/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Tanakitt Khum-on /
This newly built snug steel home comes with “tai thun,” the lower open space, that allows cool air to pass through. Woodwork and a contemporary steel frame add remarkable touches to what now includes a coffee shop, clothing store, and family homestay.
The steel house is built between the two aged wooden homes.
Originally there were two old homes on the property before the new steel structure was built in the in-between space: one belonged to the grandmother, the other to her son, Kriangkrai Phithayapreechakul. It was a small house built on a raised foundation in 1986.
The plan was to connect the old homes to the new steel structure that contains a coffee shop, a clothing store, and a homestay.
The homestay lobby.
“We had already moved out, and were living in the central business district of Phrae,” said Kriangkrai.
“At that time,” added his wife Sasithon Chai-uphatham, “we were planning to live and do business there. But Mom (the grandmother) got sick, so we decided to come back.
“Our daughter, Kik or Kansiri Phithayapreechakul, was about to graduate, so we figured we could do our batik work right here at home. And we would be happier living together.”
[Left] The existing home on one side is the grandmother’s house with “tai thun” space. It has since become the guesthouse’s living room. / [Right] The lobby-cum-dining room of the homestay.
A shade tree in the yard keeps the front porch cool during the daytime hours.
Sasithon’s batik brand, “Thai Thaw”, is akin to “Roketsuzome”, a traditional Japanese wax-resist textile dyeing technique. Coming back to set up the family business is one reason her daughter Kik decided to go study fabric design. That’s the reason for building this intimate steel home in the middle.
“We started the building five years ago,” said Kik. “It took a year to finish it, and then we added a coffee shop and clothing store fronting the street, connecting into the old houses.”
[Left] A loft-style kitchen shows original flooring surfaces. / [Right] The kitchen steel-framed siding is glazed using clear glass designed to save space.
With a clothing store on one side, they created a homestay on the other. The homeowners also adapted downstairs space for use as family room.
“At first we didn’t plan on opening a homestay. But we had some friends coming over to visit a lot, and they liked being around this area,” added Kik.
“Later, when we decided to give lessons in batik making, the house became a guesthouse to accommodate workshop participants.”
The living room of the homestay is on the ground floor.
The new building features a mix of concrete, steel structure and reclaimed timber. Upstairs, the floor is made of recycled tongue-in-groove hardwood boards. It reaches all the way to connect with the grandmother’s house.
The “tai thun” or lower open space inside Grandma’s house now serves a new purpose as the homestay living room. The homeowners kept the space as it was because they wanted to preserve the character of the old house and, at the same time, made certain that it blended with the new steel home.
The homestay’s guestroom ambiance.
Outside, a large mango tree was preserved for shade, relating to the space left between the three structures for good airflow. Décors are mostly from family collections.
“We worked slowly, concentrating on details, for beauty and best use of space,” said Kriangkrai.
“I let the builders work in the ways they were best at, and they brought out the charm of the original materials, blending them into a whole. In some places the steel was allowed to rust, complementing marks on the old wood as well as bare concrete and brick surfaces.”
The imprints of time work indeed with the new design making this steel home something really chic and special.
/ Story: Wuthikorn Sut / English version: Peter Montalbano /
/ Photographs: Rithirong Chanthongsuk /
Looking back on former times for inspiration? Here’s a laid-back wooden home reminiscent of what life was like in Lanna, an ancient kingdom that’s present-day northern Thailand and vast swaths of countryside now part of Myanmar and Laos. As an expression of love for simple rural life, the homeowners named it “Tathata” in the vernacular of the region meaning “just the way it is”.
The house was built based on local traditions of the distant past. It has a pleasant, relaxed and chic open-concept space with a nice cool breeze blowing all day long through its exquisite form. Plus, harmonious lines and distinct finishes boast the charm of eco-friendly Lanna craftsmanship.
