DONG NAI PROVINCE, VIETNAM / The Ho Chi Minh City-based design firm T3 ARCHITECTS has built a bioclimatic dormitory that’s part of a green classroom program in Vietnam. It’s made of locally sourced building materials, thereby reducing negative impacts on the climate and natural environment.
Aptly called “The Hippo Farm”, the 218-sq-m building is designed for students and families looking to just be surrounded by bountiful nature, gain experience with permaculture, go horseback riding, and learn more about sustainable construction.
Basically, it’s about getting involved in activities that reconnect with the true essence of education. Plus, it furthers the progress of team spirit and the opportunity for friends and family to share happy moments amid natural surroundings.
By design, the Hippo Farm is bioclimatic, a performance-based approach that pays particular attention to the relationship between living organisms and the weather conditions prevailing in an area.
To create a comfortable microclimate, T3 ARCHITECTS, or T3, first determined how the location and orientation of the site would affect the building’s energy profile. In so doing, the design team conducted a careful investigation of wind direction both during the dry season (to get the maximum benefits of natural air flow), and the rainy season (to protect the façade from water infiltration).
Next, they decided to elevate the building site above flood level by covering it with soil and debris from old horse stables that had fallen into disrepair and subsequently knocked down. This improvement in the landscape had beneficial effects on wildlife and provided the natural home for insects that are useful at the other end of the food chain.
Reusing existing materials is part of a frugal approach to do more with less. The new building has a simple steel structure tailor-made near the site. The walls are built of local bricks covered with lime plastering mixed with red sand occurring naturally in the area. Roof insulation is made of Vietnamese rice husk mixed with diatomaceous earth, which helps protect against insects.
Formed from hard materials including silica and lignin, rice husk is humidity resistant, which makes it a suitable building material for Tropical climate. Plus, it’s inexpensive and biodegradable. The doors and windows are crafted of solid wood indigenous to Vietnam combined with woven bamboo paneling. Both are easily obtained and able to build on a budget. They are water repellent and serve as engine that drives natural ventilation.
To save water, dry toilet systems are used. The toilet seat is made of OSB, a type of engineered wood, with a stainless steel toilet tank underneath and a lid designed for easy operation. Without using water in the toilet systems, waste matter can be added to soil to help build and improve the upper layer of earth in which plants grow. The sink or washbasin is controlled by a push button to teach kids about the importance of water conservation.
Handrails and pergolas are made of Melaleuca wood indigenous to southern Vietnam. It stands up extremely well to water. Solar powered water heaters are installed on the roof facing south where sunlight exposure is the highest. The surrounding landscape showcases the gorgeous range of native perennials that have evolved naturally in the region. They provide excellent shade for the building and require very low maintenance. All things considered, it’s a creative design that values frugality and simplicity emblematic of the Tropical countryside.
Design: T3 ARCHITECTS | http://www.t3architects.com Lead Architects: Charles GALLAVARDIN, Tereza GALLAVARDIN and Rafael LIRA
Design Team: Ta Quang Hai (Architect) and Huy NGUYEN (Interior Designer)
Contractor: Harmonie
Story: T3 ARCHITECTS / Living ASEAN
Photo: Herve GOUBAND (ALISA Production) | http://alisa-production.com
Jutamas Buranajade and Piti Amraranga are designer laureates and founders of the studio “o-d-a”, which is short for “Object Design Alliance”. They’re widely regarded for their original and unique creativeness.
Jutamas, who specializes in product design, is a graduate of Silpakorn University, while Piti did his graphic design degree at the Faculty of Decorative Arts, the same alma mater.
For the design duo, their career is a continuous journey to experience every aspect of art and design. Piti started out as a complete novice in the field of woodworking. But it’s the power of interest that’s led to more effective learning and eventually culminated in in-depth knowledge in the technique, design and function.
Over the years they’ve learned the trade from various master craftsmen including Phisanu Numsiriyothin, who clearly had a good influence on them, Their chief asset lies in the use of the imagination and original ideas that keep everything simple yet attractive.
