Bangkok has come alive with all the spectaculars happening all around us. The Bangkok Art Biennale 2018 is on right now with more than 200 works of art on display at 20 venues throughout the city. For the record, 75 artists from 34 countries are exhibiting at this very moment. Naturally, you are spoilt for choice because there are so many good shows to go to. If you’re still not sure where to start, Living ASEAN has put together a checklist of 30 amazing pieces that every art lover must see. Don’t miss out!
/// THAILAND /// Story: Singhanart Nakpongphun /// Photography: Rithirong Chanthongsuk, Methee Samantong, Anupong Chaisukkasem, Singhanart Nakpongphun, Soopakorn Srisakul, Media Hub, Courtesy of the Artist
Rising high into the air, a tower of brightly colored baskets is lovingly crafted by South Korean artist Choi Jeong Hwa. The soaring sculpture is currently on show at BACC. His inspiration is encapsulated in his motto, “Your heart is my art.” More works of art by the happy and lively South Korean can be seen at Park Nai Lert Heritage Home and department stores in Siam Square, Chidlom, and Rajaprasong.
An installation featuring puppets on strings portrays the human race as the outcome of mutation. What is perceived as a breed of mechanical humans is the work of Indonesian artist Heri Dono. The models controlled by strings are crafted of fiberglass, wood, electronic gadgets, and electric fans. The exhibit gets its inspiration from Indonesia’s shadow puppetry known as Wayang. Find out what message it tries to communicate at BACC. Other shows like it can be seen at the East Asiatique Building and the Peninsula Hotel Bangkok.
—
03 | Tape Bangkok 2018 by Numen For Use Design Collective Venue: BACC Floor 7
An installation by a group of German artists is in the form of a tunnel fastened with clear adhesive tapes. The “Numen For Use Design Collective” has exhibited at major art scenes from Frankfurt to Paris to Ohio. In Bangkok, the Tape Tunnel is being staged at BACC.
—
04 | A Possible Island? by Marina Abramović Institute (MAI) Venue: BACC Floor 8
An endurance art exhibition titled “A Possible Island?” is happening on the 8th Floor of the Bangkok Art and Culture Center (BACC). A series of performance art shows are presented by 8 students from Marina Abramović Institute. Among them, Myanmar artist Lin Htet puts himself in a barbed wire cage and stands still in protest against human rights abuse and the suffering of a Muslim minority in Myanmar. In an interview with Baan Lae Suan Magazine, the artist says that the stateless Rohingya people are in his thoughts and prayers. While there, take the time to experience “The Method”, a performance and immaterial art show going on now until November 11, 2018 from Tuesday thru Sunday, 12 noon to 20.00 hours.
—
05 | Shelter from the Stars by Marc Schmitz Venue: BACC
Measuring 5 meters wide, Shelter from the Stars is a large sculpture by Marc Schmitz. The German artist and curator is known for his interest in the openness of space which, he thinks, provides a different kind of experience that cannot be found in the city. Open spaces provide environmental benefits and shelter from confusion and disturbances happening all around us. The exhibit sends a message that people have got to stop hurting one another. Life doesn’t have to be that way.
—
06 | “I Carry on Living with the Pumpkins” (Red) by Yayoi Kusama Venue: Siam Paragon, First floor, Fashion Gallery 3
07 | “I Carry on Living with the Pumpkins” (Silver) by Yayoi Kusama Venue: Siam Paragon, First floor, Fashion Gallery 3
08 | Inflatable Pumpkin Balloons Venue: Central World
The exhibits listed above are the works of Yayoi Kusama, Japan’s most prominent contemporary artist. The red pumpkin with black polka dots and the silver fruit with multiple colors are part of a collection titled “I Carry on Living with the Pumpkins”. Sometimes called “The Princess of Polka Dots”, Kusama works mainly in sculpture and installation and is widely known for her obsession with endless dots, nets, and mirrored space. The 89-year-old artist continues to create amazing works of art, most notably installations.
