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A White House Matching Modern Architecture to Its Environment

A White House Matching Modern Architecture to Its Environment

/ Bangkok, Thailand /

/ Story: Kor Lordkam / English version: Peter Montalbano /

/ Photographs: Ketsiree Wongwan /

Secluded behind what appear to be walls of white paper, the “PA House” is a perfect combination of modern Tropical architecture and a unique solution to its site-specific environment. It’s the brainchild of IDIN Architects, a Bangkok-based architectural practice.

White House

Architect Jeravej Hongsakul explained that the first design challenge of this 400-square-meter house was its owner’s interest in privacy for his growing family.

“In our first site survey, we noted the wide variety of sizes and styles of the surrounding homes, a four-story house here, a Louis-style there. How to fit a new house into this context and make it livable?”

The architects observed, took pictures, noted directions, viewpoints, levels, and distances between houses, and analyzed the collected data to feed into their design plan, and came up with a concept that used these surroundings not as a limitation, but, surprisingly, as a help.

White House

“Each one of these other houses actually functions as an assistant architect, telling us where and at what levels to place the walls and planes that build connections on all sides, leading us to create open spaces within,” explained the architect.

“I sometimes feel like the conductor of an orchestra, arranging voices and the mix to bring this home to life as a beautiful piece.”

Accordingly, the relationships formed by viewpoints to and from surrounding buildings turned out to be a primary factor in the straightforward design of this home.

Each wall was placed to help deal with problems that might arise from its geographic situation. Where appropriate, well-thought-out adaptations were made to enhance utility and the livability of the house.

White House Modern House Modern House Modern House

Coming in on the south entrance road, we encounter two planes meeting in a tall, wide “L” appearing to float out from the second floor of the house. This construction benefits the house in the same way as a raised hand can block sun from burning our face.

The ground floor is cool and shady, but still has a great view of the wide, open garden directly outside, while the upper wall both blocks the view from other houses and insulates against heat.

Along this section of the lower floor, a fence wall set two meters out from the house provides ample space for growing plants, while glass walls reach up another 6 meters for a look out through the shade. From here the sunlight traces down the inner wall, creating new dimensions and an open, airy feeling.

Modern House White House

Comfort of use is the basis for the distribution of functionality within this white house. On the ground floor a living room and dining area open out on a wide garden view, and one portion is set aside for a guest bedroom.

On the second floor we find a master bedroom and one more room for a family member expected to come in the future. All this is coordinated with external design to support the family’s lifestyle in the most perfect way.

As the architect puts it, “The primary design is all about controlling sunlight and creating balance between outside and inner courtyards. The overall effect is open and airy in every direction. The horizontal plane forming the upper covering above looks almost like a hat on the house, and it functions both to block harsh light from the sun and create a wide open view at eye level.

“The concept is what we call ‘Passive Design’: design where the natural systems facilitate living. It also came out in a style both we and the homeowner are happy with. It’s a happy mix of many things.”

White House

White House


Architect: IDIN Architects (www.idin-architects.com)


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A Calm and Peaceful Wood House at the Water’s Edge

A Calm and Peaceful Wood House at the Water’s Edge

/ Bangkok, Thailand /

/ Story: Sarayut Sreetip-ard / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

Pongsakorn Tumpruksa, of Arsomsilp Community and Environmental Architect Co., Ltd, was passionate about life beside the water. He built his waterside wooden house on 340 square wahs (1,360 sq. m.) of land in Bang Khun Thian where two small waterways converge with Bang Mot Canal.

Thai houses
The roadside entrance is in the back, so the house fronts on the canal, Thai-style.

Like the traditional Thai house in former times, this waterside wood home has a tall open area called “tai thun” (the underfloor space at ground level), an economical construction that suits Thailand’s climate and promotes socialization processes in the family.

Thai houses

Thai houses

Thai houses

Thai houses

The tall tai thun includes a carport and an area blocked off as a workshop. An open staircase leads up to the porch, and in the center is a large contiguous open space combining living and dining areas, with the kitchen on one side and bedrooms on the other.

Pongsakorn explained the three design principles that he kept in mind, which are:

Thai houses

Thai houses

A centuries-old principle of traditional architecture of Thailand’s central region

It is about the house’s suitability for the environment, balancing sun, wind, and rain to keep things cool and comfortable. Here, the old knowledge is blended with modern construction materials. The high tai thun avoids flooding and termite damage.

