Blog : SPECIAL SCOOP

OKMD knowledge forum 2017 // Knowledge Cities, New lives, New Opportunities

OKMD knowledge forum 2017 // Knowledge Cities, New lives, New Opportunities

OKMD knowledge forum 2017 :
How do we build smart cities that respond to human-centric needs in 
Thailand 4.0 era?. As part of the OKMD knowledge forum under the theme “Knowledge Cities, New lives, New Opportunities” on 17 September 2017 in Bangkok,  Dr. Jong Sung Hwang was invited to share his views on the topic.

/// Thailand ///

OKMD knowledge forum 2017


Dr. Jong Sung Hwang acts as ICT (Information and Communications Technology) strategy expert who served in various key positions in the IT policy planning in renowned associations. Holding a Master’s degree and a Doctoral degree in Political Science from Yonsei University in Korea, he is a former Chief Information Officer of Seoul Metropolitan Government as well as former Secretary General of the World e-Governments Organization of Cities and Local Governments (WeGO).

Currently, Dr. Hwang is an appointed member of the Gov3.0 Committee of the Korean government, which designs and arranges government and public sector innovation programs at a vice-ministerial level.

 

OKMD knowledge forum 2017
Dr. Jong Sung Hwang

 

In his position as a senior analyst at the so-called National Information Society Agency (NIA), he dedicates his work to South Korea’s platform for developing Smart Cities with a people-centric approach where information systems are shared and accessible to all citizen. The NIA continuously strives to maintain the “definitive expert agency charged with a central role in the information of the nation’s society”.

Hereby, the main goal is to deliver new opportunities offered by information technology to the nation and its citizen by equipping national agencies, local autonomies and public enterprises with prime methodologies and solutions.

 OKMD knowledge forum 2017

 

Q :You talked about elements of the “fourth industrial revolution” which include “social revolution” and “new labour”. Can you elaborate a bit more about these terms?

Dr. Jong-Sung Hwang: “In the 1st industrial revolution one of the key driving forces are platforms, in particular a platform economy. This means to eliminate the ‘Silo Mentality’
(a mindset present when certain departments or sectors do not wish to share information with others in the same company) between industry, company and factory. Inevitably, it leads to a new kind of labour structure.

Older generations used to have just one occupation or at least follow only a single career path. After the fourth industrial revolution has eliminated boundaries or silos between industries, it became impossible to insist on just one job or a single profession for your whole life. So, people have to move between several different industries or services and often need to switch jobs more frequently.

Furthermore, we don’t work for a companies anymore as these often have automated certain work processes. So, they do not require as many full-time workers anymore. So, we have more and more freelancers and part-timers. As a result, this social revolution triggers two big changes. People open their own businesses and they more freely between different industry sectors or different kind of jobs.” 

 

OKMD knowledge forum 2017

 

Q: What is the function and meaning does a smart city have to its citizen?

Dr. Jong-Sung Hwang : “ If we understand the smart city as a kind of platform, then we can focus on the functions of platform. Platforms enable people to use technology cheaply and easily.

Google develops driverless cars but at the same time invest a lot into further upgrading and expending their maps system. So with their maps Google has a sort of platform to help operate their prospective cars more easily.

The meaning of building smart cities, we create common platforms that every citizen has access to and is able to use. In other words, these individual citizen can use technologies for a more affordable price than it would be ever available in areas of non-smart cities.”

 

OKMD knowledge forum 2017

 

Q: Are there any potential limits or dangers in creating such smart cities?For example: Could AI (Artificial Intelligence) lead to situations where we can loose control over it?
Dr. Jong-Sung Hwang : “ Out-of-control situations should be definitely considered as serious issues here. But there exists a general misunderstanding when people believe that machines are able to become independently thinking and acting.

Realistically speaking, in our country, AI has not achieved such a high advanced status. Therefore, there has been found no evidence that such cases can possibly occur in the nearer future here.

In smart cities, AI will be introduced and deployed very limited and carefully especially for routine processes and rather used in non-critical operations to ensure safety. Human control will be strongly applied to autonomous activities where AI is involved to guarantee a good amount of command over such situations.”

Q: Your affiliated agency, the National Information Agency Society, has partnered with several countries ranging from Myanmar and Mongolia to Mexico and Mozambique. But Thailand isn’t yet on the agenda. Since you are here in Bangkok, are you looking to expand networking and cooperation with Thai governmental entities? If so, in which areas both related and unrelated to knowledge cities?

