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“Pattani Decoded” Pattani Design Week

“Pattani Decoded” Pattani Design Week

Once you get to know it better, you will find Pattani is really quite interesting. A design week aptly named “Pattani Decoded” took place from 29 August to 1 September 2019. Living ASEAN is on location to file this report.

 

///ASEAN///

Story: Samutcha Viraporn / Photo: Sitthisak Namkham, Samutcha Viraporn

“Pattani Decoded” is the perfect example of an esprit de corps among the city’s handpicked architects, designers and people in the community. It celebrates the richness of diverse cultural heritage and history that gives this southern town its character.

The show transforms the streets of Pattani into an outdoor gallery featuring design and architectural masterpieces. They rekindle old memories from the time of King Rama III to the Japanese invasion of Thailand during World War II and important events in recent history. The cool places to visit are on Pattanipirom, Anoaru, and Ruedi raods in Pattani Old Town, a melting pot where peoples of Thai, Chinese, and Malay descent are mixed together.

The Old Town that’s the historic heart of Pattani is alive and well today. People use their artistic abilities and creativity to liven up buildings and improve their neighborhoods. They give locals and tourists hope for the future. Favorite things to do include a journey on foot through the Old Town, a boat ride on the Pattani River, and a visit to the official residence of the first governor of Pattani.

The highlight event is an exhibition by a group called “Pattani Art Space”. Meantime, art enthusiasts have the opportunity of meeting up with luminaries such as Dr. Singh Intrachooto, Boonserm Premthada, and Saran Yen Panya. More fun events include an architectural design competition, Chef Table demos by famous restaurants, retail businesses, live music as well as workshops on shoemaking from waste materials by Tlejourn, Lepus fabric making by Benjametha, and discussions on great works of literature.

Why called it “Pattani Decoded”? Rachit Radenahmad, leader of the organizer group “Melayu Living”, replied: “We want locals to know that design is something close at hand, something within their reach. Meantime, this land abounds with good things. Going forward, people need to mix design with their beautiful cultural heritage. In so doing, they convert coded messages into intelligible language.

“We manage to get locals to participate in showcasing their homes or other places of residence. People are energized by the idea, and the show draws the biggest response both in Pattani and nearby provinces. We have so many good things here that people sometimes take for granted. The region may be known for violence, but art is always in the heart of everyone. That’s the message we are sending to the world outside.”

By all accounts it’s a well-thought-out design festival despite certain limitations. The show is giving talented architects, designers and students a chance to showcase the beauty, charm and adventure of Pattani to the world outside. At the end of the day, it’s about getting people to change their point of view, visit the historic southern town, and come away impressed.

Lottery Recycling Ideas / Nothing Goes to Waste

Lottery Recycling Ideas / Nothing Goes to Waste

The Bangkok Design Week that ended February 3 was a confluence of many great ideas, among them products of a collaboration between two homegrown designer groups, Thinkk Studio, and Studio 150. Their waste recycling ideas shone with excitement at a show called “City Materials”.

/// Thailand ///

A variety of interlacing designs made from strips of lottery paper waste.
Thailand lottery tickets

The seat of government of Thailand, Bangkok is renowned for being a regional trade and economic hub, as well as home to many established and up-and-coming designers. Much of the large, densely populated city is not covered with forest. Nor does it have a wonderful richness of industrial materials. But, do you know this?

Every fifteen days, the number of lottery tickets and packaging material printed in Bangkok is enough to cover 173 football fields. Of that amount, a whopping 98.6% accounted for the tickets that didn’t win. Not only that, lottery tickets are printed on special grade, water-repellent paper that doesn’t break down easily. All things considered, that’s a whale of a job for paper recyclability.

A spinning toy for kids, the top, is made of a bundle of lottery paper strip.

Where most would see useless waste materials, the two designer groups see endless possibilities. Thinkk Studio creatives, in association with their design peers at Studio 150, have researched and experimented with lottery paper waste for some time. They succeeded in recycling it in ways that could answer specific design, art and craft and industrial needs in future.

 

“City Materials” showcased five materials the joint team has recycled from wood chips, plastic bags, incense sticks and ashes, coffee grounds, and discarded building supplies sold for scrap. For a glimpse into their design ideas.

A collection of papier-mache constructed out of QR Code sections of the lottery tickets. The malleable mixture, three-dimensional object becomes hard when dry.

