/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
This eye-catching home with a glimmering tile façade is situated in Bao Loc, a town in Lam Dong Province on Vietnam’s Central Highlands. It stands surrounded by buildings made of concrete and metal scattered across the cityscape, calling to the mind the image of a hot and dry summer. The house is roofed over with ceramic tiles in subdued orange that fill the upper half of the external envelope. On the whole, it’s design that expresses the homeowner’s playful personality, curiosity and desire to do something new and different.
But the outer appearance seemingly lacking in vitality belies the fact that the interior is bright, airy and comfortable. Walk in the door, and surprise! There’s a lively courtyard at the center of the house plan illuminated by a rooftop skylight. The rooms are disposed around the plant-filled area enclosed by the walls, while rock garden ideas add visual interest to the interior landscape.
Far from being hot and stuffy, it serves as communal space that’s the heart of family life. It provides play room and a conducive learning environment for kids. For aging grandma and grandpa, it brings a special kind of pleasure — the joy of grand-parenting.
To maximize space utilization and for the privacy of this house and its next door neighbors, the architect decided in favor of a home plan that occupies the full extent of the land. The result is a curious amalgam of regular and irregular geometric shapes that make up a series of seemingly windowless facades.
From the outside, it portrays an image of a complex house plan, kind of a single-story home with a mezzanine. But inside, the interior space is neatly planned every step of the way from the courtyard floor to the circular skylight on the rooftop.
The overall effect is impressive, thanks to open-concept design that creatively divides rooms without using building walls. At the rear of the house, sliding patio doors open to a small private garden that’s calm and peaceful, a perfect sight to create deep relaxation.
There is more. To maintain the lush Tropical feel of the courtyard in a hot climate, most people simply water their plants using tap water that comes out of the faucets. That’s not the case here. To save water, the architect chose a different course of action.
They brought the outdoors into the home and put it work watering the plants when it rains. In doing so, they made the corrugated tile roof incline inward toward the center of the house plan, whereby harvested rainwater is directed to the courtyard and out via an underground conduit.
This eliminates the need for installing the gutters and downspouts on the outside of the building, a clever hack to protect neighboring houses from a splash back during rain.
For the most part, the living spaces are on the ground floor, except for a small mezzanine that’s the children’s bedroom.
For a relaxed indoor ambience, the ceiling is painted a cool-toned white. The tall side wall that reaches all the way to the roof truss has a large semi-circle window that admits natural daylight and fresh outdoor air into the room. Overall, the house is roomy and well-ventilated, thanks to double height living spaces.
Viewed from outside, a trio of louver windows with angled slats fixed at intervals blend perfectly into the façade covered in orange tiles. They are the same materials as those used to build the house’s corrugated terracotta roofing. The louver windows are part of passive design strategies that utilize the natural environment to provide lighting, cooling and ventilation to the building.
The external envelope covered in orange tiles is the biggest factor that gives this house curb appeal. Among other things, terracotta tiles are the materials of choice the architect picked for the protection of privacy in the home. In his words, they “communicate” directly with the climate characteristic of the locality.
Plus, they add the charm of rustic life to the home, at least from the perspective of Grandma and Grandpa who live here. All things considered, it’s a bioclimatic home that uses the natural environment in which it stands to create a perfect place for peace and relaxation.
/ Story: Kanamon Najaroen / English version: Bob Pitakwong /
/ Photographs: Quang Dam /
Here’s a Tropical-style home located in Da Nang, a coastal city in central Vietnam famous for its gleaming sand beaches, Buddhist shrines and the Marble Mountains. The beautiful Han River runs through it. The hybrid timber and concrete home is appropriately named “The Hiên House” for its lively green façades, Hiên being Vietnamese for semi-outdoor room along the outside of the building. Overall, it’s a design that comes from thinking outside the box to create a relaxing space in the open air.
The house’s external envelope is simple yet contemporary in style enhanced by verdant balconies and terraces symbolic of homes in the Tropics. Plus, there’s a unique Vietnamese flair to it. As the architects intended, it’s a layout that speaks volumes for a lifestyle that seeks reconnections with nature.
The concept is manifested in the way the ordinary balconies and terraces transform into the proverbial “breathing space” for nature to recover from disruptions. That said, it makes perfect sense to live more sustainably in this day and age.
Wood and Concrete House
Situated away from a densely populated urban area, the wood and concrete house occupies the full extent of a long and narrow lot sandwiched between two roads. It’s home to three generations of a family highly skilled in traditional carpentry living in one household.
There are four stories of living spaces, excluding a rooftop deck. By design, the floor plans cater to the needs of different generations and hence vary in size and appearance from one level to the next. To celebrate the family’s distinguished career in carpentry, the architects made woodworking front-and-center concerns in house design and interior decoration.
During construction, the homeowners were also on hand to provide technical expertise at various stages in the process, especially where traditional Vietnamese woodworking skill was needed.