Good air circulation is ensured with a high roof with long eaves; windows and a gap below the roof help release hot air. There is a deck where either clothes or fish can be dried, a heat-resistant mesh on the wooden roof, and there is an open porch below the eaves where you can sit, catch the breeze, and relax from the heat.

Also, the gardens around the house give shade and maintain moisture, cooling the area.

Thai houses

Thai houses

The architecture promotes Thai family culture

Previously, the family lived in a townhouse, chatted at the dinner table, and were always in close, warm contact.

To continue that feeling, living and dining areas and kitchen were designed as a single continuous space.

Thai houses

Thai houses

Cost-effective construction

The house was built with a limited budget: overbuilding would have been problematic.

Thai traditional knowledge shows how to do this: leave room for gradual expansion, building onto the house as needed, as was done in Thailand’s earlier days.

Thai houses

Thai houses

Pongsakorn tells us, “Building a home for my loved ones was like building happiness. What I’m most proud of is doing it as the architect son of my father, who worked for the government as an architectural technician. Dad left us last year, but he got to live with us in this house.”

“Happiness for me is growing plants and living in a shady, cool home,” says Pongsakorn’s mother with a smile.

“I’m truly glad that Father had the chance to live here with us again.”


Owner/Architect: Pongsakorn Tumpruksa of Arsom Silp Community and Environmental Architect (arsomsilparchitect.co.th)


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“Huean Tham,” Local Thai House in a Japanese Tradition“Huean Tham,” Local Thai House in a Japanese Tradition

Homework Smart Fabrics: Solutions Beyond Beautification

Homework Smart Fabrics: Solutions Beyond Beautification

/ Bangkok, Thailand /

/ Story & Photograph: Courtesy of Homework /

Homework offers all-around knowledge about smart fabrics for solutions beyond beautification: Fireproofing, waterproofing, and long-term sun resistance.

Materials used for house décor and furnishings in the modern era need to do more than simply add beauty: they must also be more comfortable, convenient, and easy to use.

This includes fabrics we normally think of as decorative that have been developed to have fire-resistant and waterproof properties and – especially for outdoor furniture – high tolerance for sunlight, rain, and ocean salinity.

Today’s smart fabrics have evolved beyond old limitations to be more beautiful, durable, and adaptable to many new uses.

Fire-resistant fabrics

For the safety of people and property, in the near future fireproofing will be legally required for many types of equipment and materials, including fabrics. Modern production of fire-retardant cloth involves treating the fibers with fireproofing chemicals before color-dying the cloth and weaving it into sheets.

The admixture of these chemicals will not only make the fabric slower to burn but can also add as much as five years to its life. This can help save lives by giving more time to persons escaping a burning building, but also has the simpler advantage that the material can be washed and ironed an unlimited number of times.

This method is superior to earlier, more conventional fire-protection coating, where fabrics stored in either air-conditioned rooms or spaces with a lot of humidity will gradually lose such a coating within 7-8 months, reducing its effectiveness. 

Fire-resistant fabrics; 01 Design No. 10216, 02 Design No. 10257, 03 Design No. 10258 / Note: 100% polyester fabrics are material of choice for curtains, throw pillows, and furniture upholstery.

TIP

NFPA (National Fire Protection Association) 701  is a standard used in the United States of America and approved by international designers. 

Waterproof fabric

Waterproof fabric is more appropriate for furniture upholstery or wall covering than for drapes, since they are more likely to experience liquid spills. Upholstery with waterproof qualities has to be strong and have a long-term resistance to water.

For more effectiveness the cloth is woven in a special, loose way, using polyester fibers with gaps between that allow waterproofing chemicals to penetrate, be absorbed in, and fully adhere to them.

Properly waterproofed smart fabric must be able to hold water for at least 35 minutes without any seeping through, and maintenance should be easy: stains should be quickly removable by wiping with a damp cloth, after which the furniture should be as beautiful as before.

Waterproof fabric / Impact Collection; 04 Design No. 1788/07, 05 Design No. 1788/20, 06 Design No. 1788/03; width 57″ (145 cm) / Martindale >25,000 Rubs. / Note: 100% polyester fabrics are material of choice for curtains, throw pillows, and furniture upholstery.

