DESIGN / Living ASEAN - Inspiring Tropical Lifestyle

DEmark Award 2018 / Design Excellence Award

By livingasean
June 23, 2018
CULTURE,DESIGN

We have the results of this year’s official accolade of design excellence. Eight pieces of furniture have won the coveted DEmark Award for outstanding design for 2018. Among the winners: a water hyacinth chair beautifully crafted on a metal frame, a neatly packed kitchen cabinet, a chair inspired by tea tree topiaries, and a set of chairs that come together as table legs.

/// Thailand ///

Furniture category: “Khing,” a set of stool and table inspired by research on tea tree topiaries, a craft skill that’s slowly disappearing – by the Sumphat Gallery

Every year, the Department of International Trade Promotion (DITP) gives out the Design Excellence Award, DEmark Award for short, as an acknowledgement of outstanding merit by Thai designers from across the country.

The ultimate official accolade seeks to increase direct presence of Thailand’s creative products in the world marketplace. Successful candidates will participate in international trade events, such as the Gmark Award competition in Japan, as well as DITP’s exhibition tours throughout Europe and Asia.

This year’s DEmark Awards were given to eight pieces of furniture for impressive achievements in blending craft skills with modern manufacturing techniques.

Furniture category: A neatly packed kitchen cabinet called “Q-Mini Compact” – by Qrua

Furniture category: “Jaak Coffee Table,” an elaborate design that gets its inspiration from the bird cage common in southern Thailand — by Tima

Furniture category: “Sim Steel Bar Stool,” impressive knock-down furniture ideas — by Take Home Design

Furniture category: The so-called (W)hole Chair, featuring stow-away furniture ideas — by Everyday Studio

Furniture category: “Water Weed Chair,” a product of collaboration between a community skilled in the art of basketry and a modern furniture designer — by the Sumphat Gallery

Furniture category: “Krachap,” a hanging lounge chair featuring bamboo housing crafted on a steel frame — by Performax and “Kodax,” a lounge chair capable of moving in a circle around an axis — by Kenkoon

Every year, the DEmark Awards are given out in six categories — Furniture, Lifestyles, Fashion, Industry, Packaging and Graphic Design – as an acknowledgement of outstanding achievements by Thai designers and manufacturers. Not all of the winners are listed in this report.

Lifestyles category: “TARN Collection,” a mortar and pestle set — by Stew

Lifestyles category: “Year Ring Collection,” an accessory container made of wood — by Deesawat

Lifestyles category: “Hill Pot,” a collection of houseplant containers — by Qualy

Lifestyles category: “Chong Mana,” a collection of scented candles featuring the motto “work hard and you shall succeed” — by Dib Dee and “Wit Tray,” a food tray featuring bamboo crafted on a steel frame — by Yothaka

Lifestyles category: “Husk Object,” a set of tray, coasters, and flower pots made of neatly compacted rice husks — by Sonite

Industry category: “Vento Brick,” a perforate wall designed to enhance natural air circulation — by Kenzai

Fashion category: “Natural Blue Honor Sport Jacket,” an apparel collection made of indigo-dyed fabric – by Blue Nails

Graphic Design category: “Thunder Bird Hostel” — by Shake and Bake Studio

Graphic Design category: “Chiangmai Design Week 2018” — by Octopus Grafik Studio

For more information, please visit: http://demarkaward.net/en/demark_winner?product_type=0&year_awarded=2018&keyword=Search

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Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

By livingasean
March 28, 2018
CULTURE,DESIGN

The Singapore-based designer brand “ipse ipsa ipsum” has unveiled one of the finest collections of Peranakan-inspired home décor and accessories.

/// Singapore ///

The front and rear of the floor standing mirror. — By ipse ipsa ipsum.

Bright and beautiful colors, and design on the rear panel tell fascinating stories of the Peranakan experience. — By ipse ipsa ipsum.

Bold and beautiful, Peranakan design is the product of Chinese migration into the Malay archipelagos of centuries ago. Making its world debut at last year’s International Furniture Fair Singapore, the new product line called “Straits Reflection” included a tabletop mirror and a floor-standing mirror that told stories of a fascinating amalgam of Chinese, Indian, and Malay craft traditions.