To help protect the environment, the design team at WINHOUSE Architecture, a design atelier headquartered in Da Nang, chose to use reclaimed wood instead of newly cut timber from the lumberyard. The recycled building materials used in this project included parts of the staircase, such as treads and risers taken from old homes that had been torn down previously.
Other parts were adapted from old decking, post sleeves, balusters and handrails as well as wooden fascia. They were made suitable for a new use or purpose. And, importantly, they were easy to transport and repair without using specialized tools.
Timber is durable even as it ages. It’s safe to handle and capable of withstanding heat and humidity in the air over a long period of time. Old and weathered wood has a natural appearance that’s beautiful and needs no preservative chemicals to prolong its lifecycle, which translates into big savings and convenience.
Using reclaimed wood in combination with local knowledge and modern techniques add a new dimension to construction technology.
Balconies and Terraces for Free Air Circulation
What sets the four-story house apart from the rest is its surprising room ideas and lively green balconies that fill up the entire front façade. They are integral to a design that brings natural light and fresh outdoor air into the home. At the same time, they help dissipate heat from the building keeping the interior cool during the daytime.
Elements of design common for Southeast Asian architecture, the roofed open-air platforms along the outside of the building, be it the balcony or the terrace, perform many useful functions. Among other things, they expand the living areas, protect against the elements, and provide space for sitting rooms and passages for walking along.
As is often the case with most houses, the elements of design such as balconies and terraces are built on the outside of the house. But in this particular case, the architects think it wise to incorporate them in the interior as well, sort of like going in the reverse direction. First they put in an inner courtyard at the center of the ground floor plan.
Then, by disposing the rooms around the courtyard, the areas with a faint light, such as the sitting room and workspaces, suddenly become well-lit and well-ventilated. It’s a clever hack to bring the outdoors into the home. The result is a comfortable living space filled with natural light and fresh air that contributes to feelings of relaxation.
Taking as a whole, the traffic patterns and space design make the long and narrow house plan feel roomy inside. Walk in the front door and you come to a hallway that’s light and airy, thanks to a rooftop skylight illuminating the stairs connected to a foot bridge over the nearby inner courtyard. There is no need to turn on electric lights during the daytime, which translates into big savings.
Climb a flight of stairs to the second floor, and surprise! It’s divided into two separate parts, the front room and the back room linked by a foot bridge that spans the void above the inner courtyard.
The same space planning applies to the third floor, except for one thing. The next staircase leading to the fourth floor is positioned further toward the back of the building. The front part holds a bedroom with a balcony decorated with lush greenery.
Cross over the foot bridge, and you come to the back room containing a workspace and sitting room. The fourth floor contains a quiet, more secluded reading room with a bright and breezy small garden for relaxation. It’s a comfortable living space and the light is more diffuse under the canopy of trees.
In conclusion, the wood and concrete home called “The Hiên House” lives up to its name. All the elements of good judgement in design go to work turning it into an oasis of calm. Everything works out as it should, from a well-lit, well-aired inner courtyard to the plants, trees and small gardens thriving luxuriantly on the balconies and terraces. Perhaps, one word describes it all, salubrious!
/ Story: Wuthikorn Sut / English version: Bob Pitakwong /
/ Photographs: Hiroyuki Oki /
Here’s a beautiful good-sized home with exposed brick walls in subdued orange. It sits peacefully nestled among lush greenery in Nha Be, a suburban district of Ho Chi Minh City, Vietnam. By design, it’s the perfect home size for four sisters who recently decided to come home to care for their aging Mom. A nice place for their family reunion, the brick home is filled with real warmth and memories growing up together back in the day.
Connecting Home and Garden
Designed to fit a long piece of property, the rectangular house plan holds five bedrooms plus a roomy communal space that’s the heart of family life. The architect puts the face of the building closer to the road which passes in front of the house leaving just enough room for a small front yard.
Like so, it allows a huge space for the backyard garden devoted to trees and shrubs and an outdoor sitting room.
Inside, the spacious room shared by all family members lies front and center on the house plan. To bring fresh air into the home, all the rooms are connected to the outdoor spaces in front and back of the building.
Overall, it’s a design that lets the earthy, woody scents of nature permeate the air. Up front, healthy green foliage transforms the communal area into a calm, pleasant place enlivened by plenty of natural light streaming in through generous openings in the walls.
On one side of the floor plan, a flight of stairs connects to the second floor and continues to the room just below the roof that acts as a buffer against the sun and heat. The absence of vertical risers between the treads of the staircase creates visual and spatial continuity, plus good air flow in the interior.
Overhead, a shaft of sunlight streams through the rooftop skylight making the home feel bright and airy all day.
Brick the Material of Choice
The two-and-a-half-story brick home, including the room under the roof, is built almost entirely of bricks for the best indoor climate. Needless to say it’s designed for healthy living.
The first floor is a perfect example of communal space with plenty of room for a generous sitting area, dining room and kitchen. It speaks volumes for a culture of caring and sharing that’s the essence of humanity.