—
09 | “Mamuang” for BAB 2018 Venues: Siam Square 1, Siam Paragon, Central World, and the EmQuartier
Wisut Ponnimit is the creator of “Miss Mamuang” and her four-legged friend “Manao”. Ten versions of the fictitious animation characters are debuting at the Bangkok Art Biennale. Animation fans, don’t miss out!
—
10 | “Your Dog” by Yoshitomo Nara Venue: BAB Box @ One Bangkok
The Japanese artist is well known for his paintings and sculptures of children and animals, the most famous of whom being a childlike character who appears sweet yet sinister. Nara rose to fame during the 1990s Japanese pop art movement. His works of art have been exhibited worldwide. For the Bangkok Art Biennale, Nara is debuting “Your Dog”, a 4.5-meter-tall canine character made of aluminum currently on show at BAB Box @ One Bangkok.
Speaking of the lifestyle trade show, there’s no denying that the Baan Lae Suan Fair has become a household name. The popular event is held three times yearly. The first show takes place in late May, followed by the midyear edition in early August, and the yearend event in late October. Each time, the show features a different theme or concept that encapsulates the mood and what’s trending at a particular time. All the most important aspects of the idea are expressed through the model home and show garden that make the event’s main attractions.
The current edition of Baan Lae Suan Fair 2018, which runs from October 26 to November 4, is the biggest trade exhibition in terms of design, lifestyle, and outdoor living. Besides giving companies the opportunity to showcase their products and services, the show is a shopper’s paradise for home goods, décor, and accessories. Like flipping through the pages of “Baan Lae Suan” Magazine, it’s easy to be spoilt for choice.
“Massclusivity” Show Entrance
The way into the exhibition hall is crafted of brown corrugated sheets cut to size and assembled in one place to create a welcoming entrance. The pieces are unevenly spread and neatly decorated with lighting. Where appropriate, green indoor plants are added to make the entryway area elegant and enjoyable.
Model Home Featuring the “Massclusivity” Concept
Traditional economies are systems in which large quantities of standardized products are made to satisfy market demand. In the process, the costs of production are reduced. Over time, the ability to mass-produce has given rise to the popular phrase, “cheaper by the dozen.” This is especially true in the homebuilding industry. Nowadays as construction materials are affordable and available in abundance, people have become even more creative in unleashing their imaginative energy. Such an interesting phenomenon is compellingly told during the 2018 Baan Lae Suan Fair, where a model home built around the concept of Massclusivity is on show from now until Sunday November 4. The home with distinct character is designed by Narong Othavorn of the SO Company.
The architect reinterprets the shop-houses in a different way. Inspired by the building type that’s ubiquitous across the country from past to present, Narong creates a unique home using recycled and mass-produced building materials. The result is a cube-shaped home in which all the rooms are built 3.60 by 3.60 meters.
The two-story home is an ensemble of 12 steel-framed units, each of which is designed to serve different purposes ranging from parlor and dining rooms to bedrooms and baths. In a nutshell, it’s about adapting all too familiar materials for new uses, and old design for new purposes. This is manifested in the use of breeze blocks, louver windows, and clear corrugated roofing sheets in making the face of the building and walls. Where appropriate, terrazzo tiles are installed in a new way that’s immediately appealing.
When the subject of art comes up, people tend to think of canvas paintings or sculptures, but there is a group of artists in this world who love working with more unusual materials. In the Bangkok Art Biennale 2018, which runs from October 19, 2018 to February 3, 2019 at 20 major locations all over Bangkok, you’ll see how sticky tape, cheap plastic baskets, propellers, or even fish can be used to create art. Now, before the festival starts, we’re going to give you some highlights: works made of unconventional materials and with non-traditional artistic methods.
