/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hoang Le /
The Flying Block is a hotel project in a class of itself. The low-rise, six-story tower in a beach-inspired sandy brown is located in the heart of Phu My, a town in Ba Ria-Vung Tau Province bordering on Ho Chi Minh City. Only recently the coastal province has grown to become one of Vietnam’s economic powerhouses with busy sea ports, factories and industrial estates. Also known as the Cay Vang Hotel, it’s festooned with lush green foliage on balconies that provides effective window treatments and reduces summer heat gain, keeping the interior cool and comfortable.
But why Phu My? The answer lies in location, location, location. Ba Ria-Vung Tau is also renowned for its rich ecosystems with lots of sunshine and great views plus tourist destinations attracting travelers from across the globe. So it’s all about being in the right place at the right time.
Children’s drawings illustrate the multiple-use concept of box-shaped balcony design. / Courtesy of TAA DesignA diagrammatic representation shows the welcome lobby and hotel rooms on Floor 1 [above], and more hotel rooms in relation to greenery-filled balconies on Floors 2 to 4 [below]. / Courtesy of TAA DesignA diagram of hotel rooms on Floors 3 to 5 [above], and the penthouse on the top floor [below] / Courtesy of TAA DesignAn axonometric projection illustrates the three stages of design development, from a bare building outline, to the addition of rooms with balconies, to the final image of tree-filled facades. / Courtesy of TAA Design
The main idea is that, with an increase in industrial activity, more housing demand and land becoming pricy, the only way to build now is upwards. At the same time, the natural environment must be preserved so as to enhance the quality of life, housing and lodging accommodations for locals as well as visitors.
The result is a tree-covered vertical living model aptly called the “Flying Greenery Blocks”. In essence, it’s the coming together of box-shaped balconies with trees secured firmly in ultra-deep planters. The rectangular platforms on the outside of the building vary in size from 2 to 3.5 meters wide.
The extra-large balconies among them even have a trough for growing decorative plants at the edges. Together they serve multiple purposes, as a charming garden space for green thumbs, a place for physical fitness exercises and a landmark clearly visible from a distance.
A spacious balcony serves multiple purposes, as a quiet reading nook with a view and room for gardening as a pastime.
Take a look inside, and you find a spacious hallway that’s a breath of fresh air. Uncluttered and arranged in an orderly way, it leaves a very good first impression.
Plus, the entryway feels light and airy, thanks to the stack ventilation effect that allows hot air to rise while low pressure draws fresh outdoor air into the interior. In a few words, there’s no lack of air circulation and hence no need for air conditioning.
On the whole, it’s about integrating urban green spaces in modern design to create indoor thermal comfort all year round. Psychologically, it provides an escape from the hustle and bustle of the city undergoing fast economic development. The bottom line. Every greenery-filled space matters when it comes to improving the quality of life in an urban area.
The Flying Block in a lovely light sand tone stands silhouetted against the emergence of new industries in Phu My town, Ba Ria-Vung Tau Province, Vietnam
/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Nguyen Duy Hoach /
Fresh brewed coffee smells like heaven, or so they say. And if you have a chance to swing by the beautiful central coast of Vietnam, get yourself a good strong cuppa at CoCo Cha Taiwan Tea & Coffee located at Phan Rang-Thap Cham in Ninh Thuan Province. Find pleasure in the timeless atmosphere where the classic meets the modern. Here, lush green color paired with earth-toned brown turns a cute coffeehouse into a Shangri-La making every day a perfect day.
Seen from across the street, the coffeehouse façade features a beautiful mix of classic and modern architectural styles.
From architectural perspectives, it’s about creating a design that embraces the beauty of works of art that have become classics and, at the same time, make use of modern materials that are right for prevailing weather conditions on the ocean front.
The front façade is built of glass bricks, a classic material designed to admit light, turning the coffeehouse into a well-lighted place.
The Tropics is warm all year as we know it, and the city of Phan Rang-Thap Cham is no stranger to intense sunlight and strong winds. For this reason, the storefront has to be made impervious to storm water.
Plus, it must be capable of keeping the heat out and, at the same time, letting natural light in. Rising to the challenge, the architects at PT Arch Studio chose glass bricks for the façade, and it works perfectly.
Aa axonometric projection shows interior space arrangements with a rooftop layout in relation to two glass dome skylights over the stairwell and seating areas. / Courtesy of PT Arch Studio
Downstairs floor plan with the terrace storefront. / Courtesy of PT Arch StudioUpstairs floor plan. / Courtesy of PT Arch Studio
In cross section, a diagrammatic representation shows the side elevation and space arrangements in relation to the glass dome skylight at the midpoint. / Courtesy of PT Arch Studio
The coffeehouse features large lounges typical of classic restaurant interior design. To make customers feel comfortable, the seating areas and coffee nooks are arranged in neat, attractive order.