It’s a subtle approach to keeping a balance between the processing of raw materials and industrial manufacture without sacrificing quality and uniqueness. Along this line of thinking, Jutamas and Piti proudly present the Rush Chair, a collection of woven rush chairs and stools made from green wood.
It’s a design that speaks for the trees, thereby saving them from harm and destruction. Precisely, if a seat can be made out of wooden sticks, then there’s no need to cut down any tree, a win-win situation for both humans and forests.
As Piti put it, “For the most part, designers have a good knowledge of lumber yard timber that’s been sawn into planks or partially prepared for construction. But we think it’s time to change the way we do things. The making of furniture from wooden sticks presents several challenges that must be overcome, ranging from debarking to reducing moisture content in wood.”
The stick chair with woven seat made of hyacinth fiber from Ayutthaya comes in handy as the prototype of the Rush Chair series. It’s become the inspiration for anyone wanting to try their hand at simple furniture making. Plus, it requires only a few hand tools, while the wooden sticks and rush used in seat weaving vary widely from one area to another. Together, they bring the power of storytelling that adds value to local products.
He said, “We view easy yet stylish furniture making with optimism. Anyone can do his or her own DYI furniture project. It’s a way to self-reliance and taking care of the surroundings. It’s different from commercial furniture, which requires a lot of energy and resources to manufacture. As for Rush Chair, if you make it, you can fix it. One day when it’s not repairable, you can discard it without harming the environment because everything about it is biodegradable.”
Jutamas Buranajade and Piti Amraranga of the o-d-a studio are among subject matter experts being featured in an online course of study titled “A Passion for Woodworking.” It’s part of BaanLaeSuan Classroom, a collaboration with CEA, or the Creative Economy Agency (Public Organization). The program is designed for people interested in woodworking and those looking to acquire basic carpentry skills through furniture making using basic tools and community resources, plus plenty of tips for developing a career in creative business. The show is hosted by Jeremiah Pitakwong, Editor of BaanLaeSuan Magazine. Start learning today at LivingASEAN.com.
SURIN / This small province about 6 hours’ drive from Bangkok is home to the Elephant World, an architectural landmark dedicated to preserving the warm, good-natured Asian pachyderm. The project extends across 3,000 Rai of land (roughly 1,200 acres) that’s part of the Dong Phu Din National Forest Reserve, one of Surin’s natural attractions.
The province is often taken as synonymous with the richness of culture of the Kuy people and the thing they know best – tending the elephant. It’s the way of life that originated in the distant past, one that’s deep-rooted in their thought, behavior and tradition.
Modern day Kuy ethnic communities (also known as Suay) concentrate in the lower region of Thailand’s Northeast, mostly in Surin, while smaller populations can be found in southern Laos, and norther Cambodia.
Located at Baan Ta Klang, Tambon Krapho, Tha Toom District, the Elephant World began in 2001 in a bid to bring vagabond elephants back to their traditional home. It’s the responsibility of the Provincial Administrative Organization of Surin. The project site sits surrounded by ethnic Kuy communities whose way of life has been concerned with the welfare, training and husbandry of elephants since time immemorial. Here, the peaceful Asian pachyderm is treated like family.
The Elephant World’s main attraction, the Outdoor Museum, is designed by architect laureate Asst. Prof. Boonserm Premthada of the Bangkok Project Studio. Apart from historical perspective, it provides a particular way of viewing lifelong friendships between humans and elephants.
Continuous vertical structures that enclose and divide exhibition areas are made of more than 480,000 bricks kilned the old-fashioned way. Sculptures set up at intervals tell stories of the role of elephants in ancient times. Together, they merge into stunning walled city vernacular that was the zeitgeist of the past eras.
Currently under construction is the Cultural Center and Elephant Show Court with tiers of seats for spectators and a central space for the presentation of dramatic events. The open structures are supported by concrete poles, while roof framing is crafted of steel with wood slat coverings to allow natural light and good ventilation.
A key element that’s easily recognized from a distance is the Lookout Tower that rises as high as a five-story building. 360-degree views can be seen as if from above from here.
Besides the three landmarks mentioned above, the Elephant World also features other interesting attractions. They include the Building of Majestic Elephants, the Elephant Training School, Kuy villages, 3D movie theatre, as well as shops and restaurants. If cultural tourism is your thing, stop by the Elephant World next time you visit Surin. For information, call 0-4414-5050; 0-4451-1975; or visit http://elephantworldsurin.com.