For practical reason, Mom’s open-concept bedroom is on the first floor. It’s protected from the sun’s harmful rays by perforated brick walls that form the outer shell. The inside is clear of anything that might be a tripping hazard.
Meanwhile, the four sisters each have their own bedrooms on the second floor. They are equal-sized rooms connected by a balcony overlooking the communal space on the first floor. At the very top, the space under the roof becomes a devotional room for traditional veneration of the family’s ancestors. It has a quiet sitting area with a view of the surrounding landscape.
Taken as a whole, the natural environment is pristine thanks to an irrigation canal that runs past the back of the property. Both sides of the waterway are covered in greenery growing luxuriantly in the wild. It’s easy to get why the architect puts in a backyard garden here, a clever hack that blends perfectly into the lush landscape.
The house is built strong using concrete frame and concrete floor slab construction, while the external envelop is made of bricks in assorted orange hues fired the old-fashioned way. Perforated brick facades enable interior spaces to benefit from natural daylight. Gaps between bricks in the house’s exterior walls admit light and fresh outdoor air into the home.
A material of choice, the vintage style bricks can absorb humidity from the nearby water body, which translates into interior thermal comfort all year round. Plus, they effectively filter out dust and pollution in the air.
Apart from protecting against heat and glare, brick walls add a touch of timeless elegance to the home. Perforated facades double as privacy screens that prevent people from looking in and keep the home cool without air conditioning.
The light that shines through is more diffuse, while holes in the brick walls act as engine that drives natural ventilation. Plus, brick walls require little to no maintenance, and they look like new after many years later.
Backyard Garden Made for Relaxation
One of the house’s outstanding features is the backyard garden with an outdoor circular bench capable of seating several people. Built of bricks in subdued shades of orange, it’s the family’s favorite meeting place in the morning and evening.
Because it’s round, it creates more space for family members to come together face-to-face, talk together, walk together strengthening the bonds of sisterhood and relationships made in heaven.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: MinQBui /
This narrow lot house is located in Can Tho, a modern city in the South of Vietnam. It lies on the south bank of the Hau River, one of several estuaries through which the Mekong River empties into the South China Sea. Like any busy city, it’s no stranger to incessant activity and overcrowded streets. That’s a practical difficulty for the design team at Da Vang Studio, a homegrown architectural practice based in Ho Chi Minh City. And they rise to the challenge by integrating as much green foliage as possible in the house plan. The result is impressive. The gardens house with a narrow frontage to the street transforms into an oasis of calm, one that offers plenty of comfortable living spaces in close touch with nature.
The elongated house plan occupies the full extent of the land that measures 4.5 meters wide and a whopping 23 meters long. As may be expected, the external envelope of the house also doubles as the perimeter of the garden.
The exterior walls are built tall and unable to be seen through for privacy reasons. Yet, the design team has found a way to provide physical ease and relaxation. They called their design approach “Fitting”, meaning everything has to be kept in proportion, nothing more or nothing less than what’s necessary.
Albeit small, it’s a light and airy, well-thought-out house plan.
The two-story house on a narrow lot offers plenty of usable spaces arranged in order of priority. Go in the front door, and you come into the hallway that connects to a dining room and kitchen.
The living room is halfway down the passage with a flight of stairs set against the wall leading to the second floor that holds two bedrooms.
The quiet, more secluded master bedroom lies at the very end of the first floor that opens to a small sun-kissed courtyard. It’s protected by a lattice patio cover that lets the sun shine through and drives natural air circulation.
What makes this tiny house unique is the fact that all the indoor and outdoor rooms are enclosed behind solid walls. The feeling of being boxed in is nicely compensated by small interior courtyards and patches of greenery designed for comfort and relaxation.
Of the seven green spaces incorporated in the house plan, the front yard and the backyard are the biggest and the greenest. Adding a touch of nature to the interior, low-light and easy houseplants are positioned at intervals along the walls. Even the bathrooms have small patches of greenery that’s easy on the eyes.
Although small in size, this gardens house comes complete with comfortable living spaces and modern conveniences for healthy living.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Nantiya Busabong /
It all began with a thoughtful son’s wish to build a new home and be close to his aging father. And Jun Sekino of the atelier JUNSEKINO Architect and Design was on hand to do precisely that.
Jun Sekino, the architect who designed it, said that originally the plan was to put in an add-on to the existing family home. Later there was a change of plan.
The owner preferred to build a new home on the opposite side of the street from his dad instead, so the design was revised in order to fit an entirely different context.
The result was a white geometric home of outstanding beauty – one that’s simple yet attractive and fully functional. It’s the product of a 360-degree turn.
And after making all necessary adjustments, the architect aptly named it “RUPU HOUSE,” a made-up term coined from the Japanese word for the action of rotating around an axis.
Built on 200 square wah of land (roughly 0.20 acre), the new two-story home offers 680 square meters in total.