Both downstairs and upstairs rooms are well-lit and well-ventilated, thanks to a stack ventilation system that uses temperature differences to move air. The rooftop has two glass dome skylights that allow natural light streaming inside and double as engine driving cross ventilation forcing warm and stale air to exit through the rooftop.
A set of stairs enclosed by glass brick walls gives access to the second floor. Along the outer circumference, round benches with coffee trays come in handy when the house is full and no seats available. Good thinking!Lit up by a rooftop skylight, the spiral stairs enclosed by glass brick walls provide access to seating areas on the second floor.
As is the case with business buildings across Vietnam, CoCo Cha Taiwan Tea & Coffee is situated on an elongated rectangle with a narrow frontage abutting on the street. Originally, it was a design lacking fresh air and ventilation, an unpleasant situation that had to be dealt with from the start.
The team of architects at PT Arch Studio solved the problem by integrating natural elements into the plan as much as possible. And glass bricks came in handy to avoid the interior becoming a stuffy, overcrowded space. Overhead, a pair of rooftop skylights let natural light shine into both downstairs and upstairs.
An open concept floor plan makes the interior space feel spacious, airy and comfortable.
A tree thrives under the glass dome skylight illuminating the interior in muted green hues and earth-toned brown.
Precisely, it’s a layout that effectively harnesses the feel-good benefits of nature to make the business space feel comfortable, warm and welcoming. Where necessary, glass mirrors are added to give the impression of ample space in the interior.
A glass dome skylight illuminates the stairwell connecting the first and second floors.
In terms of building performance, walk in the door and you find a beautiful, large coffee bar illuminated by natural light streaming in from above. At the midpoint, a spiral staircase enclosed by glass brick walls provides access to seating areas on the second floor.
Small bench seats with coffee trays along the outside of the circular wall add visual interest to interior design. They serve a useful purpose as extra seating when the house is full and no seats available. Every step of the way, signature interior furnishings in cool-toned earthy green and brown promote positive thinking and peace of mind.
A glass brick enclosure holds the spiral staircase illuminated by a rooftop skylight. Nearby, a large mirror on the wall creates a sense of space.Upstairs seating arrangements showcase the signature cool green hues mixed with earth-toned brown.
Two glass dome skylights illuminate the stairwell and seating areas in cool green and earth-toned brown.
Taken as a whole, the interior is spacious and neatly arranged. The stuffiness of the unusually long and narrow space is nicely compensated for by well-thought-out design, building strategies and creative use of modern materials.
And the result of all this? CoCo Cha Taiwan Tea & Coffee capable of fulfilling a role for which it is intended – a place that’s convenient, neat and clean plus coffee smells like fresh brewed heaven. And, the price is right, too. Looking for a good strong cuppa? Well, you get the idea.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Here’s a midsize three-story house in Thu Duc, a neighborhood on the northeast side of Ho Chi Minh City. It’s nestled in a riverside community that’s no stranger to seasonal flooding. Houses on stilts can be found almost everywhere. This new concrete home is no exception. It’s raised on pilings about a meter above uneven ground to keep it safe from rising floodwaters. More importantly, it’s open-concept design that adds character to the home. Precisely, over 70 percent of the house plan is open to fresh air and natural daylight, a well-design outdoor living space that brings joy to the home.
The light and airy flat-roof home is ensconced in the lush greenery of a riverside community.
On the whole, the concrete-framed house plan appears light and airy. It shows how component parts are pieced together using straightforward building techniques.
Functional areas are scattered over three concrete slab floors that vary from one to the other depending on needs. The ground floor at plinth height holds a quiet, secluded space consisting of the master bedroom and lovely veranda overlooking the backyard garden. It’s positioned to be invisible from the carport and main entrance areas.
Bypassing the first-floor private space, a flight of stairs at the rear of the building leads to the upstairs living room. With traffic flow arranged in this way, the master bedroom lies hidden from view — out of sight, out of mind.
The carport lies under the concrete slab that makes the second floor. The bedroom is separated from the entry area by service spaces such as bathroom and laundry room.
The terrace along the outside of the house is an open-air space with double height ceilings on the outer edge.Thoughtful design opens the master bedroom to natural light.
The second-floor living space contains a sitting room, dining room and kitchen. It’s made attractive by good-sized balconies that wrap around all four sides of the house plan.
The entire building envelop that encloses the sitting room is glazed using clear glass that stands tall from floor to ceiling. It’s a natural way to create a visual connection between the interior and exterior spaces on the balcony and beyond.
The stairwell at the rear of the building connects the first floor to the upstairs living room.The living room is glazed using glass paneling that opens to take in fresh air and views of the surroundings.The enclosed kitchen opens to a nearby hall. Large windows make it equally well ventilated.
The veranda offers ample space that merges with nearby sitting room.
The third-floor deck offers a panorama of surrounding communities. It’s accessible from the second floor via an outdoor staircase that’s built into the front façade. There’s a bar counter with outdoor grill table for the perfect barbecue. A cool place to be, it lies under the canopy of overhanging trees with luxuriant foliage reaching into the sky.