The coffee shop name got its inspiration from “Fly Me to the Moon”, one of Frank Sinatra’s all-time greatest hits. A brainchild of the Bangkok-based studio Embassy of Design Territory, the serene café serving coffee and refreshments is nestled among lush tropical gardens in the heart of the city’s Lad Phrao District.
Drawing on his experience and a remarkable aptitude for organizing events, the designer transformed an ordinary co-creating office space into a coffee shop ensconced among the trees and shrubs. The café on the ground floor is characterized by a relaxing cozy atmosphere that gives off good vibes. Vertical gardens come in handy to fulfill a dream that one day humans will be able to grow them on the Moon.
Design ideas: The outside part of the shop is made of steel scaffolds with platforms or shelves, upon which gardens of luxuriant foliage thrive. The café interior built of plywood affords ample space, while exterior glass walls protect it from the elements, let natural light shine through and increase aesthetic appeal. Wood furniture, vintage décor and garden plants have positive effects on the atmosphere and good mental health. There’s a picture of Leon: The Professional, a 1994 action thriller film, starkly juxtaposed with lush green surroundings. If you’re shopping for plant containers, there are plenty of them to buy.
Why we love it: Like an oasis tucked away in a city neighborhood, “Plant Me on the Moon” is a perfect rendezvous to share good times with friends and loved ones. The atmosphere is just right for life, and coffee smells like fresh ground heaven, plus a collection of soothing garden music. Drop in for a nice cup of coffee, sit back, relax and enjoy the calm and peaceful greenhouse view!
Time and budget allowing, it’s not hard to find a Chao Phraya riverside hotel in Bangkok for a night’s stay. What’s harder is to find a place rich with art and an atmosphere that makes you feel at home while taking you back in time to an earlier age in the river’s history.
This 10-room contemporary hotel with a taste of “Thainess” stands on 100 square meters in a tiny alley just off Chiang Mai Street, in the same neighborhood as the fascinating tourist destination Lhong 1919. “Amdaeng,” the hotel’s name, belonged to a fabled woman from the past and was suggested by the “Amdaengkhlee” on a former owner’s land deed from the Rama V era.
All the main architectural elements inside and out are painted vermilion: posts, beams, floors, walls, ceilings, so that looking from the other side of the river it stands out clearly from its surroundings. Coming in from the other side you approach the entrance through a maze of alleyways, as the scene gradually opens up to reveal a red building that seems to be composed of separate sculptures joined together to become one grand form in which the architect envisioned people living.
Inside is a restaurant with a quiet calm feeling, lowering the dial on the red, and also more masculine: The feminine “Amdaeng” calls for some male balance, so the restaurant is named “Nye,” meaning “mister” in Thai. The restaurant materials and décor are simple and straightforward but rich with art, bringing to mind the phrase “blue and white,” for the indigo-patterned tile of China favored by Chinese social clubs and found everywhere in old China. Up above is a fabulous roof deck with a sort of “grandstand” for viewing the river rising upwards in tiered circles like the chedi of a Thai temple. In the future this area will be a nighttime bar.
Guest room décor shows a mix of styles reflecting Thai as well as other cultures: Chinese, European, Indian. To recall an earlier era when the dominant cultures were mixing in a formative way, aging techniques are used to alter the look of the glass, the floor tile is dimmed with a charcoal color, antique furniture is used, and remodeling has added beauty and refinement to an atmosphere of bygone days so as to live up to the catchphrase, “The most romantic hotel in Bangkok.”
From time to time, it’s good to leave a hectic lifestyle behind. Escape to the countryside and enjoy life in the slow lane. Priceless! There’s nothing like staying close to nature and being surrounded by mountains and lush paddy fields. Do something you’ve never done before. You can be a part of a local community by getting involved in farm activities.
Collect freshly laid eggs from the chicken coop, pick mushrooms from the nursery, and get vegetables straight from the garden. Even cook your own meals using seasonal ingredients from the community. Or treat yourself to a chicken coop sauna amidst rice fields, a spa idea you never imagine.