“We’re Bangkok people, but love the atmosphere and way of life here in Nan. After coming to work at Nan Hospital, we decided to live here and looked around for where to build until we finally found this property,” says Natthathon Kharaphongsathaphon, who owns the house with Jittraphon Khwamkhnueng.
Double walls with alternating slats sliding open and closed to control airflow.
The house sits on a road convenient to Nan Hospital, in a quiet natural setting by the water’s edge. For design, the owners hired Nanthaphong Lertmaneethawisap, of Arsomsilp Community and Environmental Architect Co., Ltd. as the project’s architect.
The “tai thun” (open underfloor space at ground level) acts as the guest reception area connected to the kitchen.A wooden porch connecting the father’s bedroom to the carport is designed to be wheelchair accessible when needed in the future.
The architect said, “The owners liked the cultural and artistic dimensions of life in Nan, as well as its traditional wooden architecture. This house is only a few kilometers from the city, but in a perfect natural setting, easy breezes blowing around the clock.
“From the beginning, the words “Little House in the Big Woods” popped into my head. The doctors and I agreed we should take special care of the plants on the property, and we managed to preserve all the trees.”
The homeowners wanted the new design to use carefully selected old wood in ways that would preserve traditional Lanna craftsmanship. So all materials were taken from five traditional houses around Nan Province. They had the imprints of time and a lot of colorful history among them.
The traditional open space beneath the house, or “tai thun,” was designed for receiving guests with a deck connecting it to the kitchen and other sections of the house. The area around the stairwell is open, so light comes in from above. Walking up, you first come to the altar room, then a living area, and furthest in, the bedrooms.
The stairwell connects all sections of the house.Compact bedroom ideas for father and mother.
“We tried to make the house airy and open while providing for privacy, safety, and a clear division of space according to use,” said Natthathon.
“Towards the end while supervising the work, I started to learn the craft techniques. I sawed wood, used a chisel, and sharpened bars myself. I even did some of the kind of self-reliant agriculture everyone used to do, raising ducks, geese, and chickens, even growing a vegetable garden.
“Doing this was a revelation: it was entertaining! And it all takes physical effort, so there’s no need to go to the gym.”
All told, it’s a home that successfully applies traditional Lanna themes to present-day life. It’s a dream home that has become a reality in the natural environment of Nan, somehow seeming ordinary while being as beautiful a home as we’ve seen.
Natthathon Kharaphongsathaphon and Jittraphon Khwamkhnueng with their dream Lanna wooden home.
/ Story: Wuthikorn Suthiapa / English version: Peter Montalbano /
/ Photographs: Sitthisak Namkham /
This tropical waterside house brings back memories of Thai life as it was along Khlong Samsen (Samsen canal) in bygone times. From the outside, it looks straightforward and contemporary, but inside is a fascinating mix of antiques from the owners’ collections.
Outer stair, up from the pool to the second-floor balconyPerforated fence with wind baffles for good air circulation within the propertyBlocks with 1-inch spaces to control fresh air coming into the houseWork room with a library design
To match the Thai climate, Associate Professor Dr Tonkao Panin designed this house in a tropical style.
Although it has a contemporary look, the tropical waterside house contains a mix of antiques and collectibles belonging to owners Kajorn Tanaphaet and Eugene Kroon. A major design challenge for Dr Tonkao was to make old and new fit well together.
Swimming pool, designed as to appear continuous with the khlong (canal) outside
“My requirements are simply stated: 1. I don’t want luxury. 2. I want high ceilings, and 3. Air conditioning should be minimal. Tonkhao’s proportional design successfully connects the entire property: balcony, reception parlor, reading room, down through the kitchen and out to the swimming pool and pier.
“There are a lot of reasons I’m pleased with this location: it’s at the end of the soi, quiet and peaceful, one side opens onto Khlong Samsen, and there’s space in front for a nice garden.
“I bought the place some time before I ran across a house designed by Tonkao in a book I was reading and managed to get him to come design this one.
“As you can see, the end result is a good-sized house with a great style,” says Kajorn.