An aerial perspective shows plenty of calm and relaxing family rooms.
It is, in brief, a design where nature is front and center, a home that’s comfortable without being strikingly noticeable. It reflects the line of thought that a simple, beautiful home can be built using ordinary materials and techniques; such as concrete masonry, timber, terra cotta tiles and white walls.
A drawing shows the house’s location within the community. / Courtesy of Sda. – Sanuki Daisuke ArchitectsDownstairs house plan / Courtesy of Sda. – Sanuki Daisuke ArchitectsUpstairs house plan / Courtesy of Sda. – Sanuki Daisuke ArchitectsRooftop deck plan / Courtesy of Sda. – Sanuki Daisuke ArchitectsA front-elevation drawing shows structural relationships between concrete slab floors and functional spaces. / Courtesy of Sda. – Sanuki Daisuke Architects
In this particular case, the concrete-framed house is built on a budget using the usual commonplace materials. There’s practically no limit, and it’s up to the person to pick and choose to beautify his home. Take for example the outdoor staircase built into the front façade. In terms of the general impression, it’s an interesting architectural feature that performs its intended function.
Lead Architect: Sanuki Daisuke, Nguyen Huynh Bao Ngoc
Structure Engineer: Thanh Cong Construction Design Co., Ltd
ME Engineer: Hung Viet Tst Corp
Contractor: Coppha Builders Construction Co., Ltd
This house appears in the Special Bilingual Edition (English and Thai) of Baan Lae Suan and Living Asean, titled “Tropical Suburban and Country Homes”. It focuses on designs for cozy living in harmony with nature.
We have handpicked ten houses for this special edition that serve as the perfect example of design innovations in sync with the natural world. Front and center, it’s about the pursuit of ways to live more sustainably and create a better future for all. Looking for inspiration? Perhaps a glimpse into nature-inspired “Tropical Suburban and Country Homes” is a good place to start.
/ Story: Phattaraphon / English version: Bob Pitakwong /
/ Photographs: Duc Nguyen /
A green school that creates a healthy learning environment and advocates an interest in nature is making good progress in Vietnam. Here, a desire to connect with the natural world, hands-on experience growing up in the outdoors and nurturing a relationship with Mother Earth are of the utmost importance.It’s named My Montessori Garden in honor of Maria Montessori (1870-1952), an Italian educator who advocated a child-centered approach to education.
The green school is located at Ha Long, a coastal city that’s part of Quang Ninh Province about an hour’s drive from Hanoi. It embraces the Montessori Method of teaching and learning that has become popular in this region of Vietnam in recent years.
In essence, it’s about answering individual children’s learning needs and getting outside into nature, thereby developing a sense of responsible stewardship of the environment as they grow. And it’s a good idea to start early with kindergarten children, who are curious to learn and inquire about everything around them.
Needless to say spending time in nature offers lasting psychological benefits. It’s a way to build a good inner foundation for life in the process of growing up into responsible adulthood. More so than anything else, there is no forced learning taking place. It’s a curriculum by which no child is left behind, and no one is forced to learn anything regardless of his or her own wishes.
The schoolhouse design is a creation by a team of architects at HGAA, a Hanoi architectural practice, who successfully translated the ideas about alternative approaches to education into a reality. It’s a work of architecture founded upon an understanding of child behavior and nature of human learning. The result is a healthy environment conducive to learning, one that’s tailored to the specific needs of individual children.
Although small in size, My Montessori Garden makes the most effective use of space, with easy traffic patterns designed with the little children in mind.
How did they do it? To begin with, a design that’s plain and simple takes precedence here. The schoolhouse is built of steel structural framing. Dry construction was cost effective and took less time to build without causing negative impacts on the environment or inconveniences to community
In future, when the land lease expires and cannot be renewed, the whole project can simply be taken apart and moved to a new location.
A diagrammatic representation shows the built environment in relation to the school yard filled with green foliage and a corridor system between buildings. / Courtesy of HGAAA diagrammatic drawing illustrates traffic patterns on the ground floor. / Courtesy of HGAAA diagrammatic representation illustrates traffic patterns on the footbridge system. / Courtesy of HGAAA side elevation drawing shows the trees, the footbridge system with mesh wire railing and, beyond, winged roofs with the center gutters for carrying off rainwater, a thoughtful design that prevents storm water from splashing onto neighboring homes. / Courtesy of HGAAA cross section drawing shows winged roof ideas with the center channels for conveying rainwater away from the building. / Courtesy of HGAAA simplified drawing illustrates the angle at which sunlight strikes, and the direction from which the wind enters and exits, creating indoor thermal comfort. / Courtesy of HGAA
My Montessori Garden sits on a small area of ground, only 600 square meters in all. For child safety, the overhead footbridge among the trees has wire mesh railing infills designed to protect against slip and fall accidents.