There are plenty of reasons a farmstay is the perfect experience as you learn to live in a natural environment. Ahsa Farmstay is offering tourists a chance to stay overnight on a working farm. It’s a place to be happy and have fun as you interact with people in the community and learn about their heritage and culture of farming.
From Chiang Rai, head north towards Doi Mae Salong. About halfway there, you come into Mae Chan District. Ahsa Farmstay is located on 85 Rai (33.6 acres) of land, surrounded by views of the rolling terrain, fertile grounds and lush plains.
The luxuriant vegetation encompassing the farmhouse makes the atmosphere calm and relaxing. The property owners have spared no effort in making sure visitors are happy physically and mentally as they gain an understanding of local culture and the beauty of traditional Lanna architecture.
Ahsa Farmstay is the work of Creative Crews, an architectural design firm passionate about traditional Lanna architecture.
By looking at the northern heritage from a different perspective, they are able to create a home that’s modern in style and functions. This is achieved by reducing design detail and embracing the traditional principles of form and layout. The result is a home that combines privacy, comfort and convenience.
Ahsa Farmstay consists of four buildings. The property owners’ home sits at the center of the rectangular floor plan flanked by two-story buildings that provide guest accommodations on the left and right wings. There are four guest rooms in all. A pavilion that’s up front by the entrance provides a place to unwind and relax, and room for activities.
Im, who oversees Ahsa Farmstay, says the design concept is inspired by a desire to be a part of the local community.
“This is the first phase of an ongoing experiment. The farm owners are a family that resides in this community. By living on the property, they are on hand to take care of their guests at all times. Determined to preserve their way of life, they prefer not to travel some distance to work in the city. And that’s what gives rise to the farmstay project.
“We have good relationships with the community and hire local carpenters to build. They are rare these days, but we find some in the neighborhood.
“For quality assurance, they work under our supervision. The project is built almost entirely of wood recycled from old houses. Our architects take the time to do it right. They go through each and every piece and handpick only the ones that meet specified construction standards.”
An architect on the team added, “Reclaimed wood is the main building material because it can be sourced directly from the community.
“It comes in handy since some villagers are willing to sell it as reusable material. In the end, it’s about finding a new use for old wood and adapting it to serve new purposes. Once the villagers see that we can do it well, they adopt the idea and technique to better suit their construction needs.
“In the end, it adds up to the continuation of cultural heritage and preservation of traditional Lanna architecture by passing on the skill and knowledge to young people in the community.”
Besides old wood, the team is able to put other recyclable materials to good use. They include concrete roof shingles that are rare nowadays. They are made the old-fashioned way using the pedal-powered pottery wheel. Also known as the kick wheel, it’s an ancient manufacturing technique that has been passed on in the local community.
To prevent leaks, the roof is covered by two layers of shingles. The weathered concrete look is beautiful. That’s not all. Ahsa Farmstay is also decorated with items of handicrafts and furniture sourced directly from the community.
All things considered, the atmosphere is warm and inviting. It gives other families in the neighborhood some idea of how they can offer a form of hospitality and lodging where guests can stay overnight at the home of locals and learn about their culture.
It’s an opportunity to play host, cook food and share their lifestyle and culture. Like so, Ahsa Farmstay is planning on providing more guest rooms as demand for cultural tourism increases.
And it works both ways. New lodgings will be built by local carpenters, which in turn generates supplemental incomes for the local community. In the big picture, it amounts to promoting a kind of tourism intended to support the conservation of cultural heritage, skill and knowledge in the community.
The designer wraps it up nicely:
“It’s important that visitors refrain from causing changes in the community’s way of life. More than anything else, the farmstay provides the opportunity of learning something new about rural culture.
“Visitors are welcome to join in the daily activities of locals. Architecture has a role to play in the betterment of society. The homes built by locals not only promote cultural tourism but also contribute to efforts at sustainable development in the area.”
By looking at old Lanna architecture from a new perspective, a design team is able to create a home that’s up-to-date in style and functions. This is achieved by reducing design detail and embracing the traditional principles of form and layout.
The result is a home that combines privacy, comfort and convenience.
