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6 Famous Artists You Can’t Miss at the Bangkok Art Biennale 2018

6 Famous Artists You Can’t Miss at the Bangkok Art Biennale 2018

The final countdown has begun. Every second brings you closer to a world-class contemporary art exhibition featuring 75 celebrated artists from across the globe. The Bangkok Art Biennale 2018 will begin on October 19 and continue until February 3, 2019. Happiness is only real when shared. So, mark your calendar!

Story: Singhanart Nakpongphun /// Photographs: (Wisut Ponnimit) Sitthisak Namkham /// Photo credit: Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo /// Photos: courtesy of participating artists

The three-month period will see 20 famous landmarks around the capital transform into thriving art scenes, among them Wat Phra Chetupon, a.k.a. the Temple of the Reclining Buddha (Wat Pho for short), the Bangkok Art and Cultural Center, and One Bangkok, a mega development project that’s shaping the future of the city. See also gallery details at the end.

Here are the first six artists that you can’t miss.

  1. MARINA ABRAMOVIĆ

World renowned as a pioneer in performance art, Abramović uses her own body as medium in exploring the physical and mental limits of her being. She is best known for her groundbreaking durational works titled “The Artist is Present” hosted by the Museum of Modern Art (MoMA) in New York City. The artist gave live performances from March to May 2010, during which she sat in silence at the table throughout the run of the show for a total of 736 hours. All day Abramović would not respond, but museum visitors were willing to wait in line for a chance to sit across from her for as long as they wanted.

The Bangkok Art Biennale 2018 offers the opportunity to experience the works of Abramović at two separate events. First, the exhibition titled “Standing Structures” provides a glimpse into the world of communication through silence. It takes place at the mega development project One Bangkok, located on Rama IV Road. And from October 8 to November 12, 2018 only, a team from the Marina Abramović Institute (MAI) presents the other event called “Method,” which is an exercise about being present in both time and space.

The exhibition “Standing Structures” explores interactive communication in silence.
“Method” is an exercise presented by a team of artists from the Marina Abramović Institute (MAI).

 

  1. YAYOI KUSAMA

89-year-old Japanese contemporary artist Yayoi Kusama is passionate about polka dots. She has taken a great interest in the design since she was little. The Queen of Polka Dots, as she is affectionately called, also works in sculpture, painting, and installation. Her devotion to lively bright color patterns has influenced generation after generation of contemporary artists. No doubt one of the most famous artists in Japan, Kusama has won critical acclaim worldwide, including the Best Gallery Show awarded by the International Confederation of Art Critics in Belgium and several experimental cinema awards given by the Government of France. Her eye-catching design has attracted the attention of many, including the high fashion brand Louis Vuitton. As may be expected, the products of collaborative design with Kusama sold out fast.

It’s hard not to be romantic about Kusama’s beautiful works of art during the Bangkok Art Biennale 2018, among them the famous polka dots pumpkins that will be on view at Central World and Siam Paragon. Equally impressive is a Mini Cooper that has been pimped up Kusama style. The car is on show at One Bangkok.

“Inflatable Pumpkins Balloons” installations transform the perception of a space.
A mosaic of vivacious colors adorns a silver sculpture that’s part of a collection called “I Carry on Living with the Pumpkins”.
Black polka dots on red, part of the “I Carry on Living with the Pumpkins” collection.
  1. CHOI JEONG HWA

Korean artist-cum-designer Choi Jeong Hwa has authoritative skill in effective us of space with many awards to his name. He is expert at building outdoor installations and turning unthinkable, day-to-day materials into stunning works of art. In 2008, he designed a large-scale installation that completely surrounded the Seoul Olympic Stadium with 1.7 million recycled and found objects. He also created a big plastic tree that pulsated with regular throbbing sensation as if it were breathing. Choi said that he had no definition to offer for his artworks. They were up to the viewers to interpret based on their different life experiences. His inspiration is encapsulated in one short sentence. “Your heart is my art.”