It stands surrounded by greenery that’s kept further away at appropriate distances to create a well-lit, well-ventilated living space. The first floor contains functional areas including an open contemporary kitchen with dining space at the center.
There’s a sitting room tucked away in a quiet corner for relaxation. Nearby a semi-outdoor space is reserved for entertaining guests. It lies enclosed by the glass walls of the dining room and sitting room. Glass walls enhance visual continuity and the aesthetic appeal of the home.
By design, the semi-outdoor space on the ground floor is the heart of family life, said the architect. It’s easy to get why this cool and airy area has become the homeowner’s favorite niche.
The second-floor deck keeps it in shade for much of the day. It offers ample space perfect for entertaining.
Despite the house’s modern appearance, the semi-outdoor room evokes pleasant memories of comfort provided by the wooden house on stilts of former times. It’s an ideal place for receiving visitors without disturbing the peace in other parts of the house.
Climb a flight of stairs, and you come to the quiet and secluded second floor that contains three bedrooms. The master bedroom belongs to the homeowner, while two slightly smaller ones are reserved for kids. That’s what the future looks like.
To create a light and airy feel, the spacious master bedroom boasts high standards of comfort with a big bed at the center, a walk-in closet and en-suite bath. But what makes it exceptionally good is the double height ceiling, which gives enough room for a private office on the mezzanine floor.
It’s a layout option inspired by duplex design, a peaceful place in which to work undisrupted. According to Jun Sekino, it’s like having a beautiful office apartment hidden inside the home.
The overall effect is impressive. White geometric design adds interest and a sense of excitement to the house’s external appearance. As Jun Sekino puts it, there is an unadorned beauty plus clean simple lines that fit an easy lifestyle, and that’s exactly the way the homeowner likes it.
Technically, it’s meant to be a simple one-mass unit of construction with a high-pitch shed-style roof, a geometric shape without terra cotta tiles and minimal detailing. And the same treatment applies evenly from top to bottom.
To create a soothing ambience, the concrete exterior home is painted white, a single-color trend toward simplicity in design.
Its shed style roof and external envelope are characterized by regular lines and shapes. This is summed up in the vertical awnings that overhang the walls of the building on all sides.
Together they go to work keeping the sun and rain off the façade, windows and doorway on the ground floor. They also double as a design strategy to break the fall of vertical lines that run from the rooftop to the ground floor.
To improve visual and spatial continuity, the windows, doorway and most of the walls at ground level are glazed using clear glass panels.
The second floor is treated differently. Where appropriate, windows are installed only in the direction that’s not exposed to strong sunlight. Meanwhile, the external walls that face the sun have no wall openings at all.
These solid walls, in turn, make the white geometric home even more noticeable from a distance. As for the interior living spaces, a mix of wood and stone masonry is preferred for its ability to reduce the stiffness of strong geometric shapes.
Looking back over the years, Jun Sekino could still recall that concrete roof construction was the hardest part of the entire project. Steel-reinforced concrete roof building required special skills to ensure the remarkable smoothness of the outer surface and prevent leakage.
Apart from that, other challenges included window fittings, which also needed specialized skills and craftsmanship to make sure they don’t leak when it rains.
All things considered, it’s a home project that brings deep pleasure derived from Jun Sekino’s abilities to accomplish a mission. The concrete exterior is smooth and with no apparent gaps or cracks of any kind. It’s a home carefully thought out to age gracefully.
Like so, the homeowner will be able to repaint the house when necessary without worrying about too many practical details. The new home offers a calm and cozy atmosphere with plenty of room for entertaining and the opportunity to be close to his aging father.
It’s a heartwarming moral story of unbreakable bonds.
/ Story: Kor Lordkam / English version: Bob Pitakwong /
/ Photographs: Andhy Prayitno, of Mario Wibowo Photography (www.mariowibowo.com) /
Nestled on the outskirts of Indonesia’s capital Jakarta, an urban modern home aptly named “Distracted House” looks completely different from everything else. The densely populated neighborhood shares a common characteristic. It’s chock-full of one- and two-story homes closely packed in a way that it feels uncomfortable. To deflect attention away from the humdrum existence of a crowded space, a team of talented engineers at Ismail Solehudin Architecture came up with a clever idea for a craftsman-style home unlike anything else.
The result is a work of outstanding artistry made clearly noticeable by irregular polygons with unequal sides and unequal angles. But what makes Distracted House even more interesting lies in its irresistible power of storytelling.
Beautifully done, it looks the epitome of Javanese culture designed to showcase the ways of life, religious beliefs and traditional vernacular style unique to the Indonesian archipelago.
That’s what gives this home its timeless appeal that blends perfectly with the surrounding landscape.
The two-story, 420-square-meter building is home to an extended family with seven resident members on a normal day. On special occasions and holidays the number can increase to more than 10. That’s precisely a challenge that the architects had to overcome by creating enough usable spaces and functions to satisfy demands.