TIP

Homework’s waterproof upholstery fabric has a Martindale value of more than 25,000 rubs, higher than the general standard of 20,000 rubs. great waterproofing, and also extremely durable. 

Outdoor fabrics

Acrylic smart fibers have enabled production of new fabrics for outdoor use because they have qualities that ordinary cloth does not: resistance to sea salinity and strong sunlight.

Color is added along with chemicals to produce “dyed acrylic” thread whose color remains fresh, beautiful and lasting for 5 years or more with no significant maintenance required even when subjected to air pollution, sunlight, and sea water.

Collected dust, dirt, and even pen marks can be easily wiped away with a damp cloth.

Outdoor fabrics / Oxford Outdoor Collection; 07 Design No. 1838/03, 08 Design No. 1838/05, 09 Design No. 1838/06; Composition: 100% Solution-dyed Acrylic / Finish: Water Repellent / width 61″ (155 cm) / Martindale >25,000 Rubs. / Note: 100% Solution-dyed Acrylic fabrics are material of choice for throw pillows, and furniture upholstery.

TIP

Smart fabrics designed for outdoor use are generally quite tough, and can feel uncomfortable to the touch. Homework avoids this problem by weaving its fabrics so that fibers are slightly spaced apart, giving the product flexibility and a comfortable feel even with heavy use.


Information and fabrics courtesy of HOMEWORK FABRICS

Contact information:
No. 9 Yaek 9 Soi Petchakasem 112, Khwaeng Nong Khang Phloo, Nong Khaem District, Bangkok 10160, Thailand
Tel: +662-119-7888
Fax: +662-810-8091
Email: marketing@goldhousedecor.com
Facebook: www.facebook.com/homework.th
www.goldhousedecor.com


 

Homework Fabrics with Style; Warm, Relaxing Tropical Elegance

Homework Fabrics with Style; Warm, Relaxing Tropical Elegance

/ Bangkok, Thailand /

/ Story & Photograph: Courtesy of Homework /

Modern tropical is one of decorating styles that have become popular across the country. It’s a style that takes into account the warm and humid climate characteristic of the Region. This is abundantly clear in the way tropical décor materials sourced directly from the locality are being put to good use in so many ways. They include wood that promotes relaxing and peaceful feelings, floating furniture crafted of natural materials, home décor accessories, and fabrics for furniture upholstery, throw pillows, and curtains in striking colors and textures. Their simple yet elegant appearances bespeak a cool, contemporary style that’s classic in its own special way, a style that’s quite capable of answering many decorating needs.

Polyester fabrics look their best not only in home furnishings and decorative accessories, but also in business establishments from hotels to retail shops, where not seriousness but a friendly, relaxing and pleasant manner is everything and everlasting. For that, there are polyester fabrics to suit every decorating need. Here are some of the qualities worth considering.

TYPES OF FABRIC

The Modern tropical style is well suited to the warm and humid climate typical of the Region’s highlands and seaside environments. Polyester fabrics come in handy as the material of choice for their ability to resist exposure to a range of weather conditions, from moisture to bacterial and fungal contamination. These unfavorable conditions can have negative effects on consumers. To avoid problems, polyester fabrics are recommended because they are made of plastic fibers that do not absorb moisture. Unlike natural fibers, polyester does not accumulate humidity, which reduces the chance of bacterial and fungal contamination in fabrics.

MOOD AND TONE

The tropical decorating style evokes the image of bright sunlight and cool temperatures that accompany every rainfall. That sounds like a first good impression that most people have. To create interior design that will ring the bell, materials that provide a decorative and textured surface are of great significance. That’s not all. Materials for furniture upholstery and curtains in complementing colors and design are important, too. Together, they combine to make the interior living space feel warm and welcoming. There are plenty of ways to match colors. Whether it’s visual harmony or outstanding visual contrast, the choice is yours.

FABRIC PROPERTIES

Humidity in the air is among factors contributing to fungal and bacterial growth. Hence, it makes perfect sense to go for polyester when it comes to interior decorating. Polyester is great for curtains, furniture upholstery, blankets and throw pillows. It’s undergone testing to prove its worth. Thanks to its many outstanding attributes, polyester has remained a popular material of choice in a variety of applications. Its benefits are not limited to just interior décor or furniture. Some polyester fabrics are capable of serving multiple purposes. For information about polyester usage, consult the product catalog and label that comes with the fabrics.