The Fruit Tree, a large-scale sculpture at Starfield Library inside COEX Department Store, Seoul, South Korea.

 

Works by the artist from the Land of the Morning Calm will be on show at the Bangkok Art and Cultural Center as well as Nai Lert Park Heritage Home and several department stores in Siam Square, Chidlom, and Rajprasong. Choi is to debut a collection of sculptures made from familiar materials that will put a smile on your face. Bring the smartphone and camera so you have something to share via social media.

“The Joker Crown” from Choi’s Happy Happy Project collection
“Love Me Pig 1” from the “Happy Happy Project
“The Inflatable Black Robot” from the Happy Happy Project
“The Inflatable Pink Flower”
“The Stupa” from the Happy Happy Project
“Happy Happy Project: Plastic Shotguns”
“Alchemy” an installation from the “Happy Happy Project

 

  1. HUANG YONG PING

One of the most famous Chinese avant-garde artists, Huang Yong Ping founded a movement called “Xiamen Dada”, which combined ideas from Dadaism (an art movement in early-20th-century Europe) with the influence of Zen Buddhism in the Eastern Hemisphere. The Chinese-born, French contemporary artist made his world debut at the 48th Venice Biennale in 1999. Since then, he has participated in many art exhibitions, from the Red Brick Art Museum in China to Ludwig Museum in Germany to Grand Palais in France.

For the Bangkok Art Biennale 2018, Huang will present “Dragon Boat”, a large sculptural work that tells stories of Chinese migration in times past. Portraying a rowboat of ancient China, the 16-meter artwork stands 4.2 meters tall. It will be on show at the Bank of Thailand Learning Center.

“Dragon Boat” a major attraction at the Bank of Thailand Learning Center
Sculptures with reduced mass details will be on display at Wat Pho.
  1. KAWITA VATANAJYANKUR

A rising star in Thailand’s art scene, Kawita Vatanajyankur uses video art to raise questions about issues concerning women’s rights. The artist puts herself through various situations as a means of demonstrating women’s roles in society. Her works portray a woman as part of machines, household chores, and industrial processes. The result is a collection of artworks in vivacious colors that have become her distinct identity. Kawita has exhibited at several art festivals around the world, among them the “Islands in the Stream”, which was part of the Venice Biennale 2018. The exhibition tour also took her to the Saatchi Gallery in London, and later the same year at the Thailand Eyes event at home.

For the Bangkok Art Biennale 2018, Kawita’s amazing works of art are on view at Central World, the EmQuartier Mall, the Peninsula Hotel, the Theatre of Indulgence, and the Asiatique Building. She sends a strong message: “It’s not easy being a woman.”

The “Shuttle and Performing Textiles” exhibition portrays a woman as shuttle carrying the weft thread between the warps on a loom.
A spinning wheel for making yarn and textile products.
The “Shuttle and Performing Textiles” exhibition portrays a woman as shuttle carrying the weft thread between the warps on a loom.
A piece portraying women’s roles in textile dying.

 

  1. WISUT PONNIMIT

The cartoonist who designed the cover for the 42nd Anniversary Edition of Baan Lae Suan Magazine (September 2018), Wisut Ponnimit is the creator of a series of animation art featuring adorable fictitious characters Miss Mamuang and her four-legged friend Manao.

For the Bangkok Art Biennale 2018, Wisut will present ten versions of animation art at Central World, the EmQuartier Mall, and the mega property project One Bangkok. If your love is art and animation, don’t miss out on it.

Miss Mamuang, the lovable character by animation artist Wusit Ponnimit, will debut at the Bangkok Art Biennale 2018.
Miss Mamuang, the lovable character by animation artist Wusit Ponnimit, will debut at the Bangkok Art Biennale 2018.  

This has been about six artists out of a total of 75 who exhibit at the Bangkok Art Biennale happening from October 19, 2018 to February 3, 2019. There are more stories on interesting people and events to come. Follow us at baanlaesuan.com and livingasean.com.