To fit in with the existing built environment, the only way to go was up. The architects relied on two building methods to solve the problem.
First, the roof was raised slightly higher than normal to create enough room for a mezzanine on the second floor, thereby giving the house extra living spaces, plus well thought out details make the interior feel warm and welcoming. This was achieved in a way that’s compatible with the mostly two-story homes neighborhood.
The second method involved putting in a courtyard with swimming pool at the rear, plus adding plants and greenery inside the home.
The pool that’s the focal point of the courtyard can be seen in full view from inside the dining room and sitting room. To bring the outdoors into the home, small rock gardens with lovely low-maintenance plants are integrated in the design, while skylights set into the roofline keep the interior well-lit during daytime hours.
Overall, the interior living spaces are invitingly comfortable thanks to a well-designed stairwell that opens to admit fresh outdoor air into the room.
Despite the limitations, attention to detail makes the home a special place to be and prevents it from becoming a stuffy, overcrowded space.
Apart from a bright and airy atmosphere, it’s the house’s outer appearance that’s getting the most attention. Plus, family traditions, lifestyle and religious beliefs play a part in determining the location of, and interaction between functional spaces in the home.
This is manifested in building orientation, by which the new home design axis is aligned with Qibla, or the direction towards the Kaaba (the stone building at the center of Islam’s holiest site in Mecca). Hence the Musalla, or room set aside for prayer in Islam, is located at the farthest end in this direction.
A place to quietly reflect inward and connect with Allah, it’s also used for religious ceremonies in the family.
Like so, the main communal space of Distracted House is set oblique in relation to the rectangular yard landscape, an unusual layout that sets it apart from the rest. To synchronize modern living with traditional Javanese style and taste, the team of architects added Joglo house architecture to the design.
The term Joglo refers to a steep pitch roof at the center that was associated with Javanese aristocrats in olden times. The center of the floor plan is filled with smaller rooms and functional spaces, creating a conducive environment for a harmonious family life.
Meantime, areas on the periphery are roofed over to keep them in shade.
Overall, the building envelope is made of wood and concrete masonry construction painted white. Where appropriate, air bricks are used as part of the house’s ventilation system.
Except for its unusual shape, the entire roof is covered in terra cotta tiles in a dark shade of orange that’s consistent with other houses in the neighborhood.
In summary, it’s a well-thought-out design that speaks volumes for lifestyle, a strict adherence to religion, and cultural heritage passed down through generations of a family.
A new home made with skill, creativity and imagination, it’s a look that conveys a great deal about the residents through interior and exterior design.
Who would have thought that a home with absolutely unique physical features would ease into beautiful suburban vibes? Interesting, to say the least.
Architects: Ismail Solehudin Architecture (ismailsolehudin.com)
Lead Architect: Ismail Solehudin
Design team: Radhian Dwiadhyasa
Building contractor: Wani Build
Structural Engineer: Pt. Desain putra persada (new building) Andi Dzikril (building structure)
Here’s a home designed to create a good first impression. Named “the House in Chau Doc,” its external envelope is made of galvanized steel sheeting, ironwood (Xylia xylocarpa), wire meshes and right-angle steel bars — ordinary materials often associated with run-of-the-mill places of abode. For architect Shunri Nishizawa, there is opportunity in every crisis. Despite many limitations, he is able to put them to good use in creating a living space well suited to the surrounding circumstances, the environment and weather conditions characteristic of the area.
Situated in Vietnam’s Mekong Delta region where the mighty river passes and empties into the sea through various distributaries, Chau Doc is no stranger to flooding.
It’s a problem that runs like clockwork to the extent that the annual inundation of the Mekong River Delta is regarded as normal. That’s the circumstances that form the setting in which this house is located.
Designed to perform in the event of a flood, it has a set of stairs especially built to link up with the second floor when water overflows beyond its normal confines.
House in Chau Doc is a home built on a budget by choosing the building materials that are right for the circumstances. At the same time, it presents the opportunity of experimenting with materials and design techniques that can answer the lifestyle needs similar to those provided modern urban homes.
For this reason, the new home at Chau Doc comes complete with tranquil spaces that help people feel calm and relaxed. It doubles as a design laboratory, in which the building materials of choice are assessed for their looks and ability to perform in real life.
Despite the key elements of visual design evocative of modern urban homes, it’s the natural atmosphere that makes this countryside house feel calm, fresh, and welcoming.
This is achieved by bringing the great outdoors into practically every part of the home. Meantime, an open plan layout affords ample semi-outdoor family room and cozy sitting area.
What makes House in Chau Doc interesting is the open walls design that visually connects with nature and doubles as passive ventilation systems. This makes the interior living spaces feel comfortable without being affected by galvanized steel sheeting that forms the outer shell.
Plus, the house façade and rear walls are fitted with large windows protected by overhanging eaves. Together, they go to work allowing just enough fresh, outdoor air and natural light into the home, thereby preventing it from getting too warm or too uncomfortable during daytime hours.