Polyester Material of Choice for Modern Tropical Décor

01 Design No. 9554/05: width 110″ (280 cm)

02 Design No. 8072/03: width 54″ (137 cm)

03 Design No. 3151/07: width 60″ (150 cm)

04 Design No. 10056/103: width 55″ (140 cm)

05 Design No. 10051/105: width 55″ (140 cm)

06 Design No. DANE/104: width 54″ (137 cm)

 

Note: 100% polyester fabrics are material of choice for curtains, throw pillows, and furniture upholstery.


Information and fabrics courtesy of: HOMEWORK FABRICS

 Contact information:
No. 9 Yaek 9 Soi Petchakasem 112, Khwaeng Nong Khang Phloo, Nong Khaem District, Bangkok 10160, Thailand
Tel: +662-119-7888
Fax: +662-810-8091
Email: marketing@goldhousedecor.com
Facebook: www.facebook.com/homework.th
www.goldhousedecor.com


Wooden House with “Tai Thun”: Comfortable Living, Easy Repair

Wooden House with “Tai Thun”: Comfortable Living, Easy Repair

/ Chaing Mai, Thailand /

/ Story: Patsiri Chotpongsun / English version: Peter Montalbano /

/ Photographs: Rithirong Chanthongsuk /

This lovingly handcrafted wooden house in Chiang Mai’s San Sai District connects two buildings with a high, wide open “tai thun” (open lower floor) featuring a long dining table and “living room” spot that gets a cool breeze the whole day.

 Wooden House with Thai-style “Tai Thun”

Nuttawut “Ae” and Sutthida “May” Saylahom had scheduled ten months to build their new home, but it took more than a year to finish, until after their second son was born.

Along the way a few alterations were made: a planned swimming pool, for instance, became instead a grass lawn where their young Kiri would be able to run and play with his new little brother.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

An architect by profession, Ae had no problem doing manual work himself and loved every minute of it. He combined an old Thai Lanna rice granary with the original wooden house next to it.

Construction began by disassembling the old buildings: original components and materials were removed and set aside for use in new functionality envisioned in the new design.

 Wooden House in Chiang Mai

 Wooden House with Thai-style “Tai Thun”

The granary’s primary structure remains: eight large wooden pillars, with four pillars angled inwards for weight-bearing purposes.

There is a tall main column reaching all the way through to the tie beam – a primary roof component – and another post up to the roof for ridgepole support, all set in a foundation of poured concrete to protect against moisture and ground-nesting termites.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

A wooden frame was designed to form a single house from the two buildings, creating a wooden balcony that functions as a connecting walkway.

Leftover wood was used to build a garage in front roofed over with tiles from the old structure and using old porch railings for walls.

Trees were planted all around to block the line of sight, functioning as a natural fence.

Old-style wooden houses in this province of Thailand were often built with the bathroom outside, separate from the house, or sometimes a concrete wall was put up to add a connected bathroom.

Here, though, the bathroom was built directly into the wooden house structure, floored with stainless steel cut with holes for plumbing.

Concrete was then poured in over steel reinforcing rods left over from the old structure, and all overlaid with tile flooring.

Where walls would get wet, fiber cement “smartboard” walls were set on the wood frame, joints sealed with polyurethane glue, and Flex Shield applied before surface painting.

 Wooden House in Chiang Mai

 Wooden House in Chiang Mai

Ae says that this is the first house, and will probably be the last, for him to put such a huge amount of his spirit and labor into.

Lovingly handcrafted, the size and utility of each piece of wood are fitted to its best use. But with this level of detailed knowledge, if a problem comes up, he’ll see the cause and be able to jump in and immediately fix it.