 

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Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

Duangrit Bunnag Group Wins Suvarnabhumi Airport Terminal 2 Project Design Contest

The Airports of Thailand Public Company Limited (AOT) announced on August 22, 2018 that the Duangrit Bunnag Group, aka the DBALP Consortium, has won the Suvarnabhumi Airport Terminal 2 Project design contest.

AOT had previously invited the private sector to make bids for designing the new 35-billion-baht Terminal 2 project. As a result, the first runner-up Duangrit Bunnag Group was declared winner for its design proposal worth an estimated 329 million baht.

DBALP was able to achieve an important triumph after the winning bidder SA Group was disqualified for failing to submit an important document, namely, the original quotation for the cost of work as stipulated in the contract.

The SA Group stood firm that it had never received the original quotation document from AOT, and called for a reconsideration of bid results. It made reference to winning on points for its technical proposal, and that the cost of work it entered for the contest was lower than that stipulated by AOT. Furthermore, the purpose of the original quotation document was only to prevent the competition process being compromised.   

Four private sector groups responded to the AOT invitation to compete for design work by means of sealed bids. The first is a consortium of legal persons consisting of DBALP, Nikken Sekkei, EMS, MHPM, and MSA, collectively known as the Duangrit Bunnag Group for short.

The second group is an association of consulting firms made up of the Beaumont Partners Co Ltd, the Index International Group Co Ltd, the Egis-Rail (Thailand) Co Ltd, the CEL Engineers Co Ltd, the CEL Architects and Environments Co Ltd, the Alana Engineering Co Ltd, Egis Avia, and Egis Rail S.A.

The third group is a number of consulting firms composed of the Varda Associates Co Ltd, the Wise Project Consulting Co Ltd, and the Chong Lim Architecture Co Ltd.

Last is the SA Group, a consortium of consulting firms made up of the Span Consultants Co Ltd, the Sign-Tech Engineering Consultants Co Ltd, the Azusa Sekkei Co Ltd, and the Sky Party Co Ltd.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

As per the August 22, 2018 announcement, the DBALP Consortium is obligated to complete its forest-inspired design on the Suvarnabhumi Airport Terminal 2 project in 10 months’ time. Coming up next is an AOT invitation to bid for the construction phase.

Designed to meet future demands, the new Terminal 2 at Suvarnabhumi Airport will have the ability to receive over 30 million passengers annually — 12 million via domestic flights, and 18 million on board international flights. The building will come complete with 14 airport aprons and parking spaces for 1,000 cars. Construction will take about 30 months to complete. The project is scheduled to be fully functional mid-2021 at the earliest.

A rendering of Suvarnabhumi Airport Terminal 2 by the DBALP Consortium

See more: A glance at other design proposals entered into the competition >>

DEmark Award 2018 / Design Excellence Award

DEmark Award 2018 / Design Excellence Award

We have the results of this year’s official accolade of design excellence. Eight pieces of furniture have won the coveted DEmark Award for outstanding design for 2018. Among the winners: a water hyacinth chair beautifully crafted on a metal frame, a neatly packed kitchen cabinet, a chair inspired by tea tree topiaries, and a set of chairs that come together as table legs.

/// Thailand ///

Furniture category: “Khing,” a set of stool and table inspired by research on tea tree topiaries, a craft skill that’s slowly disappearing – by the Sumphat Gallery

Every year, the Department of International Trade Promotion (DITP) gives out the Design Excellence Award, DEmark Award for short, as an acknowledgement of outstanding merit by Thai designers from across the country.

The ultimate official accolade seeks to increase direct presence of Thailand’s creative products in the world marketplace. Successful candidates will participate in international trade events, such as the Gmark Award competition in Japan, as well as DITP’s exhibition tours throughout Europe and Asia.

This year’s DEmark Awards were given to eight pieces of furniture for impressive achievements in  blending craft skills with modern manufacturing techniques.

Furniture category: A neatly packed kitchen cabinet called “Q-Mini Compact” – by Qrua
Furniture category: “Jaak Coffee Table,” an elaborate design that gets its inspiration from the bird cage common in southern Thailand — by Tima
Furniture category: “Sim Steel Bar Stool,” impressive knock-down furniture ideas — by Take Home Design
Furniture category: The so-called (W)hole Chair, featuring stow-away furniture ideas — by Everyday Studio
Furniture category: “Water Weed Chair,” a product of collaboration between a community skilled in the art of basketry and a modern furniture designer — by the Sumphat Gallery
Furniture category: “Krachap,” a hanging lounge chair featuring bamboo housing crafted on a steel frame — by Performax and “Kodax,” a lounge chair capable of moving in a circle around an axis — by Kenkoon

 

Every year, the DEmark Awards are given out in six categories — Furniture, Lifestyles, Fashion, Industry, Packaging and Graphic Design – as an acknowledgement of outstanding achievements by Thai designers and manufacturers. Not all of the winners are listed in this report.

