Blog : LIVING

Gardening with Water Science

Gardening with Water Science

Besides nurturing plants, water has many garden uses:  fresh, exciting ornamentation, for one.

/// Thailand ///
Story: Panchat Changchan /// Photography: Baanlaesuan

– The sound of water –

If a garden includes naturally flowing water or an old pond or spring, the water can be used to drive a fountain or water wheel, or dammed up to control the flow near a garden entrance or a relaxation spot.

Or, original garden fixtures such as walls or other architectural elements can be used with pumping systems to create dimensional motion in the form of a waterfall wall, or an artificial waterfall. Here, choose rough-surfaced materials and/or steep surfaces so water running across them produces a strong, clear sound. This can be enhanced by controlling water pump pressure.


– Images reflecting beauty –

The inherent reflective property of water can bring a more spacious garden atmosphere, adding dimension and color as well as changing motion and texture. We see this in world wonders such as the Taj Mahal and Wat Kinkakuji Temple, as well as in “infinity” swimming pools at seaside resorts. Reflection always creates feeling and perspective in the viewer, often simply a function of the width and the stillness of the water. A lake or large pond dug next to a  garden highlight can create a beautiful view for people looking from the opposite bank.


– Lights in the water –

Lights in and around the water create worlds of brightness and shadow above and below the surface. Refraction creates beautiful, entrancing “water ghosts.” Underwater lights should be used in conjunction with well-structured ponds and good treatment systems to ensure easy maintenance, protect against damage, and to get bright, clear underwater lighting. Only specially designed light bulbs adapted for low voltage should be used underwater.


– Mist to create dimension –

Mist or water spray is commonly used in tropical or jungle gardens, mainly with minispray-type sprinklers primarily intended for watering and moisturizing plants, especially large ones such as ferns or orchids, but incidentally also cooling the garden. Nowadays minisprinkler heads are often hidden among plants or in spots among small shrubs and ground cover plants, but they can be also be used with fountain systems to create mist in the middle of ponds, adding a different kind  atmosphere or narrative than usual to sculptures or pond highlights. A good example is in the yard in front of the Place de la Bourse in Bordeaux, France.


– Related sculptures –

Water can itself be used as a sculpture, or in combination with actual garden sculptures, statues, fountains, European-style bird baths, or for fish ponds, as in Thai gardens. Statues using water as ornamentation usually highlight its motion, spouting up or falling. This is common in ordinary fountains, but other water properties can be used in combination, for instance transparency. Water curtains or moving shapes that look like glass can be created. And water plants themselves often have beautiful and unique shapes.


– Creating a good ecosystem –

The most important use of water in the garden is to create life and maintain an ecosystem that faithfully imitates nature so the garden can grow sustainably, not only for plants, but as a home and food source for water creatures and many other living things. If you have a large area for a garden, you could begin by digging a pond about one-fourth its size to hold rainwater, then use that pond for watering plants as well as to grow local water plants and riparian vegetation. Make an artificial waterfall, grow interesting plant species large and small, and even enjoy the delights of raising fish!

A TROPICAL WATERSIDE HOME MADE FOR THE THAI CLIMATE

A TROPICAL WATERSIDE HOME MADE FOR THE THAI CLIMATE

/ Bangkok, Thailand /

/ Story: Wuthikorn Suthiapa / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

This tropical waterside house brings back memories of Thai life as it was along Khlong Samsen (Samsen canal) in bygone times. From the outside, it looks straightforward and contemporary, but inside is a fascinating mix of antiques from the owners’ collections.

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Outer stair, up from the pool to the second-floor balcony
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Perforated fence with wind baffles for good air circulation within the property
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Blocks with 1-inch spaces to control fresh air coming into the house
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Work room with a library design

To match the Thai climate, Associate Professor Dr Tonkao Panin designed this house in a tropical style.

Although it has a contemporary look, the tropical waterside house contains a mix of antiques and collectibles belonging to owners Kajorn Tanaphaet and Eugene Kroon. A major design challenge for Dr Tonkao was to make old and new fit well together.