The design of this tropical waterside house took 8 months, and construction an additional year.
“We did it little by little, along the way discovering things we liked in the detail suggested by the word ‘house.’ Here is a mixture of many things: some sections come from Eugene and me, some from Tonkao, and there are things the craftsmen suggested as we chatted during construction.”
Aside from the remarkable style and the great number of owner-collected antiques and collected artifacts, another point of interest is the unusual transverse placement of the house, set crosswise on the property.
“Kajorn wanted to have the house right on the water,” explains Professor Tonkhao, “and orienting the house this way lets it catch the constant breeze from the lawn out to the khlong.”
So this tropical waterside house has permanent natural ventilation. “Even though the design is straightforward, we want it to create a feeling somewhere between being inside and outside, a tropical feeling.
“The house is designed so it can fully open up to the air from terrace and doorways, that all can be left open. At the same time, balconies and doors block the direct sun from entering the building, creating different levels of sunshine and shade inside and out.”
Even in the late afternoon, it’s still shady and cool. The patio has a long porch deck reminiscent of an “arcade,” the façade of a Sino-Portuguese-style house.
There’s a balcony door which can be opened vertically as a sunshade, a similar design to a Thai-style “baan krathung” pop-up window.
Features such as this help create an amazing sense of comfort for a Bangkok house.
Owner: Kajorn Tanaphaet and Eugene Kroon
Architect: Reserch Studio Panin by Associate Professor Dr Tonkao Panin & Thanakarn Mokkhasamit
/ Story: Ajchara Jeenkram / English version: Bob Pitakwong /
/ Photographs: Apilak Suksai, Pratya Chankong /
No air conditioning, no TV, no problem. Introducing a delightfully charming Tropical house that embraces green living authentically within the local context and character of a coastal area where the tide meets the Chao Phraya River.
The allure of an enchanting Tropical ambience is reason enough for a couple from far away to call this part of Thailand home. This modest yet perfect home belongs to Alisa Tang, a journalist, and her other half, photographer/graphic designer Landry Dunand.
Call it serendipity, perhaps? US-born Alisa returned home to the learn more about her roots, but ended up staying after falling in love with Bang Nam Phueng, a Samut Prakan suburb renowned for a green lifestyle and plenty of smiles.
What a difference a location made! It didn’t take long before the couple decided to put in a home and got it ready in time to welcome their baby girl.
House-on-stilts design blends well with the atmosphere of a fruit orchard at the water’s edge. Interior living spaces are upstairs, while downstairs is set aside for Landry’s photo studio and still has plenty of room left.
The absence of electromechanical air conditioning, not even a TV, speaks to a strong resolve to contribute in their small ways towards reducing carbon footprint. The signs of sustainable living and life hacks inspired by nature are evident in a composting sawdust toilet and the use of solar energy for water heating. Bicycles provide clever alternatives to spending time wasted on long commutes.
Made for a hot and humid climate, the wooden house was crafted by local carpenters who were experts in correct building orientation as a means to harness daylight and control glare on the building surface. With a knowledge of wind and sun directions, they were able to align it to reap every health benefit the already serene location had to offer.
By design, high ceilings increase the perception of space, create indoor thermal comfort and make this Tropical house aesthetically appealing. All things considered, it’s a secret to growing a happy family and this modest abode in an orchard takes sustainable living to the next level.
/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Many have dreamt of owning a beach house on a beautiful island. The owners of this property have made their dream come true with style and grace.
The pier at Ko Pha-Ngan (Pha-Ngan Island) is always bustling with activity as tourists keep coming in droves, looking forward to the party. But the island on the Gulf of Thailand is also known for its fine collection of tranquil beaches, especially the one on Hin Kong Bay, where this charming beach house is located.
The casually cool house sits embraced by a circle of trees that gives it a tropical touch and camouflages it from the busy streets. The wide open design ensures every part of the stilt house is easily accessible wherever you may be, from the room at the rear to the front porch to the infinity pool that connects to the ocean beyond.