            The art exhibitions are being held at 20 locations across the capital.

Click here to download HD map.

 

Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

The Airports of Thailand Public Company Limited (AOT) announced on August 22, 2018 that the Duangrit Bunnag Group, aka the DBALP Consortium, has won the Suvarnabhumi Airport Terminal 2 Project design contest.

AOT had previously invited the private sector to make bids for designing the new 35-billion-baht Terminal 2 project. As a result, the first runner-up Duangrit Bunnag Group was declared winner for its design proposal worth an estimated 329 million baht.

DBALP was able to achieve an important triumph after the winning bidder SA Group was disqualified for failing to submit an important document, namely, the original quotation for the cost of work as stipulated in the contract.

The SA Group stood firm that it had never received the original quotation document from AOT, and called for a reconsideration of bid results. It made reference to winning on points for its technical proposal, and that the cost of work it entered for the contest was lower than that stipulated by AOT. Furthermore, the purpose of the original quotation document was only to prevent the competition process being compromised.   

Four private sector groups responded to the AOT invitation to compete for design work by means of sealed bids. The first is a consortium of legal persons consisting of DBALP, Nikken Sekkei, EMS, MHPM, and MSA, collectively known as the Duangrit Bunnag Group for short.

The second group is an association of consulting firms made up of the Beaumont Partners Co Ltd, the Index International Group Co Ltd, the Egis-Rail (Thailand) Co Ltd, the CEL Engineers Co Ltd, the CEL Architects and Environments Co Ltd, the Alana Engineering Co Ltd, Egis Avia, and Egis Rail S.A.

The third group is a number of consulting firms composed of the Varda Associates Co Ltd, the Wise Project Consulting Co Ltd, and the Chong Lim Architecture Co Ltd.

Last is the SA Group, a consortium of consulting firms made up of the Span Consultants Co Ltd, the Sign-Tech Engineering Consultants Co Ltd, the Azusa Sekkei Co Ltd, and the Sky Party Co Ltd.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

As per the August 22, 2018 announcement, the DBALP Consortium is obligated to complete its forest-inspired design on the Suvarnabhumi Airport Terminal 2 project in 10 months’ time. Coming up next is an AOT invitation to bid for the construction phase.

Designed to meet future demands, the new Terminal 2 at Suvarnabhumi Airport will have the ability to receive over 30 million passengers annually — 12 million via domestic flights, and 18 million on board international flights. The building will come complete with 14 airport aprons and parking spaces for 1,000 cars. Construction will take about 30 months to complete. The project is scheduled to be fully functional mid-2021 at the earliest.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

See more: A glance at other design proposals entered into the competition >>

DEmark Award 2018 / Design Excellence Award

DEmark Award 2018 / Design Excellence Award

We have the results of this year’s official accolade of design excellence. Eight pieces of furniture have won the coveted DEmark Award for outstanding design for 2018. Among the winners: a water hyacinth chair beautifully crafted on a metal frame, a neatly packed kitchen cabinet, a chair inspired by tea tree topiaries, and a set of chairs that come together as table legs.

/// Thailand ///

Furniture category: “Khing,” a set of stool and table inspired by research on tea tree topiaries, a craft skill that’s slowly disappearing – by the Sumphat Gallery

Every year, the Department of International Trade Promotion (DITP) gives out the Design Excellence Award, DEmark Award for short, as an acknowledgement of outstanding merit by Thai designers from across the country.

The ultimate official accolade seeks to increase direct presence of Thailand’s creative products in the world marketplace. Successful candidates will participate in international trade events, such as the Gmark Award competition in Japan, as well as DITP’s exhibition tours throughout Europe and Asia.

This year’s DEmark Awards were given to eight pieces of furniture for impressive achievements in  blending craft skills with modern manufacturing techniques.