Taking everything into account, it’s a thought-provoking design that challenges us to explore deeper and wider to overcome limitations in a bid to create comfortable living spaces. With the power of the imagination, a home that inspires happiness and well-being is perfectly doable as this architect has shown.
Even better if the beauty of a locality is incorporated in the design.
Find out more about architectural design in sync with nature, as well as ideas for a possible course of action within the context of nature, climate and culture from Shunri Nishizawa, architect and founder of NISHIZAWAARCHITECTS, Vietnam, at the upcoming the “room X Living ASEAN Design Talk 2023.”
Meet up with a panel of experts comprising four distinguished architects from three countries. This year’s conversation event is on the theme of “URBAN FUSION / RURAL FLOURISH: Interweaving Urban and Rural Designs”. The Talk is scheduled for Sunday August 6 at the room Showcase zone inside Baan Lae Suan Fair Midyear 2023, BITEC Bang Na, Bangkok. It’s an opportunity not to be missed. Mark your calendar!
“There is something about this place that always brings back old memories,” said the owner of this lovely treehouse by the lake. “Several decades passed, but I still remember it as if it was yesterday. My family camped out here on a hot summer day. Our children gathered under the canopy of an old tree and set up a small tent together.”
“We called it a ‘house’ because it protected us from the sun, and we had a lot of fun. Some children cut down a few trees to make tent poles while others gathered leaves to make the upper covering and decorations.
“It was beautiful and eye-catching. Completely finished, we went looking for things needed to ‘settle down’ in the leaf hut shelter. …”
Obviously, his experience and memories provided the inspiration that culminated in the country home of his dreams. Built into nature, this treehouse by the lake was based on biophilic design conceived and developed by H.2, a homegrown architectural practice based in Ho Chi Minh City.
The house merges into the surrounding forest landscape on the bank of Da Bang Lake, a calm and peaceful body of water in Ba Ria-Vung Tau Province in Vietnam’s Southeast.
It all began with the homeowner’s desire to let his granddaughter connect with nature just like he and his kids did when they were young — an experience that, in his words, provided lasting psychological benefits. He could still recall having fun growing up in the countryside where life was simple.
Sharing a piece of his paradise, he said, “The leaf hut shelter that we built back in the day was a place to play games, do kid-friendly things and listen to music.”
“Memories were made here and the story is crystal clear like it all happened yesterday. The simple games we played nourished our souls and, especially for me, nurtured my love for life in the poor countryside. Those were the days.”
The 120-square-meter home sits in the shade under the canopy of tall trees near the lakeshore. It’s made attractive by ordinary materials sourced from within the neighborhood, a quality that gives it the unblemished charm of rustic rural life.
The stilt house supported by concrete structural framing offers plenty of under-floor spaces that allow natural daylight and gentle winds blowing in from the nearby lake.
It’s called a treehouse for good reason. Instead of cutting down the existing trees, the new house is built around them, literally letting them grow through the roof.
At the center, a spiral staircase winds around a tree trunk connecting the first floor to the second that serves as family living quarters.
What makes it unique is the use of reclaimed steel with surface rust in a variety of colors and textures, an appearance that gives the house its vintage industrial appeal. Some of the pieces came from an old factory that had been torn down, while others were purchased from a local scrap yard.
In a way, it’s contributing towards a healthier planet by reducing waste, recycling and reusing discarded materials to suit a new purpose.
Simple yet attractive, it’s an eco-conscious home made possible by the honest use of natural materials. Here, the emphasis is on creating a light-filled, airy and comfortable interior, one that seeks reconnections with nature and, at the same time, brings the warmth of family joy.
The homeowner said that he could still recall the day his granddaughter arrived at the new home. She was obviously happy and excited.
The forest treehouse by the lake afforded a conducive learning environment with plenty of room to play, run, jump, and climb trees.
With respect to construction, it’s a very interesting project. The nature-loving house by the lake makes practical and effective use of discarded materials in a way that creates a home of higher quality and value.
Take for example the use of scrap metal and leftover materials including corrugated roof paneling that people tend to overlook. And by giving recyclable items a new purpose, it translates into big savings and, at the same time, reduces impacts on the environment.
Long story short, the outer appearance is immediately appealing. The interior living spaces are comfortable, peaceful and secluded to say the least.
Flexible floor plan design lets nature permeate making the home bright and airy. At the same time, it’s ingeniously devised to integrate the existing trees in the overall scheme of things.
That’s just one of several fascinating adaptations that make it original and unique – a forest home where all things eventually merge into one pleasing and consistent whole.
/ Story: Nantagan / English version: Bob Pitakwong /
/ Photographs: Rungkit Charoenwat /
All he ever wanted was a place out in the country. Dechophon “Teng” Rattanasatchatham, the architect at Yangnar Studio, built his humble abode amid the rice fields in bucolic Chiang Mai’s Sankamphaeng District. Carefully thought out from work experience, it has come to redefine the meaning of rural home life from the perspectives of both the architect who designed it, and his family living in it. Like so, a calm and beautiful piece of vernacular architecture was created, one that came complete with all the requirements for good living. Plus, it’s aptly named “Tita House,” which is Thai for a bright and friendly rural appeal.