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Swimming pool, designed as to appear continuous with the khlong (canal) outside

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“My requirements are simply stated: 1. I don’t want luxury. 2. I want high ceilings, and 3. Air conditioning should be minimal. Tonkhao’s proportional design successfully connects the entire property: balcony, reception parlor, reading room, down through the kitchen and out to the swimming pool and pier.

“There are a lot of reasons I’m pleased with this location: it’s at the end of the soi, quiet and peaceful, one side opens onto Khlong Samsen, and there’s space in front for a nice garden.

“I bought the place some time before I ran across a house designed by Tonkao in a book I was reading and managed to get him to come design this one.

“As you can see, the end result is a good-sized house with a great style,” says Kajorn.

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The design of this tropical waterside house took 8 months, and construction an additional year.

“We did it little by little, along the way discovering things we liked in the detail suggested by the word ‘house.’ Here is a mixture of many things: some sections come from Eugene and me, some from Tonkao, and there are things the craftsmen suggested as we chatted during construction.”

Aside from the remarkable style and the great number of owner-collected antiques and collected artifacts, another point of interest is the unusual transverse placement of the house, set crosswise on the property.

“Kajorn wanted to have the house right on the water,” explains Professor Tonkhao, “and orienting the house this way lets it catch the constant breeze from the lawn out to the khlong.”

So this tropical waterside house has permanent natural ventilation. “Even though the design is straightforward, we want it to create a feeling somewhere between being inside and outside, a tropical feeling.

“The house is designed so it can fully open up to the air from terrace and doorways, that all can be left open. At the same time, balconies and doors block the direct sun from entering the building, creating different levels of sunshine and shade inside and out.”

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Even in the late afternoon, it’s still shady and cool. The patio has a long porch deck reminiscent of an “arcade,” the façade of a Sino-Portuguese-style house.

There’s a balcony door which can be opened vertically as a sunshade, a similar design to a Thai-style “baan krathung” pop-up window.

Features such as this help create an amazing sense of comfort for a Bangkok house.

 

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Owner: Kajorn Tanaphaet and Eugene Kroon

Architect: Reserch Studio Panin by Associate Professor Dr Tonkao Panin & Thanakarn Mokkhasamit


 

Extended Family’s Big Wooden House in Bangkok

Extended Family’s Big Wooden House in Bangkok

/ Bangkok, Thailand /

/ Story: Jeadwonder / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham, Piyawuth /

Young married people these days tend to move away to have children and live separately, but Chang (Somprasong Sawat) and Bua (Buachomphu Ford) have brought their families back home. Everyone living together in a warm communal atmosphere makes this big wooden house a true family home.

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Mother and her younger sister live in the left wing. Behind is the parking area. Spaces are separated with drapes that can be rolled up and put away to create a common space for big family dinners.
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Teak wall and outdoor connection of mother and younger sister’s house.

“We’re all one big family, Mom, my sister, and my family, which right now is me, Bua, and our three young sons. It’s comforting to have relatives nearby. Grandma and Auntie help with the grandchildren,” Chang says with a smile.

Kanika Rattanapreedakul of Spacetime Architects Co.,Ltd. designed the house: Chang had learned about her work from a magazine article about house design in New York’s Soho district, where Kanika was the single Thai woman featured among a number of Westerners.

Her design resulted in this unique 1,000 square meters big wooden house, divided into three main sections. The first part, in the center, holds the swimming pool and central area of the house: living room, dining area, and Western-style kitchen. This is everyone’s common area.

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Dining area and light-use kitchen.
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Chang and Bua’s parlor, used for a meeting room or just to socialize.
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Fresh red tones enliven Chang and Bua’s living room.
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Left: Chang’s sister’s private kingdom. Right: A glass corridor on the second floor connects Chang’s house to the central area.

A section of the lower floor is designed for parking. The mother’s bedroom on the second floor has a classic décor. A vertical garden adds a feeling of warmth. The third floor is Chang’s sister’s domain. The right wing is surfaced with aluminum paneling, for a modern, fashionable “industrial” look: the family calls it the “tin house.”