 Wooden House in Chiang Mai


Designer: Nuttawut Saylahom


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บ้านไม้ใต้ถุนสูง เสน่ห์แบบบ้านไทยสร้างด้วยมือทุกขั้นตอน


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Huean Tham House: Local Thai House in a Japanese Tradition

Huean Tham House: Local Thai House in a Japanese Tradition

/ Chiang Mai, Thailand /

/ Story: Wuthikorn Suthiapa / Englosh version: Peter Montalbano /

/ Photographs: Soopakorn Srisakul /

The Huean Tham house (House of Dharma) has a depth that makes it much more than just a place to live. It’s actually a group of buildings and rooms, each with its own particular use. The Thai word “tham” (dharma) is integral to the words “thammachat” (nature) and “thammada” (natural), and suggests tranquility in life living in this local Thai house.

Local Thai House

Huean Tham is a residence, a design workshop for naturally dyed fabrics, and a storehouse for Usaato brand fabrics, all in 6 buildings.

First is “ruean yai” (the large house), residence of owners Somyot Suparpornhemin and Usaburo Sato.

Just to the north is ruean lek (small house), where the children and visiting friends stay.

More or less in the center of the complex is sala tham (dharma hall), a place to socialize, with a shady multipurpose yard for activities such as dharma seminars and trainings in woven fabric design, for a local village weaving group, and in natural soap production.

There is also a shrine with a wooden Buddha in this local Thai house. Both wings of the second floor hold guest rooms for close friends.

Local Thai House

On the southwest side is ruean luang pho (holy man house), a retreat for family members which serves as a monk’s hut when a revered spiritual teacher is invited to the home.

Finally, to the south are akhan kep pha (fabric storehouse) and ruean ngan (workshop) for design work, with different rooms for specialists in different crafts.

Local Thai House

Local Thai House

Huean Tham’s outstanding attributes were conceived by Arsomsilp Community and Environmental Architects with the aim of combining good features of the traditional Thai house with functional Japanese concepts.

Entering ruean yai we see the floor is raised a bit: this is to protect against ground moisture. Thai and Japanese homes share a characteristic utilization of the area beneath the main house for guest reception and dining, a multipurpose space called “tai thun” in Thai.

Local Thai House

Construction materials were selected for their good points and their suitability: the house is constructed primarily of wood, the house frame primarily of concrete and steel.

The architecture of Huean Tham isn’t flashy or showy. The true beauty of this home is in its fusion of architecture with life toward oneness with nature and the ways of tranquility, raising the level of excellence for both the architectural team and for Eung and Ussa’s lifestyle.

This excellence will continuously reinforce the beauty of this local Thai house as time goes on.

Local Thai House

Local Thai House

Local Thai House


Owner: Somyot Suparpornhemin and Usaburo Sato

Architect: Arsomsilp Community and Environmental Architect

Project Consultant: Teerapon Niyom

Contractor: Pratiew Yasai


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เฮือนธรรม บ้านใต้ถุนสูง พื้นถิ่นไทย ในขนบแบบญี่ปุ่น


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A House Under the Pines in Vietnam

A House Under the Pines in Vietnam

/ Hanoi, Vietnam /
/ Story: Sara’ / English version: Peter Montalbano / Photographs: Triệu Chiến /

This modern house under the pines is nestled in forested hills, surrounded by green grass and tree-studded scenery that provides privacy and accents its harmony with the natural setting.

Modern House

This house was designed by a Vietnamese team from Idee Architects, whose priorities involved respecting the former environment instead of leveling the hill and responding to the simplicity of the owner’s lifestyle.

This they managed with an “open space” concept in a home full of modern conveniences that still stays close to nature, washed in the sunlight that streams in through the pine woods.

Modern House

The house is built on two levels, the lower section holding a carport/garage and multipurpose room, and the upper level with a living room, kitchen, and four bedrooms set atop a piney hill with a magnificent view on three sides.

Interior colors are dominated by natural-looking mid-tone colors: whites, blacks, greys, and browns, conveying natural warmth and tranquility.

The “focus and flow” design creates points of interest with a play of straight, horizontal, and vertical lines laid against the curves of the drive.

modern house modern house

Three-meter eaves project out from the house to offer increased protection from Vietnam’s heavy rain and bright sunlight.

The house is designed in the shape of a slightly unbalanced “T” with a “semi-outdoor” pathway reaching all around. Except for the outdoor shower belonging to the master bedroom, on good-weather days doors and windows on every side of the house can be opened to let the air flow through.

A corridor on the west side acts as heat insulation for the bedroom, an elegant simplicity in design that creates balance between static and dynamic elements in the house.