Surrounded by trees and shrubbery, a footbridge system has wire mesh railing infills that protect against slip and fall accidents. It’s also an extra outdoor room for children to play in.
Although small in size, natural elements are generously integrated into the plan in a way that pleases the senses and the mind.
There are two kinds of green space on the premises. On the ground, the school yard provides ample room with raised beds for growing vegetables, in-ground plants and shade trees. Above the ground, climbing vines and edible vegetation thrive on trellises and walls producing colorful flowers that give off good vibes.
Children chat with friends as they tend leafy vegetables in raised beds and climbing vines producing flowers and edible fruits.
For the architects, it’s about designing an environment conducive to learning and, at the same time, promoting positive thinking, interactions with nature and socialization processes among kids. And it’s happening all day and every day, indoors and outdoors.
Nature is the best classroom. To protect the little children from the elements, the entire wall of the building is glazed using clear glass with sliding doors that separate indoors from outdoors.
In a few words, well-thought-out design matters. For My Montessori Garden, it’s a design that fulfills the purpose for which it’s intended, one that’s easily to understand and presenting no difficulty. In the end, it boils down to one thing — nature is the best classroom.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Trieu Chien /
Like the green roofs in times past, a quintet of community center buildings stands sentinel over the rice fields in Vinh, a small farming town in Vietnam’s Nghe An Province. Officially named “The Park” it looks out over a calm and peaceful lake and, beyond, long lines of mountains and hillsides can be seen from miles around.
No doubt, the heavenly morning mist and respect for nature combine to give a team of architects the inspiration they need going forward. The Park is the brainchild of the MIA Design Studio, an architectural firm based in Ho Chi Minh City. And the end result is a delightful a group of public space buildings that blends perfectly into the natural environment.
Technically speaking, it’s a design that takes into account the circumstances that form the setting of the area. And that’s exactly the quality that puts the small town’s community center in a class of its own. The five-building civic center is a great addition to the neighborhood. Among other things, it attracts townspeople, provides community services, and promote community fitness.
A three-stage diagrammatic representation shows a quintet of civic center buildings placed along different imaginary lines to take in different views of surrounding landscapes. / Courtesy of MIA Design StudioA diagrammatic representation illustrates the location of the civic center quintet in relation to the waterfront. / Courtesy of MIA Design Studio
Their waterfront facades afford a view of the lake surrounded by lush green paddies and mountain ranges to the far side. The exterior walls are built of engineered wood textured and stained to look like real timber set at intervals to allow natural light and fresh outdoor air into the interior.
Designed to merge into surrounding landscapes, the principal facades overlooking the road in front lie hidden under grass roofs set at an angle of 45 degrees gently rising from the ground up to culminate at the apexes.
The five buildings are symmetrical solids set on different axes to take in different views of the calm and peaceful countryside. They are connected with each other by a system of corridors, which in tern leads to a jetty at which boats come to dock and be moored. In a way that’s uncomplicated and easy to understand, each building serves its specific functions providing public services to people in the community.
Openings in the external envelope allow light and fresh outdoor air into the interior, strategies that prevent it from becoming a stuffy, overcrowded space.Like historic roofing making a comeback, the five buildings are roofed over with lush green lawns resembling grassy knolls overlooking the road in front. Shed roofs covered with earth and vegetation create a superior thermal mass that absorbs and transfer less heat from the sun into the interior.
On approaching the civic center, you only see what looks like a few grassy knolls gently rising to the summits that are the focal points of the design. It’s visual experience that excites the imagination and creates a good first impression on people passing by. For a warm and friendly atmosphere, the main entry area is flanked by a welcome building and a restaurant building linked by a hallway. The other three buildings that lie a little further away contain a sauna, fitness center, and changing rooms plus other amenities, respectively, for privacy.
With nature as the first priority, the architects chose only simple building materials for interior decorating. It falls into a line of thought that the beautiful view outside takes precedence over any other consideration. At the same time, it is built strong and capable of carrying and transferring loads down onto the foundations. The facades overlooking the lake are covered in frameworks of wooden bars with awnings built of composite wood to keep the sun and rain off the building faces.
A fascinating array of lattices built of engineered wood is set at different angles to provide shade and create an aesthetic appeal to the over design.
Step inside, and you find the ceilings covered in engineered wood paneling. This material is chosen for its beautiful, authentic look that connects with the outdoors. The interior walls are covered in indoor tiles for a neat appearance, while the external envelope is adorned with faux wood lattices for a relaxing outdoor ambience.
Because it’s a public green space, natural features take precedence here. They’re considered more important than other things. In essence, it’s designed to reap the full benefits of nature, be it lighting or ventilation. Plus, well-thought-out design reduces the need for electromechanical air condition, which saves big on electricity costs.Seen from the water, each building has its lakefront façade facing a different direction to take in a different angle of view of the waterscape. The principal face of the building is covered in frameworks of wooden bars with awnings to keep the sun and rain out.