The house with a twist features a tree trunk that continues to grow through the floorboard. A clever design element, the tree had been there long before the owners decided to put in a home.
Not wanting to cut it down, they built their home around the tree and let it keep on growing. They are just happy to live and let live despite having to adjust the floorboard and roofing from time to time.
Almost all the furniture in the house is made of wood, a personal preference that fits in well with the kind of home they live in. The interior living space is bedecked with ornaments and souvenirs from a lifetime of journeys as well as stunning found objects that were washed ashore.
Both the first and second floors feature long corridors that provide easy access to every part of the house. The owners have wanted their beach house to be a seaside resort designed for relaxation and good times with family and friends.
“While I am here, every day is a holiday,” said the owner with a smile.
“I love to just lie down in the living room and gaze out into the sea. Every now and then, friends come over for a visit, and we throw a barbeque party. My husband usually spends his time in the garden taking care of plants and things.”
One last word. If you haven’t thought of owning a beach house before, this picturesque house on a paradise island will make you want to have one.
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
Peacefully ensconced in a coconut grove by the sea, “Baan Somjai” is both a vacation destination and private residence located on beautiful Pha-Ngan Island. Everything goes by slowly on this side of the world, so slow it feels like time is standing still.
Nature’s A/C system at work. A water pond runs the entire stretch of the building, lowering indoor temperatures as winds carry water vapor into the room.
The seaside resort is the brainchild of Nattawut Piriyaprakob, of the architectural practice NPDA Studio. He’s both the designer and son of landowners Banjob and Somjai Piriyaprakob. The property on Pha-Ngan Island is an inheritance from Nattawut’s grandmother.
Back in the day, it was nothing but a family-owned coconut orchard. Nattawut could still recall traveling back and forth often to tend trees on the property. Nowadays travel to and from Pha-Ngan has become more convenient. That’s reason enough for the family to put in a home here.
A wide-open hall used for public gatherings has movable furniture for ease of care and flexible uses of space.
As Nattawut put it: “Mom and Dad had worked in other provinces for a period of time. They returned home to Pha-Ngan after retirement and started out with a homestay called Coconut and Noom Resort.
“The hospitality business had welcomed all kinds of tourists, from backpackers attending the famous Full Moon Party, to well-to-do European families looking for peace and quiet on an island paradise. As luck would have it, Mom and Dad decided to put in a permanent home here, and the rest was history. They enjoyed meeting new people every day.”
Vertical fins and roof lines fixed at a tilted angle work in tandem to protect the porches and guest rooms from the sun.
Diagonal plaster stripes in glossy red contrast with the brick foundation in flat finish, adding visual interest to the exterior wall.
Nattawut said that he designed the buildings on Pha-Ngan Island from experience, memories and knowledge of indigenous building materials. “The homes are built by local builders using local materials and wisdom. Together, they culminate in a unique design that stands out.
“Take for example eco-friendly bamboo items and paneling that are easy to find. The walls are crafted of red brick and flooring is made of polished concrete finishes.”
The designer intentionally added vivid colors into the work. He said: “As you can see, I chose bold colors for the building, such as the bright external envelope. The shadow cast by coconut trees makes the landscape even more interesting.”
The sundeck that is Banjob’s vantage point offers a 360-degree view of the coconut grove and the sea to the further side.
Benefiting from the sea breeze, the rooms are nice and cozy. Solid walls facing west shield them from the afternoon sun, while the cooling pond helps disperse the heat. Together, they go to work creating a light and airy atmosphere even when the weather is hot.
Remembered for its good design, warmth and southern hospitality, Baan Somjai Seaside Resort on Pha-Ngan is welcoming visitors to their home. It’s not only the home to the Piriyaprakob family. It’s also a dream destination for travelers from across the globe
This Modern Thai stilt house incorporates traditional wisdom into its modern design. All aspects of the environment are taken into account, including air circulation, calmness and comfort.