The designer brand was launched in 2016 as an initiative of “Sam & Sara”, an established Indian silverware business headquartered in Singapore. Combining ultramodern materials with traditional craftsmanship skills, the new brand aimed to create original designs under the slogan, “The extraordinary for the ordinary”.

“Straits Reflection” by Jeremy Sun and Nicholas Paul was the result of collaboration between the designer brand and the Peranakan Museum in Singapore. Peranakan Chinese, or Straits-born Chinese, are the descendants of Chinese who migrated into the Malay archipelagos form the 15^th to 17^th centuries. Over time, their cultural heritage, architecture, design, and cuisine have become prominent landmarks in Singapore, Malaysia, Indonesia and parts of southern Thailand.

Indian floral patterns, Chinese bird paintings, and Malay-style bold colors bespeak centuries of cultural interactions. — By ipse ipsa ipsum.

“Straits Reflection” is evidence of an artistic ability that has evolved through on-going interactions among Chinese, Indian, and Malays. Its design aesthetics combine Indian floral patterns with traditional Chinese bird paintings, and Malay-style bold colors.

A curious mix of the old and the new, “Straits Reflection” includes a tabletop mirror that displays temperatures and air quality values, and a matching floor-standing mirror that reflects on the Peranakan experience.

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Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

By livingasean
March 22, 2018
CULTURE,DESIGN

Perfected over time, the chaise lounge paired with triangular-shaped pillows offers a fascinating glimpse into Thai culture. As time goes on, the design is sliding into obscurity. The chair with a lengthened seat for leg rest and reclining differs from the European-style sofa in that the former is a short-legged, backless couch. The absence of a backrest is compensated by a set of wedge pillows.

/// Thailand ///

The Thai-style chaise lounge is a traditional appraoch to reclined seating. One way of sitting comfortably in one is to sit with your feet up. The wedge pillows serve both aesthetic and functional purposes and can be made from a variety of textiles. The traditional chaise lounge set is designed for side-lying and semi-reclining positons.

The “KIRI” chaise lounge paired with wedge pillows features a blend between traditional design and the Thai Modern concept.

Reviving interest in the design that’s quintessentially Thai, designer Ath Supornchai has debuted a chaise lounge set that mixed strong traditional values with the Thai Modern concept. Winning enthusiastic praise at this year’s International Furniture Fair Singapore, the sofa set called “KIRI” is selling under the brandname “Mobella”. It is also furniture of choice in the reception room at Line Chat App’s Thailand office.

The KIRI chaise lounge set has pride of place at Line Chat App’s Bangkok office.

KIRI is debuted under the Mobella brandname

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Remix DEESAWAT at Bangkok Design Week 2018

By livingasean
January 27, 2018
CULTURE,DESIGN,HAPPENING,SPECIAL SCOOP

Remix Deesawat; Upcoming Event at “Bangkok Design Week 2018,” The Creativity festival which designed to be a showcase for creative and design works and innovations driven by creativity and design thinking.

/// THAILAND ///
Story: Bundaree Deewong /// Photography: Deesawat

Bangkok Design Week 2018 brings together experimental and commercial works, creative businesses and socially-oriented projects with the aim to foster creative cooperation by sharing of knowledge and experience, to provide inspirations and to facilitate networking and business opportunities while putting the spotlight on the city’s design and creative potential on the global stage.

Remix Deesawat
Bangkok Design Week 2018
27 January – 4 February 2018
10.00 am. to 20.00 pm. (Everyday)
Avenue: Showroom Deesawat, Sukhumvit 24, Bangkok

Enjoying with Remix Deesawat event with the showcase of the ASIA STAR TALENT with the various creative activities as Designer presentation, Architect talk and so on. It’s happening from 27 January to 4 February 2018 at 10.00 am. – 20.00 pm. (Everyday). This exhibition will take place at Showroom Deesawat soi Sukhumvit 24 Bangkok.

For the interested program as follow:

Material Maker

Meet the craft material maker from Japan (Matel, washi(paper), fabric, etc). Find out the new era of the material that has been developed into a new combination of material for creative product. Together with this showcase, is also the innovation material from Thai manufacturer.

Asia STAR TALENT

Showcase of the Design Gallery from ASIA STAR Talent. With the designer from Japan, Singapore, Philippine and Thailand. With the creative talent…and unique cultural back ground..this will be the showcase that represent culture and innovation.