Designed as a landmark easily seen from a distance, the quintet of civic center buildings is all aglow in the nighttime, thanks to an orchestra of electric lights shining through hundreds upon hundreds of small openings in wooden latticework. Like a chandelier shimmering in the dark of night, they create stunning reflections on water and an indelible impression on people going past this area.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Tuan-Nghia NGUYEN /
An eco-friendly home office building named Maison K hovers above the ground, looking out over a traffic circle in the center of Quy Nhon, a coastal city in central Vietnam. The overall effect is out of this world, inspiring admiration for its well-thought-out design and build quality. The building’s double-skin façade gives off good vibes, thanks to air flowing through the intermediate cavity. At the same time, hanging and trailing vines add a lush appeal to the building’s principal front shimmering in the sunlight. Right next to it, another home office building with beautiful raw concrete finishes stands back to back on the same location. Albeit different characters, the interior is essentially the same.
Blending aesthetics with sustainable design, the building’s feature wall is covered with ceramic panels in subdued shades of orange that provide a buffer against the glare of the sun. Hinged on one side, they swing open like doors to regulate air and light streaming into the interior.
Together they merge into one coherent architectural feature that creates an indelible impression on people passing by.
Dubbed the home office for the future of work, it’s a design that makes decorating with plants an integral part of interior and exterior design. Every workspace is thoughtfully devised to best serve its designated purpose, while the wellness, peace and quiet of a home office atmosphere remain the front-and-center concerns.
It’s thanks to meticulous design that an oasis of calm is created despite being located in a busy downtown neighborhood.
Maison K is the brainchild of Nghia-Architect, a homegrown atelier admired for their imagination and skills, plus an excellent track record in architecture and knowledge of the geography in Vietnam. Their main forte includes a thorough understanding of climate variability since weather conditions can change significantly on the oceanfront, directly affecting how a building performs.
This is especially true in the case of Quy Nhon, which is subject to strong winds in the coastal area, plus hot and humid weather conditions happening from time to time.
As the architect puts it, Quy Nhon being warmer and more humid than other parts of the country, the knowledge and experience in choosing the right materials for the job is imperative, and hence standards be maintained every step of the way.
Understandably, concrete is the mainstay of the construction industry in this part of Vietnam. It’s preferred over other building materials and techniques for its strength and durability, plus it’s resistant to weather and salt damage.
Especially in the context of Quy Nhon, concrete containing broken gray stone is preferred for its wear and tear resistance, plus its pleasing color and texture are sought after in this region.
Green design keeps the covered parking area cool when the mercury rises. A triangular void of space curved into rounded form creates a double volume air space that allows a tree to grow through it reaching for the sky. For a look that’s easy on the eye, sharp interior angles are trimmed into curved corners to reduce the harshness of raw concrete finishes.
There’s an element of surprise. Maison K sits on land shaped like a piece of pie, a quarter of a circle, so to speak. That being the case, the architect thought it best to put in an L-shaped building with one side open to take in the beautiful view of a nearby lake.
Plus, it’s in compliance with the city ordinance in effect at present. To facilitate business operations, he put the office space downstairs and all the family living areas on the upper floors where it’s quiet and more private.
First floor plan. / Courtesy of Nghia ArchitectSecond floor plan. / Courtesy of Nghia ArchitectThird floor plan. / Courtesy of Nghia ArchitectFourth floor plan. / Courtesy of Nghia ArchitectHouse section. / Courtesy of Nghia Architect
For practical reason, the office and residential spaces each have separate entrances. The office itself is conveniently accessed from the covered parking area. Sliding doors glazed using clear glass make the business space warm and welcoming.
The residential entry area is made less visible by design. It’s an ordinary swing door tucked away in a quiet place. Upon entering, you find a flight of stairs leading to the second floor that’s the first step into the home.
The stairwell and upstairs sitting room are well-lit by shafts of sunlight streaming in through the rooftop and generous openings in the walls.
Overall, the home interior is simple and clean with the clearly defined order for space utilization. Where appropriate and legal, the architect put in generous openings in the exterior walls to connect the indoors with outdoor spaces. And the result of all this is a feature wall on the side overlooking the covered carport.
It’s an architectural feature that’s easily noticeable and immediately appealing from a distance. Apart from adding visual interest to the building’s external envelope, it allows plenty of fresh air and natural light, creating a relaxed ambience in the indoor living spaces.
Pursuant to the city ordinances in effect at present, only two sides of the exterior overlooking the traffic circle and the street below are permitted to have openings in the walls. The other two sides adjacent to neighboring buildings do not enjoy the same privilege.
However, what is lacking due to limitations is nicely compensated for by rooftop skylights that illuminate the stairwell and other parts at the rear of the home. It’s a practical solution that helps reduce electricity costs and protect against humidity damage over a long period of time.
The third floor holds the family’s main living area.
Meanwhile, the other two sides have an unobstructed view of the roundabout and the street below. Climb another flight of stairs, and you come to the third floor holding the family’s main living area that’s protected by the feature wall of shimmering ceramic panels in muted shades of orange.