This Modern Thai stilt house is a product of mixing traditional Thai elements into the design scheme that emphasizes eco-friendly materials and modern technologies.
The couple incorporated traditional Thai wisdom with the best in modern design to create this modern Thai delightful home. The Thai stilt house of Panupong and Busakorn Hiranrak inspired by changing the design.
Obviously, some of the imported concepts didn’t seem to go together well with the kind of climate we have in Southeast Asia.
Modern symmetrical design enhances the house’s tranquil details. Crisp, clean lines and calm hues go together well with unornamented concrete walls.
Located in Bangkok’s Bangplad District, the house sits on a plot that was once part of a lush agricultural landscape. Architect Bundhit Kanitakhon explains:
“The land for many years used to be a thriving fruit orchard served by a well-planned irrigation system. House design was honest and straightforward, taking into account directions of the winds, the sun, and seasonal flooding. The result was a simple home with a modern edge and comfy atmosphere.”
On the outside, this Modern Thai stilt house was made of concrete masonry, for the most part unornamented. Closer examinations revealed elements of a true Thai style personality – ideal house orientation, suspended ground floor, and the so-called breathing wall design.
The master bedroom on the second floor boasts high ceilings in peaceful cream tones. Sloped ceilings and cool bed cover design add to the overall appeal of the room.
Ideal building orientation
There is a sense of auspicious energetic flow and comfort. The main log axis of the building runs East-West, allowing it to capitalize on natural air movement and effectively reduce heat.
Protection against sun, winds and rain /// Steeply sloped roofs with long overhangs protect the house from scorching sunlight and throw rainwater clear of the wall. Air blocks that form the exterior walls also allow for good air circulation and keep the house cool.
Suspended ground floor
Its stilt house design provides for effective under-floor air circulation, which is a form of the passive cooling characteristic of homes in Southeast Asia.
The stilts raise the house one meter above the surface of the soil to protect from seasonal flooding, ventilate air underneath the suspended ground floor, and effectively reduce humidity.
Antique chinoiserie furniture adds appeal to the dining area adjacent to the show kitchen. The dark-colored long table and bench pull out cultural influences in the décor details.High ceilings make the hallway light and airy. Lit by a trio of suspended fixtures, the area is clearly visible from the bedroom on the second floor. Vivid color ceramic tiles add interesting effects to the design scheme.
Breathing wall design
This Thai stilt house is all about creating one seamless transition from the inside to the outside. Indoors living spaces are light and airy thanks to an array of 26 windows that stand 3.6 meters tall. They open up to bring in the outdoors. The teak wood shutters are the work of master builders from the old capital Ayuthaya.
Meanwhile, walls are composed of air blocks. The so-called breathing walls not only promote good air ventilation but also add to the overall curb appeal.
The house’s other distinctive features include a large central terrace, steep roofs arching upwards, and lush green surroundings.
The wood terrace provides easy access to all functional areas. During the day, all 26 teak wood shutters that stand 3.6 meters tall open up to bring in the outdoors.
Central terrace
The central court is the largest open space that connects with and supplies fresh air to other parts of the house. A form of cooling strategies, it ensures the occupants are thermally comfortable all year round.
Utilizing natural light, the lofty stairway is big and tall by any standard. Even the platform half way to the top is large enough for a small art gallery.[left] Natural light illuminates the second-floor bathroom through a skylight and sliding glass windows. The amount of light on the side is controlled by Venetian blinds. [right] Vanity lights illuminate the countertop area. For better vision, choose the right bulbs that emit near natural light.
Steep roofs design
The house boasts steeply sloping tile roofs that arch upwards about 40 degrees to allow for rapid rainwater run-off.
On the edges, the eaves from an overhang that not only protects the building from scorching midday sun but also throw storm water clear of the walls. The steep roof design also serves as a natural cooling strategy.
Roof shingles are made of kiln fired earth known for its ability to not only dissipate heat quickly, but also prevent radiation from reaching the interior living spaces.