Lifestyles category: “TARN Collection,” a mortar and pestle set — by Stew
Lifestyles category: “Year Ring Collection,” an accessory container made of wood — by Deesawat
Lifestyles category: “Hill Pot,” a collection of houseplant containers — by Qualy
Lifestyles category: “Chong Mana,” a collection of scented candles featuring the motto “work hard and you shall succeed” — by Dib Dee and “Wit Tray,” a food tray featuring bamboo crafted on a steel frame — by Yothaka
Lifestyles category: “Husk Object,” a set of tray, coasters, and flower pots made of neatly compacted rice husks — by Sonite
Industry category: “Vento Brick,” a perforate wall designed to enhance natural air circulation — by Kenzai
Fashion category: “Natural Blue Honor Sport Jacket,” an apparel collection made of indigo-dyed fabric – by Blue Nails
Graphic Design category: “Thunder Bird Hostel” — by Shake and Bake Studio
Graphic Design category: “Chiangmai Design Week 2018” — by Octopus Grafik Studio

 

For more information, please visit: http://demarkaward.net/en/demark_winner?product_type=0&year_awarded=2018&keyword=Search

 


 

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Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

The Singapore-based designer brand “ipse ipsa ipsum” has unveiled one of the finest collections of Peranakan-inspired home décor and accessories.

/// Singapore ///

 

The front and rear of the floor standing mirror. — By ipse ipsa ipsum.
Bright and beautiful colors, and design on the rear panel tell fascinating stories of the Peranakan experience. — By ipse ipsa ipsum.

Bold and beautiful, Peranakan design is the product of Chinese migration into the Malay archipelagos of centuries ago. Making its world debut at last year’s International Furniture Fair Singapore, the new product line called “Straits Reflection” included a tabletop mirror and a floor-standing mirror that told stories of a fascinating amalgam of Chinese, Indian, and Malay craft traditions.

 

The designer brand was launched in 2016 as an initiative of “Sam & Sara”, an established Indian silverware business headquartered in Singapore. Combining ultramodern materials with traditional craftsmanship skills, the new brand aimed to create original designs under the slogan, “The extraordinary for the ordinary”.

“Straits Reflection” by Jeremy Sun and Nicholas Paul was the result of collaboration between the designer brand and the Peranakan Museum in Singapore. Peranakan Chinese, or Straits-born Chinese, are the descendants of Chinese who migrated into the Malay archipelagos form the 15th to 17th centuries. Over time, their cultural heritage, architecture, design, and cuisine have become prominent landmarks in Singapore, Malaysia, Indonesia and parts of southern Thailand.

Indian floral patterns, Chinese bird paintings, and Malay-style bold colors bespeak centuries of cultural interactions. — By ipse ipsa ipsum.

“Straits Reflection” is evidence of an artistic ability that has evolved through on-going interactions among Chinese, Indian, and Malays. Its design aesthetics combine Indian floral patterns with traditional Chinese bird paintings, and Malay-style bold colors.

A curious mix of the old and the new, “Straits Reflection” includes a tabletop mirror that displays temperatures and air quality values, and a matching floor-standing mirror that reflects on the Peranakan experience.

Sam & Sara booth at IFFS 2018

 

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Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

Perfected over time, the chaise lounge paired with triangular-shaped pillows offers a fascinating glimpse into Thai culture. As time goes on, the design is sliding into obscurity. The chair with a lengthened seat for leg rest and reclining differs from the European-style sofa in that the former is a short-legged, backless couch. The absence of a backrest is compensated by a set of wedge pillows.

/// Thailand ///

The Thai-style chaise lounge is a traditional appraoch to reclined seating. One way of sitting comfortably in one is to sit with your feet up. The wedge pillows serve both aesthetic and functional purposes and can be made from a variety of textiles. The traditional chaise lounge set is designed for side-lying and semi-reclining positons.

The “KIRI” chaise lounge paired with wedge pillows features a blend between traditional design and the Thai Modern concept.

Reviving interest in the design that’s quintessentially Thai, designer Ath Supornchai has debuted a chaise lounge set that mixed strong traditional values with the Thai Modern concept. Winning enthusiastic praise at this year’s International Furniture Fair Singapore, the sofa set called “KIRI” is selling under the brandname “Mobella”. It is also furniture of choice in the reception room at Line Chat App’s Thailand office.