Together they provide a layer of insulation against heat and stress, protecting the gray concrete wall behind it. The ceramic panels that form the first line of defense are hinged on one side and swing open like doors to control light and winds passing through. The panels have grooves in them so as to drain stormwater fast in heavy rain.
The upper branching of a tree rises through the void of space on the second floor, creating an oasis of calm and a focal point in the upstairs courtyard.An impressively geometric facade projects from the building. Its feature wall is covered in multiple ceramic panels in subdued shades of orange. Hinged on one side, they swing open like doors to control air and light streaming into the interior, an architectural feature designed to create an indelible impression on people passing by.
All things considered, it’s a revolutionary idea that integrates greenery as an integral part of architectural design. Green spaces offer multiple health benefits. Among other things, they give the building its character, provide shade and improve air quality.
From a distance, they add visual interest to the urban space around the traffic circle. More so than anything else, it’s the lively green and orange façade that creates a gently calming effect for people passing by.
Viewed from across the street in the nighttime, Maison K is a clean, well-lighted place created for health, comfort and security.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Trieu Chien /
Greetings from Soc Son, a village near Hanoi that’s home to a museum nestled in an old orchard. Known as Đạo Mẫu Museum, it stands on 5,000 square meters (about an acre) of land surrounded by lush woodlands and rolling hills. In recent years, the area has attracted many travelers, thanks to beautiful scenery and unspoiled landscapes.
Dominated by a boundary wall and towering structures covered in reclaimed clay tiles, the welcome area is a garden path leading to the main museum area at the far end.
The Đạo Mẫu is a museum and a home in one. Xuan Hinh, the owner/artist who created it, lives on the project, which conveys a great deal about his unwavering commitment to preserving the architectural heritage and folk traditions unique to this part of the country.
Among them is the traditional veneration of deities of Vietnam’s folk religion that’s gradually disappearing from modern society.
By definition, the term Đạo Mẫu is Vietnamese for mother goddesses, or deities in folk religion treated with reverence and adoration since the dawn of time.
It’s part of the ancient Vietnamese belief system that seeks communications with supernatural beings, especially the goddesses or female deities and a fascinating aura of mystery that locals adhere to and observe in everyday life.
It’s not clearly understood how such belief systems came into being. Only that female deities were worshipped for thousands of years since the earliest times. This is especially true across Southeast Asia, where female divinity is mostly concerned with the life-giving and nurturing aspects of nature.
Understandably, the power of nature is personified as a woman symbolizing a creative and controlling force, and hence the term Mother Nature as we know it.
Long story short, it’s the line of thought mentioned above that inspired Xuan Hinh to join forces with ARB Architects, an architectural practice based in Hanoi, in creating an architectural masterpiece in this regard. It serves as a vehicle to express ideas about the preservation of the folk culture that’s rooted deeply in the belief systems about the force of Mother Nature.
The result of all this is a group of towering structures covered in vintage clay tiles reaching for the sky through the void of space among the fruit trees on the property. The idea is to avoid coming into contact with surrounding lush foliage and let nature permeate.
Philosophically, it’s a reflection on the importance of the need to live a conscious lifestyle and make the world a better place for all living things.
An opening in the boundary wall covered in old clay tiles provides a pleasing view of the old orchard.
The Đạo Mẫu Museum has two parts. First, the welcome area is a long garden path that runs along the boundary wall marked with towering structures at intervals. There are five of them in all that serve as the focal points to get people’s attention.
A drawing of the floor plan shows the old orchard up front and the museum/residential area with a water pond at the rear. / Courtesy of ARB Architects
The rustic garden path leads to the main area consisting of a place of residence and a museum at the rear of the property. There are service areas and smaller buildings nearby. The old house where the owner/artist lived previously now provides space for collectibles connected with the veneration of Đạo Mẫu, the female goddess.
Elsewhere, new buildings merge into the darkness of the fruit orchard. Or it can be said that the trees blend beautifully with the built environment. Either way, it looks the epitome of a perfect picture, in which all things in the universe are inextricably linked.
More so than anything else, every square inch of the towering structures and boundary walls is covered in vintage clay tiles in varying shades of earth tones. They are reclaimed construction materials that the owner/artist had kept in his collections over many years.
The tiles were recycled from much older homes across the Northern Region of Vietnam, more than one hundred of them in all. He collected them over time when the old homes were either renovated or dismantled as a result of the increasing globalization of the economy.
For Xuan Hinh and the design team of ARB Architects, the discarded objects are priceless works of art. They are man-made artifacts whose value cannot be determined, plus they provide a reflection on the ways of life of the people of Vietnam in times past.
It’s the opportunity to adapt them for a new use, thereby upcycling them into something of higher quality and value. And from the cultural perspective, it’s about showing respect for the past, celebrating the present and inspiring the future.