The bedroom’s spaciousness shows dynamism, with the static element expressed through its privacy and sense of peace and quiet.

The house is securely tucked away in greenery, as the building was actually designed to blend in with the trees that were already present.

The big grass lawn out in front of the living room and bedrooms provides a great playground for the kids without blocking the idyllic view from inside.

modern house modern house modern house modern housemodern house modern house modern house

The house structure is made primarily of authentic materials like steel, brick, and glass, whose lightness makes for easier adjustments when encountering problems combining them in construction while helping reduce living expenses and minimize negative effects on the original land.

Future energy use is optimized with the wide roof’s facilitation of solar energy storage as well as through clean water and the cultivation of vegetables, all of which truly support a comfortable and relaxing lifestyle.


Architect: Idee Architects


A Modern Steel Framed Home at the Water’s Edge

A Modern Steel Framed Home at the Water’s Edge

/ Ayutthaya, Thailand /

/ Story: Samutcha Viraporn / English version: Bob Pitakwong /

/ Photographs: Sitthisak Namkham /

This steel framed waterfront home rises above a tall “tai thun”, an open underfloor space perfect for socializing, especially for large family gatherings. Thoughtfully crafted to give a sense of peace, it blends modernity with the surrounding natural landscape. And it has some surprises inside, too. There was already a residence built here, but it wasn’t designed with the evolving needs of such a big family in mind. So, a new space was created: a new home at the water’s edge where everyone could come together and guests could spend the night.

Steel House

The steel used for columns, beams, stairs, and balconies is surplus material left over from a large construction business belonging to the owner himself.

“I had to scale the entire house to fit all that material,” said architect Kasin Sonsri of Volume Matrix Studio commenting on the design challenges.

Steel House

The new home is put together to give a feel of the traditional house of former times. Its high “tai thun” underfloor space serves as a multifunctional courtyard. Broad eaves that overhang the walls reach out to protect the home from inclement weather, while living spaces are open and inviting to the outside breeze. The building is raised up to catch views of the river and the garden below.

Steel House

Steel House

Steel House

There’s a wide porch, an add-on projecting in front of the building facade. Massive posts and beams are designed to showcase their structural utility as a part of the house, as do the steps up into the dining room, the walkways, the porch, and the rain gutters spilling water through a steel grate.

Steel House

All these elements combine to give a unique contemporary look to this house of steel and wood. The interior décor is simple. The second floor features an “open plan” separation of usable space: walls open up, connecting the kitchen to a large dining nook and from there into the living room area.

Steel House

Steel House

Steel House

Steel House

Step up onto the third floor, and surprise! The décor completely changes and it’s as if you’ve suddenly dropped into a Japanese home, where the style of mats, windows, and doors all tell you why the owner named the house “Sala Zen.

Steel House

Steel House

In this room is a built-in cabinet where bedding is stored so that guests can easily come spend the night. Outside is a roof deck garden highlighted by an Onsen hot tub in an outdoor private spot that can’t be seen from the garden below.

Steel House Steel House

The house is composed of many elements, but they all blend to make it a true home for Thai residents.

Taken as a whole, the steel-framed waterfront house is warm and familial. It fits perfectly into its context and offers the experience of comfortable living with natural light, cool breezes and great views all around. It’s situated in Ko Rian Sub-district, Ayutthaya Province.

Steel House


Architect: Volume Matrix Studio (www.facebook.com/volumematrixstudio)


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ชีวิตริมน้ำใน บ้านใต้ถุนสูง


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The Beauty of Simplicity in a Single-Story Home

The Beauty of Simplicity in a Single-Story Home

/ Ang Thong, Thailand /

/ Story: Patsiri Chot / English version: Bob Pitakwong /

/ Photographs: Soopakorn Srisakul / Styling: Somboon Kringkrai /

Right in the middle of a field in Ang Thong Province stands a single-story house that has become a community point of interest.

Single-Storey House

Owner Chamnan Chatchawalyangkul says, “At my age, I really needed to make this happen while I was still strong enough to get around.

“I don’t want to be a burden on my kids when I’m not so capable anymore, living in a cramped room with them worrying about me all the time.

“I needed to plan in advance to have a house where I can take care of myself. And the house will eventually belong to the kids anyhow.” 