WOOD x ARCHITECT

Meet the Japanese architecture Mr. Kiyoshi Iuchi from Soramado Architect from JAPAN…that will create the value of wood into the construction. As the trend of the wood and the new concept of architect…Mr.Kiyoshi will present the concept where wood is now back in trend material for architectural work. IFFS (International Furniture Fair Singapore) Opening of the new opportunity for the new design showcase for Thailand young designer at IFFS Singapore.

Maison&Objet

New concept new layout market strategy for Maison&Objet Paris. Target for exhibitor and visitor for September 2018 preparation.

For more information: Deesawat
Link: http://www.baanlaesuan.com/93255/design/remix-deesawat/

A New Boutique Hotel in Singapore’s Historic Chinatown

By livingasean
October 3, 2017
CULTURE,DESIGN

Embracing warmth, comfort, and privacy, a new boutique hotel takes up a row of six former shophouses in Singapore’s historic Chinatown. The beautifully renovated Hotel Mono retains the charm of Southeast Asian styled architecture, while highlighting the distinctive personality of Rococo-era ornamentation.

/// Singapore ///
Story: Weena Baramee /// Photography: Hotel Mono

An expression of art and the interior inside the Lobby at Hotel Mono

Its Rococo aesthetic is apparent in the lightness of interior design, cozy spaces, and the tall and narrow windows that speak to the French stylistic period. The gentle black and white theme on the exterior seamlessly interweaves with the lifestyles of traditional Singapore and the city’s urban bustle.

Loft style décor that is a component in interior design

A striking new landmark on historic Mosque Street, the 46-room Hotel Mono is an independent hotel catering to the needs of design-conscious travelers. Its statement-making black-and-white facade has been turning heads. The hotel occupies a row of six conservation shophouses, which have been completely transformed in an extensive refurbishment by President Design Award-winning firm Spacedge Designs. Hotel Mono was officially opened in November 2016.

The stylishly chic hotel presents an appealing proposition for discerning travelers – high quality rooms and service standards at very attractive prices. “We want to provide accommodations that are the best value for the money and a five-star service experience,” said GM Glenn Quah.

Besides charm and comfort in every room, guests enjoy better quality beddings, bathroom amenities and more spacious rooms, for prices comparable to the budget accommodations in the same area. Rates at the 46-room Hotel Mono start at just $160 net per night for a Double room, while a Family room sleeping four people costs under $300.

The bathroom ensemble reflects simplicity with contemporary flair.

Its bathrooms represent the conceptualization of a hip retreat for design-savvy travelers (and locals) – guests who appreciate the originality of design. A bold and contemporary design language is relevant throughout the hotel. Every room features a seamless integration of metal bars that traverse the space like lines drawn in the air, meantime, functioning as light fixtures, coat hangers and sculptures.

The boutique hotel celebrates the quality of being the only one of its kind. Due to restrictions and particulars in the floor plans of shophouse styled architecture, no two rooms are identical. Their unique characters are manifested in the name that affirms the validity of these bold and original design concepts.

Link : http://hotelmono.com/

Vin Varavarn Architects / Adapting Ordinary Materials to Achieve Architectural Excellence

By livingasean
September 13, 2017
CULTURE,DESIGN,HAPPENING,PEOPLE,SPECIAL SCOOP

This September the second Room x Living ASEAN Design Talk will be held under the title “ASEAN Architecture Design,” featuring a Thai architect and recipient of world-class awards from many institutions, M.L. Varudh Varavarn, founder of the firm Vin Varavarn Architects (VVA).

/// Myanmar ///
Story: Nawapat D. /// Photography: Spaceshift Studio, Courtesy of Vin Varavarn Architects

M.L. Varudh will take the stage to share his knowledge and inspirational design concepts under the heading “ASEAN Architecture Design.” Also featured will be Jeremiah Pitakwong, managing editor of the Baan Lae Suan magazine group, come to give his insights and impressions from many years of architectural photojournalism around the ASEAN region, with the topic “10 ASEAN Houses.”