“I collect paintings, so we have a room for them; in fact the room is designed around them. I favor surrealism and expressionism. You don’t have to understand everything to appreciate the art: it’s enough for it just to have an emotional impact.”

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Chang and Bua’s art-gallery bedroom connects to a spacious white bath.

The ground floor next to the pool has a reception area for guests, decorated with Chang’s art collection and next to a glass room where Bua practices yoga or sons play with friends, neighbors, and relatives their age.

The second floor is a mezzanine, with young Matt’s bedroom and a small pantry. Finally, on the third floor is Chang and Bua’s bedroom and two more small rooms for the children as they get bigger.

The design takes everyone’s needs into account in creating not only a beautifully designed and fully functional living space, but more than that, a place that brings together the love and warmth in the family, something that can’t be found anywhere else but here, their “home sweet home.”

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Owner: Somprasong Sawat and Buachomphu Ford

Architect: Spacetime Architects Co.,Ltd.


 

The Ironwood: A Chiang Mai Vacation Home Out in Nature

The Ironwood: A Chiang Mai Vacation Home Out in Nature

/ Chiang Mai, Thailand /

/ Story: Monosoda / English version: Peter Montalbano /

/ Photographs: Nanthiya Bussabong /

Mountains, streams and forests in Mae Rim District embrace the open-air vacation home of a Bangkok metropolitan lady who has chosen tranquil Chiang Mai Province over big-city distraction and confusion.

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Up front stands a beautiful Ceylon ironwood tree (scientific name: Mesua ferrea), also known as “Bunnag” in Thai. The building to the left side holds a reception lobby, with private residential areas upstairs. To the right is a spacious, open dining hall.

Three years earlier, this was just a holiday home for Lady Ying (Supapa Sanitwong). At that time, Prince Dighambara Yugala was in charge of it, and at his suggestion Lady Ying came to see if she should try living here permanently.

“Before, the house was surrounded by jungle. I explored a little each day, and found a nice view of the mountains. When the brush and grass was cut down, I found the river practically surrounded the house! Right then I fell in love with the place.”

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The concrete structure with simple walls of brick perfectly suits the old-style doors and lunette windows.

Lady Ying bought the estate for her residence, naming it “Ironwood,” and put in a new building as lodging accommodation for visiting friends and family. Later, a hotel was added for guests wishing to experience the natural world of northern Thailand.

The name “Ironwood” refers to the Ceylon ironwood tree (scientific name: Mesua ferrea), also known as “Bunnag” in Thai. “This is a monument to my great-grandmother Jamreun (Bunnag) Sanitwong Na Ayutthaya, wife of Suwaphan Sanitwong in the reign of King Rama V. She’s not well-known, but is always in my thoughts,” she recalled.

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The dining hall boasts the beauty of a high ceiling. It opens on all sides so guests can all experience the shady outdoor ambience.

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The hotel has 5 rooms, each with a view of the Mae Sa River and the pleasant shade of big trees.
The hotel has 5 rooms, each with a view of the Mae Sa River and the pleasant shade of big trees.

One of Lady Ying’s neighbors here is famous sculptor Jamnian Thongma, whose building design talents helped make her dreams come true. There are two zones on the premises, one in front and the other at the rear.

The front area holds two buildings; on the left, a reception lobby, with Lady Ying’s private residence above; on the right, a dining room and catering area. A walkway connects the buildings. The rear zone holds a riverside guest house.

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The simplicity of the bare concrete wall helps direct guests’ attention to the natural world all about.
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Climbing vines on the outer brick wall adds to a pleasant, shaded look, also reducing heat absorption.

Lady Ying walks us up the white metal spiral stair to her space on the second floor: a comfy, airy little studio with classic décor and a great view of the mountains.

The bedroom connects directly to a spacious bathroom; the kitchen is separated, and from there a stairway leads down to a greenhouse garden. The Ironwood grounds are shady and pleasant, landscaped by Siriwit Riwbamrung and Jaturong Khunkong of the Little Tree Landscape.

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A wrought iron spiral stair leads up to the private residential area.
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A tidy bedroom all in white, even the floor, with lots of natural light from the balcony.