This story is from Modern Vernacular Homes Special Issue: Happiness Matters. (Available here in Thai and English)
Jade has been cherished over many centuries. There is something about it to hold dear. The green ornamental stone is considered a lucky charm by the Chinese people. It symbolizes purity, kindness and virtue of moral good.
A part of people’s lives from time immemorial, jade has evolved into an artistic tradition. In China it has a specific connection with folk medicine and long-established cultural expressions.
Aficionados of jade shouldn’t miss a handicraft exhibition that’s taking place now at Siam Paragon. The focal point of the show is a beautifully handcrafted jade mat made of about 27,000 green stone beads. The exhibition known as “Design Nation” is happening until November 17.
The jade mat on display is designed by Panitsara Hongthanadecho and made by a team of highly skilled craftswomen from Myawaddi, Myanmar. The green stone is believed to have the power of giving delight and arousing admiration. It’s in demand for its spiritual and healing properties relating to traditional Chinese art and culture.
The 67-year-old designer is a Thai of Chinese descent, who grows sentimentally attached to everything jade. It’s easy to perceive the meaning of the green stone when she included a jade mat similar to the one on display among funeral objects for her mother recently.
She said that the green ornamental stone was believed to have positive energy. In ancient times, emperors and members of the Chinese nobility aspired to sleep in a bed filled with green stone beads threaded together to perfectly fit the bedstead, on which the mattress was placed.
Panitsara could still recall promising her Mom a jade beads mat ten years back. She searched and found a big block of jade, bought it in an auction, and had it cut to size. She received about 27,000 stone cubes, each measuring 10 millimeters.
She had them machined continuously for two days to achieve perfectly polished round stone beads. After that, they were threaded together. And the final outcome is beautiful beyond words, thanks to a team of highly skilled craftswomen she hired from Myawaddi, Myanmar, which is located across the river from Mae Sod District in Tak. As promised, she included the jade mat among other funeral objects for her Mom after she passed.
That’s just one of many interesting items on show now at Design Nation, on the second floor of Siam Paragon. The event is rich in exhibits from several countries including the Philippines, Italy, and those created right here in Thailand.
Whilst there, drop by the design market and attend workshops and seminars hosted by the Bangkok Art and Culture Center, Lido Connect, Siam Center, Siam Discovery Center, and Siam Paragon.
Who would have thought it! Discarded plastic bottles and jars could transform into cute whale-shaped napkin box covers. Not to mention water-saving glass drying trays for the kitchen. Plenty of fantastic ideas for modern home décor and accessories to make sure everything is organized and in place!
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Stoty: Samutcha Viraporn, Photo: Press
Disposable plastic bottles become trash after a single use. In the manufacturing process, some of them are discarded without seeing the light of day. The good news. Designers have come up with ingenious ideas to turn waste into products of better quality and higher value than the original. And the sky’s the limit.
Many transparent plastic bottles are made from a type of plastic called polyethylene terephthalate, or PET. What we don’t see is the plastic packaging that doesn’t make it to the shelf. In the manufacturing process, bottle samples are taken out and evaluated. By law, the plastic packaging that fails quality control testing cannot be recycled into bottles and jars again. So they become raw materials to make different types of goods instead.
The Qualy manufacturer brand, in collaboration with the beverage company Ichitan, is able to breathe new life into unusable industrial waste, turning it into reusable raw materials. Its main forte lies in design capabilities that turn unwanted materials into upcycled products that meet the higher expectations of modern customers.
Its expert skill in recycling earns it a reputation for creative new products for a chic home update. One of them is the cute whale-shaped napkin box cover called “Moby” that takes 28 recycled plastic bottles to make. It takes pride of place in the bathroom, or serves as a reusable plastic bag holder for the kitchen. Anyway only biodegradable plastic bags are recommended. The design is stimulated by whales that have died from plastic waste in their stomach. It’s the tip of the iceberg that reminds us all to use less plastic to protect the environment.
Also worthy of attention is the aptly named “Oasis Tray”, a drinking glass drying rack made from 56 recycled plastic bottles. It doubles as an irrigation system that supplies small amounts of water to houseplants.
