet animals from dogs to cats to fishes. And the list goes on.

Hat Up

The Plaza at Jatujak Park sits right next to a vast built-up area set aside for the weekend market. Furniture, home décor items, and a plethora of lifestyle goods combine to give the Plaza its distinctive character. The marketplace had been the hub of pet lovers before it was transformed into rental spaces for businesses, notably art and craft retailers.

Philos
Philos
MS Natural Design

As time went by, Jatujak Plaza continued to attract more and more business people from makers of furniture and home décor items to architects, interior designers, and fashion stylists. Over the years it has become a popular rendezvous for homeowners as well as hotel and hospitality business entrepreneurs who are in the market for cool furniture and décor supplies. Some furniture makers have retail businesses here, while others import decorating goods from regional sources, notably Indonesia and the Philippines.      

Mango
Leather O
Tin Home Toy
ML Living

The plaza’s advantage lies in its proximity to an MRT station and business hours on weekdays. The marketplace is open from 10 AM to 6 PM daily, but you have to pick the right day to shop. Most retail businesses here are closed on Monday, while others choose to stay closed on Tuesday, too. Some shops don’t open exactly on the hour. For your convenience, it is recommended that you be there around 11 AM. There is a pet zone located at the further end.

ASEAN Designers / Modern Craft Movement

ASEAN Designers / Modern Craft Movement

World design is increasingly trending toward handicrafts and elegant craftsmanship, things practically written into the DNA of Southeast Asian designers. Here we give you 20 contemporary regional leaders who are reinforcing this wave, bringing traditional design into mainstream design.

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– Alvin Tjitrowirjo / Indonesia –

The dynamic Indonesian designer known as Alvin worked with prominent Dutch designer Marcel Wanders before setting up his own product design and interior decoration studio,collaborating with domestic producers of furniture and “alvin-T” decorative items that take a Western approach to Oriental craftsmanship.


 

– Thinkk Studio / Thailand –

The couple Decha Archjananan and Ployphan Theerachai’s Thinkk Studio is one of the most interesting sources of contemporary design. Their production processes unravel the secrets of traditional crafts, bringing them to utility in modern formats that always bear the marks of artistry and innovation.


 

– Korakot Aromdee / Thailand –

Korakot became well-known through his developing the local art of bamboo work, adapting techniques such as net sewing of Phetchaburi fishermen and ancient Chinese kite construction to produce inventive handicrafts under his own name. “Korakot” products are on display in residences and hotels all over the world, showing off endless variations of their characteristic elegance.


 

– Abie Abdillah / Indonesia –

Keep an eye on this designer, for sure! He specializes in rattan work, taking advantage of the worldwide importance of this material for Indonesia. The “Lukis” armchair is part of the 2016 collection for the famous Cappellini brand. Designer scout Giulio Cappellini previously has helped Tom Dixon and many other well-known designers debut on the world stage.


 

– Ito Kish / The Philippines –

“Gregoria Lounge”brought Filipino design work onto the world stage and gave world recognition to Ito Kish. As a child, Ito was fascinated by designs on the gift wrapping paper he used to repair family house walls in their tiny village outside of Manila. His business in decorative items has now morphed into a leading furniture store – with products bearing his name – which provides interior decorating services for his fans.


 

– Apiwat Chitapanya / Thailand –

A beauty of light and shadow born of intricate welded lines stands out in both structure and detail as an impressive representation from this modern craftsman and expert metal worker.


 

– Jitrin Jintaprecha / Thailand –

Jitrin’s works are continually in demand, most notably from his own rattan furniture brand “Corner 43,” whose trademark gentle curves are naturally suited to contemporary forms and which has evolved steadily over the fourteen years of its existence.


 

 

– Lim Masulin / Indonesia –

From his infatuation with the weaving work produced by Indonesian artists, highly valued in the West, Lim Masulin and his BYO Living Company collaborated with famous domestic architects to scale up the concept to an architectural level and produce fascinating “woven” coverings for buildings.


 

– Rush Pleansuk / Thailand –

This former designer for the teak wood furniture brand “Plato” became ever more interested in handicrafts, especially traditional Thai techniques of lacquer-coating and setting gold inlay on lacquer ware. He now has his own design studio under the name “Sumphat Gallery.”


 

– Hans Tan / Singapore –

In the colorful piece entitled “Spotted Nyonya,”Hans Tan presents a uniquely Singapore narrative. “Nyonya” refers to the Singapore heritage mixture off oreign and Malay Peninsula cultures, evident here in a contemporary design context.


 

– Budiman Ong / Indonesia –

“Ong Cen Kuang” is a brand of lamps from Bali founded by Budiman Ong, whose stellar career was founded on sewn forms of cloth and origami-style folded paper fashioned into contemporary articles that display warmth, gentility, and a delicate openness.


Metal Chandelier Designs from The Ingenuity of ASEAN Designers

Metal Chandelier Designs from The Ingenuity of ASEAN Designers

Discover new designs and unique techniques of elegant chandeliers and pendant lights that are made of metal, steel and wire. LivingASEAN selected 4 design collections from Singaporean, Filipino and Thai designers to explore your artistic creativity of ASEAN décor.

 

ligne-roset

 

Parachute pendant lamp - Brand: Ligne Roset, Designer: Nathan Yong
Parachute pendant lamp – Brand: Ligne Roset, Designer: Nathan Yong

Let’s start with the honored designer from Singapore, Nathan Yong. He works for many leading furniture brands in Europe, for example, Living Divani, Opinion Ciatti and Ligne Roset. This specific design called the Parachute pendant lamp comprises of 3 shapes made from steel wire which are sold separately. Not only are they used on their own but also can be combined up to 6 shapes in various ways. Finally the result is a very elegant mixture of Asian artistic and European minimalist.

 

From left: Urban and Macarena pendant lights – Brand: Schema from the Philippines
From left: Urban and Macarena pendant lights – Brand: Schema from the Philippines
Zattelite – Brand: Schema, Designer: Anon Pairot
Zattelite – Brand: Schema, Designer: Anon Pairot
APDS-Lighting-Catalog-TH-2
Spaceship – Brand: Schema, Designer: Anon Pairot

No one can produce the sophisticated look of the metal pendant light shade quite like Schema do. The team of artisans at Schema weaves each galvanized iron wire carefully by hand. Celia Gamboa Jiao is the founder of the brand. She is a designer who has run her business since 1994. The design team consists of Antonio Layug from the Philippines, Anon Pairot from Thailand and Segolene Aebi-Faye from Switzerland.

 

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Metal chandelier by PiN from Thailand

P11_Pin-024-copy  pin_chanderlier

From recycled sheets of metal. Thai designer, Pin Saruta revives this scrap metal and turns it into marvelous metal chandelier. This second generation family business and steel shop is located in Bangkok. That is the beginning of her inspiration to develop this eclectic design. Nowadays, she is one of the talented designers in Thailand who can combine the shape of Thai elements to interior design function.

 

JosephRastrullo

The design of Joseph Rastrullo, the talented designer from the Philippines has created a flexible design method using wire to dictate the hanging lamp size and shape. The shape is simple and clean which give an industrial look. You can use it as a small group of metal chandelier in the center of living room.

 

 

Link

https://www.ligne-roset.com/be/collection/lighting/ceiling-lighting

http://www.schemaproduct.com/

https://www.facebook.com/Pin.metal.life/

https://www.facebook.com/Rastrullo-Design-Studio-1410009629304383/

 

Story: Samutcha  Viraporn

Photos : Press

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