The rooms contain antique decorative items collected over several decades: wooden screens from Burma, handmade chandeliers from Italy, mortared columns from India: many remarkable masterpieces arranged to produce a multicultural atmosphere by interior decorator Sorasak Chatrakul Na Ayutthaya.

Taken as a whole, the vacation home has a remarkable mix of a natural setting and cultural atmosphere, with universal narratives everyone can understand. It’s a place that gives a sense of peace and tranquility, just waiting to be experienced.

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[Left] The welcome hall features a high ceiling from which hangs a handmade glass chandelier from Murano, Italy. / [Right] A sewing and needlecraft hobby corner in the loft style, furnished with antiques which keep it from looking overly contemporary.
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Drapery hanging in loose folds separates the bedroom and bath for an open, uncluttered look.
The kitchen opens out to a stairway reaching up to the rooftop deck and down to the garden below.
The kitchen opens out to a stairway reaching up to the rooftop deck and down to the garden below.

Architect: Sorrasak Chatkul na Ayutthaya, Jamnian Tongma

Garden Designer: Siriwit Rewbamrung, Little Tree Landscape (www.facebook.com/Littletreelandscape)


Visit the original Thai article…

THE IRONWOOD – บ้านหลังใหม่ ในอ้อมกอดขุนเขาที่อำเภอแม่ริม


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A Compact Home Studio Where the Old Tells a New Story

A Compact Home Studio Where the Old Tells a New Story

/ Chiang Mai, Thailand /

/ Story: Polaroid / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham / Styling: Prapaiwadee Phoksawad /

Let’s look inside a compact home studio that’s truly in a class of its own. Glass panels everywhere give it a bright and sunny personality. Interior décor features charming antiques, many redesigned with new forms and functions.

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Double height room design reduces heat radiation through the glass.

Torlarp Larpjaroensook, a young and upcoming artist, founded “Gallery Seescape” in Chiang Mai, where his well-known works “Grandma’s Spaceship” and the light switch manikin “Bestto Boy” are on display.

His new pad, a very cool three-story home studio just a few steps away from an old house, stands where Torlarp and his construction team tore down what used to be a 4-by-8-meter art materials storage shed.

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A tree in the bathroom! The skylight above provides natural light. Take a shower, and the drainage waters tree roots below.

The new compact house faces west to greet the old place of residence, with the two connected by a flyover walkway. It’s thoughtfully devised to give new form and function to favorite materials he’s collected. Torlarp’s idea: the narrative in things which have lasted over time will take people’s memories on trips without end.

“My first vision was a bridge between buildings which would give the feeling of being in a tree: look up, see the sky. So from the start the building had to be tall, but the most important element really was the proper use of the antiques I’d collected,” Torlarp explained.

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As the artist puts it, more than 30 percent of the new house and fittings come from the redesign of old things. “Teak, old metal: it’s all about what could be used for what, and how? Take for example an old teak door that has been repurposed as a dining table. It’s edged round with copper and refitted with rusty antique iron legs.”

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From the start, Torlarp wanted the house to be both art showroom and workshop, which is why it’s so open: installed rectangular steel frames are fit with glass to build entire walls, with a “double space” interior height, creating lines of sight giving a good view of the art work from every spot.

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Attic bedroom: The east wall at the head of the bed is a clear glass window designed for waking with the morning light.

The lower level interior is divided into a painting studio, dining area/kitchen, and a sitting parlor. The second floor holds the living room and home office, while the third floor is an attic bedroom with a round skylight to allow sleeping beneath the stars and waking with the sun.

“I’m interested in architectural openings: doors, windows, etc., connecting the indoor and outdoor worlds. They’re points of change for wind, sunshine, and even people. That’s how the project started,” Torlarp explained.

The convex curvature of the kitchen countertop is a space-saver.
The convex curvature of the kitchen countertop is a space-saver.

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Under extreme space limitations, free and comfortable living can only come from well-thought-out planning. In this particular case, the stairs were a challenge.

“The staircase is actually a showy part of the house I’m really interested in, since it’s involved with both building height and space used. It had to take up the least possible space and, at the same time, function as a piece of art right in the center of the house,” added the artist/homeowner.