The KIRI chaise lounge set has pride of place at Line Chat App’s Bangkok office.
KIRI is debuted under the Mobella brandname

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Remix DEESAWAT at Bangkok Design Week 2018

Remix DEESAWAT at Bangkok Design Week 2018

Remix Deesawat; Upcoming Event at “Bangkok Design Week 2018,” The Creativity festival which designed to be a showcase for creative and design works and innovations driven by creativity and design thinking.

/// THAILAND ///
Story: Bundaree Deewong /// Photography:  Deesawat 

Bangkok Design Week 2018 brings together experimental and commercial works, creative businesses and socially-oriented projects with the aim to foster creative cooperation by sharing of knowledge and experience, to provide inspirations and to facilitate networking and business opportunities while putting the spotlight on the city’s design and creative potential on the global stage.

Remix Deesawat
Bangkok Design Week 2018
27 January – 4 February 2018
10.00 am. to 20.00 pm. (Everyday)
Avenue: Showroom Deesawat, Sukhumvit 24, Bangkok

Enjoying with Remix Deesawat event with the showcase of the ASIA STAR TALENT with the various creative activities as Designer presentation, Architect talk and so on. It’s happening from 27 January to 4 February 2018 at 10.00 am. – 20.00 pm. (Everyday). This exhibition will take place at Showroom Deesawat soi Sukhumvit 24 Bangkok.

For the interested program as follow:

Material Maker

Meet the craft material maker from Japan (Matel, washi(paper), fabric, etc). Find out the new era of the material that has been developed into a new combination of material for creative product. Together with this showcase, is also the innovation material from Thai manufacturer.

Asia STAR TALENT

Showcase of the Design Gallery from ASIA STAR Talent. With the designer from Japan, Singapore, Philippine and Thailand. With the creative talent…and unique cultural back ground..this will be the showcase that represent culture and innovation.


WOOD x ARCHITECT

Meet the Japanese architecture Mr. Kiyoshi Iuchi from Soramado Architect from JAPAN…that will create the value of wood into the construction. As the trend of the wood and the new concept of architect…Mr.Kiyoshi will present the concept where wood is now back in trend material for architectural work. IFFS (International Furniture Fair Singapore) Opening of the new opportunity for the new design showcase for Thailand young designer at IFFS Singapore.

Maison&Objet

New concept new layout market strategy for Maison&Objet Paris. Target for exhibitor and visitor for September 2018 preparation.

For more information: Deesawat
Link: http://www.baanlaesuan.com/93255/design/remix-deesawat/

A New Boutique Hotel in Singapore’s Historic Chinatown

A New Boutique Hotel in Singapore’s Historic Chinatown

Embracing warmth, comfort, and privacy, a new boutique hotel takes up a row of six former shophouses in Singapore’s historic Chinatown. The beautifully renovated Hotel Mono retains the charm of Southeast Asian styled architecture, while highlighting the distinctive personality of Rococo-era ornamentation.

/// Singapore ///
Story: Weena Baramee /// Photography: Hotel Mono

An expression of art and the interior inside the Lobby at Hotel Mono

Its Rococo aesthetic is apparent in the lightness of interior design, cozy spaces, and the tall and narrow windows that speak to the French stylistic period. The gentle black and white theme on the exterior seamlessly interweaves with the lifestyles of traditional Singapore and the city’s urban bustle. 

Loft style décor that is a component in interior design
Single Room
Relaxation in a Rococo styled studio

A striking new landmark on historic Mosque Street, the 46-room Hotel Mono is an independent hotel catering to the needs of design-conscious travelers. Its statement-making black-and-white facade has been turning heads. The hotel occupies a row of six conservation shophouses, which have been completely transformed in an extensive refurbishment by President Design Award-winning firm Spacedge Designs. Hotel Mono was officially opened in November 2016.

The stylishly chic hotel presents an appealing proposition for discerning travelers – high quality rooms and service standards at very attractive prices. “We want to provide accommodations that are the best value for the money and a five-star service experience,” said GM Glenn Quah.

Besides charm and comfort in every room, guests enjoy better quality beddings, bathroom amenities and more spacious rooms, for prices comparable to the budget accommodations in the same area. Rates at the 46-room Hotel Mono start at just $160 net per night for a Double room, while a Family room sleeping four people costs under $300.