Dr. Jong-Sung Hwang : “ The NIA absolutely wants to develop partnership with Thai government and industries. We have gained considerable experiences in e-government, big data, smart city and digital divide issues in Korea. Recently, we are working on policies for the fourth industrial revolution as explained above. We can work together with Thai government entities for wide range of policy areas including Thailand 4.0. There are many ways we can develop partnerships. I think, knowledge sharing like OKMD is a quite good way. I also hope, the NIA and Thai agencies could develop joint pilot projects in areas where both sides have high priorities.”

 

OKMD knowledge forum 2017
OKMD knowledge forum 2017

Link : http://www.okmd.or.th/

 

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

/// Myanmar ///
Story: Nawapat D. /// Photography:  Spaceshift Studio, Courtesy of Vin Varavarn Architects 

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

 


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Malaysia National Day 2017

Malaysia National Day 2017

“Merdeka! Merdeka! Merdeka!” Sixty years ago these chants ushered in a new era for thousands who descended into a large field to watch Malaysia’s new flag raised. Happy Independence Day Malaysia !!! These are the Malaysian houses we fell in love with…

/// Malaysia ///

This beautiful brick house belongs to a family of 4 in Malaysia. The design work and use of materials such as bamboo and old brick taken from a pre-WWII colonial house make it special.

Link : http://livingasean.com/house/beautifully-designed-brick-house/


This box-shaped house uses architecture, architectural elements, and coordinated interior design to tell stories of the present and the past.

Link : http://livingasean.com/house/box-shaped-house-texture-memory/


For 40 years this modest, two-story home has stood in a residential neighborhood near Kuala Lumpur International Airport in Selangor. Noise pollution has turned many people away, but architect David Chan has grown so acquainted with living in the area that he decided to stay. A frequent flyer, he thinks it wise to live a stone’s throw away from it all.

Link : http://livingasean.com/house/incredible-small-townhouse-renovation/


 

Amazing Craftwork at the SACICT Innovative Craft Gallery

Amazing Craftwork at the SACICT Innovative Craft Gallery

The official opening for the SACICT Innovative Craft Gallery has arrived, as Support Arts and Crafts International Center of Thailand continues its  hallmark support of village-based folkcraft combined with modern design trends to produce eye-popping work and build lasting careers.

/// Thailand ///

The Gallery is located on the second floor of the main SACICT building in Bang Sai, Ayutthaya. Entering the reception area we’re treated to visions from the book SACICT Craft Trend 2018, with a fascinating arrangement of social craft network presentations illustrating the book’s high points. Each of the products on display in the “Mass X Clusivity” exhibit has a story to tell. The “Digital Detoxing” section shows us designs that bring harmony to today’s changing world.

Décor and tasteful arrangement create harmonious connections between displays. We follow the production steps of these innovative crafts as skills are brought to bear and traditional knowledge applied, culminating in their appearance on the national stage – the IICF (International Innovative Craft Fair) or the Innovative Craft Award competition, for instance – as they gain widespread recognition and interest. It’s hard to find a more remarkable collection of unique and finely crafted pieces than here at the Gallery.

Under the heading “Benjarong” (primary colors), the Thai Navatasilp exhibit shows us a perfect balance of skill, traditional knowledge, lifestyle, and modernity. Here are works that define and extend the meaning of the term, such as “Plaa Gat” (fish bite) by Witsarut Angkhahawanit and masterpieces produced by acclaimed Thai artist Wasinburi “Tiw” Suphanich-Woraphat.

Interested in creating great works of your own? Want to learn about the thought process, or the physical construction of craftwork? Get news about the Gallery’s activities through Support Arts and Crafts International Center of Thailand, at www.sacict.or.th or www.facebook.com/SACICTGallery.

 


 

 

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10 Products with Cool Designs From SACICT Craft Trend 2018
10 Products with Cool Designs From SACICT Craft Trend 2018

10 Products with Cool Designs From SACICT Craft Trend 2018

From the book SACICT Craft Trend 2018, published by Support Arts and Crafts International Center of Thailand, we take 10 pieces that combine some very hip design with contemporary materials and production and startlingly traditional folk elements. Let’s see what’s there . . .

/// Thailand ///

1. Ceramic plate inscribed with traditional local fabric patterns, by Wit’s Collection adapts the intricate details of a cloth-based pattern to create a chic ceramic work with an eclectic tribal style.


2. The “Raindrop Hanging Lamp” by PATAPiAN: an imaginative blend of old materials, traditionally woven bamboo and moulded brass, formed into raindrop shapes. Great to mix and match with any style.