Sharing his piece of paradise, Teng said: “To start with, because I was going to live here, I wanted to draw on all my experience in vernacular architecture, design, ideas, and results of the experiments I had done in the past and put them to good use.
“I envisaged building a home that would be best suited to me and my family, one that kept within the budget and was built out of reclaimed timber that I had at the time.”
Viewed in its essential qualities, the house plan was adapted from vernacular architecture, which has been the signature of the atelier Yangnar Studio from the start.
It was built the old-fashioned way of Northen Thailand vernacular architecture by carpenters from within the locality. Clever building hacks utilizing a mix of modern tools and time-honored traditional techniques resulted in the superb vernacular carpentry of a true-to-nature wooden home.
From the look of things, the inconspicuous earth-oriented ebony building appeared unpretentious and capable of merging with the surrounding landscape.
Tita House represents a marriage of the modern and the traditional. It’s rich in architectural features indigenous to the Northern Region.
They include, among other things, stilt house design that integrates lower and higher elevation floors to form a coherent whole. Essentially it’s about making appropriate adaptations of tranditional vernacular architecture that are convenient for and acceptable to family lifestyle needs.
As the architect put it, “The idea of integrating a lower elevation floor (the smaller building) in the design was adopted because there was a need for easily accessible under-floor space.
“Plus, it provided storage room for agricultural tools, food raw materials and articles for household use. Nearby, a higher elevation floor (the main building) offered plenty of ample under-floor space for woodworking, a casual relaxed sitting room and areas for the children to run and play.”
Under-floor space offers many benefits. Aside from creating multifunctional room, it doubles as a passive cooling system that drives natural air circulation.
This helps prevent high humidity levels in the home and keeps the interior cool in summer. It’s a more effective way to cool a home than building a wooden floor on the ground, which is prone to moisture damage, Teng explained.
Right Building Orientation Improves Comfort
Tita House comprises two buildings that blend like cuts from the same cloth and are connected by a wooden deck that’s roofed over to protect from the elements. The smaller of the two buildings is used for open-flame cooking and eating, while the bigger building houses main living quarters.
As is often the case with vernacular architecture, it’s built on a split-level home plan. Cooking and eating spaces lie at the lower end, while the front deck and main living quarters are positioned slightly higher.
The area for eating and entertaining house guests lies to the north of the main building. It’s pleasantly cool and bright under the shade of trees that are the vital part of a wild yard landscape.
Winds blowing into it from underneath the nearby smaller building keep the area nice and comfortable all day. The main building that houses family living quarters affords a fine mountain view easily seen from the front deck connecting to two bedrooms at the far end.
“The reception area is positioned to the north of the main building for it gets beautiful morning sunshine.” Teng explained.
“As time passes and the sun moves across the sky, the nearby smaller building provides protection from afternoon heat. This way it’s nice and cool in the shade for much of the day.”
There’s a living room that forms part of the suite in the private house. It’s designed to conveniently connect to a workspace lying between two bedrooms.
The workspace itself is on the east side of the house plan with bay windows projecting outward from the wall of the building. Elsewhere, transom windows are fitted with weather-resistant insect screens instead of glass, thereby allowing fresh outdoor air to enter and circulate inside.
Meanwhile, long eaves that overhang the walls of the building protect the interior from the elements. The under-floor space beneath it is kept cool by design, thanks to the house floor that extends outward to form the upper covering that keeps it in shade for much of the day.
A Product of Intermixing and Experimenting with Ideas
Tita House is the brainchild of the homeowner and architect who created it. To him, it’s a living experiment of current time vernacular architecture. It contains architectural features, building techniques and qualities that he has never tested before elsewhere.
“I had the opportunity of visiting a village in the North of Vietnam and Kengtung (a township in Myanmar’s Shan State) and came away impressed by the method of building houses there,” said Teng.
“It was very interesting. They started out by making flat component pieces in the shop or on-site. Then people in the village joined together to assemble them step-by-step to form a unified whole. In no time, a complete home was erected simply by connecting prefab paneling together.
“It gave me the inspiration to adapt and try it myself.”
Apart from trying out new methods for structural frames making, Teng also put other creative ideas to the test.
This new house of his was the outcome of those experiments. In a nutshell, it was about making appropriate adaptations that best fit the circumstances.
In the case of Tita House, the integration of a low elevation floor in stilt house design was something not seen very often in the North of Thailand’s vernacular architecture. In most cases, different elevation floors, if any, were kept apart in two separate buildings.
Besides architecture, there are several internal fitments that are worthy of note. They include wash basin design ideas for preparing vegetables, washing dishes, and watering plants in the yard.