Other interesting products include a beautiful array of indoor planters, each made from about 8 to 10 recycled PET bottles. Not to mention greenhouse supplies and cute containers designed to encourage people to start growing for a better, healthier home environment.
Together, they convey a rich and subtle message. Reduce plastic waste now, or turn it into new materials for creative reuse. After all, we still have plenty of discarded PET plastic packaging to deal with.
The Bangkok Design Week that ended February 3 was a confluence of many great ideas, among them products of a collaboration between two homegrown designer groups, Thinkk Studio, and Studio 150. Their waste recycling ideas shone with excitement at a show called “City Materials”.
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The seat of government of Thailand, Bangkok is renowned for being a regional trade and economic hub, as well as home to many established and up-and-coming designers. Much of the large, densely populated city is not covered with forest. Nor does it have a wonderful richness of industrial materials. But, do you know this?
Every fifteen days, the number of lottery tickets and packaging material printed in Bangkok is enough to cover 173 football fields. Of that amount, a whopping 98.6% accounted for the tickets that didn’t win. Not only that, lottery tickets are printed on special grade, water-repellent paper that doesn’t break down easily. All things considered, that’s a whale of a job for paper recyclability.
Where most would see useless waste materials, the two designer groups see endless possibilities. Thinkk Studio creatives, in association with their design peers at Studio 150, have researched and experimented with lottery paper waste for some time. They succeeded in recycling it in ways that could answer specific design, art and craft and industrial needs in future.
“City Materials” showcased five materials the joint team has recycled from wood chips, plastic bags, incense sticks and ashes, coffee grounds, and discarded building supplies sold for scrap. For a glimpse into their design ideas.
The Airports of Thailand Public Company Limited (AOT) announced on August 22, 2018 that the Duangrit Bunnag Group, aka the DBALP Consortium, has won the Suvarnabhumi Airport Terminal 2 Project design contest.
AOT had previously invited the private sector to make bids for designing the new 35-billion-baht Terminal 2 project. As a result, the first runner-up Duangrit Bunnag Group was declared winner for its design proposal worth an estimated 329 million baht.
DBALP was able to achieve an important triumph after the winning bidder SA Group was disqualified for failing to submit an important document, namely, the original quotation for the cost of work as stipulated in the contract.
The SA Group stood firm that it had never received the original quotation document from AOT, and called for a reconsideration of bid results. It made reference to winning on points for its technical proposal, and that the cost of work it entered for the contest was lower than that stipulated by AOT. Furthermore, the purpose of the original quotation document was only to prevent the competition process being compromised.
Four private sector groups responded to the AOT invitation to compete for design work by means of sealed bids. The first is a consortium of legal persons consisting of DBALP, Nikken Sekkei, EMS, MHPM, and MSA, collectively known as the Duangrit Bunnag Group for short.
The second group is an association of consulting firms made up of the Beaumont Partners Co Ltd, the Index International Group Co Ltd, the Egis-Rail (Thailand) Co Ltd, the CEL Engineers Co Ltd, the CEL Architects and Environments Co Ltd, the Alana Engineering Co Ltd, Egis Avia, and Egis Rail S.A.
The third group is a number of consulting firms composed of the Varda Associates Co Ltd, the Wise Project Consulting Co Ltd, and the Chong Lim Architecture Co Ltd.
Last is the SA Group, a consortium of consulting firms made up of the Span Consultants Co Ltd, the Sign-Tech Engineering Consultants Co Ltd, the Azusa Sekkei Co Ltd, and the Sky Party Co Ltd.
As per the August 22, 2018 announcement, the DBALP Consortium is obligated to complete its forest-inspired design on the Suvarnabhumi Airport Terminal 2 project in 10 months’ time. Coming up next is an AOT invitation to bid for the construction phase.
Designed to meet future demands, the new Terminal 2 at Suvarnabhumi Airport will have the ability to receive over 30 million passengers annually — 12 million via domestic flights, and 18 million on board international flights. The building will come complete with 14 airport aprons and parking spaces for 1,000 cars. Construction will take about 30 months to complete. The project is scheduled to be fully functional mid-2021 at the earliest.
A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium
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