 

3. “Takra” multipurpose tray by Thinkk Studio and a wicker-weaving group at Baan Chang in Ang Thong Province: material is woven into small frames. This adds a new dimension to wicker work, since the technique was previously used only for large pieces of furniture. The innovation comes from a new generation of designers working with old-time artisans in SACICT’s Thai Navatasilp Project, which has received wide acclaim.


4. Jackets of woven fabric by Trimode Studio and an U-Thong quilting group in Suphanburi Province use plain woven fabric patterned with new designs simplifying an elaborate tribal style. Here excessive detail is smoothed out to give a contemporary look while using a traditional hand-stitching technique, another bit of folk knowledge preserved by SACICT’s Thai Navatasilp Project.


 

5. The Landscape Pot Box by TRIMODE DESIGN and a mango woodworking group in Hang Dong, Chiang Mai Province: a multipurpose storage box inspired by natural landscapes. The lids of these mango wood boxes are made from colored resin with a texture resembling natural stone. Here the touch of nature is combined with a smooth, very minimalist design.


6. “Tribida,” by Trimode Studio and a twine-weaving group of Ban Laem Yang, Nakhon Sawan Province is a movable set of storage drawers with interesting shape, color, and materials. The lightweight drawers come in a number of patterns and are woven from baling twine, for yet another attractive product from Thai Navatasilp.


 

7. The “Needle Chair” by British designer Veega Tankun adapts and extends a traditional silk weaving technique to create a new type of easy chair cushion. This cushion softens the chair frame for a gentler, more modern look while adding a new, truly charming dimension to chair design.


8. “Khrae Tray,” by Thinkk Studio and a wicker-weaving group in Baan Chang, Ang Thong Province, is a multi-purpose tray that got its inspiration from dwarf bamboo, its small bamboo slats charmingly set in a black steel frame. It can be put to all sorts of uses, including as a support for food dishes, or as a tea set tray.


 

9. The Line Tote Bag by Thinkk Studio and a natural-cloth-dyeing community enterprise group at Nong Bua Dang in Chaiyaphum Province is a shoulder bag with an intriguing shape, made of stylishly dyed woven fabric and adorned with simple, attractive monochromatic graphics and patterns that add to its contemporary look. This, too, is a Thai Navatasilp product.


10. “Mon Mai,” by Thinkk Studio and a natural-dyeing community enterprise group in Nong Bua Daeng, Chaiyaphum Province: these beautiful woven mudmee silk patterns are warm and modern, with reduced pattern detail suggestive of fashionable graphic art. The natural dyes give a gentle feeling reminiscent of pastels. Another proud example of SACICT’s Thai Navatasilp Project.

These ten craft art pieces use traditional Thai handicraft techniques adapted by leading designers to create stylish products, many of which are either still on display or in the inventory at SACICT Concept in Bang Sai, Ayutthaya Province. For further information, visit www.sacict.or.th or keep current with the news at www.facebook.com/sacict.

 


 

 

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Craft Trend Book 2018

 

SACICT Concept
10 Countries Experiencing the Harshest Effects of World Climate Change

10 Countries Experiencing the Harshest Effects of World Climate Change

 

Four ASEAN countries are listed in the 2017 Global Climate Risk Index Report as among the 10 countries most strongly affected by world climate change between 1996 and 2015.

// ASEAN //

Who Suffers Most From Extreme Weather Events? Weather-Related Loss Events in 2015 and 1996 to 2015 In Order To Report Effects of Climate Change in Various Countries Around The World,” a 2017 Global Climate Risk Index report released by Germanwatch, shows that climate change caused more than 528,000 people to lose their lives between 1996 and 2015, with financial losses amounting to  US$3.08 trillion. UNEP (United Nations Environment Program) estimates suggest that by 2030, total losses will be two to three times greater, and by 2050, four to five times these amounts.

Loss of life, economic loss, and number of catastrophic events summarized in this data table show that the harshest effects have fallen on “developing countries” not rich in resources. In the the top ten are four ASEAN nations. Myanmar is in second place on the worldwide list; most of us probably remember the beating it took from Cyclone Nargis in 2008. An island nation, fifth-place Philippines is listed with the highest number of natural disasters. Vietnam takes the number 8 spot, with number 10 Thailand right behind, its economic losses – $7,574,620,000 US – greater than any of the others. 13th place Cambodia nearly makes the cut to join its ASEAN friends.