Here, pieces of kitchen equipment are beautifully organized. They are connected to the backyard garden below by a line of bamboo poles that carries water supply to a glove of banana trees.
For a neat appearance, the wash basin is crafted of teakwood paneling put in place parallel to the edge of a balcony.
Teng said: “From experience, I have done an experiment on teakwood wash basins for customers only to discover that most of the time they were too small for their needs.
“So I came up with a bigger size, put it to the test right here at home. Apparently it worked out very well. The large teakwood basin dried fast and required little to no maintenance.”
An Unpretentious Home Made Attractive by True-to-Nature Materials
The two buildings were made almost entirely of reclaimed timber. Cut into desired lengths and sizes, the pieces were put together using mortise and tenon joinery to create individual component parts.
The next step was to assemble the pieces of the jigsaw to form a unified whole on-site. The materials of choice were wood and brick. To bring out the color and texture that’s true to nature, brickwork was not plastered in a cement mixture to create smooth hard surfaces, which translated into big savings.
According to Teng, “Most of the wood reused here came from old homes that were torn down at various places. For durability, they were given a coat of protective wood stains on site. For the most part they were weathered almost black and differed greatly in terms of the appearance or texture, a quality that gave the home its vintage vernacular appeal.”
All things considered, it’s an unpretentious abode that speaks volumes for what the architect and homeowner is about. Every little thing has a story to tell, whether it is about the ways of the community, the materials, or the architectural features integrated in the design.
It’s a home that conveys a great deal about a desire to reconnect with nature through sustainable living. And Tita House is doing exactly that.
Owner/Architect: Dechophon Rattanasatchatham of Yangnar Studio
Here’s a home with a Modern space designed for a big family in Singapore. Its generous interior provides great sensory pleasure with fresh air and plenty of room where plants grow luxuriantly. Unique and neatly planned, it redefines the meaning of Tropical design, which in this instance is manifested in an intriguing combination that makes the home feel more comfortable.
Because Singapore is an island, every square inch counts and it doesn’t come cheap.
To build a good home, one must ponder the question of what functions and useable spaces it offers, plus all the modern conveniences.
At the same time, it’s nice to bring nature inside to create powerful psychological effects. And from this point of view, this beautiful oasis with in the city is truly a gem.
The multigenerational household comprises three families. Naturally, it makes sense to accommodate the needs of every age group without sacrificing the common area that’s available to everyone.
Done right, it allows interactions to take place in the family. To facilitate the socialization processes, greenery space is added to the mix to let house occupants reconnect with nature wherever they may be.
The well-planned common area gives the gift of healing and the human touch that everyone craves coming home at the end of the day.
Taking everything into account, the contemporary cube-shaped house is in a league of its own. It celebrates the simplicity of open living spaces conceived and developed by the Singapore-based architectural practice ASOLIDPLAN.
Among other things, what makes it unique is the use of rectangular openings in various dimensions to make the building façade aesthetically pleasing. Done right, the openings in the walls and rooftop admit light and air and allow people to see out.
In this particular case, the building sits facing west, so every precaution is taken to protect the interior from the sun’s harsh glare keeping it nice and cool all day.
The answer lies in a complete rethink of the building shell design, hence the name “Envelope House.”
Step inside, and you come to a gorgeous center courtyard with triple-height ceilings and skylights on the rooftop. It’s a clever hack to reconnect with nature by bringing the outdoors into every nook and cranny of the interior.
Houseplants perfect for miniature landscaping thrive everywhere, even under the staircase. Nearby, young trees with healthy lush foliage stand front and center next to a garden water feature with stepping stones that decorates and refreshes the room.
Looking for a quiet place to lean back and chill? There’s a nice sitting room with a garden view by the window.
The second floor contains living quarters for elderly parents, while the third affords plenty of private residential spaces for grownup children and their families.
Here, fresh greenery is never out of style. It’s an awesomely cool Modern space, where the beauty of plants is present everywhere, whether it’s on the staircase or along the corridors.
The entire interior is so well-lit by skylights that there’s no need for electric lights anywhere in the daytime. And the house plants benefit from it, too, no doubt.
Speaking of design, there’s a special feature that makes the house with a Modern space feel more comfortable. Its thermal envelope is made of energy-saver double-layer walls that form the first line of defense against heat and the elements.
Where possible, landscaping plants thrive in between the two layers to protect the interior from the sun’s harsh UV rays. That’s not all. There’s also a rooftop deck with green grass lawns for outdoor relaxation in the cool of the evening.
In the fewest possible words, it’s a perfect example of homes well suited to a Tropical climate — a complete rethink of strategies that doesn’t rely on adding or extending a roof overhang to protect from inclement weather.
Plus, double-layer wall construction makes this piece of architecture original and unique in itself simply by bringing the outdoors inside.
By integrating a green oasis into the design of the house’s Modern space, it succeeds in dealing with limitations that come with overcrowded urban spaces.
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