Furniture category: A neatly packed kitchen cabinet called “Q-Mini Compact” – by Qrua
Furniture category: “Jaak Coffee Table,” an elaborate design that gets its inspiration from the bird cage common in southern Thailand — by Tima
Furniture category: “Sim Steel Bar Stool,” impressive knock-down furniture ideas — by Take Home Design
Furniture category: The so-called (W)hole Chair, featuring stow-away furniture ideas — by Everyday Studio
Furniture category: “Water Weed Chair,” a product of collaboration between a community skilled in the art of basketry and a modern furniture designer — by the Sumphat Gallery
Furniture category: “Krachap,” a hanging lounge chair featuring bamboo housing crafted on a steel frame — by Performax and “Kodax,” a lounge chair capable of moving in a circle around an axis — by Kenkoon

 

Every year, the DEmark Awards are given out in six categories — Furniture, Lifestyles, Fashion, Industry, Packaging and Graphic Design – as an acknowledgement of outstanding achievements by Thai designers and manufacturers. Not all of the winners are listed in this report.

Lifestyles category: “TARN Collection,” a mortar and pestle set — by Stew
Lifestyles category: “Year Ring Collection,” an accessory container made of wood — by Deesawat
Lifestyles category: “Hill Pot,” a collection of houseplant containers — by Qualy
Lifestyles category: “Chong Mana,” a collection of scented candles featuring the motto “work hard and you shall succeed” — by Dib Dee and “Wit Tray,” a food tray featuring bamboo crafted on a steel frame — by Yothaka
Lifestyles category: “Husk Object,” a set of tray, coasters, and flower pots made of neatly compacted rice husks — by Sonite
Industry category: “Vento Brick,” a perforate wall designed to enhance natural air circulation — by Kenzai
Fashion category: “Natural Blue Honor Sport Jacket,” an apparel collection made of indigo-dyed fabric – by Blue Nails
Graphic Design category: “Thunder Bird Hostel” — by Shake and Bake Studio
Graphic Design category: “Chiangmai Design Week 2018” — by Octopus Grafik Studio

 

For more information, please visit: http://demarkaward.net/en/demark_winner?product_type=0&year_awarded=2018&keyword=Search

 


 

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Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

The Singapore-based designer brand “ipse ipsa ipsum” has unveiled one of the finest collections of Peranakan-inspired home décor and accessories.

/// Singapore ///

 

The front and rear of the floor standing mirror. — By ipse ipsa ipsum.
Bright and beautiful colors, and design on the rear panel tell fascinating stories of the Peranakan experience. — By ipse ipsa ipsum.

Bold and beautiful, Peranakan design is the product of Chinese migration into the Malay archipelagos of centuries ago. Making its world debut at last year’s International Furniture Fair Singapore, the new product line called “Straits Reflection” included a tabletop mirror and a floor-standing mirror that told stories of a fascinating amalgam of Chinese, Indian, and Malay craft traditions.

 

The designer brand was launched in 2016 as an initiative of “Sam & Sara”, an established Indian silverware business headquartered in Singapore. Combining ultramodern materials with traditional craftsmanship skills, the new brand aimed to create original designs under the slogan, “The extraordinary for the ordinary”.

“Straits Reflection” by Jeremy Sun and Nicholas Paul was the result of collaboration between the designer brand and the Peranakan Museum in Singapore. Peranakan Chinese, or Straits-born Chinese, are the descendants of Chinese who migrated into the Malay archipelagos form the 15th to 17th centuries. Over time, their cultural heritage, architecture, design, and cuisine have become prominent landmarks in Singapore, Malaysia, Indonesia and parts of southern Thailand.

Indian floral patterns, Chinese bird paintings, and Malay-style bold colors bespeak centuries of cultural interactions. — By ipse ipsa ipsum.

“Straits Reflection” is evidence of an artistic ability that has evolved through on-going interactions among Chinese, Indian, and Malays. Its design aesthetics combine Indian floral patterns with traditional Chinese bird paintings, and Malay-style bold colors.

A curious mix of the old and the new, “Straits Reflection” includes a tabletop mirror that displays temperatures and air quality values, and a matching floor-standing mirror that reflects on the Peranakan experience.