 

Single-Storey House / Teerachai Leesuraplanon

Chamnan’s design is spare and open, with excellent ventilation. With everything on the same level, each room is accessible by wheelchair.

One special place is a karaoke room for him and his friends. Architect Jim (Teerachai) Leesuraplanon tells us:

“Chamnan said he’d always lived in a rowhouse, a limited, safe space. Some people might want a house in the middle of an open lot to be open all around, but I think about safety, too.

“This is why we put the brick wall in front, and the iron bars, barriers that still allow light and air to pass through. I’d summarize the design I had in mind with the three words ‘balance,’ ‘blend,’ and ‘believe,’ expressing a balanced life, cause and effect, and faith.”

Single-Storey House / Teerachai Leesuraplanon

Single-Storey House / Teerachai Leesuraplanon

Standing in a rural field with a road in front, the house opens out on a rubber tree orchard in the rear.

Simplicity is the foundation of the design: a balance between vertical and horizontal lines and surfaces, no nooks or ridges to collect dust, and elemental materials such as concrete, wood, metal, brick, and gravel.

Single-Storey House

Single-Storey House / Teerachai Leesuraplanon

A metal frame lifts the roof at an angle to break the force of the wind. The floor is raised above the ground, facilitating maintenance work on utility systems beneath.

The front wall is a striking display of BPK brick, a local Ang Thong material, laid in a unique arrangement to create beautiful patterns of light and shade, with an additional layer of sliding glass windows for safety.

Around the house is laid a path of river gravel, so someone in the house can easily hear a person walking outside.

Single-Storey House / Teerachai Leesuraplanon

The big central living room is a great place to relax, but the real heart of this single-story house is the big porch.

When the folding doors are opened, the room opens up, and it’s much like an old-time Thai house, with the added benefit of a great view of the gorgeous rubber forest, just as the original design envisioned.

Single-Storey House / Teerachai Leesuraplanon


Owner: Chamnan Chatchawalyangkul

Architect: Teerachai Leesuraplanon


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บ้านชั้นเดียวบนพื้นฐานความเรียบง่าย


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Renovating an Old Bedroom to be a Bridal Home

Renovating an Old Bedroom to be a Bridal Home

These rooms are like a house within a house: they were once just a 90-square-meter bedroom on the second floor.

/// THAILAND ///
Story: Nawapat Dusdul /// Photography: Nantiya Busabong /// Design: Fatt! Studio
 

Starting life as a married couple, lovebirds Sitthidej Chirapanda and Nicha Pongstaporn took on the challenge of renovating Sitthidej’s sister’s old bedroom. After dividing a second-floor usable space of 70 square meters into living room and bedroom, they added in the 20-square-meter octagonal loft to create an art gallery.

Architects from Fatt! Studio took on the job, and kept the original structure almost intact, but did save space by changing the floating staircase from its original design to a helical (spiral) one, adding an implicit eye-catching point of interest to the space. This required careful measurement to get the proportions right, so tall people wouldn’t hit the ceiling going up. Here, too, the meticulous, painstaking work of master craftsmen was employed in creating a finely detailed brick wall. After a first coat of plain white paint they daubed, trimmed, and polished the bricks in different spots piece by piece to create the sort of unique patterning the residents were looking for.

The architects retained the original makha wood floor, carefully abrading the wood to soften it, then surfacing it with a round of oil-based finisher. It was decided to completely remove the original living room ceiling so as to open the space up much more. A ceiling-specific demolition method was used, enabling display of the bare surface of the red wood above, which was polished, softening colors until the unique grains of each panel showed clearly.

In the octagonal gallery the original window was replaced with a one set with square panes painted white, offsetting the black-paned sliding steel door between living room and bedroom. The division of the main floor is quite noticeable, as the colors split it off into two sections:  the living room is mainly white, while the bedroom is defined by darker, more austere tones, giving it a quieter, more restful mood.


Even on a day when the weather is not all that favorable, the overcast, sunless firmament shading the wall surfaces, the room we’re standing in exudes warmth of other kinds: it’s warm in color and style, and warmed by the smiles of this lovable couple who get to live on and on within this private space they themselves once called the stuff of dreams.

Link : www.facebook.com/fattstudioarchitect/

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