Table courtesy of Global Climate Risk Index 2017 by Germanwatch

The Climate Risk Index gives clear indications of the huge effects climate change will have on development, as well as on personal property, quality of life, and national GDP in these countries. A secure future depends on each country having a solid plan for cooperating with nature and with each other. Sitting back and doing nothing as before isn’t an option.

 

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Craft Trend Book 2018

Craft Trend Book 2018

SACICT Craft Trend 2018, the most recent book in an annual limited-edition line published by SUPPORT Arts and Crafts International Centre of Thailand, is a collection of analyses of new trends in handicrafts written by highly knowledgeable people in design circles.

/// Thailand ///

Amphawan Phichalai, Director of SACICT and the book’s producer, puts it this way: “Handicraft development in the modern age has to keep pace with rapidly changing patterns in technology and the world itself. The crafts world needs to put these new technologies to use in connecting and creating networks of people with similar interests who can help each other in development, application, and boundless transmission of knowledge.”

This is the primary concept dealt with in this year’s “Social CRAFT Network” section as it examines the role of technology in this era, when it is such an essential part of people’s lives, putting information we need right at our fingertips for the finding, making connections with lightning speed. Acceptance and utilization of technology helps create a more efficient, comfortable, and generally better life.

And there is a whole new vocabulary, words which act as driving forces behind this year’s new trends.

One example is the term “massclusivity,” describing application of the the master craftsman’s techniques to industrial systems. These systems enable production of products in large numbers, utilizing mass-produced parts that minimize investment costs while building and maintaining the unique identity of handicraft products, preserving the magic and charm of the original craftwork while producing it with a combination of people and machines.

Then there is “digital detoxing,” built on an analysis of changes in consumer behavior that respond to a need to escape from the madly spinning world through relaxation – walking, sitting, lying down, rest and meditation – resulting in products with simple, straightforward designs, uncomplicated and easy to understand but offering the best solutions for improving everyday life.

Besides this, in this collection you’ll find significant content about trends in color usage, great products shown at the 2017 International Innovative Craft Fair, and interesting topics discussed at seminars with fashion industry leaders, highly skilled “trend gurus” from the design world who can guide you in your studies.

Want to reserve a copy? There’s more information available at www.sacict.or.th, and you can get the latest news at https://www.facebook.com/sacict/

 


 

 

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SACICT Concept

SACICT Concept

Another truly interesting highlight getting a lot of attention at the 2017 Baanlaesuan Midyear Fair is the craftwork on display at the “SACICT Concept” booth set up by SUPPORT Arts and Crafts International Centre of Thailand.

/// Thailand ///

SACICT Concept in “room Terminal,” room Magazine’s super-chic section of the Fair

SACICT Concept showcases contemporary and cosmopolitan Thai handicrafts, supporting craftsmen who adapt traditional folk knowledge to fit modern design trends. The work is beautiful, leading-edge, and these artisans have built careers from it. The work shown here comes from the original showroom at the main SACICT office in Bang Sai District, Ayutthaya Province. We hope you’ll come experience this beautiful detailed workmanship right here at the 2017 Baanlaesuan Midyear Fair at BITEC Bangna.

This year SACICT Concept has presentations in two locations, one at the Fair entrance, and the other in room Magazine’s “room Terminal.” Come along with Living ASEAN as we take you on a mini-tour of craft products, the beautiful décor of the main booth, and fascinating highlights created by five uniquely talented award-winning traditional artisans, notably:

“Phraewa cloth” woven in the Phu Thai tradition: Jintanapha Phonatha, Traditional Craftsman of 2014, learned the trade from her teacher, Wanida Phonatha. The intricate elegance of Phu Thai hand-woven silk originated in Ban Phon, Kham Muang District, Kalasin Province, where high-level knitting and weaving skills and contemporary design are taught. Products range from utilitarian household items to women’s accessories.

Old-fashioned toys: craftsman Thaweesap Namkhajonrote, 2017 Traditional Craftsman, creates charming and colorful Thai traditional toys such as tops, mobiles, wooden hammers, etc., all from an ancestral folk tradition that employs local knowledge to engage children in building and practicing physical, mental, emotional, social, and perceptual skills through play.

Lipao woven baskets: Noppharat Thongsephee, 2014 Traditional Craftsman, with contemporary products such as handbags and multipurpose storage boxes woven from the lipao climbing vine, using fashionable modern color and pattern design trends to create beautiful products that appeal to the international market.