VVA is a small firm, but its design works are widely recognized both in Thailand and abroad. M.L. Varudh’s philosophy is the company’s driving force, and stresses functional utility for building occupants and careful selection of construction materials with a view to their potential. Another point is that a designer should avoid making his ego central to the work simply to create a personal signature that people will remember. All this allows VVA’s design work to be versatile and adaptable to various challenges and environmental contexts while at the same time creating works of outstanding function and beauty.

Vin Varavarn Architects — Bann Huay San Yaw- Post Disaster School, Chiang Rai, Thailand (Photographs: Spaceshift Studio)

One project helping both to build a name for the architect himself and add to Thailand’s prominence in the architectural world is Bann Huay San Yaw Witthaya School, one of 9 “por dee por dee (appropriate)” classroom structures built through the Design for Disasters (D4D) relief program for schools damaged in the 6.3 Chiang Rai earthquake of May 5, 2014.

This gabled school building’s primary design requirement was to keep it safe from future earthquake damage. Additionally, the architects focused on using easily obtainable and local materials and facilitating full use of space both inside and outside the building, which holds three classrooms arranged lengthwise at the same level. To save structural costs and also to fit the slope on which it’s built, the building has a multipurpose tai thun open area below.

Walls and roof of the primary structure are constructed of single pieces of steel, which helps protect against sun and rain. Its outstanding adaptation of ordinary materials resulted in this design winning Italy’s International Biennial Barbara Cappochin Architecture 2017 Grand Prize and a High Commendation at Berlin’s 2016 World Architecture Festival Awards, while in the United Kingdom it was shortlisted for the 2016 Architectural Review School Awards.

VVA’s outstanding architectural design work is not by any means limited to Bann Huay San Yaw Witthaya School. Interested in getting a deep look at architectural design? Come listen to M.L. Varudh discuss his design concepts at “Room x Living ASEAN Design Talk vol.2 (Myanmar): ASEAN Architecture Design,” at Myanmar Build & Decor in Myanmar Event Park (MEP), Yangon, Myanmar on September 29, 2017, from 09.45 until 10.30 AM, with no admission charge. You’ll soon be able to get more details at livingasean.com and www.baanlaesuan.com/designtalk.

Link : https://web.facebook.com/VinVaravarnArchitectsLimited/

Amazing Craftwork at the SACICT Innovative Craft Gallery

By livingasean
August 7, 2017
CULTURE,DESIGN,SPECIAL SCOOP,SPOTLIGHT

The official opening for the SACICT Innovative Craft Gallery has arrived, as Support Arts and Crafts International Center of Thailand continues its hallmark support of village-based folkcraft combined with modern design trends to produce eye-popping work and build lasting careers.

/// Thailand ///

The Gallery is located on the second floor of the main SACICT building in Bang Sai, Ayutthaya. Entering the reception area we’re treated to visions from the book SACICT Craft Trend 2018, with a fascinating arrangement of social craft network presentations illustrating the book’s high points. Each of the products on display in the “Mass X Clusivity” exhibit has a story to tell. The “Digital Detoxing” section shows us designs that bring harmony to today’s changing world.

Décor and tasteful arrangement create harmonious connections between displays. We follow the production steps of these innovative crafts as skills are brought to bear and traditional knowledge applied, culminating in their appearance on the national stage – the IICF (International Innovative Craft Fair) or the Innovative Craft Award competition, for instance – as they gain widespread recognition and interest. It’s hard to find a more remarkable collection of unique and finely crafted pieces than here at the Gallery.

Under the heading “Benjarong” (primary colors), the Thai Navatasilp exhibit shows us a perfect balance of skill, traditional knowledge, lifestyle, and modernity. Here are works that define and extend the meaning of the term, such as “Plaa Gat” (fish bite) by Witsarut Angkhahawanit and masterpieces produced by acclaimed Thai artist Wasinburi “Tiw” Suphanich-Woraphat.

Interested in creating great works of your own? Want to learn about the thought process, or the physical construction of craftwork? Get news about the Gallery’s activities through Support Arts and Crafts International Center of Thailand, at www.sacict.or.th or www.facebook.com/SACICTGallery.

10 Products with Cool Designs From SACICT Craft Trend 2018

By livingasean
August 7, 2017
CULTURE,DESIGN,SACICT Craft Trend 2018,SPECIAL SCOOP,SPOTLIGHT

From the book SACICT Craft Trend 2018, published by Support Arts and Crafts International Center of Thailand, we take 10 pieces that combine some very hip design with contemporary materials and production and startlingly traditional folk elements. Let’s see what’s there . . .