Material: Plastic baskets Work: Happy Happy Project: Basket Chandelier Artist: Choi Jeong Hwa Venue: Bangkok Art and Culture Center
Choi Jeong Hwa is a South Korean artist and designer who favors the use of simple materials procuced by industrial systems for his richly colorful installation art creations such as the piece “Happy Together,” which put household items such as plastic baskets, trays, and colorful water glasses under elaborate lighting in a showing at the Kiasma Museum of Contemporary Art in Helsinki, Finland. Or his use of over 2 million plastic containers to cover the Seoul Olympic Stadium in 2008. For the Bangkok Art Biennale 2018, Choi walked around markets in Thailand himself, buying up plastic baskets to create a huge colorfully sculptured chandelier. Bring your camera, you can snap a photo of it the Bangkok Art and Culture Centre! Anyone interested in enjoying more of Choi’s delightful works can see them at the Nai Lert Park Heritage Home, as well as in various merchandise outlets in the Siam Square/Chit Lom/Rajaprasong area. For today, we have some pictorial examples of Choi’s work that you’ll all be able to enjoy in person in just a few days.
Material: Silver reflective plastic sheet Art work: Diluvium Artist: Lee Bul Venue: East Asiatic Building
Diluvium is an installation art piece by Lee Bul. It’s a temporary structure built up from steel boxes welded together and surfaced with an adhesive material and light-reflective plastic sheet. Lee is a South Korean female artist associated with many branches of art: painting, live shows, sculpture, installation art, and video. For more than 20 years she has held showings in museums and participated in many important art festivals all over the world. One aspect of her work that brought her to worldwide renown involved sculptures that imagine future eras by showing worlds of the future. Clearly the piece Diluvium is one of these. At Bangkok Art Biennale 2018 you’ll find Diluvium in the East Asiatic Building. The way its futuristic concept is set in an environmental context is especially interesting, full of historical references, and the end product has a rare beauty.
Material: Clear plastic tape Art work: Tape Bangkok 2018 (Tape Tunnel) Artist: Numen/For Use Collective Design Venue: Bangkok Art and Culture Center
Numen/For Use Collective Design (Numen) is a group of three collaborating artists and designers from Berlin, Germany: Sven Jonke, Christoph Katzler, and Nikola Radeljković. The remarkable works that made this group famous are abstract, involve unique, new environmental dimensions, incorporate industrial design, and play around with open space. Many of this group’s creations on direct relationships between materials and people. For instance their piece Net Hasselt, shown in 2011 at Belgium’s Z33 House for Contemporary Art, strung hammocks together which people could climb around in as they floated like dark clouds inside the building. Then there was String Vienna, a sculpture of ropes in horizontal and vertical lines inside a giant balloon. The ropes were strong enough to support the weight of people clambering inside without risking a fall.
At Bangkok Art Bienniale 2018 you’ll be able to see Tape (a tunnel of sticky tape and clear plastic). This work, which lifted the reputation of this group to a whole new level, involves the use of clear tape stuck together to form a tunnel large enough for people to get inside and comfortably move around in. Numen has shown this type of work in locations such as Frankfurt, Paris, and the U.S. state of Ohio. As Bangkok entered this queue, our Living ASEAN work team went to meet and greet the Numen tunnel tape installation team just as they arrived to start work on the tunnel which will welcome Thai and foreign visitors to the 7th floor of the Bangkok Art and Culture Center. The picture you see here is an exclusive “behind-the-scenes” shot taken on the first day of installation. The Numen team assured us that the finished work will look quite different: the tape will be wrapped, wrapped, and wrapped, little by little, until the day the exposition begins or the tape runs out.