Natural surroundings
Thanks to the creative design, the house blends well with the green surroundings. Nearby, mango, banana, and jackfruit trees thrive alongside other vegetation that provides a crisp, cool canopy keeping the occupants comfortable all year round.
In the backyard, a fruit orchard keeps the house well supplied all year round.
On the inside, ample living spaces boast Asian inspired décor. Airy rooms are decked out with classic Thai and Chinese furniture from years gone by. Old cabinets, tables, and a Chinese style daybed are carefully placed to ensure they don’t clash with new sofas and trendy modern shelves. There is a seamless transition from one area to another.
Modest design concepts also pull in the natural earth tones seen throughout the house, from wood to kiln fired ceramic tiles and the air blocks.
On the inside, old eco-friendly furniture adorns the ample living room. Traditional and Oriental elements add some cultural flair to a cozy atmosphere. The exterior walls are composed of air blocks for privacy and good ventilation.Adding harmonious proportions of handicrafts to the decor brings a strong cultural element to the limelight. A stage is set for story telling.[left] Floors made of ceramic tiles are ideal for keeping homes cool in hot climates. [right] Window shutters are crafted of teak wood known for durability. Some of the shutters are equipped with small awning windows. They are ideal for areas that need privacy, but still let some light and breeze into the room.
/ Story: Wuthikorn Suthiapa / English version: Bob Pitakwong /
/ Photographs: Sitthisak Namkham /
An old-styled waterfront house was recreated for modern living in Chiang Mai. It is made up of a coffee shop, piano classroom and a private space for the family.
“I want to emulate the Thai style waterfront home of the past, kind of set on land that slightly descends to the riverbank. Like so, the new home is designed with respect for nature. Meantime, it embraces all features that are up to date, from materials to style to character.” So said the designers when asked to elaborate on the concept behind this home project.
The handsome waterfront house featuring smooth exteriors and eye-catching roof design is affectionately called “Baan Muan,” literally home of baby Muan.
The Mae Kao, a tributary that flows past the property, inspires the owners to create an old-styled waterfront home. The design celebrates the water feature and pristine foliage that have long been the charm of this suburb of Chiang Mai.
The homeowners, Nathee and Kanokwan Nateniyom inherited this piece of land from their grandma. Their baby was born while the construction project was underway.
So both the home and the baby were given the same name. Ekapab Duangkaew from EKARand Arthasith Kongmonkhol from Full Scale Studio were responsible for the design.
A well-kept lawn is used as the only access to the house’s main entrance. Walking on grass adds fun and excitement to nature inspired lifestyle.
As Ekapab put it, “We were so fortunate to have received full freedom to conceptualize this project. Arthasith and I then proceeded to develop a waterfront house design with an emphasis on relationships with the surrounding terrain features. Various functions were laid out based on their proximity to the water’s edge or existing patches of greenery.
“The next step was about translating the concept to meet the homeowners’ needs and personality.”
A coffee shop is the first thing visible from afar. It separates semi-public spaces from the private zone without obstructing views of the modern front home. Dark stained wood clad exteriors subtly set the shop apart from the rest of the property.
In so doing, the designers had to identify features that were typical of the waterfront house of the past. They looked into every design from Post-Modern to Minimalist in a bid to arrive at a common ground.
The final design showcased the main hallway as the centerpiece of this new home.
Nature permeates through the landscape that rolls down into the waterfront area below. Meanwhile, it serves as the dividing line between different functions on the property.
“At the time we didn’t have a specific design in mind. We just said that we preferred open spaces. My husband wanted to put Mom’s coffee shop in front. For us, we needed a piano room for practicing and giving music lessons at home. Basically, that was it,” said Kanokwan.
Hence the open interior space was the goal. The plan envisaged the main hallway, the kitchen and seating areas for everyone merging into one big space.
The coffee shop features a sundeck that looks out over the waterfront area. (An interior makeover project was underway on the day we visited.)The white exterior walls showcase sharp geometric shapes as the designer intended. Clean line design advocates the uncluttered look typical of the minimalist style and leaves plenty of room for nature to pervade.