/// Thailand ///

1. Ceramic plate inscribed with traditional local fabric patterns, by Wit’s Collection adapts the intricate details of a cloth-based pattern to create a chic ceramic work with an eclectic tribal style.

2. The “Raindrop Hanging Lamp” by PATAPiAN: an imaginative blend of old materials, traditionally woven bamboo and moulded brass, formed into raindrop shapes. Great to mix and match with any style.

3. “Takra” multipurpose tray by Thinkk Studio and a wicker-weaving group at Baan Chang in Ang Thong Province: material is woven into small frames. This adds a new dimension to wicker work, since the technique was previously used only for large pieces of furniture. The innovation comes from a new generation of designers working with old-time artisans in SACICT’s Thai Navatasilp Project, which has received wide acclaim.

4. Jackets of woven fabric by Trimode Studio and an U-Thong quilting group in Suphanburi Province use plain woven fabric patterned with new designs simplifying an elaborate tribal style. Here excessive detail is smoothed out to give a contemporary look while using a traditional hand-stitching technique, another bit of folk knowledge preserved by SACICT’s Thai Navatasilp Project.

5. The Landscape Pot Box by TRIMODE DESIGN and a mango woodworking group in Hang Dong, Chiang Mai Province: a multipurpose storage box inspired by natural landscapes. The lids of these mango wood boxes are made from colored resin with a texture resembling natural stone. Here the touch of nature is combined with a smooth, very minimalist design.

6. “Tribida,” by Trimode Studio and a twine-weaving group of Ban Laem Yang, Nakhon Sawan Province is a movable set of storage drawers with interesting shape, color, and materials. The lightweight drawers come in a number of patterns and are woven from baling twine, for yet another attractive product from Thai Navatasilp.

7. The “Needle Chair” by British designer Veega Tankun adapts and extends a traditional silk weaving technique to create a new type of easy chair cushion. This cushion softens the chair frame for a gentler, more modern look while adding a new, truly charming dimension to chair design.

8. “Khrae Tray,” by Thinkk Studio and a wicker-weaving group in Baan Chang, Ang Thong Province, is a multi-purpose tray that got its inspiration from dwarf bamboo, its small bamboo slats charmingly set in a black steel frame. It can be put to all sorts of uses, including as a support for food dishes, or as a tea set tray.

9. The Line Tote Bag by Thinkk Studio and a natural-cloth-dyeing community enterprise group at Nong Bua Dang in Chaiyaphum Province is a shoulder bag with an intriguing shape, made of stylishly dyed woven fabric and adorned with simple, attractive monochromatic graphics and patterns that add to its contemporary look. This, too, is a Thai Navatasilp product.

10. “Mon Mai,” by Thinkk Studio and a natural-dyeing community enterprise group in Nong Bua Daeng, Chaiyaphum Province: these beautiful woven mudmee silk patterns are warm and modern, with reduced pattern detail suggestive of fashionable graphic art. The natural dyes give a gentle feeling reminiscent of pastels. Another proud example of SACICT’s Thai Navatasilp Project.

These ten craft art pieces use traditional Thai handicraft techniques adapted by leading designers to create stylish products, many of which are either still on display or in the inventory at SACICT Concept in Bang Sai, Ayutthaya Province. For further information, visit www.sacict.or.th or keep current with the news at www.facebook.com/sacict.

Craft Trend Book 2018

By livingasean
August 1, 2017
CULTURE,DESIGN,SACICT Craft Trend 2018,SPECIAL SCOOP,SPOTLIGHT

SACICT Craft Trend 2018, the most recent book in an annual limited-edition line published by SUPPORT Arts and Crafts International Centre of Thailand, is a collection of analyses of new trends in handicrafts written by highly knowledgeable people in design circles.

/// Thailand ///

Amphawan Phichalai, Director of SACICT and the book’s producer, puts it this way: “Handicraft development in the modern age has to keep pace with rapidly changing patterns in technology and the world itself. The crafts world needs to put these new technologies to use in connecting and creating networks of people with similar interests who can help each other in development, application, and boundless transmission of knowledge.”