“Managing materials is hard, especially using leftovers. I needed ten steel segments to make the stairs, but could only get four, so I had to scramble and rethink the whole process,” said Torlarp, smiling with pride at the end result.

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Owner/Designer: Torlarp Larpjaroensook (www.torlarphern.com)


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Box-Shaped House with the Texture of Memory

Box-Shaped House with the Texture of Memory

/ Petaling Jaya, Malaysia /

/ Story: Wuthikorn Sut / English version: Peter Montalbano /

/ Photographs: Sitthisak Namkham /

This box-shaped house uses architecture and coordinated interior design to tell stories of the present and the past.

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The house is located in the Petaling Jaya district of Selangor, Malaysia. This is a district of single homes, but with little space to put up a large house.

Still, architect Dr Tan Loke Mun rose to the challenge of house owner Kenneth Koh and tore down the former structure here to build a new 3-storey box-shaped house in its place.

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“Ground space was limited, so we built upward,” the architect told us. Building vertically involved careful division of space. The lower floors hold common areas: parlor/living room, dining area, kitchen, and conference/chat room. The 3rd floor is an attic, holding hidden utility systems next to a small living room.

The designers brought an “outdoors” mood to each part of this box-shaped house: there’s a “double volume” high, open space on the first floor; glass windows open to the garden atmosphere, and potted shade-loving plants bring it inside.

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Gentle sunlight shining into the living space combined with a light breeze from a ceiling fan gives the feeling of sitting in a garden.

An effective play of space combines with the interior décor to bring out a timeless feeling that reflects its Malaccan legacy. The Chinese-style furniture, both traditional and contemporary, was made by Malaccan artisans. Paintings tell of a land that lives on in the memory of the owner.

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For architectural reasons, the stairway is in the middle of the house. The folded steel balusters look light, and the red banister is at once tremendously chic and reminiscent of the row houses of yesteryear.

Significantly, the prominent terra-cotta tile facade is remarkable.

“In tearing down the old house, we discovered that the roof tiles were handcrafted, imported from Calcutta, India, so we set them aside to use this way for privacy and heat insulation,” added the architect.

“Their texture connects nicely with the other materials used here. This original house tile is long-lasting, looks great, has a timeless quality, and is a good choice in combination with the other main structural components of brick, concrete, and steel.”

The decorative outer house wall uses a suspended steel framework to hold the terracotta roof tiles and red brick.
The decorative outer house wall uses a suspended steel framework to hold the terracotta roof tiles and red brick.

The outer surface of this box-shaped house structure shows a wall of terracotta roof tiles that open and close to catch the light. The metal support structures reach out from the main building to form a pleasing pattern of connections between the inside and outside.

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box-shaped house

The look and ambience here remind us of a Malaccan row house, but in a modern context.

Effective combination of old materials and new in textures that suit its owner’s heritage gives this house a sense of being outside of time, and its memories will be passed on to the next generations who live here.

Ultimately, we don’t often find a big-city house that feels so bright, natural, and full of narrative.

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Owner: Kenneth Koh

Architect: Dr Tan Loke Mun


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A Modern Tropical House Makes Simple Living Stylish

A Modern Tropical House Makes Simple Living Stylish

/ Singapore /

/ Story: Ronnapa Nit / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

Simple design wins big. Unaffected by the passage of time, this Modern Tropical house makes simple living stylishly chic.

modern tropical house

modern tropical house

modern tropical house

Nestled in a residential neighborhood near Singapore’s downtown, this modern tropical house stands hidden in plain sight behind a row of leafy trees. One has to walk through the main gate to see the monochromatic beauty in full view.

“I started out with a rectangular floor plan like a traditional Malay house, and designed the interior space later,” said architect Yip Yuen Hong.

“The house is crafted of metals and concrete for durability.”

The building boasts an open, airy feel thanks to slender metal frames. Combine that with a lush garden landscape and the cool shade of bamboo groves, and you get a modern house with beautiful Tropical vibes.