Reed weaving: Phat Namphiwong, 2016 Traditional Craftsman, learned his craft from artisan and teacher Reuangyot Namphiwong. Phat puts great love and intention into his work, adapting and applying his knowledge and taking inspiration from Japanese woven fabrics to create new woven-reed products with soft textures. Formerly reeds were used only to make mats, but Phat’s creations include placemats, coasters, and bags.

Burmese Clay Pots: 2017 Traditional Artisan Phongphan Chaiyanil brought pot-throwing techniques learned in Hanthawaddy, Myanmar back home to Koh Kret. Adapting his skills and expertise to a 200-year pottery tradition, he developed forms and patterns from everyday life that emerge as charming, artistic masterpieces of home décor.

Here you’ll find many more interesting works from the Innovative Craft Award competition held each year at the IICF (International Innovative Craft Fair), every piece beautiful and worth owning. If you miss this year’s Baanlaesuan Fair, they’re available at SACICT Concept, Bang Sai District, Ayutthaya Province.

 


 

 

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Highlights of the Baanlaesuan 2017 Midyear Fair “Living with Passion”
Quotes Of The Day

Quotes Of The Day

Here are some quotes worth reading that were spoken by ten ASEAN designers during last week’s “room x Living ASEAN: Design Talk 2017” symposium.

/// Thailand ///
  Story: Nawapat Dusdul /// Photography: Nantiya Busabong

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Five Spots You Must Absolutely Not Miss at The 2017 Baanlaesuan Midyear Fair

Five Spots You Must Absolutely Not Miss at The 2017 Baanlaesuan Midyear Fair

“Living with Passion” is the defining theme of the 2017 Baan Lae Suan Midyear Fair. To help you get the most out of it, Living ASEAN would like to point out some of the Fair’s educational, entertainment, and inspirational highlights.

 /// Thailand ///
 Photography: Sitthisak Namkham, Natthawut Pengkamphoo, Supawan Sa-Ard
 

Room TERMINAL by room Magazine

High on our list is Room TERMINAL, a 580-square-meter space with a hip, straightforward and colorful design laid out in sharp lines and clearly marked walking paths to reflect the cosmopolitan world of ASEAN, mixing contemporary décor with fascinating local flavors. Don’t miss the SACICT CONCEPT booth, where you’ll see artistic modern Thai handicrafts from the most skilled artisans of the organization “Support Arts and Crafts International Centre of Thailand.” Stop and sip a cuppa at the charming little Laliart Café before attending one of the Design Talk symposia on design trends produced by Room Magazine and Livingasean.com and featuring famous designers. At the July 29 event, “Modern Tropical Re(Design),” you can interact with four of ASEAN’s leading architects.


 

Baan Lae Suan Publishing House Zone’s “My Little Farm”

This year Baan Lae Suan Publishing House has its collected books – on plant varieties, crafts, food, agriculture, etc. – on display under the heading “Urban Little Farming.” Here you can also enjoy shopping at an organic fruit and vegetable stand, the Little Tree plant shop, and a handmade jewelry booth. There’s also a coffee shop, and every day through July 30 you can join in workshops on pastry-making, plant cultivation, and do-it-yourself activities.


 

Kitchen lore at “Cooking Mania Home”

This zone has a display for home cooking aficionados designed by a Baan Lae Suan team to suggest various kitchen ideas and ambiences visitors might be inspired to apply to their own home cooking. It features a reproduction of the wood-and-charcoal-stove Thai kitchen of earlier eras, with kitchen implements hung on the wall; then there are a “pantry-style” urban kitchen that’s small but with full functionality, a spot where bakery-lovers can make pastries, and an outdoor kitchen with a large barbecue pit.


 

Greenhouse Zone for plant-lovers

People who love gardens and plants will be totally entranced with this zone and this year’s concept of “plant mania.” Here you’ll see decorative ways a person just crazy about plants might set up various spots in the house. One area is like a science lab, full of experimentation equipment. There’s a space bedecked and festooned with all sorts of species: ferns, sago palm, carnivorous plants, etc. Nearby is a courtyard designed to support practically all garden uses in all situations, with a small greenhouse showcasing how to cultivate and organize a plant collection.


 

Find that perfect piece of craftsmanship at “My Craft Zone”

The crafts zone this year is bustling with a wide variety of merchandise, producers, and craftsmen. Visit adorable shops selling clothing, handmade ceramics, leather shoes, and traditional Thai products, just for starters.


 

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Tropical Ways at the 2017 Baanlaesuan Midyear Fair

 

Highlights of the Baanlaesuan 2017 Midyear Fair “Living with Passion”

 

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