This is the primary concept dealt with in this year’s “Social CRAFT Network” section as it examines the role of technology in this era, when it is such an essential part of people’s lives, putting information we need right at our fingertips for the finding, making connections with lightning speed. Acceptance and utilization of technology helps create a more efficient, comfortable, and generally better life.

And there is a whole new vocabulary, words which act as driving forces behind this year’s new trends.

One example is the term “massclusivity,” describing application of the the master craftsman’s techniques to industrial systems. These systems enable production of products in large numbers, utilizing mass-produced parts that minimize investment costs while building and maintaining the unique identity of handicraft products, preserving the magic and charm of the original craftwork while producing it with a combination of people and machines.

Then there is “digital detoxing,” built on an analysis of changes in consumer behavior that respond to a need to escape from the madly spinning world through relaxation – walking, sitting, lying down, rest and meditation – resulting in products with simple, straightforward designs, uncomplicated and easy to understand but offering the best solutions for improving everyday life.

Besides this, in this collection you’ll find significant content about trends in color usage, great products shown at the 2017 International Innovative Craft Fair, and interesting topics discussed at seminars with fashion industry leaders, highly skilled “trend gurus” from the design world who can guide you in your studies.

Want to reserve a copy? There’s more information available at www.sacict.or.th, and you can get the latest news at https://www.facebook.com/sacict/

Tea Café, Choui Fong Plantation, Chiang Rai Province

By livingasean
May 9, 2017
CULTURE,DESIGN

Choui Fong Plantation in Chiang Rai is a popular landmark for travelers. In 2016 its Tea Café was awarded a citation of excellence in the commercial and office building category by The Association of Siamese Architects under Royal Patronage (ASA).

/// Thailand ///
Story: Wuthikorn Suthiapa /// Photography: Sitthisak Namkham /// Designer: Idin Architects

The building’s left wing holds a shop filled with tea-related products.

Buildings split off radially for a panoramic view of mountains and fields.

If you have the good fortune to visit Doi Mae Salong, Chiang Rai Province, source of Thailand’s high-quality tea, you’ll pass through Mae Chan District. This is home to the Choui Fong Plantation, an enormously popular local tourist landmark. Besides the beautiful tea field landscape spreading as far as the eye can see, you’ll also find the truly chic Choui Fong Tea Café, in 2016 recipient of an architectural award from the Association of Siamese Architects.

The Choui Fong Plantation had been in tea leaf production long before its second-generation heir, Ping (Chanya Wanatsapithaksakul) made the improvements that put it on the agricultural tourism map, with a shop and stalls distributing many of his products and the café, which offers pastries and high-quality tea-based drinks. The delicious tastes and smells are enhanced by the setting: the ingenious architectural design of IDIN Architects which seems to spring right out of its gorgeous natural surroundings. The rectangular concrete structures, split into three interconnecting wings. are built into the hill at the highest point in the fields. Elegant by themselves, they are even more so in the context of nature. Visitors can walk around the hilltop roof and enjoy a 360-degree vista of tea fields, or look out from the lower deck while relaxing with tea and pastries, which can also be bought at the store.

Visitors walk down from the hilltop to enter the café complex.

With only a single post supporting each wing, the buildings seem light, as if floating midair.

Tea can be enjoyed on both the roof deck and the lower level.

Tea aficionados love the simple décor: pine wood gives a serene look which goes well with the scents and tastes, and all the building materials – steel, concrete, wood – retain their natural textures, bringing to bear the tea-drinking cultural values of honesty and simplicity, attracting both experts and amateurs into the tea world in all its depth.

Sipping tea here is much more than just experiencing delicious tastes, it’s experiencing the joys of life itself.

Evening atmosphere at Choui Fong Tea Café.

Link : http://www.idinarchitects.com/

Blog : DESIGN

DEmark Award 2018 / Design Excellence Award

Peranakan Moderne: A Synthesis of Chinese, Indian, and Malay Cultures

The Singapore-based designer brand “ipse ipsa ipsum” has unveiled one of the finest collections of Peranakan-inspired home décor and accessories.

Thai-Style Chaise Lounge and Wedge Pillows: From the Traditional to the Modern

Remix DEESAWAT at Bangkok Design Week 2018