Sam & Sara booth at IFFS 2018

 

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Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

Perfected over time, the chaise lounge paired with triangular-shaped pillows offers a fascinating glimpse into Thai culture. As time goes on, the design is sliding into obscurity. The chair with a lengthened seat for leg rest and reclining differs from the European-style sofa in that the former is a short-legged, backless couch. The absence of a backrest is compensated by a set of wedge pillows.

/// Thailand ///

The Thai-style chaise lounge is a traditional appraoch to reclined seating. One way of sitting comfortably in one is to sit with your feet up. The wedge pillows serve both aesthetic and functional purposes and can be made from a variety of textiles. The traditional chaise lounge set is designed for side-lying and semi-reclining positons.

The “KIRI” chaise lounge paired with wedge pillows features a blend between traditional design and the Thai Modern concept.

Reviving interest in the design that’s quintessentially Thai, designer Ath Supornchai has debuted a chaise lounge set that mixed strong traditional values with the Thai Modern concept. Winning enthusiastic praise at this year’s International Furniture Fair Singapore, the sofa set called “KIRI” is selling under the brandname “Mobella”. It is also furniture of choice in the reception room at Line Chat App’s Thailand office.

The KIRI chaise lounge set has pride of place at Line Chat App’s Bangkok office.
KIRI is debuted under the Mobella brandname

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Remix DEESAWAT at Bangkok Design Week 2018

Remix DEESAWAT at Bangkok Design Week 2018

Remix Deesawat; Upcoming Event at “Bangkok Design Week 2018,” The Creativity festival which designed to be a showcase for creative and design works and innovations driven by creativity and design thinking.

/// THAILAND ///
Story: Bundaree Deewong /// Photography:  Deesawat 

Bangkok Design Week 2018 brings together experimental and commercial works, creative businesses and socially-oriented projects with the aim to foster creative cooperation by sharing of knowledge and experience, to provide inspirations and to facilitate networking and business opportunities while putting the spotlight on the city’s design and creative potential on the global stage.

Remix Deesawat
Bangkok Design Week 2018
27 January – 4 February 2018
10.00 am. to 20.00 pm. (Everyday)
Avenue: Showroom Deesawat, Sukhumvit 24, Bangkok

Enjoying with Remix Deesawat event with the showcase of the ASIA STAR TALENT with the various creative activities as Designer presentation, Architect talk and so on. It’s happening from 27 January to 4 February 2018 at 10.00 am. – 20.00 pm. (Everyday). This exhibition will take place at Showroom Deesawat soi Sukhumvit 24 Bangkok.

For the interested program as follow:

Material Maker

Meet the craft material maker from Japan (Matel, washi(paper), fabric, etc). Find out the new era of the material that has been developed into a new combination of material for creative product. Together with this showcase, is also the innovation material from Thai manufacturer.

Asia STAR TALENT

Showcase of the Design Gallery from ASIA STAR Talent. With the designer from Japan, Singapore, Philippine and Thailand. With the creative talent…and unique cultural back ground..this will be the showcase that represent culture and innovation.


WOOD x ARCHITECT

Meet the Japanese architecture Mr. Kiyoshi Iuchi from Soramado Architect from JAPAN…that will create the value of wood into the construction. As the trend of the wood and the new concept of architect…Mr.Kiyoshi will present the concept where wood is now back in trend material for architectural work. IFFS (International Furniture Fair Singapore) Opening of the new opportunity for the new design showcase for Thailand young designer at IFFS Singapore.

Maison&Objet

New concept new layout market strategy for Maison&Objet Paris. Target for exhibitor and visitor for September 2018 preparation.

For more information: Deesawat
Link: http://www.baanlaesuan.com/93255/design/remix-deesawat/

A New Boutique Hotel in Singapore’s Historic Chinatown

A New Boutique Hotel in Singapore’s Historic Chinatown

Embracing warmth, comfort, and privacy, a new boutique hotel takes up a row of six former shophouses in Singapore’s historic Chinatown. The beautifully renovated Hotel Mono retains the charm of Southeast Asian styled architecture, while highlighting the distinctive personality of Rococo-era ornamentation.