/ Story: Ektida N. / English version: Bob Pitakwong /
/ Photographs: Son Vu, Trieu Chien /
Lung Vai School stands in a small village and namesake located in the northernmost corner of Vietnam. Only 55 households of the Hmong tribe live in this mountainous terrain on the Vietnamese border with China. The natural environment is pristine, but it’s hard to get there from anywhere. Public utilities, such as water and electricity are virtually nonexistent, not to mention schoolhouses of standard sizes and qualities capable of meeting children’s learning need.
A trio of school buildings stand on a mountaintop. Circular roofs merge into the farmland vernacular and rugged terrain.
This school construction project was undertaken by AA Corporation, an interior design and furniture manufacturing industry in Vietnam. It cost 2 billion Vietnamese dongs to build, roughly 80,000 US dollars.
Its primary objective: bring educational opportunities to minority Hmong children. The schoolhouse complex performs a dual function as center of learning for kids and a venue for cultural activities in the area.
The project consists of three adjoining buildings situated a stone’s throw from the village on a mountaintop. It offers a breathtaking panorama of the landscape covered in the morning’s blue haze. The schoolhouses with circular roofs call to the mind an image of wild mushrooms shimmering in the sunlight amid a dewy meadow.
The trio includes one schoolhouse for the kindergarten, one for elementary school classrooms and the other housing the teacher’s office, plus other facilities such as bathrooms, kitchen and multifunctional spaces supporting school activities. The schoolhouse project covers 250 square meters of land, perfectly adequate for the student populations at Lung Vai and neighboring villages.
From afar, the curved roof buildings prove a perfect complement to their natural surroundings. They are put together in a way that the roof of one building overlaps another to create coherence in architecture.
It’s a passive design strategy that goes to work facilitating the traffic between rooms, keeping the schoolhouses in shade and driving natural air circulation all day long. Like so, nothing disrupts the workings of mother nature.
In cross section, a side elevation drawing shows spatial relationships between rooms and how rainwater is harvested and carried to an underground storage tank.
In terms of the language of architecture, there is a distinct synchronization of smoothly drawn curves that twist and turn as they converge at the mountaintop. All the elements of design blend together into a cohesive whole.
There is wisdom in challenges. Because the project is tucked away in a remote location, transportation is difficult to put it mildly. It was a dilemma that tested the ability of the design team at 1+1>2 Architects. And yet they rose to the challenge by successfully completing the project in only six months.
The secret to a mission accomplished lies in using building techniques and materials readily available in the area in perfect proportions, in particular rammed earth construction.
Building with rammed earth or mud brick brings many benefits. It’s friendly to the environment and capable of reducing the ambient temperatures. Plus, it’s durable even in extreme weather conditions.
Pleasant to look at, a mixture of sand, clay and other ingredients gives a rich warm color of earth hues that allows the schoolhouses to blend perfectly into the natural world around it.
A clever hack to brighten the hallway, the void of space between the top of rammed earth walls and roof trusses is filled with transparent polycarbonate boards.
Rammed earth walls are capable of supporting the loads applied to them up to a certain limit. For strength and durability, the schoolhouses also contain parts made of other materials, such as steel framing supporting roof trusses.
Steel is chosen for speed of construction and overall robustness, especially where the distance between columns increases. Plus, it’s perfect for building a great variety of roof shapes and styles.
Large windows and generous wall openings above rammed earth walls allow natural daylight and cool breezes into the interior.
Taking everything into account, it’s design that pays attention to detail in facilitating indoor traffic flows and interactions between rooms. This is evident in there being four entry areas conveniently linked to stairs and ramps leading from one floor to the other, as well as the internal traffic routes connecting all the rooms.
The schoolhouse floor is raised slightly higher from natural ground level, adding visual interest to design. The hallway leading to classrooms is built wider than average to provide space for built-in bench seating on the side. And there’s still plenty of room left.
Other useful architectural features include the extended roof overhangs that keep the classrooms cool in the summer and dry in the rainy season. Priceless!
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
This eye-catching home with a glimmering tile façade is situated in Bao Loc, a town in Lam Dong Province on Vietnam’s Central Highlands. It stands surrounded by buildings made of concrete and metal scattered across the cityscape, calling to the mind the image of a hot and dry summer. The house is roofed over with ceramic tiles in subdued orange that fill the upper half of the external envelope. On the whole, it’s design that expresses the homeowner’s playful personality, curiosity and desire to do something new and different.
But the outer appearance seemingly lacking in vitality belies the fact that the interior is bright, airy and comfortable. Walk in the door, and surprise! There’s a lively courtyard at the center of the house plan illuminated by a rooftop skylight. The rooms are disposed around the plant-filled area enclosed by the walls, while rock garden ideas add visual interest to the interior landscape.
Far from being hot and stuffy, it serves as communal space that’s the heart of family life. It provides play room and a conducive learning environment for kids. For aging grandma and grandpa, it brings a special kind of pleasure — the joy of grand-parenting.