Material: Fiberglass, wood, electronic apparatus, and propellers. Art work: Rekayasa Genetika (REGEN) Artist: Heri Dono Location:Bangkok Art and Culture Center
60-year-old Indonesian contemporary artist Heri Dono believes that “Art is the primary component of happiness.” His art not only delivers aesthetic pleasure, but has hidden meanings that point to distortions and call for social justice – possibly influenced by his coming of age around 1965, when Indonesian politics involved a lot of violence. One of his works is Rekayasa Genetika (REGEN), puppet-like dolls in the form of genetically modified humans covered in machinery. This was inspired by wayang, the Indonesian shadow play, a folk tradition very similar to Thailand’s own nang talung. These miniature sculptures are made up of a variety of materials, including fiberglass, wood, electronics, and propellers. We were quietly informed that all the Rekayasa Genetika puppet dolls had traveled to the 7th floor of the Bangkok Art and Culture Center and were awaiting installation. After seeing them we can say in just a single phrase: absolutely not to be missed! Watch all the announcements.
Materials: Stuffed animals and mixed media Art Work: Chao Phraya 2018 Artist: Patiphat Chaiyawithate
Location: East Asiatic Building
Patipat Chaiwitesh, artist and designer with a penchant for art made from everyday objects such as chopsticks, combs, and textiles, or even bananas, is someone who pays close and constant attention to changes in culture, society, and the environment. After graduating in Visual Arts from Chulalongkorn University’s Faculty of Fine Arts he received awards and participated in shows at various venues in Japan, France, and Germany. For Bangkok Art Biennale 2018, Patipat is the only artist using taxidermy-stuffed animals to create art. His works in the East Asiatic Building will take you into a “lab room of the future,” with sculptures of animals – including fish, birds, and shrimp – foraging along a river bank: each species displays a physical condition and behavior changed by an environment affected by human activity. Patipat explained the process behind the use of these preserved animals as artist’s material. He begins by searching the markets to find and purchasing suitable animals that have died. These he takes to the lab room of the Chiang Mai University Veterinary Department, enlisting experts there to preserve the animal’s shape so it will not decay or deteriorate. Patipht’s own work begins at that point. When the Living ASEAN and Bangkok Art Biennale 2018 work teams came to visit Patipat Chaiwitesh’s work studio we made a video clip here for us all to keep.
All these exciting exhibits make up only a fraction of the more than 200 artistic works that you’ll be able to get up close and personal and feast your eyes on. View to your heart’s content, and come back again, as the Bangkok Art Biennale 2018 festival of contemporary art will be here for more than three months, October 19, 2018 to February 3, 2019. Follow developments at Living ASEAN and baanlaesuan.com.
Besides the seven Thai artists featured in this article, we have to tell you two more have now shown up! Wisut Ponnimit and Kawita Vatanajyankur have also joined this veritable army of not-to-be-missed Thai artists at Bangkok Art Biennale 2018. It goes all the way to February 3, 2019, so who’s coming along with us?
Ajarn (teacher) Montien is a legendary artist whose contributions to Thai contemporary art is nearly unparalleled, consistently mixing Thai and Western artistic concepts to express Thailand’s character in a distinctly modern way. He utilized common materials found in upcountry provincial Thailand to express “Thainess” in a way which does not fit into a preconfigured pattern, not everything neatly joined in the center, a new concept in that time.
Montien received bachelor’s and master’s degrees in painting from the Faculty of Painting, Sculpture, and Visual Arts from Silpakorn University, following that with graduate study in France at École Nationale Supérieure des Beaux Arts and the Université de Paris VIII. The 1990s saw him doing prolific work in installation art, mixed media, and sculpture, reflecting his thoughts about nature, society, and industrial advances amid rapid economic and societal development. At this time his wife became ill, and his works began to turn towards framing fundamental questions of Buddhist philosophy: meditations on birth, living, and dying.
After his wife’s death, Ajarn Montien traveled more extensively abroad, showing his work and immersed in his art, until he, too became ill, with cancer. Somehow even illness didn’t hold his creative energy back, as he worked almost until the day of his death at the tragically young age of 48 years.