/// Singapore ///
Story: Weena Baramee /// Photography: Hotel Mono

An expression of art and the interior inside the Lobby at Hotel Mono

Its Rococo aesthetic is apparent in the lightness of interior design, cozy spaces, and the tall and narrow windows that speak to the French stylistic period. The gentle black and white theme on the exterior seamlessly interweaves with the lifestyles of traditional Singapore and the city’s urban bustle. 

Loft style décor that is a component in interior design
Single Room
Relaxation in a Rococo styled studio

A striking new landmark on historic Mosque Street, the 46-room Hotel Mono is an independent hotel catering to the needs of design-conscious travelers. Its statement-making black-and-white facade has been turning heads. The hotel occupies a row of six conservation shophouses, which have been completely transformed in an extensive refurbishment by President Design Award-winning firm Spacedge Designs. Hotel Mono was officially opened in November 2016.

The stylishly chic hotel presents an appealing proposition for discerning travelers – high quality rooms and service standards at very attractive prices. “We want to provide accommodations that are the best value for the money and a five-star service experience,” said GM Glenn Quah.

Besides charm and comfort in every room, guests enjoy better quality beddings, bathroom amenities and more spacious rooms, for prices comparable to the budget accommodations in the same area. Rates at the 46-room Hotel Mono start at just $160 net per night for a Double room, while a Family room sleeping four people costs under $300.

The bathroom ensemble reflects simplicity with contemporary flair.

Its bathrooms represent the conceptualization of a hip retreat for design-savvy travelers (and locals) – guests who appreciate the originality of design. A bold and contemporary design language is relevant throughout the hotel. Every room features a seamless integration of metal bars that traverse the space like lines drawn in the air, meantime, functioning as light fixtures, coat hangers and sculptures.

The boutique hotel celebrates the quality of being the only one of its kind. Due to restrictions and particulars in the floor plans of shophouse styled architecture, no two rooms are identical. Their unique characters are manifested in the name that affirms the validity of these bold and original design concepts.

Link : http://hotelmono.com/

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

/// Myanmar ///
Story: Nawapat D. /// Photography:  Spaceshift Studio, Courtesy of Vin Varavarn Architects 

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

 


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Amazing Craftwork at the SACICT Innovative Craft Gallery

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The official opening for the SACICT Innovative Craft Gallery has arrived, as Support Arts and Crafts International Center of Thailand continues its  hallmark support of village-based folkcraft combined with modern design trends to produce eye-popping work and build lasting careers.

/// Thailand ///

The Gallery is located on the second floor of the main SACICT building in Bang Sai, Ayutthaya. Entering the reception area we’re treated to visions from the book SACICT Craft Trend 2018, with a fascinating arrangement of social craft network presentations illustrating the book’s high points. Each of the products on display in the “Mass X Clusivity” exhibit has a story to tell. The “Digital Detoxing” section shows us designs that bring harmony to today’s changing world.

Décor and tasteful arrangement create harmonious connections between displays. We follow the production steps of these innovative crafts as skills are brought to bear and traditional knowledge applied, culminating in their appearance on the national stage – the IICF (International Innovative Craft Fair) or the Innovative Craft Award competition, for instance – as they gain widespread recognition and interest. It’s hard to find a more remarkable collection of unique and finely crafted pieces than here at the Gallery.

Under the heading “Benjarong” (primary colors), the Thai Navatasilp exhibit shows us a perfect balance of skill, traditional knowledge, lifestyle, and modernity. Here are works that define and extend the meaning of the term, such as “Plaa Gat” (fish bite) by Witsarut Angkhahawanit and masterpieces produced by acclaimed Thai artist Wasinburi “Tiw” Suphanich-Woraphat.