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modern tropical house

modern tropical house

The open-concept design affords three bedrooms, a living room, and dining space, all conveniently connected to a poolside patio. For a simply clean, uncluttered interior, the architect avoids all kinds of built-in furnishings, and prefers only free-standing pieces for easy updates.

The result is a spacious, airy ambience like he intended.

The house’s appearance bespeaks the architect’s passion for design that strikes a perfect balance between easy and sophisticated lifestyles. He translates it into a well-proportioned home hemmed in by beautiful yards in the middle of a perfect neighborhood.

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modern tropical house


Architect: Yip Yuen Hong of ipli Architects


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A New Hybrid Home Embraces the Charm of Yesteryear

A New Hybrid Home Embraces the Charm of Yesteryear

/ Bangkok, Thailand /

/ Story: Wuthikorn Sut / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul /

Looking anything but traditional, this hybrid steel-concrete home boasts a beautiful open-concept space. By design, it creates the light and airy ambience symbolic of the house on stilts unique to Southeast Asia in former times.

hybrid steel-concrete home

The owner’s beloved traditional-style wooden home was damaged by massive flooding that inundated much of Thailand’s Central Plains in 2011. But love never dies. She had the old house torn down to make room for a new one. The result was a hybrid steel-concrete home with all the charm and character of traditional Thai-style residential architecture.

hybrid steel-concrete home

“She requested stilt house design with three bedrooms,” said Pises Isarangkool Na Ayutthaya, one of the architects on the team. “Much of the timber was recycled from the old house and put to good use in the new, and she didn’t need air conditioning.”

hybrid steel-concrete home

hybrid steel-concrete home

hybrid steel-concrete home

To fulfill the homeowner’s request, the team of architects came up with a house-on-stilts design with extended eaves for sun and rain protection. It was built of a mix of concrete, steel beams and connections strengthened by steel framing for durability. In the meantime, correct building orientation allowed the new home to reap the full health benefits from cool breezes blowing in all day from a nearby canal.

Generous wall openings allow plenty of natural daylight and fresh outdoor air into the home. They include sliding doors and windows along the exterior walls facing the nearby waterway.

To create cross ventilation in the home, air vents are installed on the opposite side to exhaust the warm air, a passive design strategy that keeps the interior cool and dry. In doing so, they were able to eliminate the need for mechanical air conditioning entirely.

Open air vents designed to exhaust the warm air, thereby keeping the interior space cool and dry.
Open air vents designed to exhaust the warm air, thereby keeping the interior space cool and dry.
Door panels recycled from the old house find a new purpose as cabinet doors and shelves used for storage.
Door panels recycled from the old house find a new purpose as cabinet doors and shelves used for storage.

To ensure nothing goes to waste, timber and other building materials left over from the old house were adapted for reuse in new purposes, such as ceiling panels, windows, handrails, and benches, even kitchen cupboards.

Reclaimed timber worn by exposure to the weather added vintage appeal to the home. It also served as a sentimental reminder of the old house that had been the family residence for many years before the big flood hit in 2011.

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From the outside, the new house may look anything but traditional. But inside, it’s an entirely different story. The interior calls to the mind the image of the traditional house on stilts in the past, a place of residence thoughtfully devised to fit the Tropical climate. Plus, it’s well positioned to maximize certain aspects of the natural surroundings. And the result of all this: a beautiful home with curb appeal and a panorama of the lush landscape and nearby waterway.

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Architect: Pises Isarangkool Na Ayutthaya, Itirit Hatairatana


Visit the original Thai article…

บ้านโครงสร้างเหล็ก ที่ยกใต้ถุนสูงเป็นบ้านริมคลองแบบสมัยใหม่


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A Glass House with Spectacular Mountain Views

A Glass House with Spectacular Mountain Views

/ Nakhon Ratchasima, Thailand /

/ Story: Suppachart Boontang / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul /

When it comes to embracing the great outdoors from within, nothing beats this house with glass walls all the way around. Aptly named “Baan Asai,” literally a house to live in, the modern living space in Nakhon Ratchasima is crafted with skill and imagination to achieve one goal – soak up the spectacular mountain views. The homeowner, Issaraporn Prasongkij, designed this residential cluster herself.