The bathroom ensemble reflects simplicity with contemporary flair.

Its bathrooms represent the conceptualization of a hip retreat for design-savvy travelers (and locals) – guests who appreciate the originality of design. A bold and contemporary design language is relevant throughout the hotel. Every room features a seamless integration of metal bars that traverse the space like lines drawn in the air, meantime, functioning as light fixtures, coat hangers and sculptures.

The boutique hotel celebrates the quality of being the only one of its kind. Due to restrictions and particulars in the floor plans of shophouse styled architecture, no two rooms are identical. Their unique characters are manifested in the name that affirms the validity of these bold and original design concepts.

Link : http://hotelmono.com/

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

/// Myanmar ///
Story: Nawapat D. /// Photography:  Spaceshift Studio, Courtesy of Vin Varavarn Architects 

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)
Vin Varavarn Architects
Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

 


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10 Products with Cool Designs From SACICT Craft Trend 2018

From the book SACICT Craft Trend 2018, published by Support Arts and Crafts International Center of Thailand, we take 10 pieces that combine some very hip design with contemporary materials and production and startlingly traditional folk elements. Let’s see what’s there . . .

/// Thailand ///

1. Ceramic plate inscribed with traditional local fabric patterns, by Wit’s Collection adapts the intricate details of a cloth-based pattern to create a chic ceramic work with an eclectic tribal style.


2. The “Raindrop Hanging Lamp” by PATAPiAN: an imaginative blend of old materials, traditionally woven bamboo and moulded brass, formed into raindrop shapes. Great to mix and match with any style.


 

3. “Takra” multipurpose tray by Thinkk Studio and a wicker-weaving group at Baan Chang in Ang Thong Province: material is woven into small frames. This adds a new dimension to wicker work, since the technique was previously used only for large pieces of furniture. The innovation comes from a new generation of designers working with old-time artisans in SACICT’s Thai Navatasilp Project, which has received wide acclaim.


4. Jackets of woven fabric by Trimode Studio and an U-Thong quilting group in Suphanburi Province use plain woven fabric patterned with new designs simplifying an elaborate tribal style. Here excessive detail is smoothed out to give a contemporary look while using a traditional hand-stitching technique, another bit of folk knowledge preserved by SACICT’s Thai Navatasilp Project.


 

5. The Landscape Pot Box by TRIMODE DESIGN and a mango woodworking group in Hang Dong, Chiang Mai Province: a multipurpose storage box inspired by natural landscapes. The lids of these mango wood boxes are made from colored resin with a texture resembling natural stone. Here the touch of nature is combined with a smooth, very minimalist design.


6. “Tribida,” by Trimode Studio and a twine-weaving group of Ban Laem Yang, Nakhon Sawan Province is a movable set of storage drawers with interesting shape, color, and materials. The lightweight drawers come in a number of patterns and are woven from baling twine, for yet another attractive product from Thai Navatasilp.


 

7. The “Needle Chair” by British designer Veega Tankun adapts and extends a traditional silk weaving technique to create a new type of easy chair cushion. This cushion softens the chair frame for a gentler, more modern look while adding a new, truly charming dimension to chair design.


8. “Khrae Tray,” by Thinkk Studio and a wicker-weaving group in Baan Chang, Ang Thong Province, is a multi-purpose tray that got its inspiration from dwarf bamboo, its small bamboo slats charmingly set in a black steel frame. It can be put to all sorts of uses, including as a support for food dishes, or as a tea set tray.


 

9. The Line Tote Bag by Thinkk Studio and a natural-cloth-dyeing community enterprise group at Nong Bua Dang in Chaiyaphum Province is a shoulder bag with an intriguing shape, made of stylishly dyed woven fabric and adorned with simple, attractive monochromatic graphics and patterns that add to its contemporary look. This, too, is a Thai Navatasilp product.


10. “Mon Mai,” by Thinkk Studio and a natural-dyeing community enterprise group in Nong Bua Daeng, Chaiyaphum Province: these beautiful woven mudmee silk patterns are warm and modern, with reduced pattern detail suggestive of fashionable graphic art. The natural dyes give a gentle feeling reminiscent of pastels. Another proud example of SACICT’s Thai Navatasilp Project.

These ten craft art pieces use traditional Thai handicraft techniques adapted by leading designers to create stylish products, many of which are either still on display or in the inventory at SACICT Concept in Bang Sai, Ayutthaya Province. For further information, visit www.sacict.or.th or keep current with the news at www.facebook.com/sacict.

 


 

 

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