“I like sitting here,” said Nathee referring to the big dining table.“The waterfront is on this side. Meantime, the main entrance opens to the front yard. On the other side, Kanokwan and the baby are playing on the sofa. They make for relaxing interior spaces and I like it here.
“If asked to describe this home, I will just make it brief – cozy”
Like several picture frames coming together on a lush lawn, the home not only looks stylish on the outside but also adds variety to the rolling landscape.
The open plan design of the waterfront house meets the needs of this small family of three. Everyone is aware of everything that goes on inside the vibrant interior spaces. It is the kind of plan that merges all parts of the house into one great room.
The designers reserve the second floor for privacy. The first floor has a playroom for the kid and the piano room for Kanokwan. The rest is open.
Open plan design ensures that all interior spaces are easily accessible. Large windows allow abundant natural light and provide visual continuity to the water’s edge.The child’s playroom makes way for family activity spaces for the time being. The piano was recently moved in here along with Dad’s guitar.
The property comes in two zones, business and residential. The coffee shop sits in front and is covered in natural wood palettes.
From the outside looking in, the roof design is eye-catching in every respect. As a matter of fact, its unique look is dictated by interior design needs.
The designer puts bedrooms on the second floor, leaving the spacious first floor for seating spaces. Kanokwan plans to give music lessons at home in future.
“It has to do with how we want to view the great outdoors from within the home. For this reason, the main hallway steps aside just a little bit so that the waterfront area can be seen in full view from the bedroom. Likewise, one side of the coffee shop offers a sundeck that overlooks the water’s edge.
“It is never meant to be jazzy. Rather we take into account advantages and disadvantages of every component before arriving at the final design,” Nathee explained.
The homeowners wanted to leave the existing tree where it was, and the designer got that. So the terrace was built around the tree while the building itself was kept a good distance away.
By now, our readers probably feel they have been mistaken all along about design intentions. A house that looks showy at first sight may not be showy after all. Rather it is designed for easy waterfront living based on existing terrain features and homeowner needs.
All things considered, it strikes the right balance to showcase a new kind of waterfront home, one with an eye-catching minimalist style.
[left] The lacy shade of tall trees casts interesting light patterns on the home’s white exteriors. [right] An artist’s rendition shows relationships between building formations and areas near the water’s edge. The drawing demonstrates how existing trees are preserved while the land is being readied for the home project.
“It’s a co-housing arrangement.Mine is more of a dynamic, full-of-life home. The house next door is my brother’s. It appears to be more private in the midst of a tranquil setting.“
Between the different spaces, natural radiance is all in the eclectic details. Despite its modern edge, the open seating area rekindles a fresh interest in terrace design of a Thai style home.
The homeowner, Suthiphong Pongpawasuit said I was kind of speechless for a bit when I heard him express his feelings about the co-housing house. It could be that I was expecting the most beautiful replies like always. No offense intended. It was the most honest and unpretentious of feelings.
“I could feel a warm and friendly atmosphere, and appreciate the meaning of “home” as he defined it. I have come to one that reflected the true personality of its owners.” The two houses are surrounded by pleasant grounds made the two brothers happy in their own way.
The two buildings brought out differences in their lifestyles and their preferences.
An array of overhead windows let a healthy dose of morning sunshine into the cozy seating area. Wrought iron detailing in the multiple-paned windows creates an interesting light and textural display on the surfaces below.
The first building
The first building belongs to Suthiphong. It is concrete chic based on a straightforward design. The walls are fabricated of unornamented concrete finishes and an interesting mix of textures and materials. Floating systems of electrical conduits conjure up images of an urban industrial loft apartment.
The interior features gorgeous living spaces. During the day, natural light shines through large overhead windows with wrought iron detailing, creating an amazing shadow play. There is a sense of visual continuity that connects seamlessly with the exterior as soon as the large door slides open.