Montien’s works have been shown in many countries, including France and the United States. At the 51st Venice Biennale (2006) in Italy he exhibited a piece which has returned for Bangkok Art Biennale 2018: “Zodiac House” (The House of Star Signs).” This is made up of 6 metal sculptures representing the upper sections of Catholic cathedrals, which he designed in Stuttgart, Germany while his body was ravaged with of pain. The Zodiac House set will be on display at Wat Prayoonwongsawat Worawihan.
Tawatchai Puntusawasdi
A devoted follower of Montien Boonma and himself a master sculptor, Tawatchai is widely known for complex shapes created through intricate fine calculations, constructed with elaborate technical skill and fired by tremendous talent. Each of his works has a remarkable shape that plays with the observer’s lines of vision. The volume and size of Tawachai’s works are likely to challenge viewer with the many philosophical questions they bring to mind. Tawachai’s work has received world-class prizes such as the Honor Prize at the 1st Biennial Sculpture Exhibition in Mexico, The Pollock Krasner Foundation Award from the USA, and the Grand Prize for Sculpture at Japan’s Osaka Triennale. He has exhibited at Biennale Art Fairs in Sydney, Jakarta, Venice, and now here he is at Bangkok Art Biennale 2018! You can see an elegant wooden sculpture of his in a magnificent setting at Wat Pho: see the design sketch detail below.
Sanitas Pradittasanee
Sanitas began her career as a landscape architect. After graduating from the Faculty of Architecture at Chulalongkorn University and worked in landscape architecture with Colin K. Okashimo & Associates Singapore for four years before deciding to follow her heart and going for a master’s degree in Fine Arts at Chelsea College of Art and Design in London. With a solid foundation in landscape architecture and a true love of installation art, she returned home to Thailand to set up her own establishment, Sanitas Studio. Not long afterwards, she began receiving one international award after another. The work “Khao Moh” (Mythical Escapism) is a large representation of a mountain tiled with rectangular pieces of glass. She received a lot of attention for this work, receiving a “Commended with Merit” award at the 2015 Emerging Architecture Awards. She was also chosen to participate in Aesthetica Art Prize 2015 as one of a hundred longlisted artists from 60 countries worldwide, with her name entered in the Aesthetica Art Prize Anthology. Another work is “Equilibrium,” where porcelain dolls decorated with indigo designs are blown up and down by wind. This work was invited to be shown on Songdo beach at Pusan, South Korea at Sea Art Festival 2013.
Here at Bangkok Art Biennale 2018, Sanitas has recreated “Khao Moh,” but in a new version and with site-specific installation. The new Khao Moh can be seen at Wat Arun.
Torlarp Larpjaroensook
Born and raised on a houseboat in Ayutthaya Province, Torlarp finished studies at the College of Fine Arts there before continuing on for his bachelor’s degree at Chiang Mai University Faculty of Fine Arts. Torlarp mixes it up, using paintings, sculpture, installation art, and design art to explore possibilities in relationships between art and society. In 2008 he created “Gallery Seescape” (Alternative Art Space) in Chiang Mai, and 2009 brought “3147966,” a moving gallery built from a modified vehicle, where he invites international artists to come display their work by driving it around to various communities.
Just as with other Thai artists participants in Bangkok Art Biennale 2018, Torlarp’s work has been featured at international exhibitions. One of these is “Bookshelf,” which 8Q Singapore Art Museum retained in its own collection. Torlarp was selected by Koganecho Bazaar Yokohama in Japan as artist in residence, and his work was shown at the Yokohama Art Festival. This year in Bangkok, Torlarp’s dazzling work “Spiritual Space Ship” is on display. Its theme is travel to the past and future, and is constructed of ordinary, everyday materials.
Patipat Chaiwitesh
Patipat’s designs rely on his constant observations of changes in culture, society, and the environment. After a bachelor’s from the Department of Visual Arts at Chulalongkorn University, he received awards at venues such as Nitthassakan Ploy Saeng (Let There Be Light Exhibition) at the 2010 TCDC (Thailand Creative & Design Center) and the 2011 Tokyo Designer Week fair in Japan. In 2012 he won the Award for Excellence in Product Design at the Hoegaarden “Different by Nature” Design Contest. Design work he did jointly with a Thai furniture brand was shown at the Maison & Object fair in France and at Germany’s IF Design Award show.