The house façade is covered in terracotta tiles in subdued orange, the same materials used for roofing.Serving for camouflage, louver windows with angled slats blend perfectly into the façades of glimmering tiles. They are part of passive design strategies for lighting, cooling and ventilation in the home.
To maximize space utilization and for the privacy of this house and its next door neighbors, the architect decided in favor of a home plan that occupies the full extent of the land. The result is a curious amalgam of regular and irregular geometric shapes that make up a series of seemingly windowless facades.
From the outside, it portrays an image of a complex house plan, kind of a single-story home with a mezzanine. But inside, the interior space is neatly planned every step of the way from the courtyard floor to the circular skylight on the rooftop.
The overall effect is impressive, thanks to open-concept design that creatively divides rooms without using building walls. At the rear of the house, sliding patio doors open to a small private garden that’s calm and peaceful, a perfect sight to create deep relaxation.
The center courtyard illuminated by a rooftop skylight connects all the rooms in the house.
There is more. To maintain the lush Tropical feel of the courtyard in a hot climate, most people simply water their plants using tap water that comes out of the faucets. That’s not the case here. To save water, the architect chose a different course of action.
They brought the outdoors into the home and put it work watering the plants when it rains. In doing so, they made the corrugated tile roof incline inward toward the center of the house plan, whereby harvested rainwater is directed to the courtyard and out via an underground conduit.
This eliminates the need for installing the gutters and downspouts on the outside of the building, a clever hack to protect neighboring houses from a splash back during rain.
Master Plan / Courtesy of The BloomFirst Floor Plan / Courtesy of The BloomEntresol Plan / Courtesy of The BloomSection / Courtesy of The Bloom
For the most part, the living spaces are on the ground floor, except for a small mezzanine that’s the children’s bedroom.
For a relaxed indoor ambience, the ceiling is painted a cool-toned white. The tall side wall that reaches all the way to the roof truss has a large semi-circle window that admits natural daylight and fresh outdoor air into the room. Overall, the house is roomy and well-ventilated, thanks to double height living spaces.
The interior is light and airy, thanks to openings in the building façade where roof trusses meet the bearing wall.
Viewed from outside, a trio of louver windows with angled slats fixed at intervals blend perfectly into the façade covered in orange tiles. They are the same materials as those used to build the house’s corrugated terracotta roofing. The louver windows are part of passive design strategies that utilize the natural environment to provide lighting, cooling and ventilation to the building.
The children’s bedroom on the mezzanine is spacious and airy, thanks to a large window and double height ceiling.An operable glass wall system separates the bedroom from a small private garden, creating a spectacular space for relaxation.
The external envelope covered in orange tiles is the biggest factor that gives this house curb appeal. Among other things, terracotta tiles are the materials of choice the architect picked for the protection of privacy in the home. In his words, they “communicate” directly with the climate characteristic of the locality.
Plus, they add the charm of rustic life to the home, at least from the perspective of Grandma and Grandpa who live here. All things considered, it’s a bioclimatic home that uses the natural environment in which it stands to create a perfect place for peace and relaxation.
Going in the reverse direction, the roof inclines inward toward the center of the house plan, whereby harvested rainwater is directed to the courtyard and out via an underground conduit.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Quang Dam /
Here’s a Tropical-style home located in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The hybrid timber and concrete home is appropriately named “The Hiên House” for its lively green façades, Hiên being Vietnamese for semi-outdoor room along the outside of the building. Overall, it’s a design that comes from thinking outside the box to create a relaxing space in the open air.
The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.
The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.
Wood and Concrete House
Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.
There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.
During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.
The light and airy front entrance is visible from the driveway covered in stone pavers.
To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.
Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.
Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience.
Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.
Balconies and Terraces for Free Air Circulation
What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.
Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.
First Floor Plan / Courtesy of WINHOUSE ArchitectureSecond Floor Plan / Courtesy of WINHOUSE ArchitectureThird Floor Plan / Courtesy of WINHOUSE ArchitectureIn cross section, a side elevation drawing shows space planning decorated with plants working in tandem with wall openings to admit natural light and fresh outdoor air into the home. / Courtesy of WINHOUSE ArchitectureIsometric visuals show reclaimed building materials being adapted to suit new purposes on all four levels of the new home. The message is clear: save the Earth and cut costs. / Courtesy of WINHOUSE Architecture
As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.
Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.
The kitchen in the farthest room is well-lit and well-ventilated.Going in the reverse direction, the terrace that in most cases lies along the outside of the house is put inside overlooking a lively green inner courtyard.
Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.
Illuminated by a rooftop skylight, the staircase and foot bridge spanning the void over the inner courtyard make traffic flow easy and convenient.
A well-lit foot bridge crafted of reclaimed timber connects the major living spaces in the home.
Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard.
The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.
Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.
Plants growing luxuriantly make the house façade green and lively.
Local builders skilled in traditional carpentry reinforce wood beams and pillars for increased load capacities.
In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!
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