On the outside, peaceful lush landscaping under a tree canopy can be seen in full view. On the inside, different furniture styles add a hint of interest in a subtle way.
Awesome overhead opening lets natural light into the relaxed living room and nearby stairway. Well thought-out design makes the area playful and inviting. The layout epitomizes a relationship of mutual benefit between the two brothers. What goes on in one house can be seen from the other.
Obviously, the co-housing house is designed for the local climate. Oftentimes we complain of too much sun, winds, and rain. But since we call this country home, why not make the most of the extreme weather conditions?
They are the natural appeal of this Region. That is why we see all natural elements being incorporated into the design scheme. Here, the sun, the winds, and rain are all taken into account in framing the house within a beautiful botanical border. That makes living in a co-housing house a life fulfilling experience.
The working area and nearby kitchen are neatly incorporated into the total living space. The interlinking design takes into consideration personal preferences and lifestyle.
The bedroom, which is supposed to be private and personal, is not exactly cut off from other living spaces. The awesome opening allows the guest area below to be seen in full view from the bedroom.
The second building
The second building belongs to Suthiphong’s brother, Kittiwat Pongpawasuit. Unlike the first house, it comes in a mix of white, cream, and gray tones, which together give it to a strikingly handsome appearance.
The design is light and airy and emphasizes a warm and peaceful atmosphere. Brick walls are painted white to minimize any alteration of natural light and color reflecting on the surfaces. The home, especially its living spaces, is all about enhancing a seamless indoor-outdoor relationship.
Crisp, clean landscaping can be seen all the way to the swimming pool, thanks to large single-paned glass doors that slide open and neatly disappear into the walls. The living room gets nice cool breezes from the swimming pool and is set facing north to avoid the harshest of the afternoon sun.
Exterior walls on the north side are open to natural light all day. Downstairs the seating space is made comfortable by nice cool breezes blowing in over the swimming pool.The swimming pool is literally a few steps from seating areas on the terrace. There is an unobstructed, gradual descent from the veranda to the garden.The easy-to-maintain kitchen design features a countertop crafted of unadorned concrete finishes. A red brick wall subtly separates it from the adjacent guest area. The bathroom is inspired by industrial loft design. Details are reduced to just clean, straight lines within the modest style.
Design relationship
The two designs may contrast in personality, but architect Kraipol Jayanetra of Alkhemist Architects found a relationship between them by opting for like materials, textures, and mutual décor ideas.
By this was meant the use of naked, unornamented concrete finishes, industrial-style electrical conduits, wood furniture, and a plenty of accent pieces.
The guest area of one of the houses lies fully open to bring in the outdoor atmosphere.
“I started out with something small but interesting, and worked my way up until I arrived at a complete unit,” said Kraipol.
That being said, every part of the co-housing buildings, be it vertical or horizontal spaces performs the functions it is intended. Overall, a great mix of patterns and textures makes the two houses appear in perfect harmony with each other. The difference is in the details.
[left] Playing with patterns light switches are installed in a way that they playfully mimic the appearance of a naked brick wall. [right] Shadow play wrought iron detailing create beautiful works of art at no cost by casting light and shadow patterns on the interior spaces.
This has been a story of two youthful homes in a co-housing house that coexist to complement each other. One is overflowing with life. The other is tranquil and handsome in its own way. They enhance and improve each other’s curb appeal, and set the stage for a simple fulfilling lifestyle.
To protect against the intense heat of the sun particularly in Thailand, perhaps it is wise to opt for double-layer roof design. It keeps homes cool by reducing the amount of radiation from reaching the interior living spaces. The vents between each layer allow increased air circulation and keep the heat out.There are so many ways to texture your walls and ceilings. If smooth, fine-grained designs are not your style, you might want to go for coarse-textured, more natural looking surfaces. One alternative is the naked, unornamented concrete that rough to the touch. The design is playful and full of life. Any rough surface, whether concrete or brick.
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Right Renovation Leads to a Pleasing Hip, Modern Brick House