In order to gain more experience abroad, Patipat went on to study at the École supérieure des beaux-arts TALM in Angers, France, and produced many works that made it to the final round of such competitions as the cover contest for 50th Mark Magazine, the clothing pattern “Dare to Dream” Design Awards, and the famous website Designboom. He also had works entered in Exposition Art Capital 2015 at Grand Palais in France and Sweden’s 2016 Stockholm Furniture Faire 2016. By 2016, Patipat was clearly an artist of the new generation, with a unique characteristic outlook towards his surroundings and expert in numerous fields: sculpture, painting, installation art, and textile art, and exhibits all over Thailand.
At Bangkok Art Biennale 2018 fairgoers are invited to the East Asiatic Building, into a lab room of the future where Patipat shows us sculptures of animals foraging along the river’s edge: fish, birds, and shrimp, all with appearance and behavior much modified due to the effects humans will have had on the environment.
Dujdao Vadhanapakorn
An artist whose skills in acting, directing, and dancing developed over 16 years, Dujdao Vadhanapakorn is a member of a “physical theater” drama group that focuses on societal issues. Her expertise in visual design brings her to use materials emphasizing communication. She calls her acting “Experiential Performance,” where the substance of work is in the audience experience.
Dujdao’s work began to take on individual identity after she received a master’s in Dance Movement Therapy from Goldsmiths, University of London, in 2009. Having studied and worked in motion-based psychotherapy, Dujdao was interested in subtleties in human thought and awareness. She makes close connections between humans and the problems of society, drawing on psychological and psychotherapeutic theories to create her own individualistic work. This is especially clear in works from the period 2013- 2017: “(In)sensitivity,” shown in the B-Floor Room, “Secret Keeper,” at the Bangkok Art and Culture Center, and “Blissfully Blind,” which you can see at Bangkok CityCity Gallery. All three of these speak to aspects of human coexistence: awareness of one’s own feelings in relation to those of others, interpersonal trust in safe spaces, and agreement among those with different perceptions. All these are based on an experience shared with the viewers.
At this event Dujdao showcases the art of body movement, which communicates the inspiration behind all her works shown at the Bangkok Art Biennale 2018.
Pannaphan Yodmanee
Pannaphan, a mixed-media artist and burning light of the new generation, has received many international awards, debuting with awards of excellence in consecutive years for the project “Jittrakam Bualuang” (Sacred Lotus Painting). Her mixed media works combine painting and installation art with a daring individual talent that plays on societal conflict and satire with a keenness that has brought her rapid domestic and international acclaim. In 2015 her project “Thailand Eyes” was shown at Saatchi Gallery in London, and at only 29 years of age the next year she was one of only a few Thai artists ever so honored as she won the 11th Benesse Prize, emerging from competition with 63 artists from 19 Southeast and South Asian countries at the Singapore Biennale 2016. This resulted in an invitation to exhibit at the Benesse Art Site on Naoshima Island in Japan.
At Bangkok Art Biennale 2018 her work is shown at Khao Mor in Wat Pho. Pannaphan told us that her works generally dealing with religious topics are shown in museums, but this time she is extremely excited about actually showing at a sacred site.
These and many other art works both Thai and foreign are now being shown all over Bangkok, as Bangkok Art Biennale 2018 writes another important page in the annals of art history.
Marketing/Advertising Cookies – used to remember and process the relevance to your website visit in order to personalize contents shown including optimization of commercial advertising placements. For instances, we use this type of cookies to display commercial advertisements related to user’s attributes and interests as well as to limit how many times should a user see repeated advertisement in order to optimize and measure marketing activities.  อ่านเพิ่มเติม