Interested in creating great works of your own? Want to learn about the thought process, or the physical construction of craftwork? Get news about the Gallery’s activities through Support Arts and Crafts International Center of Thailand, at www.sacict.or.th or www.facebook.com/SACICTGallery.

 


 

 

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10 Products with Cool Designs From SACICT Craft Trend 2018
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10 Products with Cool Designs From SACICT Craft Trend 2018

From the book SACICT Craft Trend 2018, published by Support Arts and Crafts International Center of Thailand, we take 10 pieces that combine some very hip design with contemporary materials and production and startlingly traditional folk elements. Let’s see what’s there . . .

/// Thailand ///

1. Ceramic plate inscribed with traditional local fabric patterns, by Wit’s Collection adapts the intricate details of a cloth-based pattern to create a chic ceramic work with an eclectic tribal style.


2. The “Raindrop Hanging Lamp” by PATAPiAN: an imaginative blend of old materials, traditionally woven bamboo and moulded brass, formed into raindrop shapes. Great to mix and match with any style.


 

3. “Takra” multipurpose tray by Thinkk Studio and a wicker-weaving group at Baan Chang in Ang Thong Province: material is woven into small frames. This adds a new dimension to wicker work, since the technique was previously used only for large pieces of furniture. The innovation comes from a new generation of designers working with old-time artisans in SACICT’s Thai Navatasilp Project, which has received wide acclaim.


4. Jackets of woven fabric by Trimode Studio and an U-Thong quilting group in Suphanburi Province use plain woven fabric patterned with new designs simplifying an elaborate tribal style. Here excessive detail is smoothed out to give a contemporary look while using a traditional hand-stitching technique, another bit of folk knowledge preserved by SACICT’s Thai Navatasilp Project.


 

5. The Landscape Pot Box by TRIMODE DESIGN and a mango woodworking group in Hang Dong, Chiang Mai Province: a multipurpose storage box inspired by natural landscapes. The lids of these mango wood boxes are made from colored resin with a texture resembling natural stone. Here the touch of nature is combined with a smooth, very minimalist design.


6. “Tribida,” by Trimode Studio and a twine-weaving group of Ban Laem Yang, Nakhon Sawan Province is a movable set of storage drawers with interesting shape, color, and materials. The lightweight drawers come in a number of patterns and are woven from baling twine, for yet another attractive product from Thai Navatasilp.


 

7. The “Needle Chair” by British designer Veega Tankun adapts and extends a traditional silk weaving technique to create a new type of easy chair cushion. This cushion softens the chair frame for a gentler, more modern look while adding a new, truly charming dimension to chair design.


8. “Khrae Tray,” by Thinkk Studio and a wicker-weaving group in Baan Chang, Ang Thong Province, is a multi-purpose tray that got its inspiration from dwarf bamboo, its small bamboo slats charmingly set in a black steel frame. It can be put to all sorts of uses, including as a support for food dishes, or as a tea set tray.


 

9. The Line Tote Bag by Thinkk Studio and a natural-cloth-dyeing community enterprise group at Nong Bua Dang in Chaiyaphum Province is a shoulder bag with an intriguing shape, made of stylishly dyed woven fabric and adorned with simple, attractive monochromatic graphics and patterns that add to its contemporary look. This, too, is a Thai Navatasilp product.


10. “Mon Mai,” by Thinkk Studio and a natural-dyeing community enterprise group in Nong Bua Daeng, Chaiyaphum Province: these beautiful woven mudmee silk patterns are warm and modern, with reduced pattern detail suggestive of fashionable graphic art. The natural dyes give a gentle feeling reminiscent of pastels. Another proud example of SACICT’s Thai Navatasilp Project.

These ten craft art pieces use traditional Thai handicraft techniques adapted by leading designers to create stylish products, many of which are either still on display or in the inventory at SACICT Concept in Bang Sai, Ayutthaya Province. For further information, visit www.sacict.or.th or keep current with the news at www.facebook.com/sacict.

 


 

 

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