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An interesting amalgam of the traditional and the modern, the two-story home was built fast thanks to advancements in metal tech industries. Metal became the primary building materials for two reasons – shorten construction time, and in turn avoid any negative impacts on the environment.

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From a distance, the house looks like the coming together of three mirror cubes, each serving specific purposes. To minimize reflections on glassy and metal materials, the architect chose to cover them with hip roof design in pleasing shades of brown. The muted earth-tone colors not only gave the house a comfortable feel, but also enabled it to blend into the natural surroundings.

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Because the outside walls are transparent, much of the house’s interior can be easily seen outside. The beauty of it lies in the detail of furniture, fittings, and other decorative accessories.

The owner and her husband handpicked these items for their cozy appeal, from area rugs to cushions and throw pillows to porcelain sets. They even designed some of the items themselves and had them made to specification.

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To take in a panorama of the surrounding mountains, all the exterior walls are glazed using clear glass mounted on aluminum framing that takes priority over any other building materials.

The first floor living room boasts double height ceilings that rise as tall as 10 meters from the floor to the apex. Close at hand, an alfresco leisure corner and dining space with an island kitchen counter lie within easy reach from the carport.

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With good reason, areas that require privacy, such as bedrooms with en suite baths, are partitioned off from the rest. The house’s two bedrooms are tucked away in the innermost part of the second floor with sweeping views of the Khao Yai Mountains.

The couple also has plans to build a community of urban residents who have come to call this part of the country home. They are looking at a form of co-housing similar to the ways of life of the Thai people in times past. It’s interesting to see how such a fascinating scene will unfold in years to come.

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Owner/Designer: Issaraporn Prasongkij


Visit the original Thai article…

บ้านอาศรัย ความเป็นโมเดิร์นที่รายล้อมด้วยธรรมชาติ


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A Cozy Brick House the Pride of Two Generations

/ Pattaya, Thailand /

/ Story: Ajchara Jeenkram / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul, Sungwan Phratep /

This old house that’s the pride of two generations has been given a new lease on life. Tastefully renovated, it transformed into a modern brick home that took the beauty of brick masonry to a whole new level.

brick house in pattaya

The heritage building has served as a big family’s rendezvous in Pattaya, a seaside town just two hours’ drive from Bangkok. Those times are gone now. The extended family home is now in the hands of the second generation with a smaller household. That’s reason enough to restore it as a new place of abode ideally suited to a modern lifestyle.

“First, I started out with a building inspection looking to identify parts that needed repairs and whatnot,” said architect Kasin Sornsri.

“I talked with both generations of the family, and I could feel the love they had for this house. So, I decided to go for a renovation instead of a teardown to make room for a new building.”

brick house in pattaya

brick house in pattaya

In the process, the old roof that fell into disrepair was replaced by a moderate-pitch roof with shingles. Beautiful shed roof design was chosen for its ability to provide tall ceilings, which directly benefited the interior living spaces on the upper floor.

Like the architect intended, the new feature added attractive curb appeal to the home and its lively green surroundings when viewed from the street.

brick house in pattaya

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On the first floor, an open-concept dining room is capable of entertaining up to 20 houseguests. The architect has kept the iconic archway design and brick walls on the front façade pretty much intact.

In the meantime, appropriate adaptations are made to best suit the way of living of the second generation family, while the first generation family enjoys plenty of room for privacy complete with a dining space and kitchen.

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Over all, the interior design presents the character and atmosphere resembling that of an antique store. Pieces of vintage furniture and stained glass decorations give off friendly vibes conjuring up the image of a family way of life back in the day.

To make it more inviting, custom mosaic tiles paired with window grills in complementing shades echo the beauty of a fusion of Eastern and Western design. Well put together, they breathe new life into the old brick house that has been home to a big family for two generations.

Built to last, and further improved through renovation, this brick house in Pattaya now stands ready for the future.

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brick house in pattaya

brick house in pattaya

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Architect: Kasin Sornsri of Volume Matrix Studio (www.facebook.com/volumematrixstudio)


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